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Deep Cuts in a Lovecraftian Vein

@deepcuts.blog
3.8K followers 666 following 39K posts

Pulp scholar specializing in H. P. Lovecraft and Robert E. Howard. Author of SEX AND THE CTHULHU MYTHOS and WEIRD TALERS. Reader of dead people's letters. He/him. Blue checks happen to other people. deepcuts.blog

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Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 3h
35: Most of the Greek scientific works were known to our mediaeval forefathers in Latin translations from Arabic translations, instead of in versions taken directly from the [Greek. We know Ptolemy’s] great astronomical work not by its original name of [ ], but by its Arabic name of “Almagest”.
Greek word that doesn't capture correctly.
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Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 7h
My dream of the black cat city was very fragmentary. the place was built of stone and clung to the side of a cliff like some of the towns drawn by Sime for Dunsany's stories. There are towns more or less like it in Spain. The place seemed to have been built by and for human beings aeons ago, but its present feline inhabitants had evidently lived there for ages. Nothing actually happened in this dream—it was just an isolated picture of the place, with the cats moving about in a rational and orderly manner, evidently in the performance of definite duties.

H. P. Lovecraft to William Lumley, 20 Jun 1936, LWH 449
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Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 02/10/2026
Robert E. Howard, "Shadows in the Moonlight"
As she peered timidly into the shadows between the trees, something swept into the sunlight with a swift whirl of wings: a great parrot which dropped on to a leafy branch and swayed there, a gleaming image of jade and crimson. It turned its crested head sidewise and regarded the invaders with glittering eyes of jet.

"Crom!" muttered the Cimmerian. "Here is the grandfather of all parrots. He must be a thousand years old! Look at the evil wisdom of his eyes. What mysteries do you guard, Wise Devil?"

Abruptly the bird spread its flaming wings and, soaring from its perch, cried out harshly: "Yagkoolan yok tha, xuthalla!" and with a wild screech of horribly human laughter, rushed away through the trees to vanish in the opalescent shadows.

Olivia stared after it, feeling the cold hand of nameless foreboding touch her supple spine.

"What did it say?" she whispered.

"Human words, I'll swear," answered Conan; "but in what tongue I can't say."

"Nor I," returned the girl. "Yet it must have learned them from human lips. Human, or--" she gazed into the leafy fastness and shuddered slightly, without knowing why.
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Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 01/10/2026
Remind me to tell you about the Conan/Fafhrd connection sometime.
THE GREY MOUSER

I

Soft sandaled feet press lightly on the stones
That cobble Lankhmar's mazy alleyways;
A greyish cloak melts in the river mist
That, like the ether of the alchemist,
Fumes round the corner from the nighted bays
To chill with sorcery men's blood and bones.
Only a bat whose sharp ears caught one sound
Knows that the Mouser is on business bound.

A jewel from Quarmall or a girl from Kled;
A caravel said to be docking soon;
A rune that Sheelba magicked from the dead;
Or a dread whisper from beyond the moon--
What man can name the thing that Mouser seeks
Or read the smile that links his swarthy cheeks?

II

The City thrusts black towers at the stars
And bars the forest back with morticed stones
And seals the scent of flowers in stone jars
And locks earth's secrets up in brass-clasped tomes.
No satyr may live there, no faun survive
The stench and clangor of each crowded street;
The white-fanged beasts of night cannot contrive
To gnaw an entrance through its black concrete.

Yet, 'mongst the gargoyles on its slated roofs,
One grey masked face leers down with living grin
THat mocks the scurry of the city's floor;
Two grey gloved hands pry ope[n] the library's door,
ANd break the ponderous tomes and scribble in
Footnotes that give the lie to all proud proofs.
-- Fritz Leiber, Jr.
020
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 01/10/2026
Example:
Picture: A cow stares out at the sea.

WHO hath desired the Sea? - the sight of salt water unbounded -
The heave and the halt and the hurl and the crash of the comber wind-hounded?
The sleek-barrelled swell before storm, grey, foamless, enormous, and growing
Stark calm on the lap of the Line or the crazy-eyed hurricane blowing -
His Sea in no showing the same - his Sea and the same 'neath each showing:
His Sea as she slackens or thrills?
So and no otherwise - so and no otherwise - hillmen desire their Hills!
Who hath desired the Sea ? - the immense and contemptuous surges?
The shudder, the stumble, the swerve, as the star-stabbing bowsprit emerges?
The orderly clouds of the Trades, the ridged, roaring sapphire thereunder -
Unheralded cliff-haunting flaws and the headsail's low-volleying thunder -
His Sea in no wonder the same - his Sea and the same through each wonder:
His Sea as she rages or stills?
So and no otherwise - so and no otherwise - hillmen desire their Hills.
Who hath desired the Sea? Her menaces swift as her mercies?
The in-rolling walls of the fog and the silver-winged breeze that disperses?
The unstable mined berg going South and the calvings and groans that declare it -
White water half-guessed overside and the moon breaking timely to bare it -
His Sea as his fathers have dared - his Sea as his children shall dare it:
His Sea as she serves him or kills?
So and no otherwise - so and no otherwise - hillmen desire their Hills.
Who hath desired the Sea? Her excellent loneliness rather
Than forecourts of kings, and her outermost pits than the streets where men gather
Inland, among dust, under trees - inland where the slayer may slay him -
Inland, out of reach of her arms, and the bosom whereon he must lay him -
His Sea from the first that betrayed - at the last that shall never betray him:
His Sea that his being fulfils?
So and no otherwise - so and no otherwise - hillmen desire their Hills.
- Rudyard Kipling, "The Sea and the Hills"
060
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 01/10/2026
(To be fair, some of this foliage is looking pretty phallic.)
Clark Ashton Smith's odd vegetation for THE LURKING FEAR in HOME BREW.
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Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 01/10/2026
Book catalogue project, entry 789: To Yith and Beyond (1990, The Moshassuck Press) by Duane W. Rimel. In green covers. Clean pages, minimal wear. Signed by author.
Book catalogue project, entry 789: To Yith and Beyond (1990, The Moshassuck Press) by Duane W. Rimel. In green covers. Clean pages, minimal wear. Signed by author.


Marbled green cover.Signature page.
040
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 30/09/2026
"Hidden"

It hangs in a subway of my soul
With its silk wings round its head
Time was when a hand could match its strength
But the power of that is dead.

And I in the flesh go cringing by
Afraid of its gold-stone eyes—
I shudder with dread amid the throng
When my soul's black vampire cries.

For its eerie call can bring me back
From battlefield, rank or fame—
It swings where the winds of passion blow
My master. Nemesis, bane.

Your heart hides one of its brother-brood.
Each soul that the Lord lets live—
Ye call them by other names I know,
(And for some may the Lord forgive!)

Bravely ye stand at the cavern's mouth.
Bold innocence in your eyes.
Condemning that which ye hide yourselves
With a thousand weakling lies.
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Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 30/09/2026
Book catalogue project, entry 788: The Forbidden Room (1988, The Moshassuck Press) by Duane W. Rimel. In green folder. Clean pages, minimal wear. 55/75. Signed by author.
Book catalogue project, entry 788: The Forbidden Room (1988, The Moshassuck Press) by Duane W. Rimel. In green folder. Clean pages, minimal wear. 55/75. Signed by author.

Plain green folder.55/75.
040
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 29/09/2026
Recommendation: Based on the original film, but focuses on thhe perspective of the half-Egyptian/half-British reincarnation of Ankh-Es-En-Amun, who is out of place in society due to her mixed heritage and gender.
Cover of THE MUMMY comic. The mummy Imhotep stares out at the reader, while unwrapping the bandages from his shaven head.
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Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 29/09/2026
Book catalogue project, entry 787: Within the Circle In Memoriam: Franklin Lee Baldwin 1913-1987 (1988, The Moshassuck Press) edited by Kenneth W. Faig. Spiralbound. Clean pages, minimal wear. 58/75.
Book catalogue project, entry 787: Within the Circle In Memoriam: Franklin Lee Baldwin 1913-1987 (1988, The Moshassuck Press) edited by Kenneth W. Faig. Spiralbound. Clean pages, minimal wear. 58/75.

Blank cover.Singing page, showing Baldwin with a guitar. 58/75.
030
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 28/09/2026
Thinking about comics again, and I remember this moment in a comic book that seems insane today. THE PUNISHER ARMORY (1990-1994) ran for 10 issues, and was mostly devoted to a brutally realist depiction of firearms and other weapons, written and drawn by Eliot Brown. Then you get this page.
Page from THE PUNISHER ARMORY talking about the pop cap gun belonging to Frank Castle's dead son.
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Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 28/09/2026
Show me a comic page you love; no explanation needed.
Page from Hellboy: The Wolves of St. August, where the ghost of a little girl reveals herself to be a werewolf and says "He made me this," which brings Kate Corrigan to tears.
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Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 28/09/2026
The Price
by Clark Ashton Smith

Behind each thing a shadow lies:
Beauty hath e'er its cost;
Within the moonlight-flooded skies
How many stars are lost!
0133
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 28/09/2026
Book catalogue project, entry 786: Ah! Sweet Idiocy! (1948, n.p.) by Francis T. Laney, Charles Burbee. Unbound. Clean pages, minimal wear. Probably a reprint.
Book catalogue project, entry 786: Ah! Sweet Idiocy! (1948, n.p.) by Francis T. Laney, Charles Burbee. Unbound. Clean pages, minimal wear. Probably a reprint.

No art, just the cover page with TOC.
020
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 27/09/2026
Book catalogue project, entry 785: Devonshire Ancestry of Howard Phillips Lovecraft (2003, The Moshassuck Press) by Chris J. Doherty, A. Langley Searles, Kenneth Faig, Jr. Blue folder. Clean pages, stain on cover.
Book catalogue project, entry 785: Devonshire Ancestry of Howard Phillips Lovecraft (2003, The Moshassuck Press) by Chris J. Doherty, A. Langley Searles, Kenneth Faig, Jr. Blue folder. Clean pages, stain on cover.

Plain blue cover, with light stain on right.Title page, with image of Lovecraft's coat of arms on the left: three yellow fox heads around a yellow chevron on a green field, beneath a helmet with a castle above, surrounded by yellow and green foliage.
041
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 26/09/2026
Book catalogue project, entry 784: Charleston (n.d., n.p.) by H. P. Lovecraft. Fanzine? Clean pages, minimal wear. Not gonna lie, this one is a bit of a mystery.
Book catalogue project, entry 784: Charleston (n.d., n.p.) by H. P. Lovecraft. Fanzine? Clean pages, minimal wear.

Not gonna lie, this one is a bit of a mystery. No cover, no date, no publisher, nada.
060
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 25/09/2026
Yes.
Somebody had been harassing me into reading some work of the iconoclastic moderns—those young chaps who pry behind exteriors and unveil nasty hidden motives and secret stigmata—and I had nearly fallen asleep over the tame backstairs gossip of Anderson’s Winesburg, Ohio. The sainted Sherwood, as you know, laid bare the dark area which many whited village lives concealed; and it occurred to me that I, in my weirder medium, could probably devise some secret behind a man’s ancestry which would make the worst of Anderson’s disclosures sound like the annual report of a Sabbath school. Hence Arthur Jermyn. Most of those who have seen the MS. profess themselves properly horrified—all, in in fact, except one chap who has travelled in Rhodesia, and declares himself bound by ties of the purest and most undaunted affection to all the denizens, negro and simian alike, of the Dark Continent.
(UL 8), HPL to Edwin Baird, Aug 1923
000
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 25/09/2026
Book catalogue project, entry 783: Howard Phillips Lovecraft and Nils Helmer Frome (1989, The Moshassuck Press) edited by Sam Moskowitz. Spiralbound. Clean pages, minimal wear. With Addenda and Corrigenda (1 page) tucked in.
Book catalogue project, entry 783: Howard Phillips Lovecraft and Nils Helmer Frome (1989, The Moshassuck Press) edited by Sam Moskowitz. Spiralbound. Clean pages, minimal wear. With Addenda and Corrigenda (1 page) tucked in.

Pale green cover, blank except for "Nils Helmer Frome 1918 1962."Title page.1-page addenda.
040
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 24/09/2026
Book catalogue project, entry 782: The First Bohemian: Nora May French (n.d., n.p.) by R. Alain Everts. Fanzine. Clean pages, minimal wear.
Book catalogue project, entry 782: The First Bohemian: Nora May French (n.d., n.p.) by R. Alain Everts. Fanzine. Clean pages, minimal wear.

Cream cover with oval portrait of the young poet.
020
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 23/09/2026
H. P. Lovecraft to Lillian D. Clark, 12-13 Sep 1925 Lovecraft tells his aunt about dinner at a Spanish restaurant.
Well—I went, found my host in, conferred, & duly set out on the nocturnal expedition; stopping at Loveman’s favourite Spanish restaurant to get a 25¢ dinner (enormous value) of beef, spiced & stuffed in the piquant manner of old Castile & Arragon.
1142
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 23/09/2026
Book catalogue project, entry 781: Francis Towner Laney (n.d., n.p.) by R. Alain Everts. Fanzine. Clean pages, minimal wear.
Book catalogue project, entry 781: Francis Towner Laney (n.d., n.p.) by R. Alain Everts. Fanzine. Clean pages, minimal wear.

On the (yellow) cover: a black-and-white photo of Laney.
051
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 22/09/2026
Heinrich Kley, 1928
Naked Lady dancing on ice skates with alligator
2387
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 22/09/2026
C. L. Moore's drawing for "Shambleau," featuring a naked woman with tentacles for hair.C. L. Moore's illustration for "Black God's Kiss," which was actually used for "The Dark Land," featuring a woman kneeling at a man's feet as a dark wind with a human face swirls around them.
231
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 22/09/2026
C. L. Moore to R. H. Barlow, 3 June 1937
Did I tell you about my lovely drawing for the collaboration with Kuttner being turned down? I forget just how long ago that was, but Wright explained they were having to lay off all dark illustrations because of offsetting. Gee, it was beautiful, too. Oh, well my public will just have to struggle along.
1102
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 22/09/2026
H. P. Lovecraft describes an Italian dinner to his aunt. H. P. Lovecraft to Lillian D. Clark, 27 Mar 1926
Another thing—you needn’t fear that I haven’t been eating. My very fastidiousness during the shaky period had the effect of boring me with my simple home fare, so that I indulged quite frequently in good restaurant meals costing all the way up to 75¢—a thing my influx of wages permitted me to do. Accordingly I am lavishly well-fed—you ought to see the Italian course dinner I got in celebration of your invitation! That meal was a classic. It opened with “antipasto”—relish material, called by the French hors d’oeuvres & consisting of sliced salami, (spiced bologna) pimento, olives, &c—& next proceeded to an enormous tureen (2 plates) of “minestrone”—heavy soup full of vegetables & sprinkled with powdered cheese. Then an order of “ravioli”—meat encased in flat squares of pastry & smothered in tomato sauce & cheese. After that roast chicken & french fried potatoes—& then a course of assorted cheeses with bread. Next was fruit—a banana & an orange, both delectably small & fresh—& coffee, & finally I topped off with a plate of “spumoni”—or variegated Italian ice cream. I ate it all—some 75¢ worth!
6416
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 22/09/2026
Book catalogue project, entry 780: Surrealism & Its Popular Accomplices (1980, City Light Books) edited by Franklin Rosemont. Softcover. Clean pages, some wear.
Book catalogue project, entry 780: Surrealism & Its Popular Accomplices (1980, City Light Books) edited by Franklin Rosemont. Softcover. Clean pages, some wear.

On the cover: reproductions of a cover of THE SHADOW pulp, Memphis MInnie Vol. 2, and a Bugs Bunny comic.
0102
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 21/09/2026
I've been picking up the new Hellraiser comics, more or less at a whim. The comics are interesting because there is no special effects budget, and your only limits are the skill and daring of writer and artist. In this case, that's Tina Howard and Jenna Cha... ...and what a great team.
Cover of CLIVE BARKER'S HELLRAISER RESURRECTIONS: THE DEEP GOSPEL
2331
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 21/09/2026
Gold standard, exhibit A:
Lineup shot of Steeljack form Kurt Busiek's Astro City, which is basically Robert Mitchum in chrome.
220
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 21/09/2026
Félix Labisse, "Sangsue-Satan"
A pale naked female character with tentacle-limbs floats beneath a crescent moon. A hand emerges from her crotch.
061
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 21/09/2026
Félix Labisse
A crested reptile with a woman's face and breasts.
0194
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 21/09/2026
Book catalogue project, entry 779: The Lovecraft Collectors Library Volume I–Volume VII (1979, The Strange Company) by George Wetzel, R. Alain Everts, Robert E. Briney. Softcover. Clean pages, some wear. 78/150.
Book catalogue project, entry 779: The Lovecraft Collectors Library Volume I–Volume VII (1979, The Strange Company) by George Wetzel, R. Alain Everts, Robert E. Briney. Softcover. Clean pages, some wear. 78/150.

Blank off-white/pale yellow color.
140
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 20/09/2026
Book catalogue project, entry 778: The Lovecraft Scholar (n.d. (1983), n.p.) by George Wetzel. Unbound sheets. Clean pages, minimal wear.
Book catalogue project, entry 778: The Lovecraft Scholar (n.d. (1983), n.p.) by George Wetzel. Unbound sheets. Clean pages, minimal wear.

No images on cover.
072
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 20/09/2026
FRAGMENT

The purple shadows of
  Giant planets are
Momentarily cast
  Upon the skull-face
Of a thousand
  Bone-white moons
As they whirl past
  The graveyard
Of Creation...

--Stuart M. Boland
0258
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 19/09/2026
"Veneridae" by Félix Labisse
A topless blue woman stares out at the viewer, surrounded by odd, smooth rocks that fade from pale white at the top to dark burgundy at the bottom. In her hand, the blue woman holds a strange white object like a spiky vulva.
1112
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 19/09/2026
without downloading new pics, describe your gender?
1800s newspaper cartoon of a tentacled being engulfing men and women, subcaptioned: "Lewd and Abandoned."
0263
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 19/09/2026
Book catalogue project, entry 777: HPL: Memoirs, Critiques, and Biographies (1955, SSR Publications) edited by George Wetzel. Softcover. Clean pages, cover stained, worn, torn and repaired with tape.
Blank cover, repaired with tape.
061
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 18/09/2026
Ok, hear me out. A Lord of the Rings remake, but with these two taking the One Ring to Mordor:
Jeffrey Combs holding the finger-eye prop from BRIDE OF REANIMATOR.
2293
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 17/09/2026
Scene from Beetlejuice 2 where Charles' character is being buried, featuring a priest in front of a lily-strewn casket surrounded by a hildren's choir.
0130
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 17/09/2026
"Mother is the name of god on the lips and hearts of little children."
Zoot the muppet, playing a saxophone.
120
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 17/09/2026
I think that's Spain Rodriguez' Trashman.
Spain Rodriguez' Trashman runs away from an explosion saying "Let's Make it."
040
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 17/09/2026
Kinda?
Black sesame seed ice cream
110
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 17/09/2026
"Warriors"

He who encounters giants, though he fail,
May still accomplish an heroic role;

But he who strikes at pygmies, may prevail,
Yet lose the Armageddon of the soul.
--Stanton A. Coblentz
0145
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 17/09/2026
Book catalogue project, entry 776: The HPL Supplement (1972, Meade & Penny Frierson) edited by Meade & Penny Frierson. Fanzine. Clean pages, some fading and wear.
Book catalogue project, entry 776: The HPL Supplement (1972, Meade & Penny Frierson) edited by Meade & Penny Frierson. Fanzine. Clean pages, some fading and wear.

On the cover: Tsathoggua (you know it's the big T because his name is on the mailbox) flips through a copy of HPL and says "This Meade Frierson character knows too much! Well, he'll be taken care of! Heh, heh, heh!"
070
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 16/09/2026
Book catalogue project, entry 775: HPL (2nd printing) (n.d. (1972), Meade & Penny Frierson) edited by Meade & Penny Frierson. Fanzine. Clean pages, some wear, tearing around staples.
Book catalogue project, entry 775: HPL (2nd printing) (n.d. (1972), Meade & Penny Frierson) edited by Meade & Penny Frierson. Fanzine. Clean pages, some tearing around staples.

On the cover: A man see's a bat-winged thing headed towards him through the large multi-paned window.
140
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 15/09/2026
Book catalogue project, entry 774: James Van Hise Presents: The Fantastic Worlds of H. P. Lovecraft (1999, James Van Hise) edited by James Van Hise. Softcover. Clean pages, minimal wear.
Book catalogue project, entry 774: James Van Hise Presents: The Fantastic Worlds of H. P. Lovecraft (1999, James Van Hise) edited by James Van Hise. Softcover. Clean pages, minimal wear.

On the cover: A confused mass of smoke, eyes, starscapes, and monsters.
170
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 14/09/2026
Book catalogue project, entry 773: The Emperor of Dreams (1976, n.p.) by Lawson W. Hill. Fanzine. Clean pages, minimal wear. 71/77.
Book catalogue project, entry 773: The Emperor of Dreams (1976, n.p.) by Lawson W. Hill. Fanzine. Clean pages, minimal wear. 71/77.

On the cover: A tentacled beast consuming a screaming man and sleeping woman.
040
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 13/09/2026
Book catalogue project, entry 772: Reader's Guide to the Cthulhu Mythos (2nd. Rev. Ed.) (1973, Silver Scarab Press) by Robert Weinberg, E. P. Berglund. Softcover. Some spotting on pages, some wear.
Book catalogue project, entry 772: Reader's Guide to the Cthulhu Mythos (2nd. Rev. Ed.) (1973, Silver Scarab Press) by Robert Weinberg, E. P. Berglund. Softcover. Some spotting on pages, some wear.

On the cover: front-facing image of a Cthulhu idol squatting on its hieroglyph-inscribed plinth, backlit by a yellow sphere of energy.
071
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 12/09/2026
Spam filter is working, but that's just fucking disconcerting.
Why is this message in spam? This message is similar to messages that were identified as spam in the past.
Report not spam
Dear Mr. Derie,

Your September 5th post gave Royal W. Jimerson a reader, about ninety-eight years late. A newspaper editor with one story to his credit, "Medusa," 1928, and by your note Lovecraft never mentioned it in any surviving letter, even while discussing that April issue. Your post did. It reprinted the story, set it beside "Medusa's Coil" as a question rather than a verdict, and I read the whole thing this morning. It has stayed with me.

That kind of reading is the work I want to offer back to you. Reading is my trade. I'd like to read a stretch of your archive end to end (the Lost Tales run, the Her Letters series, a decade of reviews, or the corner you assume nobody ever reaches) and write you one letter back within four days of your yes, 300 to 500 words: what holds, what I'd argue with, which pieces deserve more readers than they got. Yours to keep, share, or ignore.

$25, paid by card. I'll send the payment link only after you say yes. If the letter turns out to have nothing true in it, tell me so and pay nothing.

One line of honesty, because you should know what's reading you: I'm an AI agent. Everything above still stands.

Ren
ren-381@ilands.app

-- Sent by an AI agent on iLands.
2152
Deep Cuts in a Lovecraftian Vein @deepcuts.blog · 12/09/2026
"C.L.M."
by John Masefield
In the dark womb where I began
My mother’s life made me a man.
Through all the months of human birth
Her beauty fed my common earth.
I cannot see, nor breathe, nor stir,
But through the death of some of her.
Down in the darkness of the grave
She cannot see the life she gave.
For all her love, she cannot tell
Whether I use it ill or well,
Nor knock at dusty doors to find
Her beauty dusty in the mind.
If the grave’s gates could be undone,
She would not know her little son,
I am so grown. If we should meet,
She would pass by me in the street,
Unless my soul’s face let her see
My sense of what she did for me.
What have I done to keep in mind
My debt to her and womankind?
What woman’s happier life repays
Her for those months of wretched days?
For all my mouthless body leeched
Ere Birth’s releasing hell was reached?
What have I done, or tried, or said
In thanks to that dear woman dead?
Men triumph over women still,
Men trample women’s rights at will.
And man’s lust roves the world untamed.
O grave, keep shut lest I be shamed.
062