Wobbly Yonder is a force of nature whose effects on your soul and psyche are impossible to describe with mere words.

If Devours’ 2023 album Homecoming Queen was about returning to the past to reconcile with it, their latest, Sports Car Era, is about flooring the gas pedal into the future.

Quinton Barnes, Black Noise

With Neon Cowgirl, Tami Neilson is now a beacon in her own right, and a landmark others will measure themselves against. Get your glow on.

Is Bitter Sweet, Sweet Bitter Fortunato Durutti Marinetti’s most direct record yet, or his most elusive? It’s hard to say, given how the record plays itself out like an emotional palindrome.

Destroyer’s “Bologna” is a finely processed slice of echoey psychedelic pop and love-lorn storytelling. Also, this is DOMINIONATED’s last-ever post. By Jim Di Gioia

It's that time again: the DOMINIONATED team write about their favourite 50 records from 2024. Are any of your favourites on the list?

It’s time to get emotionally attached to a paper cup in FEATURETTE’s music video for “Next Life.” By Alyssa Gelata

girl with dream goes 20 or 20, discussing organ harvesting, teaching a masterclass on “how to be Chrissy,” endless laundry, comfort songs, finding community on Reddit, and torn ACLs.

A Million Easy Payments hits the jackpot, synthesizing Little Kid’s distinctive lo-fi aesthetic and mystical allure into a bewitching brew of a record. By Jim Di Gioia

Little Kid's “Something to Say” gives light to the shadows of self-doubt that linger in the company of others. By Weadee Mombo

MAYSUN blends piano, synths, and drums in a wordless narrative that encapsulates emotional discovery, patience, and moments of suspense. By Tia Julien

Nennen (Amy Macdonald) grooves her way through 20 or 20's 76th episode, sharing about her journey to Montreal, the nature of metal, confronting intense emotions, and more.

Rock-bottom has never sounded so fun on HOT MUD’s debut, Rehab Rock. by Hiroki Tanaka

Hua Li 化力 becomes a “Part Time Muse” In her latest music video. by Weajue Mombo

Evelyne Brochu's second album, Le danger, offers a mix of playful electro-pop and tender, reflective melodies about love and life. By Laura Stanley

Eve Parker Finley's In the End is a compelling narrative about how every ending is the launching pad for new beginnings and possibilities. B y Jim Di Gioia

Toronto-based artist Eliza Niemi joins Weadee and Weajue Mombo to go 20 or 20, telling us about her ideal superpower, her poop doll, growing up an only child and her earliest memories.

Kingo Halla’s EP, Reflections is a beautiful way to forget you exist for a while. By Alyssa Gelata

Host Laura Stanley has a baker's dozen new tunes from Avalon Tassonyi, Skinny Dyck, Poolblood, and more on Torch & Twang Vol.12.

Miguel Maravilla’s Always is a study in expressing the very same thing in multiple ways. By Tia Julien

A new look and format for Beat and the Pulse: now a regularly updated playlist of synthy, stylish, and superb electronic-based music from across so-called Canada.

Ora Cogan joins Weajue Mombo and goes 20 or 20, discussing the colour pallet of BC, leaning into intuition, honouring the spirit of unstructured work, and more.

Nick Schofield’s Ambient Ensemble is a lush ambient-classical exploration of playful collaboration. by Hiroki Tanaka

“Dresses,” by Winnipeg band Fencing, has a series of tangents hidden beneath its sheen. By Justin Grignon

Quick Before it Melts 037 is fighting against the algorithm blues with new tunes from Cadence Weapon, Jon Mckiel, and Mighloe, and more.

Bilal Nassar’s How Can We Say Nothing is a ruminative opus of post-rock soundscapes and classical guitar. By Hiroki Tanaka

Weajue Mombo speaks with guitarist and composer Bilal Nasser ahead of the release of his album, How Can We Say Nothing.

Here are 29 Black artists for all 29 days of February 2024. Happy Black History Month!

Nick Schofield’s Ambient Ensemble is a lush ambient-classical exploration of playful collaboration. by Hiroki Tanaka

Kenny Boothby of Little Kid goes 20 or 20 with hosts Weadee and Weajue Mombo.

iskwē finds herself reflecting on aging, self-image and respite on her new single, “Waiting For The Laughter.” by Hiroki Tanaka

Host Em Moore is ready to rock your February with The Reservoir 004, featuring Faiyaz and the Wasted Chances, Fight on Sight, Fucked Up and more.

Haley Blais’s Wisecrack walks the line between radio pop and experimental alternative. By Aly Laube

Born at Midnite are crafting deliciously addictive alt-pop on their latest pair of songs, “*69” and “Spotlite.” By Jim Di Gioia

The Flower That Knew offers a genuine and joyful expression of individuality amid the chaotic cultural landscape. By Jim Di Gioia