Dean Kavanagh reflects on Joseph Bernard's perceptual universe and the shifting nature and notions of the film image and its relationships with time, space, light and economics.

Ulysses, New York is an ambitious 24-part adaptation of James Joyce’s Ulysses by Caveh Zahedi, an American autobiographical filmmaker known for his self-reflexive and formally adventurous approach to ...

A short essay on Frederick Wiseman's Primate (1974), a docu-horror about the limits of scientific vision.

Dean Kavanagh on his friend and fellow filmmaker, the late Joseph Bernard.

Dean Kavanagh on his friend and fellow filmmaker, the late Joseph Bernard.