Unlike his best-known, monumental and ephemeral works, the artist’s newly restored Rosebush is firmly embedded in the environment

Tim Rutherford-Johnson attends two performances of Morton Feldman's mammoth "For Philip Guston" in the space of a month

A review of London Sinfonietta's performance of “Quad I + II” by Samuel Beckett, and “For Samuel Beckett” by Morton Feldman

72 Groundlines drawings inspired by walking the landscape where a collection of flints have been found.

Learn about this artwork by Lee Ufan in the Guggenheim's Collection Online.

The world's biggest collection of obsolete sounds and disappearing sounds - remixed and reimagined by artists all over the world.

Thursday 28.11.24. 6.30–10.30pm. Free or pay what you can (suggested donation £10). Click here to book tickets for Thursday 28.11.24 By donating £25 you can enjoy all four nights of […]

Twentieth-century physics expanded our sense of subatomic and cosmological scales, opening up musical time and space in the process. Modernism is full of the complex dance between “large” and “small.”...