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Dragon's Eye Recordings

@dragonseyerecordings.com
2.1K followers 528 following 363 posts

Digital imprint and publisher focusing on elevating marginalized voices in experimental music. Curated by @yannnovak.com. www.dragonseyerecordings.com

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Dragon's Eye Recordings @dragonseyerecordings.com · 16/10/2026
[UPCOMING] @soloisounds.bsky.social 𝙈𝙖𝙥 de6091 December 4, 2026 PRE-ORDER → soloisounds.bandcamp.com/album/map
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Dragon's Eye Recordings @dragonseyerecordings.com · 12/10/2026
A new episode of the 𝗗𝗘𝗥 𝗠𝗶𝘅 𝗦𝗲𝗿𝗶𝗲𝘀 is almost here. This month, Max Devereaux weaves together a mix of the music he & Alec used to shape the textural direction, composition, & conceptual direction of Febrile. Airing tomorrow on @campradio.bsky.social @ 4PM CET / 7AM PST 📻 LISTEN → www.listen.camp
This is a flyer for a radio show. In the center is a photo of Max Devereaux looking a suite, wearing glasses and looking straight into the camera. There is a greenish textured wall behind him. At the top it reads "Episode 47” with the DER triangle logo. on the side it reads “10.13.2026 | 16:00 - 17:00 CEST".  At the bottom it reads "DER Mix Series: Max Devereaux".This is a flyer for a radio show. At the top it reads "Playlist 47” below that it reads: Olivier Messiaen — Et Exspecto Resurrectionem Mortuorum: I. Des Profondeurs De L'Abîme; Toshimaru Nakamura — NIMB 51; Morton Feldman — Le Bureau Des Pianistes - Intermission VI (1953); Koji Kondo — Water Temple (The Legend of Zelda: Ocarina of Time); Iannis Xenakis — Concret PH; Akira Kosemura — Pale; Ennio Morricone — Pace apparente; Jon Hassell — Paris I; Louis and Bebe Barron — The Monster Pursues / Morbius is Overcome; Haruomi Hosono & Tadanori Yokoo — Hepatitis; Kazuya Ishigami — Mec Worm; John Cage — Williams Mix (Realized by David Tudor & Earle Brown); Cleo Laine — At The River (Charles Ives cover); Taku Sugimoto — Stained Glass Windows; Koji Kondo — Title Theme (The Legend of Zelda: Ocarina of Time); Ryuichi Sakamoto — solari. At the bottom it reads "DER Mix Series: Max Devereaux."
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Dragon's Eye Recordings @dragonseyerecordings.com · 09/10/2026
Dragon’s Eye Recordings is excited to welcome 𝗘𝗱𝗼𝗮𝗿𝗱𝗼 𝗖𝗮𝗺𝗺𝗶𝘀𝗮 to our roster. Edoardo Cammisa has been questioning the boundaries between silence and sound, and the infinite in-betweenness that emerges from them, since 2013. 👤 LEARN MORE → www.dragonseyerecordings.com/artist/cammi...
Light grey flyer with text on the top that reads “Edoardo Cammisa,” on the left it reads “New Artist,” on the right it reads “2026,” and has the triangular Dragon’s Eye Recordings logo at the bottom.  In the center is a photo of Edoardo Cammisa sitting on a beach in a white t-shirt with his back to the camera. There is beach grass in the foreground and the ocean is visible in the distance.
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Dragon's Eye Recordings @dragonseyerecordings.com · 09/10/2026
We are releasing another track off @rushabnandha.bsky.social's upcoming album 𝙨𝙤𝙖𝙧𝙨𝙤𝙛𝙩𝙡𝙮, you can now stream 𝘸𝘩𝘦𝘯𝘭𝘪𝘨𝘩𝘵𝘦𝘷𝘢𝘥𝘦𝘴, or download when you pre-order! 📌 PRE-ORDER → rushabnandha.bandcamp.com/album/soarso...
Photo of Rushab Nandha wearing a black t-shirt with blurry trees in the background. The photo is black and white and inverted or over exposed so his face is pure white.
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Dragon's Eye Recordings @dragonseyerecordings.com · 02/10/2026
[OUT NOW] Built from field recordings gathered far from home, @timothyfairless.bsky.social' 𝙁𝙧𝙞𝙘𝙩𝙞𝙤𝙣 draws together sounds captured deep inside a Swiss mountain, among the crowds of Tokyo's Asakusa district, & in quiet corners of London. 🎧 BUY/LISTEN → timothyfairless.bandcamp.com/album/friction
Album cover made to look 3d with a shadow below and behind it sitting in a bright pink background. The album cover is white with text centered at the top that reads “Timothy Fairless, Friction, de6089.”  The center has photograph of an owl starting to take flight, the image has been digitally processed to look inverted and then colorized in pinks, oranges, and yellows, with the branch its taking off from looking like psychedelic worms, it almost looks like a heat-map, but the colors to not correspond to heat. The bottom feature the triangular Dragon's Eye Recordings logo.
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Dragon's Eye Recordings @dragonseyerecordings.com · 18/09/2026
Nairobi-based artist @rushabnandha.bsky.social returns to Dragon's Eye with 𝙨𝙤𝙖𝙧𝙨𝙤𝙛𝙩𝙡𝙮, the second work in a trilogy that opened with 𝘛𝘦𝘢𝘳. 📌 PRE-ORDER → rushabnandha.bandcamp.com/album/soarso...
An album cover with a white background and text centered at the top that reads “Rushab Nandha; soarsoftly; de6090.”  The center has an image of of what might be a landscape, but it so blurred and obscured by lens flare that these distortions become the subject matter. The image is in black and white. The bottom feature the triangular Dragon's Eye Recordings logo. A photo of Rushab Nandha, the photo is black and white showing a him from the shoulders up. He is wearing a black t-shirt and looking to the cameras left.
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Dragon's Eye Recordings @dragonseyerecordings.com · 14/09/2026
A new episode of the 𝗗𝗘𝗥 𝗠𝗶𝘅 𝗦𝗲𝗿𝗶𝗲𝘀 is almost here. This month, @mlamberg.bsky.social creates a mix that focus on the act of discovery through field recordings, sampling, and other found sounds. Airing tomorrow on @campradio.bsky.social @ 4PM CEST / 7AM PST 📻 LISTEN → www.listen.camp
This is a flyer for a radio show. In the center is a photo of miska lamberg in black and white of them hiking on a rock cliff. THey are wearing a hat and backpack, are walking to the left of the frame and surrounded by a gray sky. At the top it reads "Episode 46” with the DER triangle logo. on the side it reads “09.15.2026 | 16:00 - 17:00 CEST".  At the bottom it reads "DER Mix Series: miska lamberg".This is a flyer for a radio show. At the top it reads "Playlist 46” below that it reads: diane barbé — what the moon sounds like; claire rousay — 17 roles (all mapped out) [excerpt]; pablo diserens — permeable skin; Geir Jenssen — Tingri – The Last Truck; Jeph Jerman — Limestone [excerpt]; closing. — inverted eyes pt II [excerpt]; sawako — 02; Steve Roden — Untitled III [excerpt]; Ben Frost — The Intensive Care Unit; Space Afrika — judge; bedling — Absence of Matter; Miguel Angel Tolosa — salon 13-06. At the bottom it reads "DER Mix Series: miska lamberg."
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Dragon's Eye Recordings @dragonseyerecordings.com · 04/09/2026
[OUT NOW] Max Devereaux + Alec Watson present 𝙁𝙚𝙗𝙧𝙞𝙡𝙚, recorded within a high-rise in Minneapolis, the record is a study in presence & escape—two artists using the architecture around them to filter the tension of the city below. 🎧 BUY/LISTEN → dragonseyerecordings.bandcamp.com/album/febrile
Album cover made to look 3d with a shadow below and behind it sitting in a cool gray background. The album cover is white with text centered at the top that reads  “Max Devereaux + Alec Watson, Febrile, de6088.”  The center has photograph of a high-rise looking almost directly up from the ground with blue sky in the background. The lower section has glack and gray horizontal strips with gray-blue dripping paint, the next level is orange stripes, and the top is white and has a more curved shape. The bottom feature the triangular Dragon's Eye Recordings logo.
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Dragon's Eye Recordings @dragonseyerecordings.com · 02/09/2026
New review of 𝙏𝙝𝙚 𝙄𝙣𝙫𝙞𝙨𝙞𝙗𝙡𝙚 by @rhinsedzell.bsky.social from @thewiremagazine.bsky.social.
Magazine clipping that reads: Rhins; The Invisible; Dragon's Eye DL;  In recent years, the links between electronic music and neurodivergence have been explored in various ways. Many empirical essays and pieces have pointed towards the higher incidence of neurodiversity, not just among creators of electronic music, but also among fans of it.

In addition, various albums and projects have explicitly explored the connection, most recently Echolalia( see The Wire 511)in which Leeds musician Mick Coldwell aka Conflux Coldwell examines neurodivergent experience through a hauntological lens, with a particular focus on ideas around pattern recognition and memory.

Rhins is Scottish musician Joe Quimby, whose new album The Invisible adds to that list of works which, in some way, deal with neuroatypicality. "Iona" slowly churns itself into existence, a distant wave gradually swelling into a crashing roar. Beneath the distortion of overdriven electronics, a droning melody cycles in glacial longlorm like some clear thought obscured by a headache. At times, this type of granular obscuration recalls the work of Liz 'Grouper' Harris, with elements moving in and out of frame, information bubbling beneath and soaring above these washes of high saturation.

Like Coldwell, Ouimby's project appears to be deeply introspective, the turmoil and ambiguous emotive charge on tracks such as "Self Interrupted" perhaps exorcising some personal trauma, or at the very least "communicating the frustration of being unintelligible in a neurotypical world".

In this sense The Invisible is akin to lsnaj Dui's Sight Seeing in which musician Katie English evokes the experience of various sight conditions. Both materialise textures and shapes out of shimmering uncertainty and both are laced with a complex array of emotional threads. For Quimby, these threads churn into a knotted ball of something close to subdued anger or stubborn determination.
Spenser Tomson
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Dragon's Eye Recordings @dragonseyerecordings.com · 21/08/2026
Built from field recordings gathered far from his home, @timothyfairless.bsky.social' album 𝙁𝙧𝙞𝙘𝙩𝙞𝙤𝙣 draws together sounds captured deep inside a Swiss mountain, among the crowds of Tokyo's Asakusa district, and in quiet corners of London. 📌 PRE-ORDER → timothyfairless.bandcamp.com/album/friction
An album cover with a white background and text centered at the top that reads “Timothy Fairless, Friction, de6089.”  The center has photograph of an owl starting to take flight, the image has been digitally processed to look inverted and then colorized in pinks, oranges, and yellows, with the branch its taking off from looking like psychedelic worms, it almost looks like a heat-map, but the colors to not correspond to heat. The bottom feature the triangular Dragon's Eye Recordings logo. A photo of Timothy Fairless, he is sitting at a wooden table with white legs and is wearing a teal jumper. He has his head on the table an one hand grasping the table lightly and is looking directly at the camera. The backdrop is bright pink.
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Dragon's Eye Recordings @dragonseyerecordings.com · 17/08/2026
A new episode of the 𝗗𝗘𝗥 𝗠𝗶𝘅 𝗦𝗲𝗿𝗶𝗲𝘀 is almost here. This month, Arvin Dola offers a glimpse into music's most contemplative dimension: sonic landscapes, the physicality of sound, the immaterial, and the sacred. Airing tomorrow on @campradio.bsky.social @ 4PM CET / 7AM PST 📻 LISTEN → www.listen.camp
This is a flyer for a radio show. In the center is a photo of Arvin Dola sitting in a chair with a hat on and a dog smelling his hand.  There is a cello in the background, a speaker on a table and a white curtain over a window with light pouring in. At the top it reads "Episode 45” with the DER triangle logo. on the side it reads “08.18.2026 | 16:00 - 17:00 CEST".  At the bottom it reads "DER Mix Series: Arvin Dola".This is a flyer for a radio show. At the top it reads "Playlist 45” below that it reads: Arvin Dola, Rushab Nandha — Unreleased; Sarah Davachi — Songs of the Smile’s Fig: III. Follies; Rayan Haïdar — Seeing light flicker from windows; Läuten der Seele — Punkt Mitternacht; Martina Berther, Philipp Schotter — Lookout; Violeta García — IN II; Abul Mogard, Rafael Anton Irisarri (feat.Martina Bertoni) — A Blue Descent; Kassel Jaeger — Sub Re (Part I) [excerpt]; Ian Wellman — The Moon Turned Red; Hatis Noit, William Basinski — Inori; Arovane, Taylor Deupree — Enth; José Venditti — Cara B (Lake Machine BSO) [excerpt]; Klara Lewis — Ta Mind Hand; Siavash Amini, Eugene Thacker — Sigil of Decay (for João da Cruz e Sousa) [excerpt]; Concepción Huerta — El fuego y la luz están aquí. At the bottom it reads "DER Mix Series: Arvin Dola."
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Dragon's Eye Recordings @dragonseyerecordings.com · 07/08/2026
[OUT NOW] 𝙏𝙝𝙚 𝙄𝙣𝙫𝙞𝙨𝙞𝙗𝙡𝙚 is @rhinsedzell.bsky.social latest offering, a work plunged into volatility and dissolution—written in torment, recorded on the run, with everything flung at the wall. Just in time for 𝐁𝐚𝐧𝐝𝐜𝐚𝐦𝐩 𝐅𝐫𝐢𝐝𝐚𝐲! 🎧 BUY/LISTEN → dragonseyerecordings.bandcamp.com/album/the-in...
Album cover made to look 3d with a shadow below and behind it sitting in a burnt red background. The album cover is white with text centered at the top that reads “Rhins, The Invisible, de6087.”  The center has a colored pencil drawing of a red building with line green grass and a blue ocean behind it.  Superimposed over and through the building are black and white pencil drawing of three hands reaching towards the sky. The bottom feature the triangular Dragon's Eye Recordings logo.
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Dragon's Eye Recordings @dragonseyerecordings.com · 05/08/2026
"Beaudoin takes a deep dive into these lost silences, using slowburning ambient textures to expose their importance and textural levels." Great new review of 𝙨𝙞𝙜𝙣𝙖𝙡 𝙡𝙤𝙨𝙨 by @paulbeaudoin.bsky.social in this months issue of @thewiremagazine.bsky.social, our first time back in the pages in 10 years!
Connectivity fascinated Nikola Tesla. Although his inventions - radio technology, the electrical transformer, robots - needed physical structures to function correctly, one of his ultimate obsessions was how energy and information could be passed on without visible means of support. This is where Paul Beaudoin's Signal Loss comes in. Originally conceived as a sound installation for the Nikola Tesla Museum in Zagreb, signal loss doubles back on Tesla's fascination for invisible connectivity to wonder what happens to any structure - electrical, emotional or cultural - when it fails to connect. Based in Tallinn, Paul Beaudoin is a multidisciplinary artist whose academic approach takes him down avenues from painting, text and performance to experiments with sound. For Signal Loss, Beaudoin exploits his interest in perceived silences, the sound gaps that are often ignored but are rich with quiet stories and resounding depths. Beaudoin takes a deep dive into these lost silences, using slowburning ambient textures to expose their importance and textural levels. "Wardenclyffe (Nothing Returned)" takes its cue from the Wardenclyffe Tower Tesla built near New York in 1901 with the intention of using it to transmit messages. The tower was never used, and Beaudoin's track is a tribute to its unrealised potential. "Parasitic Oscillation" is named after the unintentional phenomenon wherein electric circuits produce looping, fluctuating waves of accidental feedback. Beaudoin exploits these accidents to fashion a delicate exercise in feedback-driven sound that develops, sustains, then fades away. The album's closing track "Last Known Transmission" takes chiming, piano-like notes dangerously close to distortion while distant bleeps are sprinkled across a piece that shimmers with a dignified loneliness. As much a reflection on the isolation and lack of recognition Nikola Tesla suffered throughout his career as it is a collection of sensitive, thoughtfully constructed sound works...
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Dragon's Eye Recordings @dragonseyerecordings.com · 24/07/2026
Max Devereaux and Alec Watson present 𝙁𝙚𝙗𝙧𝙞𝙡𝙚. Recorded within a high-rise in downtown Minneapolis, the record is a study in presence and escape—two artists using the architecture around them to filter the tension of the city below. 📌 PRE-ORDER → dragonseyerecordings.bandcamp.com/album/febrile
An album cover with a white background and text centered at the top that reads “Max Devereaux + Alec Watson, Febrile, de6088.”  The center has photograph of a high-rise looking almost directly up from the ground with blue sky in the background. The lower section has glack and gray horizontal strips with gray-blue dripping paint, the next level is orange stripes, and the top is white and has a more curved shape. The bottom feature the triangular Dragon's Eye Recordings logo. A black and white photograph of Max Devereaux, he is wearing a black t-shirt and standing in front of a brick wall.  His body is pointing to the left but he is looking directly at the camera. The photo is cropped at his shoulders.A black and white photograph of Alec Watson, he is wearing a black shirt with embroidered roses and he is wearing glasses with curtains in the background.  He is looking directly at the camera and he is lit from the side. The photo is cropped at his shoulders.
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Dragon's Eye Recordings @dragonseyerecordings.com · 20/07/2026
A new episode of the 𝗗𝗘𝗥 𝗠𝗶𝘅 𝗦𝗲𝗿𝗶𝗲𝘀 is almost here. This month, @faxmusik.bsky.social and @brauliolam13.bsky.social create a mix of film scores, several of which also inspired the making of 𝙈𝙞𝙭𝙚𝙙 𝙎𝙞𝙜𝙣𝙖𝙡𝙨 𝙄𝙄𝙄. Airing tomorrow on @campradio.bsky.social @ 4PM CET / 7AM PST 📻 LISTEN → www.listen.camp
This is a flyer for a radio show. In the center is a black and white photo of Fax and Braulio Lam, both wearing black shirts and sunglasses against a wall covered by leafy vines. They are both looking at the camera, with Fax slightly more in the foreground. At the top it reads "Episode 44” with the DER triangle logo. on the side it reads “07.21.2026 | 16:00 - 17:00 CEST".  At the bottom it reads "DER Mix Series: Fax + Braulio Lam".This is a flyer for a radio show. At the top it reads "Playlist 44” below that it reads: Graeme Revell — Opening Titles; Max Richter & Lorne Balfe — Ad Astra; Thomas Newman — American Beauty; Mica Levy — Under The Skin; Biosphere — Proem; Jóhann Jóhannsson — Last and First Men; Ryuichi Sakamoto & Alva Noto — The Revenant Main Theme; Murcof — La Sangre Iluminada; György Ligeti — Lux Aeterna; Colin Stetson — The Color Out of Space; Atticus Ross — Den of Vice; James Newton Howard — Michael Clayton; Gustavo Santaolalla — Amores Perros + Atacama; Alberto Iglesias — Tinker, Tailor, Soldier, Spy; The Cinematic Orchestra — Drunken Tune; Howard Shore — Silence of the Lambs; Massive Attack  — Danny the Dog; Abel Kerzeniowski — Nocturnal Animals; Gustavo Cerati — Paisaje Porcelana; Philip Glass — Koyaanisqatsi; David Holmes — Tess; Alexandre Desplat — Moonrise Kingdom. At the bottom it reads "DER Mix Series: Fax + Braulio Lam."
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Dragon's Eye Recordings @dragonseyerecordings.com · 10/07/2026
[OUT NOW] 𝙨𝙞𝙜𝙣𝙖𝙡 𝙡𝙤𝙨𝙨, the latest work from Tallinn-based composer and interdisciplinary artist Paul Beaudoin, examines what happens when structures—electrical, emotional, or cultural—fail to connect. 🎧 BUY/LISTEN → orcd.co/signal-loss
Album cover made to look 3d with a shadow below and behind it sitting in a cobalt blue background. The album cover is white with text centered at the top that reads “Paul Beaudoin, signal loss, de6086.” The center features an artwork by Beaudoin that is a blur-y and black and white drawing with a grid drawn in the upper right and a blob that looks like a shadow on the right side.The bottom feature the triangular Dragon's Eye Recordings logo.
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Dragon's Eye Recordings @dragonseyerecordings.com · 02/07/2026
New review of 𝙈𝙞𝙭𝙚𝙙 𝙎𝙞𝙜𝙣𝙖𝙡𝙨 𝙄𝙄𝙄 by @faxmusik.bsky.social and @brauliolam13.bsky.social from Rockerilla.
Prerss clipping from Rockerilla that reads: FAX + BRAULIO LAM; Mixed Signals III; Dragon's Eye Recordings. Questa trilogia si chiude come una pellicola lasciata alla luce del deserto: grana, respiro, memoria. Rubén A. Tamayo e Braulio Lam intrecciano chitarra acustica, onde sintetiche e pulviscolo elettroacustico con una pazienza da artigiani del silenzio. Il confine Tijuana Mexicali diventa corrente, sabbia magnetica, ascolto che procede per riflessi. Le corde portano un fremito quasi folk, i synth aprono camere d'aria, il drone deposita sale sulle immagini. Mixed Signals III parla piano e pensa grande, chiude il cerchio con grazia austera, lasciando alla musica il compito raro di incidere il silenzio come nastro magnetico del CONFINE. Mirco Salvadori
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Dragon's Eye Recordings @dragonseyerecordings.com · 26/06/2026
[ANNOUNCMENT] 𝙏𝙝𝙚 𝙄𝙣𝙫𝙞𝙨𝙞𝙗𝙡𝙚 is @rhinsedzell.bsky.social' latest offering, a work plunged into volatility and dissolution—written in torment, recorded on the run, with everything flung at the wall. 📌 PRE-ORDER → dragonseyerecordings.bandcamp.com/album/the-in...
An album cover with a white background and text centered at the top that reads “Rhins, The Invisible, de6087.”  The center has a colored pencil drawing of a red building with line green grass and a blue ocean behind it.  Superimposed over and through the building are black and white pencil drawing of three hands reaching towards the sky. The bottom feature the triangular Dragon's Eye Recordings logo. A black and white photo of Rhins in front of wall of wall mounted synths.  They are cropped at the neck and are looking directly at the camera.
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Dragon's Eye Recordings @dragonseyerecordings.com · 22/06/2026
A new episode of the 𝗗𝗘𝗥 𝗠𝗶𝘅 𝗦𝗲𝗿𝗶𝗲𝘀 is almost here. This month, Paul Beaudoin creates a mix to compliment his recent release 𝙨𝙞𝙜𝙣𝙖𝙡 𝙡𝙤𝙨𝙨 that moves between minimalism, art pop, electronics, and microsound. Airing tomorrow on @campradio.bsky.social @ 4PM CET / 7AM PST 📻 LISTEN → www.listen.camp
This is a flyer for a radio show. In the center is a photo of Paul Beaudoin, He is standing in front of a painting of blue's, white's, and green's, he is holding 3 pencils, one red, one is yellow, and one is blue.  He is standing to the right side wearing a gray t-shirt with a drawing of a cat in the center. At the top it reads "Episode 43” with the DER triangle logo. on the side it reads “06.23.2026 | 16:00 - 17:00 CEST".  At the bottom it reads "DER Mix Series: Paul Beaudoin".This is a flyer for a radio show. At the top it reads "Playlist 43” below that it reads: Penguin Café Orchestra — Air À Danser; Cibo Matta —  White Pepper Ice Cream; Telepop Music — Don’t Look Back; Supreme Beings of Leisure — Never the Same; Art of Noise — Il Peure (At the Turn of the Century); Robert Palmer — The Silver Gun; Alistair Hawkins and Paul Reeves — Unnatural Beauty; bizz.circuits — Grace Under Fire; Michael Banabila —  In a Language I Can Understand; Björk — Possible Maybe; Laurie Anderson — Love Among the Sailors; Julien Neto — Voy; Robert Ashley — Love Letters I and II. At the bottom it reads "DER Mix Series: Paul Beaudoin."
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Dragon's Eye Recordings @dragonseyerecordings.com · 12/06/2026
[OUT NOW] 𝙈𝙞𝙭𝙚𝙙 𝙎𝙞𝙜𝙣𝙖𝙡𝙨 𝙄𝙄𝙄 is the latest from @faxmusik.bsky.social and @brauliolam13.bsky.social, the album marks the closing of a trilogy that began in 2020, and now, six years later, comes to a shimmering conclusion. 🎧 BUY/LISTEN → dragonseyerecordings.bandcamp.com/album/mixed-...
Album cover made to look 3d with a shadow below and behind it sitting in a forest green background. The album cover is white with text centered at the top that reads “Fax + Braulio Lam, Mixed Signals III, de6085.” The center features a photo of a snowy landscape with bushes poking out of the show and mountains covered in pine trees blur-y and muted by the snow in the background. In the center of the frame is a group of pine trees popping up in the center of a flat landscape. The photo has an almost sepia quality, but much more green. The bottom feature the triangular Dragon's Eye Recordings logo.
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Dragon's Eye Recordings @dragonseyerecordings.com · 11/06/2026
"A serene and beautiful collection, underscored by the connection these players share." New review of 𝙈𝙞𝙭𝙚𝙙 𝙎𝙞𝙜𝙣𝙖𝙡𝙨 𝙄𝙄𝙄 by @faxmusik.bsky.social and @brauliolam13.bsky.social from @electronicsound.bsky.social.
Scan of a review with the cover behind it, from Electronic Sound.  THe review reads: FAX/ BRAULIO LAM, Mixed Signals III, DRAGON'S EYE; 'Mixed Signals Ill' is the third and final instalment of a collaborative project between electronicist Fax (Rubén Alonso Tamayo) and guitarist Braulio Lam. These are pieces that evolve almost imperceptibly. On the opener, 'Lowside', Lam's genteel guitar playing is the initial focus. It is progressively, yet sensitively, overtaken by Fax's electronic tones, ersatz birdsong and lengthy drones, offsetting moments where the guitar quietly reappears in atomised form. A serene and beautiful collection, underscored by the connection these players share. MS
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Dragon's Eye Recordings @dragonseyerecordings.com · 05/06/2026
"Kenneth Moss lavora come un entomologo dell'eco: voci, fruscii, grane digitali, lame di steel guitar e campi elettrici vengono osservati, lasciati mutare, poi ricomposti in figure fragili." New review of 𝙏𝙤𝙢𝙗𝙚𝙖𝙪𝙭 𝙄𝙣𝙛𝙞𝙣𝙞𝙨 by @kyparissos.bsky.social from Rockerilla.
Cyparissus; Tombeaux Infinis; Cyparissus chiude la trilogia dell'identita affidandola al riflesso dello sguardo altrui. Kenneth Moss lavora come un entomologo dell'eco: voci, fruscii, grane digitali, lame di steel guitar e campi elettrici vengono osservati, lasciati mutare, poi ricomposti in figure fragili. La musica avanza per vapori e sedimenti, con una lentezza che sa di rame antico, di sale, di memoria biologica. Le presenze di Freddy Ruppert e Nick Levine agiscono come specchi imperfetti: il volto dell'autore appare dentro materia altrui, deformato con pudore. È ambient elettroacustica da ascoltare a luce bassa, rito laico del riconoscersi attraverso ciò che ci guarda, e ci rende eco viva, QUASI CORALE. — Mirco Salvadori, Rockerilla
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Dragon's Eye Recordings @dragonseyerecordings.com · 29/05/2026
𝙨𝙞𝙜𝙣𝙖𝙡 𝙡𝙤𝙨𝙨, the latest work from Paul Beaudoin, examines what happens when structures—electrical, emotional, or cultural—fail to connect. We are premiering the video for 𝘞𝘢𝘳𝘥𝘦𝘯𝘤𝘭𝘺𝘧𝘧𝘦 (𝘕𝘰𝘵𝘩𝘪𝘯𝘨 𝘳𝘦𝘵𝘶𝘳𝘯𝘦𝘥). 📺 WATCH → vimeo.com/1190610886 📌 PRE-ORDER → paulbeaudoin.bandcamp.com/album/signal...
An album cover with a white background and text centered at the top that reads “Paul Beaudoin, signal loss, de6086.” The center features an artwork by Beaudoin that is a blur-y ang black and white drawing with a grid drawn in the upper right and a blob that looks like a shadow on the right side.. The bottom feature the triangular Dragon's Eye Recordings logo. A photo of Paul Beaudoin, He is standing in front of a painting of blue's, white's, and green's, he is holding 3 pencils, one red, one is yellow, and one is blue.
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Dragon's Eye Recordings @dragonseyerecordings.com · 25/05/2026
A new episode of the 𝗗𝗘𝗥 𝗠𝗶𝘅 𝗦𝗲𝗿𝗶𝗲𝘀 is almost here. This month, @ianwellman.bsky.social interweaves natural & electronic sounds, from the arctic to the countryside, punctuated by anime soundtracks. Airing tomorrow on @campradio.bsky.social @ 4PM CET / 7AM PST 📻 LISTEN → www.listen.camp
This is a flyer for a radio show. In the center is a photos of Ian Wellman standing in a forest looking directly at the camera, the photo is knees up, and he is wearing jeans and a hoodie.  He has a field recording bag at his side and is holding a pair of binoculars. At the top it reads "Episode 42” with the DER triangle logo. on the side it reads “05.26.2026 | 16:00 - 17:00 CEST".  At the bottom it reads "DER Mix Series: Ian Wellman".This is a flyer for a radio show. At the top it reads "Playlist 42” below that it reads: Andrew Weathers — Bastard Countryside; Cameron MacNair — Light Rain
Pablo Diserens — non-night over pseudocraters; Toshino Masudo — Yawaraki Tsuno; Alexandra Spence — Frequency of a Leaf; Cheryl E. Leonard — Thresholds; Hyunhye Seo — Motel Salier Part 1; Andrew Anderson — All Devoured, All Begotten; Susumu Hirasawa — Parade. At the bottom it reads "DER Mix Series: Ian Wellman."
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Dragon's Eye Recordings @dragonseyerecordings.com · 15/05/2026
[OUT NOW] On 𝙏𝙤𝙢𝙗𝙚𝙖𝙪𝙭 𝙄𝙣𝙛𝙞𝙣𝙞𝙨, @kyparissos.bsky.social turns the lens outward. Where identity was once something to excavate from within, here it becomes a question of reflection: how do others perceive you, & how accurately can you interpret that perception? 🎧 BUY/LISTEN → orcd.co/tombeaux-inf...
Album cover made to look 3d with a shadow below and behind it sitting in a bright red background. The album cover is white with text centered at the top that reads “Cyparissus, Tombeaux Infinis, de6084.” The center is a photo of the tomb for Victor Noir at the Père Lachaise Cemetery in Paris with the head at the bottom and the toes at the top.  The face toes and crotch of the statue are shiny from the finish getting worn off from touching. there is a red cloud on the left and a bouquet of blue flowers on the right. The bottom feature the triangular Dragon's Eye Recordings logo.
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Dragon's Eye Recordings @dragonseyerecordings.com · 05/05/2026
"...it shimmers and glides like an audio mist blown by the gentlest breeze." New review of 𝘾𝙞𝙩𝙞𝙚𝙨 𝙗𝙪𝙧𝙣 𝙖𝙨 𝙬𝙚 𝙙𝙧𝙚𝙖𝙢 𝙤𝙛 𝙖 𝙧𝙚𝙩𝙪𝙧𝙣 by Rayan Haïdar in Audion. 🎧 BUY/LISTEN → rayanhaidar.bandcamp.com/album/cities...
Press clipping from Audion Magazine's May issue with the cover floating in a light gray background, overtop is a clipping of a review that reads: Rayan Haïdar; CITIES BURN AS WE DREAM OF A RETURN; (Dragon's Eye Recordings de6082) DL 33m; As a Beirut-born multi-instrumentalist, currently residing in Paris, I was half expecting this fragile and beautifully tranquil collection of ambient soundscapes to be created using a zither or a more exotic instrument, as some of the tonalities achieved seem to indicate such an instrument, however it turns out to be all guitar and effects. The title track also involves an environmental tape backdrop, taking it a little towards the direction of freeform lulls in Godspeed You! Black Emperor works. Largely though it just shimmers and glides like an audio mist blown by the gentlest breeze.
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Dragon's Eye Recordings @dragonseyerecordings.com · 30/04/2026
𝙈𝙞𝙭𝙚𝙙 𝙎𝙞𝙜𝙣𝙖𝙡𝙨 𝙄𝙄𝙄 is the latest from @faxmusik.bsky.social and @brauliolam13.bsky.social, the album marks the closing of a trilogy that began in 2020, and now, six years later, comes to a shimmering conclusion. Check out the video premiere for 𝘚𝘦𝘳𝘪𝘧𝘢 🎞️ WATCH → headphonecommute.com/2026/04/30/f...
An album cover with a white background and text centered at the top that reads “Fax + Braulio Lam, Mixed Signals III, de6085.” The center features a photo of a snowy landscape with bushes poking out of the show and mountains covered in pine trees blur-y and muted by the snow in the background. In the center of the frame is a group of pine trees popping up in the center of a flat landscape. The photo has an almost sepia quality, but much more green. The bottom feature the triangular Dragon's Eye Recordings logo. A black and white photo of Fax and Braulio Lam, both wearing black shirts and sunglasses against a wall covered by leafy vines. They are both looking at the camera, with Fax slightly more in the foreground.
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Dragon's Eye Recordings @dragonseyerecordings.com · 27/04/2026
A new episode of the 𝗗𝗘𝗥 𝗠𝗶𝘅 𝗦𝗲𝗿𝗶𝗲𝘀 is almost here. This month, Rayan Haïdar spotlights Lebanese musicians from back home who've shaped them, celebrating their ongoing creativity as endurance and affirmation. Airing tomorrow on @campradio.bsky.social @ 4PM CET / 7AM PST 📻 LISTEN → www.listen.camp
This is a flyer for a radio show. In the center is a photo of Rayan Haïdar in black and white and doubled exposed with arched glass windows with open glass doors at the bottom. You can see the silhouette of Haïdar's head and face peaking though. At the top it reads "Episode 41” with the DER triangle logo. on the side it reads “04.28.2026 | 16:00 - 17:00 CEST".  At the bottom it reads "DER Mix Series: Rayan Haïdar".This is a flyer for a radio show. At the top it reads "Playlist 41” below that it reads: Charbel Haber and Fadi Tabbal — Enfin La Nuit; Rayan Haïdar — Cities burn as we dream of a return; Melinda Mouzannar — Old wounds; Joy Moughanni — The Voice I've Yet To Understand; Yara Asmar — there are easier ways to disappear (but i'm only good at this one); Alex Chahine — Message to the enemy رسالة للعدو; SHLTF X HADI — BLGHSA; Snakeskin — Bodies; Munma — Midday Shoulder surfing; Rayan Haïdar — Colored buildings from rooftops; Sary Moussa — I will never write a song about you. At the bottom it reads "DER Mix Series: Rayan Haïdar."
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Dragon's Eye Recordings @dragonseyerecordings.com · 17/04/2026
[OUT NOW] @yannnovak.com's 𝙈𝙚𝙖𝙙𝙤𝙬𝙨𝙬𝙚𝙚𝙩 (𝙧𝙚𝙙𝙪𝙭) revisits an album made twenty years ago in the immediate aftermath of his mother's passing. 🎧 BUY/LISTEN → orcd.co/meadowsweet-...
Album cover made to look 3d with a shadow below and behind it sitting in a bright red background. The album cover is white with text centered at the top that reads “Yann Novak, Meadowsweet (redux), de6083.” The center has a black and white photo of a body of water, looking down at around 45º so you can see underneath the water while also seeing the surface. The bottom feature the triangular Dragon's Eye Recordings logo.
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Dragon's Eye Recordings @dragonseyerecordings.com · 16/04/2026
𝘔𝘪𝘭𝘭𝘦𝘳 𝘎𝘢𝘳𝘥𝘦𝘯 (𝘳𝘦𝘥𝘶𝘹) off @yannnovak.com's 𝙈𝙚𝙖𝙙𝙤𝙬𝙨𝙬𝙚𝙚𝙩 (𝙧𝙚𝙙𝙪𝙭) is opening @tjnorrisart.bsky.social's ToneShift show on @campradio.bsky.social this Friday. 📻 LISTEN → www.listen.camp
A flyer for a radio show with grey box centered in a yellow background.  On top of the gray box text reads: Made for Camp; TONESHIFT; HTTPS://LISTEN.CAMP; YANN NOVAK - MILLER GARDEN (REDUX); LOW ALTITUDE - DANYWERNEN; AARON DILLOWAY - STUNT 2; CARL STONE & ASUNA - NASCENT AROUSAL; JAMIE DROUIN/LANCE AUSTIN OLSEN - A FIELD FAR BEYOND FORM AND EMPTINESS (EXCERET); SIMON GOFF - NOW THEIR PAIN IS SUGAR (MASAYOSHI FUJITA REWORK); HIMBA PEOPLE (NAMIBIA) - LION ATTACK, CATTLE MASSACRE; HOLLAND ANDREWS - SPEECHLESS; THE ARMS Of SOMEONE NEW - HIT THE PAVEMENT; mIAN BODDY - DISCONNECTME; BILLYYFANTIS - 7 ANTIPARTICLES (ALTERNATIVE ENDING); HAKA ALONSO & LIA KOHL - A SECOND IS A CHOIR; JOEFUSINORI - SCULPTURAL DUB I KINKGONG - THE LISU (EXCERST); STEPHEN O'MALLEY - SPHERES COLLAPSER/ PHASE II ORGAN; LAURA ALTMAN - INVOCATION; NORMAL COMMUNITY HIGH SCHOOL EXPERIMENTAL ENSEMBLE - TRACK 14; ALEX O'DONOVAN- ARRIVAL; TARKATAK -UNTITLED 4; CAPRICORNI PNEUMATICI - 3RPZOA; GUISSANDRO 70 - PADTIDE; KAROLINEWALLACE - TO BENEDIKTE FROM HEATHER; MARTIN KÜCHEN - MIT ACH UND KRACH; JESSE PAUL MILLER - WEDDING GENJER... BIRDS IN PURA KEHEN, BANGLI; APKIL 17, 2026; 8-10PM (PAR/S);
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Dragon's Eye Recordings @dragonseyerecordings.com · 10/04/2026
Dragon’s Eye Recordings is excited to welcome Paul Beaudoin to our roster. Paul Beaudoin is a composer and interdisciplinary artist based in Tallinn, Estonia. 📖 LEARN MORE → www.dragonseyerecordings.com/artist/beaud...
Light grey flyer with text on the top that reads “Paul Beaudoin,” on the left it reads “New Artist,” on the right it reads “2026,” and has the triangular Dragon’s Eye Recordings logo at the bottom.  In the center is a photo of Paul Beaudoin, He is standing in front of a painting of blue's, white's, and green's, he is holding 3 pencils, one red, one is yellow, and one is blue.  He is standing to the right side wearing a gray t-shirt with a drawing of a cat in the center.
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Dragon's Eye Recordings @dragonseyerecordings.com · 03/04/2026
𝙏𝙤𝙢𝙗𝙚𝙖𝙪𝙭 𝙄𝙣𝙛𝙞𝙣𝙞𝙨, Cyparissus' third album for DER, they turn the lens outward. Where identity was once something to excavate from within, here it becomes a question of reflection: how do others perceive you, & can you interpret that perception? 📌 PRE-ORDER → cyparissus.bandcamp.com/album/tombea...
An album cover with a white background and text centered at the top that reads “Cyparissus, Tombeaux Infinis, de6084.” The center is a photo of the tomb for Victor Noir at the Père Lachaise Cemetery in Paris with the head at the bottom and the toes at the top.  The face toes and crotch of the statue are shiny from the finish getting worn off from touching. there is a red cloud on the left and a bouquet of blue flowers on the right. The bottom feature the triangular Dragon's Eye Recordings logo. A photo of Cyparissus in front of the ocean, with the horizon behind them. The shot is chest up wearing a black sweatshirt and black glasses.  They are looking off to the left and there are plants in the foreground slightly obscuring them.
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Dragon's Eye Recordings @dragonseyerecordings.com · 30/03/2026
A new episode of the 𝗗𝗘𝗥 𝗠𝗶𝘅 𝗦𝗲𝗿𝗶𝗲𝘀 is almost here. This month, @wndfrm.bsky.social gives us a mix that captures as wide a swath of humanity as possible through his micro-attuned aural lens. Airing tomorrow on @campradio.bsky.social @ 4PM CET / 7AM PST 📻 LISTEN → www.listen.camp
This is a flyer for a radio show. In the center is a split of photos of wndfrm looking out onto a lake with field recording gear in hand and a backpack.  His back is to the camera and the photo is in black and white. At the top it reads "Episode 40” with the DER triangle logo. on the side it reads “03.31.2026 | 16:00 - 17:00 CEST".  At the bottom it reads "DER Mix Series: wndfrm".This is a flyer for a radio show. At the top it reads "Playlist 40” below that it reads: UAN0022 — wavelet 009; Kate Carr  — Usually Concealed In Dense Foliage; France Jobin — Superposition; Prants — Frieze (Culture is a Monastic Rule); Cedrik Fermont — Chordophone; yan jun — er; Steve Roden — Untitled II; Francisco Eme — Alley of knives; Phill Niblock — Second Two Octaves And A Fifth; Méryll Ampe — Noir Revolver; Zane Trow — Synmooning; Amby Downs — I Am Holding My Breath; Ø — untitled; Marla Hlady & Cristof Migone — Mash 1; Crystal Quartez — Dispersal; Amir Abbey — Nooré Cheshm-am; Ellen Band — Minimally Tough; whose body is this — four; Autechre — Rettic Ac; Ernst Karel — Four; Patricia Wolf — Dawn Chorus Three. At the bottom it reads "DER Mix Series: wndfrm."
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Dragon's Eye Recordings @dragonseyerecordings.com · 20/03/2026
[OUT NOW] Beirut-born, Paris-based multi-instrumentalist Rayan Haïdar arrives with 𝘾𝙞𝙩𝙞𝙚𝙨 𝙗𝙪𝙧𝙣 𝙖𝙨 𝙬𝙚 𝙙𝙧𝙚𝙖𝙢 𝙤𝙛 𝙖 𝙧𝙚𝙩𝙪𝙧𝙣, a profound meditation on displacement, longing, and the impossible distance between memory and its aftermath. 🎧 BUY/LISTEN → orcd.co/cities-burn-...
An album cover made to look 3D with shadows on a medium-dark forest green background, the cover is white with text centered at the top that reads “Rayan Haïdar; Cities burn as we dream of a return; de6082.” A black and white photograph showing an arched window opening with ornate architecture. The arch frames a view of a metal railing balcony with trees visible in the soft-focused background. The bottom feature the triangular Dragon's Eye Recordings logo.
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Dragon's Eye Recordings @dragonseyerecordings.com · 12/03/2026
"Equal parts resigned and mournful, the album shapes its feeling through slow-moving guitar figures, soft distortion and air-heavy reverb, articulating melancholy and longing with quiet restraint rather than release" Review of 𝘾𝙞𝙩𝙞𝙚𝙨 𝙗𝙪𝙧𝙣 𝙖𝙨 𝙬𝙚 𝙙𝙧𝙚𝙖𝙢 𝙤𝙛 𝙖 𝙧𝙚𝙩𝙪𝙧𝙣 by Rayan Haïdar in Electronic Sound.
A scan of a review with the cover of the magazine, the review reads: RAYAN HAÏDAR; Cities Burn As We Dream Of A Return; DRAGON'S EYE; 'Cities Burn As We Dream Of A Return' drifts between memory and distance, shaped by the dissonance Rayan Haïdar felt at witnessing his home city of Beirut unravel from afar, following his relocation to Paris.From the tentative 'Seeing Light Flicker From Windows' to the stately 'At Dusk, Looking Down', childhood impressions merge with adult regret. Equal parts resigned and mournful, the album shapes its feeling through slow-moving guitar figures, soft distortion and air-heavy reverb, articulating melancholy and longing with quiet restraint rather than release. AT
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Dragon's Eye Recordings @dragonseyerecordings.com · 09/03/2026
"Sulle corde della sua chitarra, la distanza dalla tormentata terra natia ne distilla la memoria in frammenti di bellezza seppiata che anelano alla PACE." New review of 𝘾𝙞𝙩𝙞𝙚𝙨 𝙗𝙪𝙧𝙣 𝙖𝙨 𝙬𝙚 𝙙𝙧𝙚𝙖𝙢 𝙤𝙛 𝙖 𝙧𝙚𝙩𝙪𝙧𝙣 by Rayan Haïdar in Rockerilla.
A scan of a review with the magazine cover behind it, the review reads: RAYAN HAÏDAR; Cities Burn As We Dream Of A Return; Dragon's Eye; Non lascia molto spazio all'immaginazione il titolo del lavoro di Rayan Haïdar, se combinato con la biografia del suo autore, libanese rifugiatosi a Parigi, dove ne ha concluso le registrazioni, a seguito del conflitto che tormenta la sua terra. In sei tracce plasmate da risonanze elettriche ed effetti ambientali, Haïdar condensa un microcosmo che insiste sull'esile crinale tra sensazioni e atmosfere opposte, tra malinconia e rabbia, tra quiete e turbolenza atmosferica. Sulle corde della sua chitarra, la distanza dalla tormentata terra natia ne distilla la memoria in frammenti di bellezza seppiata che anelano alla PACE. Raffaello Russo
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Dragon's Eye Recordings @dragonseyerecordings.com · 06/03/2026
.@yannnovak.com's 𝙈𝙚𝙖𝙙𝙤𝙬𝙨𝙬𝙚𝙚𝙩 (𝙧𝙚𝙙𝙪𝙭) revisits an album made twenty years ago in the immediate aftermath of his mother's passing. 📌 PRE-ORDER → yannnovak.bandcamp.com/album/meadow...
Album cover made to look 3d with a shadow below and behind it sitting in a light gray background. The album cover is white with text centered at the top that reads “Yann Novak, Meadowsweet (redux), de6083.” The center has a black and white photo of a body of water, looking down at around 45º so you can see underneath the water while also seeing the surface. The bottom feature the triangular Dragon's Eye Recordings logo. A photo of Ingrid Buslee with her hair pulled back and wearing a long sleeve v-neck shirt with plants all around her and holding a red flower the size of her face just to the left of her face. A very young Yann Novak is peaking his head into frame on the right and ingrid is looking at him.
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Dragon's Eye Recordings @dragonseyerecordings.com · 02/03/2026
A new episode of the 𝗗𝗘𝗥 𝗠𝗶𝘅 𝗦𝗲𝗿𝗶𝗲𝘀 is almost here. This month, Andrea Costanza + Emil F create a musical postcard of of friendship and empathy that celebrates their collaboration and friendship. Airing tomorrow on @campradio.bsky.social @ 4PM CET / 7AM PST 📻 LISTEN → www.listen.camp
This is a flyer for a radio show. In the center is a split of photos of Andrea Costanza + Emil F in black and white.  On the left is Andrea Costanza full body from the side in a suite and looking at the camera. Emil F  is on the right and is sitting playing a flute and looking to the right. At the top it reads "Episode 39” with the DER triangle logo. on the side it reads “03.03.2026 | 16:00 - 17:00 CET".  At the bottom it reads "DER Mix Series: Andrea Costanza + Emil F".
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Dragon's Eye Recordings @dragonseyerecordings.com · 20/02/2026
𝙃𝙤𝙧𝙞𝙯𝙤𝙣𝙨 marks the first collaboration between Kansas City sound artists @amwsound.bsky.social and Blanket Swimming. 🎧 BUY/LISTEN → orcd.co/austin-willi...
An album cover made to look 3D with shadows on a medium-dark blue background, the cover is white with text centered at the top that reads “Austin Williamson + Blanket Swimming, Horizons, de6081.” The center is a blurry and smeared horizon in blue and light grey with some subtle greens. the smear looks like it starts in the bottom right and travels towards the upper left corner of the image. The bottom feature the triangular Dragon's Eye Recordings logo.
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Dragon's Eye Recordings @dragonseyerecordings.com · 09/02/2026
New review of 𝙏𝙚𝙖𝙧 by @rushabnandha.bsky.social, in print in Audion magazine.
Flyer with light gray background, the upper right corner features the February 2026 cover of Audion magazine and the lower left a scan of a review that reads: Rushab Nandha; TEAR; (Dragon's Eye Recordings de6079) DL 33m; Kind of sounding like ambient Brian Eno music scored for psycho movies - if one can imagine that - this is one enigmatic and ever so slightly twisted album. Partly piano based, with subtle synth work, plus a wide variety of other pseudo instrument sounds, much of which is played backwards, the results are seven different but complimentary pieces that are both calming and most unnervingly strange.
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Dragon's Eye Recordings @dragonseyerecordings.com · 06/02/2026
Beirut-born, Paris-based multi-instrumentalist Rayan Haïdar arrives with Cities burn as we dream of a return, a profound meditation on displacement, longing, and the impossible distance between memory and its aftermath. 📌 PRE-ORDER → rayanhaidar.bandcamp.com/album/cities...
An album cover with a white background and text centered at the top that reads “Rayan Haïdar; Cities burn as we dream of a return; de6082.” A black and white photograph showing an arched window opening with ornate architecture. The arch frames a view of a metal railing balcony with trees visible in the soft-focused background. The bottom feature the triangular Dragon's Eye Recordings logo. A photo of Rayan Haïdar, it's a black and white photo with a middle tone gray background. Rayan Haïdar is in the center looking up and to the left a bit, there is a slight motion blue over his face and the whole photo is very grainy.
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Dragon's Eye Recordings @dragonseyerecordings.com · 04/02/2026
Dragon’s Eye Recordings is excited to welcome Rayan Haïdar to our roster. Rayan Haïdar is a multi-instrumental musician and sound artist from Beirut, now based in Paris. 📖 LEARN MORE → www.dragonseyerecordings.com/artist/haida...
Light grey flyer with text on the top that reads “Rayan Haïdar,” on the left it reads “New Artist,” on the right it reads “2025,” and has the triangular Dragon’s Eye Recordings logo at the bottom.  In the center is a photo of Rayan Haïdar, it's a black and white photo with a middle tone gray background. Rayan Haïdar is in the center looking up and to the left a bit, there is a slight motion blue over his face and the whole photo is very grainy.
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Dragon's Eye Recordings @dragonseyerecordings.com · 02/02/2026
A new episode of the 𝗗𝗘𝗥 𝗠𝗶𝘅 𝗦𝗲𝗿𝗶𝗲𝘀 is almost here. This month, Fortresses creates a journey through a range of moods and styles, spanning dub techno to vocal ambient. Airing tomorrow on @campradio.bsky.social @ 4PM CET / 7AM PST 📻 LISTEN → www.listen.camp
This is a flyer for a radio show. In the center is a photo of Fortresses looking up at him from below and showing just his shoulders and above. He is wearing a light brown sweater and black beanie and he is looking to his right. There are blurry treetops are in the background with a light grey sky peaking through. At the top it reads "Episode 38” with the DER triangle logo. on the side it reads “02.03.2026 | 16:00 - 17:00 CET".  At the bottom it reads "DER Mix Series: Fortresses".This is a flyer for a radio show. At the top it reads "Playlist 38” below that it reads: John Beltran — Collage of Dreams (Outro); Alex Albrecht — Patience; Kara Lis-Coverdale — Daze; Tharn — Seek; Zake & City of Dawn — Glimmer; Aisha Vaughan —  No Past, No Present, No Future; Merely & Malibu — Hymn for Drifters; Rushab Nandha — Amnesia; Variant — The Setting Sun. At the bottom it reads "DER Mix Series: Fortresses."
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Dragon's Eye Recordings @dragonseyerecordings.com · 23/01/2026
𝙀𝙫𝙚𝙣𝙞𝙣𝙜, 𝙬𝙞𝙣𝙙𝙤𝙬 by sound artist and ambient composer @mlamberg.bsky.social. On 𝙀𝙫𝙚𝙣𝙞𝙣𝙜, 𝙬𝙞𝙣𝙙𝙤𝙬, the familiar becomes spectral: fragments of sound blur into melody and mood, capturing the stark melancholy of Nordic winters and the soft violence of remembering. 🎧 BUY/LISTEN → orcd.co/evening-window
Album cover made to look 3d with a shadow below and behind it sitting in a gray background. The album cover is white with text centered at the top that reads “miska lamberg, Evening, window, de6080.” The center has a black and white photo of a leaf barren tree, it looks like a willow tree, its just to the right of center and the top is out of frame.  It sits in a rolling field with cloudy sky and it looks foggy or blurry and the photo has a lot of grain. The bottom feature the triangular Dragon's Eye Recordings logo.
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Dragon's Eye Recordings @dragonseyerecordings.com · 16/01/2026
Join @mlamberg.bsky.social for an IRL listening party celebrating the release of 𝙀𝙫𝙚𝙣𝙞𝙣𝙜, 𝙬𝙞𝙣𝙙𝙤𝙬, January 22 at 18:00 @ 18 GRAMS in Helsinki.
Flyer with a white background and a black and white image of a willow cree in the center. It reeds: miska lamberg; Evening, window album listening party; fragments of sound blur into melody and mood, capturing the stark melancholy of Nordic winters and the soft violence of remembering; 18 GRAMS; coffee & music; 0€; 18:00 22/01/2026; 18 grams, Livornonkatu 6
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Dragon's Eye Recordings @dragonseyerecordings.com · 09/01/2026
𝙃𝙤𝙧𝙞𝙯𝙤𝙣𝙨 marks the first collaboration between Kansas City sound artists Austin Williamson and Blanket Swimming. 📌 PRE-ORDER → dragonseyerecordings.bandcamp.com/album/horizons
An album cover with a white background and text centered at the top that reads “Austin Williamson + Blanket Swimming, Horizons, de6081.” The center is a blurry and smeared horizon in blue and light grey with some subtle greens. the smear looks like it starts in the bottom right and travels towards the upper left corner of the image. The bottom feature the triangular Dragon's Eye Recordings logo. Photo of artist Austin Williamson standing in a forest in a black t-shirt and a bag strap across his chest. He has long hair and is wearing glasses.Photo of Blanket Swimming, it looks like a photo of them reflected in a mirror, they are wearing glasses and outside the window it looks like dark cloudy skys and a dark green landscape, but that to is blurry.
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Dragon's Eye Recordings @dragonseyerecordings.com · 07/01/2026
"...una immersione in un bagno di ambient stellare." First review of 𝙀𝙫𝙚𝙣𝙞𝙣𝙜, 𝙬𝙞𝙣𝙙𝙤𝙬 by @mlamberg.bsky.social in the pages of Rockerilla, in Italiano.
Scan of a review in Rockerilla, gray background, cover in one corner, and the scanned review release: MISKA LAMBERG, Evening, window, Dragon's Eye Recordings. Disponibile solamente in formato DownLoad, come da prassi per la piccola Dragon's Eye Recordings, Evening, window è una immersione in un bagno di ambient stellare. L'album di debutto del musicista finlandese mette insieme sei tracce che si legano l'un l'altra senza soluzione di continuità per oltre quarantacinque minuti di durata. Utilizzando field recordings, strati di rumore filtrato fino ad essere irriconoscibile e melodie iper-melanconiche, Lamberg ha costruito una sinfonia del ricordo, mettendo insieme il romanticismo post-industriale di Vidna Obmana con la decadenza iperrealistica di William Basinski. INFINITE REPEAT. Roberto Mandolini, Rockerilla
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Dragon's Eye Recordings @dragonseyerecordings.com · 05/01/2026
A new episode of the 𝗗𝗘𝗥 𝗠𝗶𝘅 𝗦𝗲𝗿𝗶𝗲𝘀 is almost here. This month, Cyparissus gives us a love letter to the experimental music scene in their home state of Maine. Airing tomorrow on @campradio.bsky.social @ 4PM CET / 7AM PST 📻 LISTEN → www.listen.camp
This is a flyer for a radio show. In the center is a photo of Cyparissus standing on the shore of a lake with blurry golden grass in the foreground.  Cyparissus is looking up and to the right and wearing a black sweatshirt with boths printed on the front. At the top it reads "Episode 37” with the DER triangle logo. on the side it reads “01.06.2026 | 16:00 - 17:00 CET".  At the bottom it reads "DER Mix Series: Cyparissus".This is a flyer for a radio show. At the top it reads "Playlist 36” below that it reads: Corporate Wellness — Foolish; Psetta — HEELS - Extended Dub
rev.web — treehopper; Cyparissus — Calamine Crush; Patrick Carey — Gran Wosx; Asha Tamirisa — 02_TP1; Ron Harrity — 2024.10.05 ZONA HOST [excerpt]; The Asthmatic — Flamer; id m theft able — neon fern, neon kiosk; Crank Sturgeon — Bump Twice for the Glum Itch [excerpt]; Slow Hymn — Forgetting Loss [excerpt]; John Fireman — Taped Music; Echo Response — One Door Opens. At the bottom it reads "DER Mix Series: Cyparissus."
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Dragon's Eye Recordings @dragonseyerecordings.com · 30/12/2025
🆈🅴🅰🆁 🅴🅽🅳 🆂🅰🅻🅴! Our year end sale continues, 40% off through December 31, 2025. USE CODE: 2025canf*ckoff Today is our last highlight from 2025, 𝙏𝙚𝙖𝙧 by @rushabnandha.bsky.social. 🛍️ SHOP THE SALE → dragonseyerecordings.bandcamp.com
An album cover made to look 3d with a shadow and a gray background.  The album cover has a white background and text centered at the top that reads “Rushab Nandha, Tear, de6079.” The center features an abstract image in light grays, it looks like circles in white or lighter gray,  starting in the lower center and a burst of particles or light refraction coming of the top of one of the circles pointing up. The right side is almost all light grey like its been washed out by light. The bottom feature the triangular Dragon's Eye Recordings logo.
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Dragon's Eye Recordings @dragonseyerecordings.com · 29/12/2025
🆈🅴🅰🆁 🅴🅽🅳 🆂🅰🅻🅴! Our year end sale continues, 40% off through December 31, 2025. USE CODE: 2025canf*ckoff Today's 2025 highlight is 𝘾𝙚𝙡𝙚𝙨𝙩𝙞𝙖𝙡 𝘿𝙧𝙚𝙖𝙢𝙨 by Andrea Costanza. 🛍️ SHOP THE SALE → dragonseyerecordings.bandcamp.com
An album cover made to look 3D with a dark green background and shadows. The cover has a white background and text centered at the top that reads “Andrea Costanza, Celestial Dreams, de6078.” The center features a photo that looks like an old family photo of a man with glass  wearing a suite in the center with houses on either side of him and children playing on a seesaw in a dark green patch of grass. The photo has been drawn on with what looks like blue crayon in the sky and a few yellow lines across it. It also looks double exposed on the right side. The bottom feature the triangular Dragon's Eye Recordings logo.
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