iiinova — where your digital self keeps evolving

𝐒𝐮𝐳𝐚𝐧𝐧𝐞 𝐕𝐚𝐥𝐚𝐝𝐨𝐧 "𝐿𝑎 𝑐ℎ𝑎𝑚𝑏𝑟𝑒 𝑏𝑙𝑒𝑢𝑒", 1923 A reversal of the traditional reclining female nude. Instead of presenting a woman as an object for a viewer's pleasure, Valadon depicts a clothed woman who appears self-possessed and unconcerned with conventional ideals of femininity. #art #painting

Figure: A large, relaxed woman lies diagonally across the bed. She wears a pink camisole and loose green-and-white striped trousers. Her body is presented naturally rather than as an idealized, delicate figure.
Pose and expression: She leans back against pillows, with one arm extended along the bed and the other resting beside her. She looks off to the side with a calm, self-possessed expression. A cigarette appears to be held in her mouth.
Setting: Almost the entire room is covered in intense blue floral fabrics. The bedspread is patterned with pale flowers, while the curtains and cushions repeat the blue and floral motifs.

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Reposted by Deepspeeps

ΜΑΝΟΣ ΤΡΑΧΙΑΣ™ @trahias.bsky.social · 18h

Nicholas Roerich (Russian, 1874-1947) "Battle in the Heavens," 1912 Tempera on cardboard 66 x 94 cm The Russian Museum, St. Petersburg, Russia #art #painting #artist #BlueSkyArt

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S.J.💙🩵💙🦋🦓 @glimmers2.bsky.social · 29/09/2026

A study in valor. Imagine testifying against the most powerful criminal on the planet?

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Deepspeeps @deepspeeps.bsky.social · 29/09/2026

𝐓𝐡𝐞𝐨𝐝𝐨𝐫𝐨𝐬 𝐒𝐭𝐚𝐦𝐨𝐬 "𝐼𝑛𝑓𝑖𝑛𝑖𝑡𝑦 𝐹𝑖𝑒𝑙𝑑", 𝐿𝑒𝑓𝑘𝑎𝑑𝑎 𝑆𝑒𝑟𝑖𝑒𝑠, 1980 𝐴𝑏𝑠𝑡𝑟𝑎𝑐𝑡 The wavering edges, uneven lines, visible brush marks & small accidental-looking traces, keep the colour fields human & physical. Infinity is being suggested through paint, surface, line & colour. #art #painting #schoenesgegendoofes

The composition is organized into three large horizontal zones:

Upper zone: a dark reddish-brown/maroon ground surrounds a broad, irregular crimson-red band at the top. Within it are darker, loosely brushed marks that almost resemble traces of writing, landscape, or geological formations. A thin, uneven pink line separates this area from the blue field below.
Central zone: an expansive violet-blue rectangular field dominates the painting. Its surface is relatively quiet and flat, but the irregular edges keep it from feeling like a mechanically drawn geometric shape. Toward the lower left is a faint red/pink curved gesture, almost like a fragment of a circle or an abbreviated arc.
Lower zone: a second, lighter blue field sits beneath a rough, brilliant white horizontal line. This white line functions almost like a horizon—although its irregular, hand-drawn quality prevents it from becoming a literal landscape.

The surrounding brown/maroon border is important. It makes the blue interior feel like an opening or a window, while the uneven edges suggest that the fields have been painted, torn, or discovered rather than constructed with a ruler.

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Deepspeeps @deepspeeps.bsky.social · 29/09/2026

I don't understand it. I tried to and read a lot and listen to different opinions regarding the situation in Gaza. I have yet to hear a good explanation why the children stuck in Gaza cannot at least get enough to eat and the medicine they need. What is this about?

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Deepspeeps @deepspeeps.bsky.social · 28/09/2026

Heart braking! And the US president rolling out the red carpet for Putin. Why is it necessary to starve people? It isn't.

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Deepspeeps @deepspeeps.bsky.social · 27/09/2026

𝐊𝐚𝐫𝐥 𝐒𝐜𝐡𝐫𝐚𝐠 (𝟏𝟗𝟏𝟐 - 𝟏𝟗𝟗𝟓) "𝐵𝑎𝑟𝑛 𝑆𝑡𝑢𝑑𝑖𝑜 𝑖𝑛 𝑀𝑜𝑜𝑛𝑙𝑖𝑔ℎ𝑡" 𝐸𝑥𝑝𝑟𝑒𝑠𝑠𝑖𝑜𝑛𝑖𝑠𝑚 What a lovely print! I like the intense colours and the mood in conveys. Dreamlike, but not sleepy, intriguing and mysterious. #art #painting #schoenesgegendoofes #beauty

Karl Schrag’s Barn Studio in Moonlight depicts a quiet rural landscape at night, with a small barn standing on a gently sloping field beside a body of water.

Foreground: The lower part of the image is filled with tall grasses and wildflowers. Schrag uses loose, energetic brushstrokes in blue, green, purple, white, and orange, giving the vegetation a lively, textured appearance.
Middle ground: A broad field stretches toward the barn. Instead of using naturalistic greens and browns, Schrag fills the land with pink, coral, lavender, and orange, creating a highly expressive landscape.
Barn: The white barn is the focal point. Its simple geometric shape and bright walls stand out against the darker trees behind it. Small windows and a large door are clearly visible.
Background: Trees surround the barn in clusters of deep blue, purple, red, and green. To the left, the landscape opens onto water, which reflects the muted colors of the night.
Sky: The sky is dark and richly textured, with a crescent moon in the upper left and numerous small white stars. Broad, sweeping marks across the sky suggest movement and atmosphere.
Color and mood: Although it is a nighttime scene, the painting is bright and colorful rather than dark. The pinks and blues create a dreamlike, peaceful, slightly magical mood.

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Deepspeeps @deepspeeps.bsky.social · 27/09/2026

𝐇𝐮𝐚𝐧𝐠 𝐘𝐨𝐧𝐠𝐲𝐮 (1924–2023) "𝐵𝑢𝑑𝑑ℎ𝑎" Huang Yongyu was a Chinese painter, printmaker, and writer known for his expressive, sometimes playful visual language. #art #painting #schoenesgegendoofes #beauty

Typical features of Huang’s Buddha imagery include:

Expressive linework: His brushwork can be loose, vigorous, and calligraphic rather than meticulously modeled.
A relaxed or humorous character: The Buddha may appear approachable and even mischievous, reflecting Huang’s tendency to combine seriousness with humor.
Simplified forms: Facial features and the body are often reduced to economical shapes and strokes, allowing gesture and expression to carry much of the meaning.
Traditional Chinese influence: The imagery draws on ink painting and calligraphy, while departing from the highly standardized conventions of Buddhist iconography.
Spirituality without excessive solemnity: Instead of emphasizing grandeur or transcendence, Huang can make the Buddha feel intimate and human.

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Deepspeeps @deepspeeps.bsky.social · 26/09/2026

“𝗕𝗲 𝗸𝗶𝗻𝗱, 𝗳𝗼𝗿 𝗲𝘃𝗲𝗿𝘆𝗼𝗻𝗲 𝘆𝗼𝘂 𝗺𝗲𝗲𝘁 𝗶𝘀 𝗳𝗶𝗴𝗵𝘁𝗶𝗻𝗴 𝗮 𝗵𝗮𝗿𝗱 𝗯𝗮𝘁𝘁𝗹𝗲.” 𝘚𝘰𝘤𝘳𝘢𝘵𝘦𝘴

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Deepspeeps @deepspeeps.bsky.social · 26/09/2026

𝐋𝐢𝐧 𝐅𝐞𝐧𝐠𝐦𝐢𝐚𝐧 (1900 - 1991) "𝐹𝑜𝑢𝑟 𝐵𝑒𝑎𝑢𝑡𝑖𝑒𝑠" 𝑃𝑜𝑠𝑡-𝐼𝑚𝑝𝑟𝑒𝑠𝑠𝑖𝑜𝑛𝑖𝑠𝑚 Four Beauties can be understood as a meditation on female beauty, elegance, and harmony. Its restrained composition and lyrical figures give the work a calm, poetic quality. #art #painting #schoenesgegendoofes

The painting depicts four female figures, presented together in a simplified, almost dreamlike setting. The women appear elegant and poised, with their bodies arranged in a rhythmic composition. Rather than emphasizing realistic facial features or detailed surroundings, Lin uses stylized shapes, flowing lines, and areas of color to create a sense of harmony and beauty.
The figures are characterized by:

Elongated, simplified forms that give them an elegant, almost theatrical appearance.
Expressive outlines, influenced by the brushwork of traditional Chinese ink painting.
Soft, restrained colors, which create a quiet and contemplative atmosphere.
A flat, shallow sense of space, rather than the deep perspective typical of Western realism.
A strong sense of balance and symmetry, with the four figures functioning almost as a decorative pattern.

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Deepspeeps @deepspeeps.bsky.social · 26/09/2026

𝐆𝐢𝐥𝐥𝐢𝐚𝐧 𝐀𝐲𝐫𝐞𝐬 𝑆𝑒𝑝𝑡𝑒𝑚𝑏𝑒𝑟 𝑆𝑜𝑛𝑔, 1998 𝐿𝑦𝑟𝑖𝑐𝑎𝑙 𝐴𝑏𝑠𝑡𝑟𝑎𝑐𝑡𝑖𝑜𝑛 September Song is not a picture of a particular object or landscape, but a colourful, energetic visual composition whose forms and title evoke the sensations and associations of nature and seasonal change. #art #painting #schoenesgegendoofes

Ayres's mature paintings are characterized by thick impasto and exuberant colour, giving the surface a physical, almost tactile presence.
In this painting: Yellows, greens, blues, purple.
The forms suggest flowers, foliage, or other natural growth floating, but they remain deliberately ambiguous rather than functioning as literal representations.

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Deepspeeps @deepspeeps.bsky.social · 22/09/2026

Lumpy at it again! Telling lies, praising himself in front of the UN. Pretty sad really. Using his power and reach for this nothingness - no creativity, no vision, no humanity, no nothing. America does have some pretty good, intelligent minds. Not used, not appreciated. I see you.

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Massimo (mirror) @rainmaker1973-m.bsky.social · 19/09/2026

Swans might have one of the most underrated landing techniques in the animal kingdom. Original post

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Deepspeeps @deepspeeps.bsky.social · 12/09/2026

Is corruption in government or positions of power inevitable?

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Deepspeeps @deepspeeps.bsky.social · 09/09/2026

𝐆𝐞𝐨𝐫𝐠𝐢𝐚 𝐎'𝐊𝐞𝐞𝐟𝐟𝐞 "𝐹𝑟𝑜𝑚 𝑡ℎ𝑒 𝐿𝑎𝑘𝑒", 1924 𝑃𝑟𝑒𝑐𝑖𝑠𝑖𝑜𝑛𝑖𝑠𝑚, 𝑎𝑏𝑠𝑡𝑟𝑎𝑐𝑡 An abstracted landscape inspired by Lake George in New York. Instead of giving us a conventional view of the lake, O'Keeffe makes us feel the wind, water, clouds, movement, and power of the place. #art #painting #schoenesgegendoofes

O’Keeffe breaks the landscape into sweeping, flowing shapes. Bands of blue, white, pale yellow, brown, green, and gray move diagonally across the canvas. Some shapes suggest water, others mountains or land, while the heavy gray forms at the top can be read as approaching storm clouds.

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Deepspeeps @deepspeeps.bsky.social · 08/09/2026

Aus aktuellem Anlass 𝐔𝐧𝐝 𝐚𝐥𝐬 𝐰𝐢𝐫 𝐚𝐧𝐬 𝐔𝐟𝐞𝐫 𝐤𝐚𝐦𝐞𝐧 𝑊𝑜𝑙𝑓 𝐵𝑖𝑒𝑟𝑚𝑎𝑛𝑛 (𝑎𝑢𝑠: 𝑊𝑜𝑙𝑓 𝐵𝑖𝑒𝑟𝑚𝑎𝑛𝑛: 𝑃𝑟𝑒𝑢ß𝑖𝑠𝑐ℎ𝑒𝑟 𝐼𝑘𝑎𝑟𝑢𝑠, 𝑉𝑒𝑟𝑙𝑎𝑔 𝐾𝑖𝑒𝑝𝑒𝑛ℎ𝑒𝑢𝑒𝑟 & 𝑊𝑖𝑡𝑠𝑐ℎ, 𝐾𝑜̈𝑙𝑛 1978)

Und als wir ans Ufer kamen

Und als wir ans Ufer kamen
Und saßen noch lang im Kahn
Da war es, daß wir den Himmel
Am schönsten im Wasser sahn
Und durch den Birnbaum flogen
Paar Fischlein. Das Flugzeug schwamm
Quer durch den See und zerschellte
Sachte am Weidenstamm
– am Weidenstamm.

Was wird bloß aus unsern Träumen
In diesem zerrissenen Land
Die Wunden wollen nicht zugehn
Unter dem Dreckverband
Und was wird aus unsern Freunden
Und was noch aus dir, aus mir –
Ich möchte am liebsten weg sein
Und bleibe am liebsten hier

ca. 1976

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Allison Gill @muellershewrote.com · 08/09/2026

Just gonna share this again.

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Deepspeeps @deepspeeps.bsky.social · 04/09/2026

𝐄𝐮𝐠𝐞𝐧𝐞 𝐂𝐚𝐫𝐫𝐢𝐞𝐫𝐞 "𝑊𝑜𝑚𝑎𝑛 𝐿𝑒𝑎𝑛𝑖𝑛𝑔 𝑜𝑛 𝑎 𝑇𝑎𝑏𝑙𝑒", 1893 𝑆𝑦𝑚𝑏𝑜𝑙𝑖𝑠𝑚 Carrière uses darkness, muted color, softened contours, and a simple gesture to turn an ordinary interior moment into a meditation on silence and inner life. #art #painting #schoenesgegendoofes

What we see

The painting presents a solitary woman leaning forward against a table, her body and face emerging softly from a dark, indistinct interior. Rather than giving us a sharply defined setting, Carrière surrounds the figure with shadowy, brownish-gray tones. The result makes the woman seem almost to dissolve into the atmosphere around her.

Style and technique

Carrière is particularly recognizable for this hazy, tonal treatment of the human figure. In this painting, edges are deliberately softened rather than crisply outlined. Light seems to emerge gradually from the darkness, concentrating our attention on the woman's face, posture, and quiet presence.

This lack of precise detail is important: Carrière is less interested in describing what the room looks like than in conveying a psychological mood. The subdued palette and indistinct background create an introspective, almost dreamlike quality.

Mood and interpretation

The woman's leaning posture suggests rest, contemplation, fatigue, or private thought. Because she isn't engaged in an obvious narrative or activity, the viewer is left to imagine what is happening internally. The painting therefore feels intimate and psychologically focused.

This is characteristic of Symbolism: the subject isn't simply a woman at a table; her pose and the surrounding darkness can be read as expressions of interiority, solitude, and emotional stillness.

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Deepspeeps @deepspeeps.bsky.social · 04/09/2026

𝐉.𝐌.𝐖. 𝐓𝐮𝐫𝐧𝐞𝐫 𝑉𝑒𝑛𝑖𝑐𝑒 𝑤𝑖𝑡ℎ 𝑡ℎ𝑒 𝑆𝑎𝑙𝑢𝑡𝑒, 𝑐. 1840 - 𝑐. 1845 𝑅𝑜𝑚𝑎𝑛𝑡𝑖𝑐𝑖𝑠𝑚

Venice, with a Salute (1840) by J. M. W. Turner is a luminous, atmospheric view of Venice that shows why Turner became known for transforming landscape into something almost dreamlike.

The painting looks across the Grand Canal toward the Santa Maria della Salute and the Doge's Palace. Rather than describing Venice with sharp architectural detail, Turner allows the city to dissolve into light, mist, and shimmering water.

The most striking feature is the sunlight. Warm yellows, creams, and soft blues spread across the sky and water, making the atmosphere seem to glow from within. The buildings are barely recognisable, and their forms are deliberately softened. Turner is less interested in giving us a precise map of Venice than in conveying the sensation of seeing Venice through brilliant Mediterranean light.

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Reposted by Deepspeeps

DevinCow @devincow.bsky.social · 04/09/2026

May you make fleeting temples together tomorrow and always ❤️

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Deepspeeps @deepspeeps.bsky.social · 22/08/2026

Make America great again? How are these agents not heart broken?

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👋I’m working on follow backs😊 @beaches1.bsky.social · 21/08/2026

🦋💙Thanks so much for including me, that’s so nice of you!🌻

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Deepspeeps @deepspeeps.bsky.social · 22/08/2026

𝐆𝐚𝐬𝐭𝐨𝐧 𝐂𝐡𝐚𝐢𝐬𝐬𝐚𝐜 "𝑈𝑛𝑡𝑖𝑡𝑙𝑒𝑑", 1961

The image is a colorful, abstract figurative painting composed of irregular, overlapping shapes outlined in black.

A stylized human-like face appears near the center, with a simple white face, black eyes, nose, and a curved mouth.
Around it are large organic forms in yellow, green, blue, red, pink, and beige, resembling intertwined limbs, clothing, or abstract body parts.
The shapes are deliberately distorted and disproportionate, giving the work a naïve, playful, almost surreal quality.
The background is mostly blue, with bold black contours separating the different forms.

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Deepspeeps @deepspeeps.bsky.social · 11/08/2026

"To claim that her adopted country was the most powerful on earth because it owned the largest arsenal, she said, was to mistake violence for power." 𝐻𝑎𝑛𝑛𝑎ℎ 𝐴𝑟𝑒𝑛𝑑𝑡

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Deepspeeps @deepspeeps.bsky.social · 11/08/2026

The greatest deal maker of all time!

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John Gilda @verbalprimate.com · 09/08/2026

👆👆👆 Love to be boosted by Wile E. hype master beyond compare. Thanks my friend. 🔊✨🗽✨🔊 Always grateful. #StrongerTogether

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Deepspeeps @deepspeeps.bsky.social · 08/08/2026

"It is better to suffer wrong than to do it, and happier to be sometimes cheated than not to trust." 𝑆𝑎𝑚𝑢𝑒𝑙 𝐽𝑜ℎ𝑛𝑠𝑜𝑛

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Deepspeeps @deepspeeps.bsky.social · 08/08/2026

Sooo much winning! Incredible! www.aljazeera.com

Headline:
BREAKING,
IRGC says Hormuz to open after US ‘fully’ accepts Iran’s conditions

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Deepspeeps @deepspeeps.bsky.social · 05/08/2026

𝐌𝐢𝐡𝐚𝐥𝐲 𝐌𝐮𝐧𝐤𝐚𝐜𝐬𝐲 "𝐷𝑢𝑠𝑡𝑦 𝐶𝑜𝑢𝑛𝑡𝑟𝑦 𝑅𝑜𝑎𝑑 𝐼𝐼", 1883 𝑎𝑛𝑑 "𝐶𝑜𝑢𝑛𝑡𝑟𝑦 𝑟𝑜𝑎𝑑 𝐼𝐼" 𝐼𝑚𝑝𝑟𝑒𝑠𝑠𝑖𝑜𝑛𝑖𝑠𝑚 #art #painting #schoenesgegendoofes

The painting is less about detailed objects than about light, atmosphere, and movement. A cart travels into the distance, raising a great cloud of dust. The dust catches the warm sunlight, becoming pink, peach, and pale gold, and seems almost to dissolve the road into the sky. Sparse trees and vegetation line the right side, while the landscape stretches broadly toward the horizon.

The result is a scene that feels quiet, hazy, and dreamlike. The ordinary act of traveling down a country road becomes almost poetic.

description by AI

I couldn't find out much about this painting. It is similar to the previous one, but the color scheme is more blue and green and less dusty, with a hinted sunset on the horizon.

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Deepspeeps @deepspeeps.bsky.social · 04/08/2026

The emperor is naked - and incompetent to the max. How much prove do people need? Does he really have to destroy everything first? And make no mistake, it effects EVERYBODY! youtu.be/-MqSoQAo3Q4?...

youtu.be

Trump FREAKS OUT as His Own DOJ Delivers GUT PUNCH!!!

YouTube video by MeidasTouch

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Deepspeeps @deepspeeps.bsky.social · 30/07/2026

𝐕𝐥𝐚𝐝𝐢𝐦𝐢𝐫 𝐁𝐨𝐫𝐨𝐯𝐢𝐤𝐨𝐯𝐬𝐤𝐲 "𝑃𝑜𝑟𝑡𝑟𝑎𝑖𝑡 𝑜𝑓 𝑀.𝐼.𝐿𝑜𝑝𝑢𝑘ℎ𝑖𝑛𝑎", 1797 𝑅𝑜𝑐𝑜𝑐𝑜 Borovikovsky transforms a formal aristocratic portrait into an intimate image of a young woman whose beauty seems both serene and fleeting. The Tretyakov Gallery describes it as a pinnacle of his work. #art #schoenesgegendoofes

Lopukhina is shown in a relaxed, elegant pose, with her body turned slightly away while her face looks toward the viewer. Her soft expression, dreamy eyes, and gentle smile create an impression of calmness and introspection.
She wears a light-colored, flowing dress, with a blue sash around her waist. Her pale skin and delicate features contrast beautifully with the darker tones of her hair and the surrounding landscape. The loose pose and soft brushwork give the portrait an intimate and natural quality.

The background is particularly important. Instead of an elaborate interior associated with aristocratic portraiture, Borovikovsky places Lopukhina in a poetic natural setting containing birch trees, ears of rye, and cornflowers. The colors of the landscape echo those of her clothing and accessories, visually connecting the woman with nature.

Desription by AI

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Deepspeeps @deepspeeps.bsky.social · 30/07/2026

𝐅𝐫𝐢𝐞𝐝𝐞𝐥 𝐃𝐳𝐮𝐛𝐚𝐬 "𝐸𝑎𝑠𝑡 𝐽𝑜𝑢𝑟𝑛𝑒𝑦", 1968 Dzubas was interested in making colour itself carry emotion and movement. His work from the 1960s increasingly used simplified, floating colour forms rather than the gestural brushwork #art #painting #schoenesgegendoofes

The composition is horizontal and elongated, encouraging the viewer’s eye to move from one side to the other.
Large, flowing areas of bright and contrasting colour appear alongside quieter passages.
Dzubas avoids conventional objects and perspective; the forms seem to float, overlap, and move across the canvas.
The boundaries between some colour areas are soft, while others are more sharply defined, creating a sense of rhythm and tension.
The work feels energetic but also spacious, almost like a landscape transformed into pure colour.

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Thomas Zimmer @thomaszimmer.bsky.social · 29/07/2026

Ich hoffe sehr, Demokratie Americana findet ein Publikum, dass groß genug ist, die deutsche Version meines Newsletters zu tragen. Bitte helft mir dabei, die Nachricht unter die Leute zu bringen. Dafür bin ich euch aufrichtig dankbar!

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Demokratie Americana

Essays und Analysen zur Politik und Geschichte der USA – und dem andauernden Kampf um die amerikanische Demokratie

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