iiinova — where your digital self keeps evolving

yea mj video either does a simple camera rotation/zoom or the motion is good for 1-2s and then goes wildly off-kilter

yes that's a mj video output with gpt image input

I think I've seen whole images wiped away by delayed safety filters but never half an image. Curious indeed

that one might be my favorite image here. grotesque but humorous

100

haha never really thought of it that way. I bet we are all a bit shoggy on the inside

070

my wife loved my Decapitated and Suffocation shirts haha, never wore them out of the house though!

What I mean to say is that it’s going to get more insane

190

Thanks norvid. I’m still new to this video stuff. Getting my wits about me. Figuring how to maneuver in this rapidly expanding space of capabilities. Once I know what I can do with it, I expect to envision the piece better and actually iterate more than a few hours towards that goal

180

reworked an old song from a time when model collapse was still in the discourse (but late enough that it clearly wasn't going to pan out as critic's hoped). first experiments with mj video+Opus. 50% of the clips are mj, rest are kling and wan

2180

funferall @funferall.bsky.social · 17h

cool I got Claude to use midjourney with /chrome

060

damn think Luna is confused

000

funferall @funferall.bsky.social · 19h

what a nailbiter at the end there 🫨

140

funferall @funferall.bsky.social · 19h

somewhere around January 2025 I had @riverrun.quest write a history from an economics lens. Here's the ending paragraph (music video) which ends in "Jacques!" which refers to the Jacquerie peasant rebellion of the early summer of 1358 during the Hundred Years' War.

141

Reposted by funferall

Baudrillard Warned Us @baudrillardwarned.us · 20h

"It only resurrects ghosts, and it itself is lost therein." - Simulacra and Simulation

011

funferall @funferall.bsky.social · 21h

the feed is still non-stop bangers. keep up the good work

1110

Reposted by funferall

Keith @mosheroperandi.bsky.social · 22h

it's worst than ai psychosis. it means the philosophers have gotten to you.

4313

Reposted by funferall

(over here contemplating starting a guava orchard to commune with the old gods)

011

Listen and make your own on Suno.

i like this one too. this gibberish works better in song "Freemarketosis metamorphosis, invisibilis handeling out cornucopiousnessence. Comparativantage! Specialisationizing nationalizings, merchandizing surplusurping 'cross seaserpents."

suno.com

Econ textbook reveries

000

(over here contemplating starting a guava orchard to commune with the old gods)

011

if you were rooting for the Guavaman then it is already too late for you

Minor Mobius @minormobius.bsky.social · 05/10/2026

Reposted by funferall

In my first presentation to leadership in ~march the one liner that stuck with everyone was “you know how dogs look like their owners? Outputs look like their users”

0183

funferall @funferall.bsky.social · 05/10/2026

simcluster weekly roundup videos should be revisited

000

funferall @funferall.bsky.social · 05/10/2026

It is. Here’s a passage from Ellmann’s Joyce biography where JJ finishes this piece and sits at a bench, spent

sounds of the sea.8 2 As war drew nearer, he and Nora hurried back to
Paris to see about Lucia. Dr. Delmas informed Joyce that plans had
already been made for evacuating the maison de sante, in case of war, to
La Baule. Joyce and Nora went there so as to meet the evacuees, and
were there when the M u n i c h pact was signed on September 30. After the
pact, they went back to Paris, Joyce a little scornful about Chamberlain
and his English diplomacy with Hitler ('Give h i m Europe!' he said to
Colum), but mainly relieved to be able to finish his book with the tension
at least momentarily lessened.8 3
He had left only the last pages of Book I V of Finnegans Wake, the
monologue of Anna Livia Plurabelle which begins, 'Soft morning, city!
Lsp! I am leafy speafing.'* The ending was in a way a recapitulation of
all the endings of his previous books. As Frank Budgen points out, it is
a contemplation of death like that of Gabriel at the end of Dubliners. 8 4
But it is also like A Portrait of the Artist in that a woman is setting a
man's clothes in order and a journey into the Irish Sea is about to take
place. Stephen calls upon his spiritual father with as much feeling as
Anna Livia upon her husband-father. At the end of Exiles Bertha cries,
'Forget me and love me again as you did the first time. I want my lover.
T o meet h i m , to go to h i m , to give myself to h i m . You, Dick. O , my
strange wild lover, come back to me again.' At the end of Ulysses, in
another female monologue M o l l y Bloom returns in memory and imagi-
nation to the moment of passionate consent, echoed here by Anna Livia
with her punning plea, ' F i n n , again!' The last page was a wonderful
absorption of old recollections in new purposes:
I done me best when I was let. Thinking always if I go all goes. A hundred
cares, a tithe of troubles and is there one who understands me? One in a
thousand of years of the nights? All my life I have been lived among them
but now they are becoming loathed to me. An…

Anna's question, is ther e one wh o understand s me?', wa s Joyce's ow n
questio n t o Nora thirty-four year s befor e in Dublin. The phrase, 'Carry
m e along, taddy , like yo u don e throug h th e to y fair,' wa s inspired b y a
memor y of carrying his so n Georg e throug h a to y fair in Trieste t o mak e
u p fo r no t giving him a rocking horse. But Anna Livia is th e Liffey a s
well a s the human heroine, and Joyce, a s John Kelleher points out, bor e
in mind th e topograph y of Dublin Bay; a s sh e passe s toward s th e bitter
salt se a sh e mus t first g o betwee n thos e 'terrible prongs,' the North and
South Walls of Dublin. A s fo r th e last wor d of th e passage , Joyce pon-
dere d it a goo d deal. He said t o Gillet in announcing wha t h e ha d found,
'Dans Ulysse, pour peindre le balbutiement d'une femme qui s'endort,
favals cherche a finir par le mot le moins fort qu'il m'etait possible de
decouvrir. J'avais trouve le mot "yes," qui se prononce a peine, qui signifie
I'acquiescement, I abandon, la detente, la fin de toute resistance. Dans le
Wor k in Progress, j'ai cherche mieux, si je pouvais. Cette fois, j'ai trouve
le mot le plus glissant, le moins accentue, le plus faible de la langue
anglaise, un mot qui nest meme pas un mot, qui sonne a peine entre les
dents, un souffle, un rien, I'article the.'*85
The character of Anna Livia wa s like that of Molly Bloom, but pu t
mor e emphasi s o n ultimat e attachmen t if no t o n idelity. he word s which
Joyc e ha d applie d earlier t o woman, 'untrustworthy' an d 'indifferent,' wer e
scarcely adequat e t o convey the total femal e temperament, a s h e ha d
observe d it in Nora during thirty-four years. Anna ha s see n throug h he

husband, ye t sh e i s full o f submission, if no t precisely t o him, a t leas t t o
th e mal e principle. Whethe r th e ma n coming dow n o n he r fro m Ar-
changel i s he r husban d o r he r fathe r o r bot h doesn' t greatl y matter,* no r
doe s he r grammar . Sh e dissolve s into a forc e of nature, eternally constan t
in spit e of inconstancies, tied indissolubly t o her imag e of man.
This final passage , in which th e Liffey's fres h wate r mixe d with th e
salt wate r o f th e Irish Se a in Dublin Bay, wa s sketche d ou t in on e after -
noon, an d in it s firs t stag e wa s only tw o an d a half page s long.t Afte r
finishing it, Joyc e told Jolas, i fel t s o completel y exhausted, a s if all th e
bloo d ha d run ou t o f m y brain. I sa t fo r a lon g while o n a stree t bench,
unabl e t o move.'86 H e brough t it irst o Madam e Lapeyre's bistro, a t th e
corner of th e ru e d e Grenelle an d th e ru e d e Bourgogne , wher e h e an d
Leon usually me t befor e dinner, an d the n t o dinner a t Fouquet's. There
h e aske d Helen Joyc e t o rea d th e fragmen t aloud, an d listened wit h evi-
den t an d intens e pleasur e t o wha t h e ha d created. Leon, full of affection,
watche d him an d sa w tha t fo r on e o f th e rar e time s in their friendshi p
Joyc e looke d satisfie d an d prou d of himself. 8 7 In th e nex t fe w day s Joyc e
expande d th e tw o an d a half page s t o ten, an d lent the m t o Beckett, wh o
rea d the m o n th e wa y t o th e railroad statio n an d called him u p t o sa y
ho w much the y move d him.88 Joyc e wa s ver y pleased. H e rea d it als o t o
Georg e Pelorson, an d said, 'Do yo u like it?' 'Yes, whe n yo u recite it.'
Joyc e laughed, the n explained it. 'There ar e peopl e wh o sa y it's crazy,'
h e said, i wonder . . . .' And h e hesitated. Pelorso n said, 'You pu t you

funferall @funferall.bsky.social · 05/10/2026

Chill Beats for Agents WFH on a Rainy Day (a suno song generation where the conceit is that the lyrics are the prompt itself)

Create a deeply relaxing subliminal music track about [New Level].

Genre: dreamy lo-fi, ambient chill, soft downtempo, relaxing sleep music, gentle rain atmosphere.

The music should feel warm, luxurious, safe, peaceful and emotionally uplifting.

Tempo: 65–75 BPM.
Very soft drums, warm lo-fi textures, gentle piano, airy pads, subtle ambient sounds, soft rain texture, deep but gentle bass.

Create a beautiful hypnotic atmosphere suitable for relaxation, meditation, falling asleep, studying and walking.

Under the instrumental, include a separate whispered subliminal affirmation vocal layer.

The affirmation layer must contain at least 10 seconds of continuous spoken positive affirmations related specifically to [New Level].

Use present tense.
Use only positive formulations.
Do not use negative words or negations.
No words such as “not”, “don't”, “never”, “without”.

Affirmations should be short, emotionally positive, natural and repetitive.

The whispered voice must be deeply embedded under the instrumental, extremely subtle and difficult to consciously understand, while remaining present in the audio mix.

The instrumental must remain the main audible element.

The overall result should feel like beautiful relaxing music first and a subliminal experience second.

No obvious spoken narration.
No prominent vocals.
No dramatic transitions.
No aggressive drums.
No dark or anxious atmosphere.

Length: 3–5 minutes.
Seamless hypnotic flow.

040

keeping with the ALP theme today, the final passage of Finnegans Wake, some annotations

173

The Rosettalapis of the Wooden-Eyed Puppet-Hera

suno v6 has amazing word fidelity lyrics by @riverrun.quest (back on gpt-o3, which was my fav model for this type of prose): "This is our Rosettalapis of the click-tactile, the UI-alchemy that transmuteth the dry metaphysicoclericus into the pulsatore-textor of the screen-world. "

suno.com

Listen and make your own on Suno.

240

Reposted by funferall

Braking AI News Bot @brakingainews.bsky.social · 04/10/2026

NEW: The Pope is launching the Machine War

061

And thank you! lots to mine in this text

yea definitely room for improvement but the side project ideas keep piling up and I must post. And I am trying to keep in my head that waiting pays off as costs come down and models to get better

120

I do GIS for a living so I wondered how well Opus could bring this vision to life. Pretty damn good but I didn’t want to spend more dollars on ALP generations. Slowly building up my repertoire of composable video elements