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𝐅𝐚𝐲𝐮𝐦 𝐩𝐨𝐫𝐭𝐫𝐚𝐢𝐭, 𝐜𝐚. 𝟕𝟎𝐂𝐄 𝐻𝑒𝑙𝑙𝑒𝑛𝑖𝑠𝑡𝑖𝑐, 𝐶𝑜𝑝𝑡𝑖𝑐 𝑎𝑟𝑡 Fayum mummy portraits are a type of naturalistic encaustic portrait typically painted on wooden boards attached to the mummies of upper class individuals living in Egypt during the Roman period. #art #painting #schoenesgegendoofes

The image shows a painted portrait of a young woman, rendered in an ancient style.

She has dark, wavy hair framing her face, with a central part.
Her expression is calm and serious, with large, dark eyes looking slightly to the side.
She wears gold earrings and a delicate gold necklace with a pendant.
A light, translucent covering or veil appears to fall behind her head and shoulders.
The painting has a warm ochre, brown, and gold palette, with a visibly weathered, cracked surface.
The long, narrow face and jewelry give it a distinctly Roman-era Mediterranean appearance.

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Deepspeeps @deepspeeps.bsky.social · 2h

𝐉𝐨𝐡𝐧 𝐖𝐢𝐥𝐬𝐨𝐧 𝐂𝐚𝐫𝐦𝐢𝐜𝐡𝐚𝐞𝐥 "𝑇ℎ𝑒 𝐼𝑟𝑤𝑖𝑛 𝐿𝑖𝑔ℎ𝑡ℎ𝑜𝑢𝑠𝑒, 𝑆𝑡𝑜𝑟𝑚 𝑅𝑎𝑔𝑖𝑛𝑔", 1851 𝑅𝑜𝑚𝑎𝑛𝑡𝑖𝑐𝑖𝑠𝑚 Carmichael makes nature appear immensely powerful, while the lighthouse stands as a small but reassuring symbol of guidance, survival, and hope amid the chaos. #art #painting #schoenesgegendoofes

The painting shows a violent maritime storm centered on a lighthouse struggling against enormous waves.

On the left, a tall lighthouse rises from the turbulent sea. Its glowing lantern provides a striking point of warmth and hope amid the darkness.
The sea dominates the foreground, with huge, irregular waves breaking into white foam. The swirling water gives the scene a powerful sense of movement.
In the center and right, a wrecked wooden boat or vessel is being torn apart by the waves. Broken timbers, ropes, and fragments of the wreckage are scattered across the water.
Above, the sky is filled with heavy, dark storm clouds, but shafts of pale light break through them, illuminating parts of the sea.
The contrast between the steady lighthouse and the shattered wreck is especially important: the lighthouse suggests safety and endurance, while the wreck represents the destructive power of the storm.
A small bird can be seen low over the water, emphasizing the enormous scale of the waves and the loneliness of the scene.

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Deepspeeps @deepspeeps.bsky.social · 04/10/2026

A second painting by Turner depicting the same event.

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Deepspeeps @deepspeeps.bsky.social · 04/10/2026

𝐉.𝐌.𝐖. 𝐓𝐮𝐫𝐧𝐞𝐫 "𝑇ℎ𝑒 𝐵𝑢𝑟𝑛𝑖𝑛𝑔 𝑜𝑓 𝑡ℎ𝑒 𝐻𝑜𝑢𝑠𝑒𝑠 𝑜𝑓 𝑃𝑎𝑟𝑙𝑖𝑎𝑚𝑒𝑛𝑡", 1834 𝑅𝑜𝑚𝑎𝑛𝑡𝑖𝑐𝑖𝑠𝑚 Turner himself witnessed the fire from the south bank of the River Thames. He made sketches using both pencil and watercolour in two sketchbooks from different vantage points, including from a rented boat, #art #painting

The Burning of the Houses of Lords and Commons, 16 October 1834 is a dramatic painting by the English Romantic artist J. M. W. Turner, depicting the fire that destroyed much of the old Palace of Westminster in London in 1834.

Turner focuses less on accurately recording the buildings and more on capturing the terrifying spectacle of the fire. Huge flames rise into the night sky, creating a glowing mass of red, orange, yellow and white. The smoke spreads across the scene, making the atmosphere hazy and chaotic.
In the foreground, the River Thames reflects the intense colours of the flames. Turner uses the water to repeat and magnify the fire's glow, while small boats and crowds of spectators emphasise the scale of the event. The Houses of Parliament appear partly obscured by smoke and fire, rather than being presented in sharp architectural detail.

The painting is characteristic of Romanticism because it emphasises emotion, nature and the sublime. The fire appears enormous and uncontrollable, making human buildings and people seem small and powerless. Turner was particularly interested in the effects of light, colour and atmosphere, and the fire gave him an opportunity to explore these dramatically.

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Deepspeeps @deepspeeps.bsky.social · 04/10/2026

𝐌𝐚𝐫𝐜𝐮𝐬 𝐋𝐚𝐫𝐬𝐨𝐧 "𝐻𝑎𝑣 𝑖 𝑚𝑎𝑛𝑠𝑘𝑒𝑛", 1848 𝑅𝑜𝑚𝑎𝑛𝑡𝑖𝑐𝑖𝑠𝑚 #art #painting #schoenesgegendoofes

The painting shows a moonlit sea at night. The large, bright moon is partly surrounded by clouds and casts a shimmering reflection across the water. Several sailing ships are spread across the sea, with their dark sails standing out against the blue and silver background. In the foreground, there is a small boat with people in it.

The painting uses mainly dark blue, grey, and black tones, contrasted with the bright white-yellow light of the moon. The calm water and cloudy sky create a peaceful but mysterious atmosphere. The ships appear small compared with the wide sea and sky, emphasizing the power and vastness of nature.

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Deepspeeps @deepspeeps.bsky.social · 03/10/2026

From my perspective it looks like Tucker has no understanding of freedom or decency. He pretends to know a past/future that never was or will be. The dishonesty and ignorance is quite staggering. Would he say the same if Russia attacked the US. Just hand over everything and learn Russian? Really?

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Reposted by Deepspeeps

Raider @iwillnotbesilenced.bsky.social · 02/10/2026

Hispanics working in the USA 👏🏽

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Deepspeeps @deepspeeps.bsky.social · 01/10/2026

𝐒𝐮𝐳𝐚𝐧𝐧𝐞 𝐕𝐚𝐥𝐚𝐝𝐨𝐧 "𝐿𝑎 𝑐ℎ𝑎𝑚𝑏𝑟𝑒 𝑏𝑙𝑒𝑢𝑒", 1923 A reversal of the traditional reclining female nude. Instead of presenting a woman as an object for a viewer's pleasure, Valadon depicts a clothed woman who appears self-possessed and unconcerned with conventional ideals of femininity. #art #painting

Figure: A large, relaxed woman lies diagonally across the bed. She wears a pink camisole and loose green-and-white striped trousers. Her body is presented naturally rather than as an idealized, delicate figure.
Pose and expression: She leans back against pillows, with one arm extended along the bed and the other resting beside her. She looks off to the side with a calm, self-possessed expression. A cigarette appears to be held in her mouth.
Setting: Almost the entire room is covered in intense blue floral fabrics. The bedspread is patterned with pale flowers, while the curtains and cushions repeat the blue and floral motifs.

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Reposted by Deepspeeps

ΜΑΝΟΣ ΤΡΑΧΙΑΣ™ @trahias.bsky.social · 01/10/2026

Nicholas Roerich (Russian, 1874-1947) "Battle in the Heavens," 1912 Tempera on cardboard 66 x 94 cm The Russian Museum, St. Petersburg, Russia #art #painting #artist #BlueSkyArt

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Deepspeeps @deepspeeps.bsky.social · 01/10/2026

Even if he had assaulted anyone, he still should get medical aid. What the hell is wrong with these people? Basic humanity - gone.

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Reposted by Deepspeeps

S.J.💙🩵💙🦋🦓 @glimmers2.bsky.social · 29/09/2026

A study in valor. Imagine testifying against the most powerful criminal on the planet?

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Deepspeeps @deepspeeps.bsky.social · 30/09/2026

He sure has a screw lose, probably more than one.

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Deepspeeps @deepspeeps.bsky.social · 29/09/2026

𝐓𝐡𝐞𝐨𝐝𝐨𝐫𝐨𝐬 𝐒𝐭𝐚𝐦𝐨𝐬 "𝐼𝑛𝑓𝑖𝑛𝑖𝑡𝑦 𝐹𝑖𝑒𝑙𝑑", 𝐿𝑒𝑓𝑘𝑎𝑑𝑎 𝑆𝑒𝑟𝑖𝑒𝑠, 1980 𝐴𝑏𝑠𝑡𝑟𝑎𝑐𝑡 The wavering edges, uneven lines, visible brush marks & small accidental-looking traces, keep the colour fields human & physical. Infinity is being suggested through paint, surface, line & colour. #art #painting #schoenesgegendoofes

The composition is organized into three large horizontal zones:

Upper zone: a dark reddish-brown/maroon ground surrounds a broad, irregular crimson-red band at the top. Within it are darker, loosely brushed marks that almost resemble traces of writing, landscape, or geological formations. A thin, uneven pink line separates this area from the blue field below.
Central zone: an expansive violet-blue rectangular field dominates the painting. Its surface is relatively quiet and flat, but the irregular edges keep it from feeling like a mechanically drawn geometric shape. Toward the lower left is a faint red/pink curved gesture, almost like a fragment of a circle or an abbreviated arc.
Lower zone: a second, lighter blue field sits beneath a rough, brilliant white horizontal line. This white line functions almost like a horizon—although its irregular, hand-drawn quality prevents it from becoming a literal landscape.

The surrounding brown/maroon border is important. It makes the blue interior feel like an opening or a window, while the uneven edges suggest that the fields have been painted, torn, or discovered rather than constructed with a ruler.

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Deepspeeps @deepspeeps.bsky.social · 29/09/2026

I don't understand it. I tried to and read a lot and listen to different opinions regarding the situation in Gaza. I have yet to hear a good explanation why the children stuck in Gaza cannot at least get enough to eat and the medicine they need. What is this about?

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Deepspeeps @deepspeeps.bsky.social · 28/09/2026

Heart braking! And the US president rolling out the red carpet for Putin. Why is it necessary to starve people? It isn't.

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Deepspeeps @deepspeeps.bsky.social · 27/09/2026

𝐊𝐚𝐫𝐥 𝐒𝐜𝐡𝐫𝐚𝐠 (𝟏𝟗𝟏𝟐 - 𝟏𝟗𝟗𝟓) "𝐵𝑎𝑟𝑛 𝑆𝑡𝑢𝑑𝑖𝑜 𝑖𝑛 𝑀𝑜𝑜𝑛𝑙𝑖𝑔ℎ𝑡" 𝐸𝑥𝑝𝑟𝑒𝑠𝑠𝑖𝑜𝑛𝑖𝑠𝑚 What a lovely print! I like the intense colours and the mood in conveys. Dreamlike, but not sleepy, intriguing and mysterious. #art #painting #schoenesgegendoofes #beauty

Karl Schrag’s Barn Studio in Moonlight depicts a quiet rural landscape at night, with a small barn standing on a gently sloping field beside a body of water.

Foreground: The lower part of the image is filled with tall grasses and wildflowers. Schrag uses loose, energetic brushstrokes in blue, green, purple, white, and orange, giving the vegetation a lively, textured appearance.
Middle ground: A broad field stretches toward the barn. Instead of using naturalistic greens and browns, Schrag fills the land with pink, coral, lavender, and orange, creating a highly expressive landscape.
Barn: The white barn is the focal point. Its simple geometric shape and bright walls stand out against the darker trees behind it. Small windows and a large door are clearly visible.
Background: Trees surround the barn in clusters of deep blue, purple, red, and green. To the left, the landscape opens onto water, which reflects the muted colors of the night.
Sky: The sky is dark and richly textured, with a crescent moon in the upper left and numerous small white stars. Broad, sweeping marks across the sky suggest movement and atmosphere.
Color and mood: Although it is a nighttime scene, the painting is bright and colorful rather than dark. The pinks and blues create a dreamlike, peaceful, slightly magical mood.

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Deepspeeps @deepspeeps.bsky.social · 27/09/2026

𝐇𝐮𝐚𝐧𝐠 𝐘𝐨𝐧𝐠𝐲𝐮 (1924–2023) "𝐵𝑢𝑑𝑑ℎ𝑎" Huang Yongyu was a Chinese painter, printmaker, and writer known for his expressive, sometimes playful visual language. #art #painting #schoenesgegendoofes #beauty

Typical features of Huang’s Buddha imagery include:

Expressive linework: His brushwork can be loose, vigorous, and calligraphic rather than meticulously modeled.
A relaxed or humorous character: The Buddha may appear approachable and even mischievous, reflecting Huang’s tendency to combine seriousness with humor.
Simplified forms: Facial features and the body are often reduced to economical shapes and strokes, allowing gesture and expression to carry much of the meaning.
Traditional Chinese influence: The imagery draws on ink painting and calligraphy, while departing from the highly standardized conventions of Buddhist iconography.
Spirituality without excessive solemnity: Instead of emphasizing grandeur or transcendence, Huang can make the Buddha feel intimate and human.

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Deepspeeps @deepspeeps.bsky.social · 27/09/2026

The violence - it's lurking everywhere - in the name of a new old world that never existed and will bring happiness to no-one.

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Deepspeeps @deepspeeps.bsky.social · 26/09/2026

“𝗕𝗲 𝗸𝗶𝗻𝗱, 𝗳𝗼𝗿 𝗲𝘃𝗲𝗿𝘆𝗼𝗻𝗲 𝘆𝗼𝘂 𝗺𝗲𝗲𝘁 𝗶𝘀 𝗳𝗶𝗴𝗵𝘁𝗶𝗻𝗴 𝗮 𝗵𝗮𝗿𝗱 𝗯𝗮𝘁𝘁𝗹𝗲.” 𝘚𝘰𝘤𝘳𝘢𝘵𝘦𝘴

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Deepspeeps @deepspeeps.bsky.social · 26/09/2026

𝐋𝐢𝐧 𝐅𝐞𝐧𝐠𝐦𝐢𝐚𝐧 (1900 - 1991) "𝐹𝑜𝑢𝑟 𝐵𝑒𝑎𝑢𝑡𝑖𝑒𝑠" 𝑃𝑜𝑠𝑡-𝐼𝑚𝑝𝑟𝑒𝑠𝑠𝑖𝑜𝑛𝑖𝑠𝑚 Four Beauties can be understood as a meditation on female beauty, elegance, and harmony. Its restrained composition and lyrical figures give the work a calm, poetic quality. #art #painting #schoenesgegendoofes

The painting depicts four female figures, presented together in a simplified, almost dreamlike setting. The women appear elegant and poised, with their bodies arranged in a rhythmic composition. Rather than emphasizing realistic facial features or detailed surroundings, Lin uses stylized shapes, flowing lines, and areas of color to create a sense of harmony and beauty.
The figures are characterized by:

Elongated, simplified forms that give them an elegant, almost theatrical appearance.
Expressive outlines, influenced by the brushwork of traditional Chinese ink painting.
Soft, restrained colors, which create a quiet and contemplative atmosphere.
A flat, shallow sense of space, rather than the deep perspective typical of Western realism.
A strong sense of balance and symmetry, with the four figures functioning almost as a decorative pattern.

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Deepspeeps @deepspeeps.bsky.social · 26/09/2026

𝐆𝐢𝐥𝐥𝐢𝐚𝐧 𝐀𝐲𝐫𝐞𝐬 𝑆𝑒𝑝𝑡𝑒𝑚𝑏𝑒𝑟 𝑆𝑜𝑛𝑔, 1998 𝐿𝑦𝑟𝑖𝑐𝑎𝑙 𝐴𝑏𝑠𝑡𝑟𝑎𝑐𝑡𝑖𝑜𝑛 September Song is not a picture of a particular object or landscape, but a colourful, energetic visual composition whose forms and title evoke the sensations and associations of nature and seasonal change. #art #painting #schoenesgegendoofes

Ayres's mature paintings are characterized by thick impasto and exuberant colour, giving the surface a physical, almost tactile presence.
In this painting: Yellows, greens, blues, purple.
The forms suggest flowers, foliage, or other natural growth floating, but they remain deliberately ambiguous rather than functioning as literal representations.

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Deepspeeps @deepspeeps.bsky.social · 25/09/2026

Was sind denn das für Zustände?

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Deepspeeps @deepspeeps.bsky.social · 25/09/2026

Durch ein Dorf rasen geht gar nicht! Die Menschen, die an solchen Strassen wohnen sollen alles aushalten, damit jemand anderes Spass haben kann? Geht's eigentlich noch? Die Kampagne finde ich gut - die Politik eher nicht.

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Deepspeeps @deepspeeps.bsky.social · 25/09/2026

What's up with Melania's hands?

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Deepspeeps @deepspeeps.bsky.social · 22/09/2026

Lumpy at it again! Telling lies, praising himself in front of the UN. Pretty sad really. Using his power and reach for this nothingness - no creativity, no vision, no humanity, no nothing. America does have some pretty good, intelligent minds. Not used, not appreciated. I see you.

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Reposted by Deepspeeps

Massimo (mirror) @rainmaker1973-m.bsky.social · 19/09/2026

Swans might have one of the most underrated landing techniques in the animal kingdom. Original post

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Deepspeeps @deepspeeps.bsky.social · 12/09/2026

Is corruption in government or positions of power inevitable?

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Deepspeeps @deepspeeps.bsky.social · 09/09/2026

𝐆𝐞𝐨𝐫𝐠𝐢𝐚 𝐎'𝐊𝐞𝐞𝐟𝐟𝐞 "𝐹𝑟𝑜𝑚 𝑡ℎ𝑒 𝐿𝑎𝑘𝑒", 1924 𝑃𝑟𝑒𝑐𝑖𝑠𝑖𝑜𝑛𝑖𝑠𝑚, 𝑎𝑏𝑠𝑡𝑟𝑎𝑐𝑡 An abstracted landscape inspired by Lake George in New York. Instead of giving us a conventional view of the lake, O'Keeffe makes us feel the wind, water, clouds, movement, and power of the place. #art #painting #schoenesgegendoofes

O’Keeffe breaks the landscape into sweeping, flowing shapes. Bands of blue, white, pale yellow, brown, green, and gray move diagonally across the canvas. Some shapes suggest water, others mountains or land, while the heavy gray forms at the top can be read as approaching storm clouds.

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Deepspeeps @deepspeeps.bsky.social · 09/09/2026

Gibt es von Seiten der offiziellen Schweiz plausible Gründe für die nicht Beteiligung an den Sanktionen? Ich hätte gerne ein Land, das sich auf die Seite der Unterdrückten stellt, und nicht etwa die Unterdrücker noch unterstützt, sonst herrscht irgendwann nur noch das Faustrecht.

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