Sign in

Crazy ass moments in DC history 🇧🇷🏳️‍🌈

@dcmoments.bsky.social
805 followers 30 following 124 posts

same one from the bird app Sometimes just trivia or history. Run by @yeehawkguy.bsky.social (he/him, 🇧🇷)

PostsRepliesMedia
Crazy ass moments in DC history 🇧🇷🏳️‍🌈 @dcmoments.bsky.social · 26/09/2026
The mentions are from Aquamen #6 (2022) (not a typo, the title is plural) and the "Timeline" section of The New History of the DC Universe #3 (2025) (the text pages at the end of the issue).
040
Crazy ass moments in DC history 🇧🇷🏳️‍🌈 @dcmoments.bsky.social · 26/09/2026
Cover by Leonardo Romero. The cameos are from Multiversity: The Just #1 (2014), Future State: Teen Titans #2 (2021) and the Aquaman backup story from Dark Crisis: Worlds Without A Justice League: Superman #1 (2022).
140
Crazy ass moments in DC history 🇧🇷🏳️‍🌈 @dcmoments.bsky.social · 26/09/2026
One of the characters featured in last year's DC Hispanic Heritage Month variant covers was Lorena Marquez, a.k.a. Aquagirl. Her last speaking role in a comic was 15 years ago, having a grand total of 3 silent cameos and 2 mentions since 2011.
Hispanic Heritage Month variant cover of Aquaman issue 9, from 2025. It depicts Lorena Marquez a.k.a. Aquagirl, with a fierce look on her face, underwater, and swimming towards the viewer.A collage of 3 cameos by and 2 mentions of Lorena Marquez, a.k.a. Aquagirl.

The first cameo is her sitting by a pool. The second cameo is a projection of her among other past Teen Titans. The thrid cameo is her at a party.

The first mention is a character, not seen in the collage, saying "Then there's Garth, and Tula, and Lorena Marquez. Look, we can do this all day, little brother."

The second mention is black text on a white background. It reads:

"Lorena Marquez, the protector of Sub Diego and sidekick to the second Aquaman, a.k.a. Arthur Curry, becomes the second Aquagirl, in issues 16 to 20 of the 2003 Aquaman comic series.
180
Reposted by Crazy ass moments in DC history 🇧🇷🏳️‍🌈
AIPT @aiptcomics.com · 21/09/2026
🦇🏍️ #Batman meets Kamen Rider Zero-One! DC is bringing the two heroes together for a new crossover comic written by @kennyporter.bsky.social, with Bandai merchandise also in the works. Get the details on Batman x Kamen Rider ZERO-ONE: LEGENDS UNITE at AIPT:
aiptcomics.com
Batman and Kamen Rider Zero-One unite for new DC crossover comic
The Batman crossover also arrives during Kamen Rider's 55th anniversary.
02712
Reposted by Crazy ass moments in DC history 🇧🇷🏳️‍🌈
Kenny Porter - Writer @kennyporter.bsky.social · 21/09/2026
Big news! I’m writing the new #Batman x #KamenRiderZeroOne crossover comic with art by the incredible @tokitokoro.bsky.social — and we couldn’t be more excited! I’m a huge Kamen Rider fan and I can’t wait to bring this to life with Toki, the #KamenRider team, and #DC!
85830
Reposted by Crazy ass moments in DC history 🇧🇷🏳️‍🌈
Alex Jaffe, DC Comics Expert @alexjaffe.bsky.social · 19/09/2026
See also: Red Hood/Arsenal #11
141
Crazy ass moments in DC history 🇧🇷🏳️‍🌈 @dcmoments.bsky.social · 19/09/2026
Creative team: - Writer: Patrick R. Young; - Art Lead: Nico Basncuñán; - Thumbnails: Rachel Koo; - Lineart: Samuel Alarcon; - Flats: Paula Fidelis; - Renders: Camille Cruz; - Backgrounds: Sebastián Franchini; - Letterer: Kylie Hunsinger.
030
Crazy ass moments in DC history 🇧🇷🏳️‍🌈 @dcmoments.bsky.social · 19/09/2026
In chapter 25 of the "Red Hood: Outlaws" Webtoon (2022-2023), the citizens of Gotham responded to a poll regarding the then-new Robin, Jason Todd, referencing the real life "Should Jason die?" poll from 1988. 57% of Gothamites thought Batman should ditch the kid.
Batman talks to an angry Jason Todd (a.k.a. Robin). Batman says "You think you know the people of Gotham?".Batman presses the "Enter" key on the Bat-Computer, and Robin is shocked with what appeared on the screen.Robin, shocked, looks at the Bat-Computer's screen, showing a news report on an opinion poll. It reads:

"Dynamic Duo Crisis: Should Batman keep the new Robin?

Forty-three-percent say yes.

Fifty-seven-percent say no."
2140
Reposted by Crazy ass moments in DC history 🇧🇷🏳️‍🌈
RangerBoard.com @rangerboard.com · 19/09/2026
An official #Batman & #KamenRider crossover? It’s more likely than you think! A Batman & Kamen Rider Zero-One comic has been announced! Of course, other merch is on the way too! More info coming soon.
313267
Crazy ass moments in DC history 🇧🇷🏳️‍🌈 @dcmoments.bsky.social · 18/09/2026
Once again, yes it's official: www.instagram.com/p/DM1BHaOAqEO
010
Crazy ass moments in DC history 🇧🇷🏳️‍🌈 @dcmoments.bsky.social · 18/09/2026
They also made one with a Superman (2025) camrip 😭
140
Crazy ass moments in DC history 🇧🇷🏳️‍🌈 @dcmoments.bsky.social · 18/09/2026
Yes, it's official 😭: www.instagram.com/p/DM8mX6qgtbF
instagram.com
DC Worlds Collide on Instagram: "Dive into epic battles with Batman, Wonder Woman, and Lex Luthor"
546 likes, 26 comments - dcworldscollide on August 4, 2025: "Dive into epic battles with Batman, Wonder Woman, and Lex Luthor".
021
Crazy ass moments in DC history 🇧🇷🏳️‍🌈 @dcmoments.bsky.social · 18/09/2026
This official ad for DC Worlds Collide (2025-).
1269
Reposted by Crazy ass moments in DC history 🇧🇷🏳️‍🌈
Neil - Plastic Man Talk @plasticmantalk.bsky.social · 14/09/2026
They were literally doing anything BUT having Plastic Man in the New 52
071
Reposted by Crazy ass moments in DC history 🇧🇷🏳️‍🌈
Camila con C (Modo Spoopy) 💀🎃🦇 @camilanumeritos.bsky.social · 14/09/2026
-new 52 -is 15 years old -
062
Crazy ass moments in DC history 🇧🇷🏳️‍🌈 @dcmoments.bsky.social · 14/09/2026
Justice League (2011) #16 & #18 by writer Geoff Johns, pencilers Ivan Reis (16) & Jesús Saíz (18), inkers Joe Prado (both) & Ivan Reis (16), color artists Rod Reis (16) & Jeromy Cox (18), and letterer Dave Sharpe. 2nd image: www.cbr.com/sdcc-11-lady... 4th image: comicsalliance.com/dc-comics-lo...
020
Crazy ass moments in DC history 🇧🇷🏳️‍🌈 @dcmoments.bsky.social · 14/09/2026
Lady Luck #87 cover by Gil Fox. Phantom Stranger (2012) #6 by writers Dan DiDio & J.M. DeMatteis, pencilers Zander Cannon & Gene Ha, inkers Dan Davis & Gene Ha, color artist Art Lyon, and letterer Travis Lanham New 52 Lady Luck teaser artwork by Jim Lee, Scott Williams, and Alex Sinclair.
120
Crazy ass moments in DC history 🇧🇷🏳️‍🌈 @dcmoments.bsky.social · 14/09/2026
I've also found second-hand claims that Goldrush, a character that appeared in 2 issues of Justice League, was a repurposed Lady Luck, but I couldn't find direct confirmation of it.
An image of Goldrush in Justice League issue 16. She has short golden hair, gold skin, and wears a sleeveless black superhero suit.An excerpt from Justice League issue 18, showcasing a conversation between Goldrush and Flash.

Goldrush says "How did you get your powers? I got mine in my second divorce. He took the dogs."

The Flash replies "What kind of dogs were they?"Three panels from Justice League issue 18.

Platinum, a woman made of platinum, approaches Goldrush and Flash as says "I am the property of the united states army, built to operate in situations too dangerous or toxic to humans. What is your occupational task, robot?"

Goldrush lifts Flash's chair and says, "I'm not anyone's robot honey. This golden cover is just my hard candy shell."

The Flash says "Hey!"

Gold face says "But I've got a sweet center. Y'all ever been married, Flash?"
120
Crazy ass moments in DC history 🇧🇷🏳️‍🌈 @dcmoments.bsky.social · 14/09/2026
During "The New 52!" (2011), Geoff Johns planned to debut a reinvention of Will Eisner's Lady Luck in his Justice League run. It never happened, likely due to DC losing the rights to Eisner's characters, and all she got was a (later recolored) silent appearance in Phantom Stranger.
Cover for Lady Luck issue 87, titled "Lady Luck parries the thrusts of the Rogues who are no match for her form!"

In the cover, Lady Luck fences against a villain, as her ally dreams of himself defending her against the fencer.Black text on a white background, next to a picture of New 52 Lady Luck. It reads:

Well, if you guessed the 1940s character Lady Luck, then you're in luck ...

At the DC Comics "New 52" panel today in San Diego, Justice League writer Geoff Johns solved the mystery. As Kiel Phegley reports on CBR, the character is "a reinvention of an old character called Lady Luck...every time she buys a lottery ticket she wins. She's going to get involved with the JLA after she attempts to buy out WayneTech." He added she takes up crime fighting because she feels her life of luck has left her frustrated and directionless.

If you're curious as to who the original Lady Luck was, a quick look around the internet reveals she was created and designed by Will Eisner in the 1940s under the pseudonym "Ford Davis," along with artist Chuck Mazoujian. She was created to fill the back pages of a 16-page Sunday newspaper supplement that was done in the form of a comic book; Eisner's The Spirit occupied the first half, and Lady Luck shared the spotlight with Ms. Mystic. Other creators who worked on the character include writer Dick French, and artists Nick Cardy, Klaus Nordling and Fred Schwab. In those comics, Lady Luck didn't have super powers, and her alter ego was Brenda Banks. You can find more information on her here and here.Two versions of a panel from Phantom Stranger issue 6, featuring Lady Luck as a card dealer. In the top one, the original, she's depicted with blonde hair and a green dress, her traditional color scheme. In the bottom one, used for reprints, both her hair is a very dark purple and her dress is black.

A character off panel says "Ah! Would you look at that? Six of spades!"Black text on a white background, with the headline "DC Comics Loses Rights To ‘The Spirit,’ ‘Doc Savage’ and ‘The Avenger’". The article reads:

Confirming what many fans have speculated about the fate of the three popular pulp heroes, Dan Didio revealed on his Facebook page that DC Comics no longer owns the rights to Doc Savage, The Avenger and, perhaps most significantly, The Spirit. With DC allowing the rights to lapse, it seems all three characters are now available for another publisher to step in and purchase if it wishes.In response to a fan question on his Facebook page about the absence of each character over the past year, Didio said the following:

"Sorry to say but none of these characters are still at DC but here's hoping that another publisher gets them back in print soon."

While this means DC will no longer be publishing new stories starring these three, the publisher will retain the rights to The Spirit Archives "for the foreseeable future," according to Denis Kitchen, agent for the Will Eisner estate. In regards to most of the archives currently being out of print, Kitchen advised fans to "watch for a press release in the not too distant future which might provide a clue."

As to who may pick up the rights, there will almost certainly be some conjecture among fans as to Dynamite Entertainment possibly looking to acquire the characters. With Dynamite currently publishing new monthly adventures starring The Shadow, The Green Hornet, The Spider and others, it would seem, at least on the surface, to be a logical fit.
2111
Reposted by Crazy ass moments in DC history 🇧🇷🏳️‍🌈
Adam Mallinger @bitterscriptreader.bsky.social · 13/09/2026
It would have been beautiful to have George Perez there too, but Marv was wonderful in his cameo. Love that he had an actual interaction with Flash and Supergirl specifically and wasn’t just waving in the background or something
2263
Reposted by Crazy ass moments in DC history 🇧🇷🏳️‍🌈
Comics Outta Context 🏳️‍🌈🏳️‍⚧️ @comiccontext.bsky.social · 13/09/2026
Batman is about to land of the roof of a car that he realizes the roof is covered in sharp spikes.
"...YEEEOW!!" he exclaims. 
5869
Reposted by Crazy ass moments in DC history 🇧🇷🏳️‍🌈
ERod 🔨 @erodbuster.bsky.social · 13/09/2026
Look at them. Acting like nothing happened. 😏
0132
Reposted by Crazy ass moments in DC history 🇧🇷🏳️‍🌈
Adam Hoffman @adamhoffman.bsky.social · 13/09/2026
"Oh, Flash, Supergirl! Big fan! Can I get your autograph? By the way, I killed you both off once. Well, you know, editorial told me to!"
0191
Reposted by Crazy ass moments in DC history 🇧🇷🏳️‍🌈
Darrin aka Bundy @dkbundy.bsky.social · 12/09/2026
I cheered when I and my friends watched this. I had to explain that he was the man who killed them both. Yet another fantastic cameo from that crossover series.
061
Reposted by Crazy ass moments in DC history 🇧🇷🏳️‍🌈
John @johnbearwi.bsky.social · 12/09/2026
The cover of Superman holding Supergirl's broken body was one of the most devastating ever
041
Crazy ass moments in DC history 🇧🇷🏳️‍🌈 @dcmoments.bsky.social · 12/09/2026
Wolfman also co-wrote Part 4 (of 5) of the crossover.
A photo of Marv Wolfman alongside the Arrowverse's Flash and Supergirl, played by Grant Gustin and Melissa Benoist, respectively.A Facebook post by Marv Wolfman. It reads:

"I will post in detail tomorrow once I recover from this amazing event, but this has been the most wonderful thrill ever. I truly wish George Pérez, my Crisis partner, had been able to join me on screen, but he was in England during the filming.

Thank you Marc Guggenhiem for everything, and thank you to everyone at Berlanti Productions.
092
Crazy ass moments in DC history 🇧🇷🏳️‍🌈 @dcmoments.bsky.social · 12/09/2026
In the final part of The CW's Crisis On Infinite Earths, original COIE writer Marv Wolfman meet Flash & Supergirl and asked for their autographs (ironically, both heroes died in the original comic series). Artist George Pérez (RIP) was meant to appear too, but scheduling conflicts got in the way.
819534
Crazy ass moments in DC history 🇧🇷🏳️‍🌈 @dcmoments.bsky.social · 11/09/2026
Correction: The interview with his granddaughter is this one: www.tcj.com/from-pulps-t... I mixed up the links.
tcj.com
From Pulps to Panels: A Conversation with Nicky Wheeler-Nicholson - The Comics Journal
Talking to the granddaughter of comics pioneer Major Malcolm Wheeler-Nicholson, whose company evolved into the DC Comics we know today.
021
Crazy ass moments in DC history 🇧🇷🏳️‍🌈 @dcmoments.bsky.social · 11/09/2026
Rest of the bio (had to split it this much because of the alt text):
The Major's comics were created by an array of talent from the proverbial melting pot. Many of those whose work he published would go on to create superheroes, long-lasting characters, and artwork that became as recognizable as a signature-Jerry Siegel, Joe Shuster, Bob Kane, Creig Flessel, Sheldon Mayer, Vincent Sullivan, Whitney Ellsworth, and Walt Kelly, among others. It was Itime of innovation and experimentation as the new medium of comic books settled in to its place in popular culture. African American E.C. Stoner contributed. Connie Naar was the first woman editor and artist, followed by artists Emma McKean and Merna Gamble.

The Major's creative vision and recognition of the contribution of artists and writers is at the core of what would eventually evolve into DC Comics. However, the venture also required business acumen and financial backing. In 1938, after losing his comic book publishing company to his partners, the stories about the Major that filtered down through the years seemed too extraordinary to believe-but they are all true. The Major's story did not end with the loss of his comics company. He went on to write respected books and articles on military strategy and real-life heroes during World War II while continuing to write adventure stories throughout his life. He never stopped creating and even invented patents for building materials.Malcolm Wheeler-Nicholson died on September 21, 1965, at the age of 75, yet his creative energy lives through the thousands of pages of the comic magazines he loved and brought into being."

Nicky Wheeler-Nicholson has been researching the Major for more than 22 years. She recently published DC Comics Before Superman (Hermes Press, 2018), "Applying the Lasso of Truth to The Secret History of Wonder Woman," (International Journal of Comic Art 2018), and The Texas- Siberia Trail (Off-Trail Publications), a reprint of the Major's pulps. She has appeared on Robert Kirkman's The Secret History of Comics on AMC.Full first page of Malcolm Wheeler-Nicholson's biography, from Famous First Edition - New Fun #1, C-63.

This image was transcribed in the previous excerpts.Full second page of Malcolm Wheeler-Nicholson's biography, from Famous First Edition - New Fun #1, C-63.

This image was transcribed in the previous excerpts.
141
Crazy ass moments in DC history 🇧🇷🏳️‍🌈 @dcmoments.bsky.social · 11/09/2026
1st image from this interview with his granddaughter, Nicky Wheeler-Nicholson): www.comicsdetective.com/2019/09/the-... 2nd one from here: www.comicsdetective.com/2019/09/the-... 3rd one: dc.fandom.com/wiki/Malcolm... A bio from Famous First Edition - New Fun #1 C-63 (2020), by Nicky W-N:
In the fall of 1934, an ex-military officer set up shop with a parlor chair, a card table, and a set of second hand files on the 11th floor of the Hathaway Building at 49 West 45th Street near Grand Central Station in New York City. Major Malcolm Wheeler-Nicholson, in the midst of the Great Depression, had established National Allied Publications, Inc. to publish his big idea of comics with original art and scripts. When New Fun Comics #1 appeared on newsstands on January 11, 1935, it was the beginning of something we can only now truly appreciate. Wheeler-Nicholson's first editor, Lloyd Jacquet, who would go on to edit and publish comics for Centaur, Fawcett, Marvel, and Classics Illustrated, later remarked, "these most modest beginnings sparked off what can rightly be called the 'comic book era.""

"The Major" was 44 years old at the time and had been brought up with the ideals of knighthood. Often appearing larger than life, Wheeler-Nicholson successfully created a legacy of comics filled with heroes and heroines, which would ultimately lead to superheroes. In April 1935 the Major, after seeing the comic strips sent to him by Jerry Siegel and Joe Shuster including a drawing of Superman, offered them their first pages in a comic book. Siegel would later state, "...because Nicholson had not tossed away the wrapping paper sketches, Joe and I broke into print."

Malcolm Wheeler-Nicholson was born on January 7, 1890, in the mountains of Greeneville, Tennessee. His father, Lola Orlando Strain (or Strahan) abandoned his mother Antoinette and their children in 1893. Antoinette moved to Buffalo, New York, to live with relatives. There she discovered the women's suffrage movement and in 1898 set out across the country with her two young sons to Portland, Oregon.
In Portland, Antoinette found work as a journalist and editor of one of the many magazines advocating suffrage, signing her name Wheeler-Strahan in the tradition of the movement. When she married a scholarly Englishman, TJB Nicholson, her byline changed to Wheeler-Nicholson and Malcolm adopted the name as well. Antoinette was a skilled horsewoman and instilled in her sons a sense of moral courage by encouraging them to read and emulate the ideals of novelists like Sir Walter Scott. From the beginning young Malcolm was primed for a life of adventure.

Wheeler-Nicholson's military career began in the U.S. Cavalry in January of 1912. He was stationed on the Mexican border, under the command of General John J. Pershing, chasing bandits. He went to the Philippines in 1915, commanding a troop of African American Buffalo soldiers. Seeing firsthand the prejudice his men endured, he was determined to train them into a first-rate machine-gun troop. His troops broke world records in machine-gun readiness, and in doing so earned Wheeler-Nicholson the ill will of his biased commanding officer. It would not be the last time his idealism would cause clashes with superior officers. During World War I he served in military intelligence in Japan and Siberia while the Bolshevik revolution raged, and he went on secret missions to the Mongolian border. After the war, he was posted to Paris where he met a beautiful Swedish aristocrat, Elsa Bjorkbom. The Major convinced her to marry him while dancing to "Fascination" at the top of the Eiffel Tower.
The Major established a newspaper syndicate in 1925, Wheeler- Nicholson, Inc., providing material, including comics, for newspapers. Besides the usual funny strips, Wheeler-Nicholson created strips from classic novels like Treasure Island, The Three Musketeers, and others. This was a precursor of what was to come. Although his newspaper syndicate did not last, his success as a writer enabled him to move his wife and children to Paris and to an ancient castle in Vic-sur-Aisne. The castle would appear several times in some of Wheeler-Nicholson's best stories including "The Road Without Turning," one of three short stories nominated for an O. Henry Award. With the advent of the Great Depression, Wheeler- Nicholson's earnings from writing dwindled, causing the family to return to the United States and face hardship like so many others.

Looking for a new idea, the Major saw the British Comic Cuts, the Funnies consisting of new material on newsstands. According to Lloyd Jacquet, the Major "knew that the American presentation of such material would have to be different, and merely importing, or translating European-produced features for republication here was not the answer." Wheeler-Nicholson aimed for something as inherently American as baseball or jazz.

His plan to publish a comic book of all-new content had been attempted before by others, however, none, had lasted. It was an audacious idea since the comics that were selling on the newsstands were mostly reprints of familiar stories from newspapers.Wheeler-Nicholson was a strategist and knew that in order to survive financially he would have to follow the pulp magazine formula, producing as many magazines as possible in a short period of time. As Jacquet noted, "...Major Nicholson's quiet determination, resourcefulness in the face of many odds and situations pushed the whole thing along until his progress started to be noticed by others." Wheeler-Nicholson also brought pulp magazines into the office as a foundation for ideas for the comics. The very names of the magazines that followed New Fun-Adventure, Detective Comics-all derive from those magazines. In the space of four years, Wheeler-Nichol- son contributed stories, helping develop characters and comics like "Slam Bradley" and "Federal Men," and developed four titles includ- ing Detective Comics. In all, he published 63 magazines (editing all but the first four) and wrote several hundred scripts, all while attempting to keep the business afloat.

The Major's hand appears throughout New Fun #1. "Jack Woods" on the front cover of New Fun is based on a pulp story that Wheeler- Nicholson wrote featuring life on the Mexican border. "Sandra of the Secret Service" introduced a strong heroine like many others he created from his pulp stories. "Barry O'Neill," considered DC's first action hero, was based on another of Wheeler-Nicholson's pulp adventure stories.
161
Crazy ass moments in DC history 🇧🇷🏳️‍🌈 @dcmoments.bsky.social · 11/09/2026
On Feb 5, 1922, U.S. Army whistleblower Major Malcolm Wheeler-Nicholson (1890-1965) survived being shot in the head at Fort Dix, claiming it was "a plot to get him" (the Army said it was an accident). 13 years later, he founded National Allied Publications, which later became DC Comics.
A photograph of Major Malcolm Wheeler-Nicholson.Black text on a white background. It reads: 

The final chapter in his military career was the court martial that occurred as a result of trumped-up AWOL charges. His JAG lawyer was able to produce evidence that acquitted him. However just before the trial was to take place, he was shot in a strange incident that has the appearance of an attempted assassination. MWN had been to Washington to attempt to speak to President Harding about the charges against him and arriving at Camp Dix late at night he was unable to get into the officer’s club, so he went to his lawyer’s quarters. He could not rouse him after knocking loudly and went to a back window that he knew was unlocked. When he attempted to go in the window he was shot by an unknown person in the darkened quarters. Later it was claimed that it was a guard, but the entire situation is peculiar. The bullet entered his temple, missing his brain, missing his spine, and came out on his side. He was left bleeding on the ground for some time before help arrived. MWN was sent to Walter Reed Hospital and while there wrote a letter to Harding that was published in the New York Times. This was the fourth charge in the court martial and he was put back forty files as a result (meaning he would have to wait for forty people to be advanced in rank before him). It was basically a slap on the wrist, but with everything that had happened he determined to leave the military.

Black text on a white background. It reads:

Wheeler-Nicholson’s shooting is more fully explained later in the article.

“One of the officers who knows him well stated that Major Wheeler-Nicholson entered the home of a friend during the latter’s absence, was mistaken by the caretaker for a burglar and was shot. He was seriously hurt.”

“He arrived at Camp Dix from Washington in the middle of the night last August [1921]. His quarters had been given up and he went to the Officer’s Club to sleep. It was locked and after vainly attempting to get in,he went to the home of an officer whom he knew very well. This officer [Major Francis T. Colby] was away, although Major Wheeler-Nicholson did not know of his absence.”

“He rang the bell and pounded on the door, but received no response. Then he went around to a rear window.”

“’He was foolish, perhaps,’” said the officer who told the story, ‘but of course there was absolutely nothing wrong in what he did. He crawled through the window, seeking a place to sleep.”

“A soldier who was on guard in the house, awakened by the noise, fired, and the bullet struck the Major in the head, inflicting a serious scalp wound.”

“Officers at Camp Dix said that Major Wheeler-Nicholson had been likely to ‘fly off at at tangent,’ and was inclined to find army discipline irksome. This made it hard for him to get along under some of his commanding officers.” [Ibid.]

Reportedly, the bullet entered near his temple, leaving a scar he would bear the rest of his life.Black text on a grey background. It reads:

After leaving the Army, Malcolm Wheeler-Nicholson became a writer for pulp magazines, he would later adapt many of the stories he wrote during this period into comic strip form. In 1925, he opened a newspaper syndicate to try to sell his comic strips to newspapers, but this business venture would not last.

Taking inspiration from earlier comic magazines such as Famous Funnies, Wheeler-Nicholson founded National Allied Publications in the fall of 1934. In January 11, 1935, his first magazine hit the stands: New Fun Comics. Unlike his competitors, his magazine focused entirely in new and original comic strips, many of which Wheeler-Nicholson wrote himself.

His business struggled, however, and looking for money, Wheeler-Nicholson went into business with Harry Donenfeld, printer and distributor of spicy pulp magazines. Donenfeld would finance the creation of Wheeler-Nicholson's second magazine, New Comics, as well as the relaunch of New Fun Comics as More Fun Comics.

In 1937, Wheeler-Nicholson founded Detective Comics Inc., along with Donenfeld's accountant Jack Liebowitz, to publish his third magazine: Detective Comics. This was done on the condition of Harry Donenfeld, who would not otherwise fund the magazine.

Donenfeld and Liebowitz started pressuring Wheeler-Nicholson to leave the business side of the company to them. After Wheeler-Nicholson refused, Donenfeld sued Detective Comics Inc. for non-payment of debts, and Liebowitz declared the company was bankrupt while Wheeler-Nicholson was out on a trip to Cuba. Donenfeld and Liebowitz bought the company during the bankruptcy auction, effectively kicking Wheeler-Nicholson out of his own company, just a few months before his fourth magazine, Action Comics, came into fruition.
1229
Crazy ass moments in DC history 🇧🇷🏳️‍🌈 @dcmoments.bsky.social · 06/09/2026
1st pic from this Nathan Fairbarn interview for Comics Alliance: comicsalliance.com/batman-incor... Archived version w/ images: web.archive.org/web/20150114... A few more comparisons, including two pages Yanick Paquette (from the 1st Batman Inc series) redrew: www.cbr.com/batman-inc-c...
cbr.com
Did Chris Burnham Really Redraw Over 20 Pages of Batman Inc. for Its Absolute Edition?
In the latest Comic Book Legends Revealed, learn why Chris Burnham redrew over 20 pages of Batman Inc. for its Absolute Edition
030
Crazy ass moments in DC history 🇧🇷🏳️‍🌈 @dcmoments.bsky.social · 06/09/2026
(the redraws are also used in "Batman by Grant Morrison Omnibus Vol. 3") - Writer: Grant Morrison - Pencilers: Chris Burnham, Andres Guinaldo (6), Jason Masters (7-10); - Inkers: Burnham, BiT (#6), Masters (7-10); - Colorists: Nathan Fairbarn, Hi-Fi (9); - Letterer: Dave Sharpe.
130
Crazy ass moments in DC history 🇧🇷🏳️‍🌈 @dcmoments.bsky.social · 06/09/2026
Chris Burnham was originally intended to be the sole artist for the 2012 "Batman Incorporated" series, but other artists had to be brought in to do a total of 21 pages across issues #6-10. For the book's absolute edition (2015), Burnham redrew all 21 pages for consistency.
Black text on a white background. It reads: 

Along with the new challenges presented by The New 52 came the same old challenges of getting a book out on a monthly schedule. Getting a comic book out on the stands on time month after month is an incredible achievement, and my hat is completely off to any team that can do it. Seriously, given how much thought and time and effort can go into just coloring a single page, I'm amazed that these things ever come out at all.

On Batman Incorporated, it became necessary towards the end for series artist Chris Burnham to regularly turn on the bat signal and call for help getting the thing out the door on time. Several artists, but primarily Jason Masters -- a great artist and friend of Burnham's -- were enlisted to help out with anywhere from 3-6 pages of interior art per issue. Jason and the other fill-in artists were working from Burnham's layouts and thumbnails and producing fantastic work, but, as good as Jason and the others are, they all simply draw differently from Chris, and the stylistic consistency of the book suffered. A lot of readers felt jarred out of the story by the shifting art styles (and let us know it).

And so it was with a good deal of excitement that the creative teamed learned that the series would be getting the Absolute treatment, and that there would be time and a budget to revisit the series, and for Burnham to redraw every single page that he'd needed help on.
Two different verions of a page from Batman Incorporated issue 6. On the left, the page by penciler Andres Guinaldo, inker BiT, and colorist Nathan Fairbairn. On the right, the page by artist Chris Burnham, and colorist Nathan Fairbairn.

An armed group is walking in a corridor, receiving orders to destroy Batman. Batman crashes through a window and fights them, concluding the fight by punching a guy right behind him.

In the Batcave, Alfred, surrounded by the Bat-Family, says "We're hearing everything.". A second, off-panel voice says "You're doing so well. So close now."Two different verions of a page from Batman Incorporated issue 7. On the left, the page by artist Jason Masters, and colorist Nathan Fairbairn. On the right, the page by artist Chris Burnham, and colorist Nathan Fairbairn.

Jason Todd walks into his base, saying "Bat-Computer on.". He sits by his computer, and says "Batcave East to Central. Where's my backup? My kingdom for a horse! Is there a plan or is it every man for himself?"

In the Batcave, Damian Wayne says "What makes you think Todd isn't in league with my mother? She saved his life once.". Alfred replies "Master Jason has more to prove to your father than to your mother at his stage in that wayward life of his. He wants to be redeemed. And I, for one, believe in second chances."

In Jason's base, The Hood steps out of the shadows, and Jason says "I know you're there, Hood. Save the skulking menace for the bad guys. Rendez-vous is in fifteen minutes.". The Hood replyes "This whole operation is going to bloody hell in a supermarket trolley. The writing's on the wall."

The Hood shoots Jason with an electric weapon, and says "Batman Incorporated is all over, old son. My first loyalty is to Spyral."Two different verions of a page from Batman Incorporated issue 9. On the left, the page by artist Jason Masters, and colorist Nathan Fairbairn. On the right, the page by artist Chris Burnham, and colorist Nathan Fairbairn.

A family, watching TV in their living room, witness chaos unfold in the streets of Gotham. One of the kids says "Cool.", and a journalist on TV asks "Are we witnessing the decline of the west?"

On a rooftop stand Talia al Ghul and The Heretic. Talia says "You killed Damian. You killed hi mbefore I gave an order." 

The Heretic replies "He was there. I made a decision. On my own."

Talia points a finger at him and says "In the future, you'll do as you're told! Remember what you are!"

The Heretic replies "I... I know what I am mother. I watch. I listen. I learn. I am Batman now."
2120
Reposted by Crazy ass moments in DC history 🇧🇷🏳️‍🌈
Camila con C (Modo Spoopy) 💀🎃🦇 @camilanumeritos.bsky.social · 05/09/2026
Kenny porter es un escritor infravalorado, de los nuevos talentos mas interesantes
011
Crazy ass moments in DC history 🇧🇷🏳️‍🌈 @dcmoments.bsky.social · 05/09/2026
Happy Kamen Rider My-Th Day 🥚🧀🐀 Creative team (4th story, "The Batman With No Name"): - Writer: Kenny Porter - Artist: Baldemar Rivas - Color Artist: Alejandro Sánchez - Letterer: Tom Napolitano
060
Crazy ass moments in DC history 🇧🇷🏳️‍🌈 @dcmoments.bsky.social · 05/09/2026
Trivia: In a story from Batman: Urban Legends #7 (2021), Batman One Million used an experimental device called the "Legacy Driver" to access the forms and skills of past Batmen, a confirmed reference to the Decadriver from Kamen Rider Decade (2009).
Four panels from Batman: Urban Legends issue 7.

In the first panel, Batman One Million puts on his belt, saying "Maintain order outside the cave, Robin. I'll secure our Alpha-Class guests.

In the second panel, his robot sidekick, Robin, fights escaped prison inmates while Batman walks away. Robin says "Are you sure you wouldn't like assistance, sir?"

Batman replies "No need to cut your fun short... Besides, I'm taking the belt."

In the third panel, Robin punches a large individual with a volcano head, causing an eruption. Robin says "But, sir... the Legacy Driver hasn't been tested yet! Are you sure you want to...?"

In the fourth panel, Robin continues "and you're already gone. I love it when he does that!". The volcano-head individual has fallen, and other inmates surrender to Robin. Off-panel, one of the main villains says "Just a few more major blocks up, then the shipping yard, and then the surface!"Four panels from Batman: Urban Legends issue 7.

In the first one, Batman One Millin slides on the floor, recovering form an attack. He says "You want the original Batman? I'm happy to oblige."

In the second panel, the Bat-symbol on his chest emits a golden light, exclaiming "Mode change: Dark Knight!"

In the third panel, the villain Holo-Body uses one of her arms to shield her eyes from Batman's light. Off-panel, Batman says "I've studied every Batman and Batwoman who ever lived."

In the fourth panel, Batman is now donning a modified version of the traditional Batman suit. He says "Mine is a legacy of masters long dead but skilled beyond belief. You want to test yourself against the real Batman? The exam begins now. Try me."Four panels from Batman: Urban Legends issue 7.

In the first panel, Batman One Million is pinned down by the muscular villain Hades. The Legacy Driver belt exclaims "Mode Change: Knightfall!", providing Batman with Jean Paul Valley's bulky Batman suit. Batman says "You weren't left here for conquest, you were left here to carry out a prison sentence!"

In the second panel, Batman dodges a punch from Pluto, who creates a crater on the ground. Hades shouts "Lies!"

In the third panel, Batman gets the upper hand on Hades, who falls on his own crater. Batman, up high, prepares to land a punch and says "Pluto is my home. Pluto is my penance. Now taste the wrath of decades of anger and sorrow, Hades!"

In the fourth panel, Batman, with immense strenght, punches Hades into a building.On the left, a tweet by Batman Urban Legends issue 7 writer Kenny Porter, with a picture of Batman One Million attached. It reads:

"Happy #BatmanDay! I feel so lucky to be able to work on a character that means so much to me. My first Batman story was Batman One Million with Baldemar Rivas for Urban Legends. It was a blast to give him a Kamen Rider Decade style belt and abilities."

On the right, a poster for Kamen Rider Decade, showcasing all Riders standing in a line leading to Decade himself. In chronological order, they are Kuuga, Agito, Ryuki, Faiz, Blade, Hibiki, Kabuto, Den-O, Kiva, and Decade.
23520
Reposted by Crazy ass moments in DC history 🇧🇷🏳️‍🌈
Dom @domlovescomics.bsky.social · 04/09/2026
They really planned for him to become GL and wanted to do Blackest Night in The Flash S10, even tho WB told them no and their best idea to circumvent this was to... push the rules of the embargo hoping that they'll give in at one point.
152
Reposted by Crazy ass moments in DC history 🇧🇷🏳️‍🌈
𝕯𝖆𝖓𝖓𝖞 𝕱𝖊𝖓 @danfenlon.bsky.social · 03/09/2026
Dc's embargo system is so fucking frustrating, simultaneously its fascinating to see what writers do to get around it, Like the CW atom was gonna be blue beetle
1227
Reposted by Crazy ass moments in DC history 🇧🇷🏳️‍🌈
Dan @danlikescomics.bsky.social · 03/09/2026
I fucking hated the fan theory that Diggle was actually John Stewart, like two black guys called John can exist
1131
Crazy ass moments in DC history 🇧🇷🏳️‍🌈 @dcmoments.bsky.social · 03/09/2026
In addition to The Box™ from the Arrow finale (season 8), in season 7 they also revealed Diggle's stepfather was Roy Stewart (John Stewart's grandfather in the comics) and hinted at Earth-90 Diggle being a Lantern.
Roy Stewart's profile on the Arrowverse Wiki.

"I know you might not feel the same way, but you will always be a son to me."
—Roy Stewart to John Diggle

Roy Stewart is a general in the U.S. Marine Corps and Defense Intelligence Agency, and former lieutenant in the Corps. He is the husband of an unnamed woman, the step-father of John Diggle and the late Andy Diggle, and the step-grandfather of A.J. Diggle, Sara Diggle, and John Diggle, Jr.. Stewart is also a supporter of Oliver Queen/Green Arrow.

Appearances: Arrow Season 7, Episode 19, "Spartan".

Behind the scenes: In the DC comics, Roy Stewart was the grandfather of John Stewart/Green Lantern. The fact that Roy's surname is Stewart and his step-son's name is John is a reference to John Stewart, who was also referenced in "Elseworlds, Part 2" through his Earth-90 doppelgänger.Earth-90 Flash: "Hello, John."

Earth-0 John Diggle: "Do... Do I know you?"

Earth-90 Flash: "You're not wearing your ring. Things must be different here."
0101
Crazy ass moments in DC history 🇧🇷🏳️‍🌈 @dcmoments.bsky.social · 03/09/2026
Arrow writers loved that random "John Diggle is actually John Stewart" theory and *really* wanted to canonize it, even though they weren't allowed to do Green Lantern stuff. The Arrowverse even spent 2 years teasing him and his mysterious green box from space, but he ended up throwing it away.
A still from the final episode of Arrow, showing Diggle as he opens a mysterious box emitting a green light.Interviewer: Diggle got a green box from space and he’s moving to Metropolis.

David Ramsey: DAVID RAMSEY: Yes, he is. Yeah, he did get a green box, and it was very exciting. I don’t know what that means, but he does go to Metropolis and he got a green box, and we’ll see. We’ll still see, believe it or not. We’ll find out.

Marc Guggenheim:  We’re just gonna continue to tease you guys. I feel like a little bit like how, in Rocky 4, when Rocky did the press conference for his Ivan Drago fight and he said, “It’s gonna be Christmas in Russia.” And people were like, “Why?” And he was like, “That’s what I was told.” So, every time David and I field questions about, “What was in the box?,” basically it’s like, “That’s what I was told.” What I mean by that is, this was something that was worked out, over a year ahead, with DC entertainment. We very specifically negotiated and discussed the parameters, and I feel like, to say anything beyond what we have shown you, would violate our agreement with DC.

Interviewer: How important was it for you to pay off that fan theory?

Ramsey: That was very important. I’m also just amazed that we compared Arrow and Green Lantern to Rocky 4, which was a very good movie.

Guggenheim: 

A long -running inside joke between me and Greg [Berlanti] is how you can learn almost everything about story from Rocky 3. It’s true, by the way. In a separate venue, I could give you a whole song and dance about it.

Ramsey: It’s exciting. This whole thing has been exciting. Yes, the tease has had a bit of a pay-off, but we’ll see what all that means. I’m with Marc. Anything beyond that is violating these parameters that we’ve been given by DC, that we have to honor. But I think we’ve done some justice to the six-year tease that we’ve given."The cube was trying to make me someone else, something else. And it even tricked me into believing that somehow I wanted it, too, but... I don't. Because there is no power in the universe more powerful than the love I have for my family. But I suppose a man like you wouldn't understand that. Because if it came down to a choice between some cosmic destiny, or... being a father, a husband... there's really no choice at all."
—John Diggle to Eobard Thawne

Diggle later felt a similar experience accompanied by a mysterious voice telling him "worlds await." Diggle realized his problems originated with the green object and departed to deal with them.

Later while visiting National City, Diggle related to Kelly Olsen that he "had an opportunity to become a special kind of hero" which would have "meant me leaving Lyla, my kids, and everything I love behind." John's answer to "what kind of hero do I really want to be?" (mirroring Kelly's own struggles with her Guardian identity) appear answered as John announced his departure back to Metropolis, quoting aloud "Worlds await".

Some time later, Diggle asked A.R.G.U.S. to help him try and understand the object and open it. Though they failed, which led him to bring it to Luke Fox. A while later, Luke gave the case back to him, since he also was unable to open it.

In 2022, Diggle sought out Eobard Thawne on Lian Yu for help in opening the box containing the object. Eobard explained to him that these boxes appear to individuals during a crossroads in their life, with Diggle's being him moving to Metropolis and starting a new life. Diggle confronted the box and saw many possibilities of what his life could be across the cosmos, but rejected the box's offerings for a safe and peaceful life with his family, whom he loved more than anything. The box containing the object then disappeared as Diggle threw it.A friend of mine from the comic book community recently texted me with the following question:

Was the plan for Diggle to actually suit up as GL? Obviously things got…weird with that arc, but what was the thought about his next steps?

Unfortunately, we never got the approval to go full “Green Lantern” with Diggle, but we were always trying to push the envelope as much as possible. For example, check out the proposed Season 8 costume for Dig that we weren’t able to slip past the powers that be:

(picture of Diggle's Spartan suit from Arrow Season 8, with a Green Lantern symbol on his chest)
1194
Crazy ass moments in DC history 🇧🇷🏳️‍🌈 @dcmoments.bsky.social · 31/08/2026
(cont.) - Batman: The Dark Knight (2011) #1 by David Finch, Richard Friend, and Alex Sinclair; - The Flash (2011) #1 by Francis Manapul and Brian Buccellato; - Green Lantern (2011) #1 by Ivan Reis, Joe Prado, and Rod Reis.
010
Crazy ass moments in DC history 🇧🇷🏳️‍🌈 @dcmoments.bsky.social · 31/08/2026
First image: Justice League #1 2nd printing variant by Jim Lee, Scott Williams, and Alex Sinclair. Cover in the second image from The New 52 #1, a collage of the following covers: - Action Comics (2011) #1 by Rags Morales and Brad Anderson; - Wonder Woman (2011) #1 by Cliff Chiang ; [+]
110
Crazy ass moments in DC history 🇧🇷🏳️‍🌈 @dcmoments.bsky.social · 31/08/2026
"The New 52!" (2011) turns 15 today.
Artwork for DC's The New 52 reboot. In the foreground, from left to right, we see Aquaman, Green Lantern (Hal Jordan), Wonder Woman, Superman, Batman, Flash, and Cyborg. In the background, we have Deadman, The Atom, Element Woman, Firestorm, Green Arrow, Hawkman, Lady Luck, and Mera.Wikipedia profile for The New 52, featuring the cover fo DC Comics: The New 52 #1, depicting Superman, Wonder Woman, Batman, Flash, and Green Lantern (Sinestro).

Publication information:

Publisher: DC Comics.

Genre: Superhero.

Publication date: From August 31, 2011, to May 25, 2026.

Main characters: DC Universe.
2237
Crazy ass moments in DC history 🇧🇷🏳️‍🌈 @dcmoments.bsky.social · 30/08/2026
4th pic from a titanstower-dot-com interview (nowadays, their work is only accessible via archival) (BW is Bill Walko, the interviewer, and AW is Amy Wolfram, TT03's story editor). Wayback Machine archival: web.archive.org/web/20180309... Tumblr archival: www.tumblr.com/titanstowerh...
010
Crazy ass moments in DC history 🇧🇷🏳️‍🌈 @dcmoments.bsky.social · 30/08/2026
- Writer & Co-Plotter: Marv Wolfman - Penciller, Co-Plotter & Cover Artist: George Pérez - Inkers: Mike DeCarlo and Dick Giordano - Color Artist: Adrienne Roy - Letterer: John Constanza - Gown Designer: Carol Flynn 3rd pic from League of Comic Geeks.
110
Crazy ass moments in DC history 🇧🇷🏳️‍🌈 @dcmoments.bsky.social · 30/08/2026
In Tales of the Teen Titans #50 (1984), Donna Troy married Terry Long, who's long-believed to be the self-insert of writer Marv Wolfman. Every single Titan attended the ceremony, except for Gnarrk, Wolfman's least favorite Titan, who was revealed to have died off-panel.
The cover of Tales of the Teen Titans issue 50, showcasing Donna Troy and Terry Long's marriage, with all their teammates and relatives standing behind them.
A panel from Tales of the Teen Titans issue 50, featuring Donna Troy, Terry Long, Lilith Clay (a.k.a. Omen), Mal Duncan (a.k.a. Herald) and Karen Beecher (a.k.a Bumblebee). 

Lilith says, to Mal and Karen: "I didn't know you two tied the knot. Congratulations."

Mal replies: "Thanks and I'm sorry about Gnarrk. I know you two were close."The synopsis for Tales of the Teen Titans issue 50, white text on a dark blue background. It reads:

You are cordially invited to the wedding of Terry Long and Donna Troy! Featuring cameo appearances by Superman, Batman and more! 50th issue special! Wonder Girl is getting married and all the golden age Titans and the team's mentors show up for the celebration.

Every single member of the Teen Titans, past and present, appears in this issue, except for Gnarrk, whom we learn has died off-panel.

Solicited as a January release, but delayed a month, as confirmed by cover date and copyright registration.An interview by Bill Wacko with Amy Wolfram, story editor of the 2003 Teen Titans animated series. Black text on a white background.

Wacko asks: I think Glen Murakami mentioned that he had some affection for Gnarrk. Is that why he was used?

Wolfram replies: Hahahah, the guys went crazy over Gnarrk. They just loved him and the idea of this caveman Titan. We have so many different young super-heroes, and Gnarrk is just a different type of character. But a lot of the guys who worked on the show loved Gnarrk. I know he’s not one of the most popular characters and I know comic book writer Marv [Wolfman didn’t like him at all, hahahah. I just spoke with him last week, and he mentioned, “I never liked that character.” But it was especially nice to see this really sweet relationship between these two characters. We don’t really have many super-hero characters that are a team like that, that really love each other and work together.
11510
Reposted by Crazy ass moments in DC history 🇧🇷🏳️‍🌈
Marquis @resurrectedmarquis.bsky.social · 29/08/2026
It was always weird watching the Teen Titans cartoon as a kid, then looking up the websites like Titans Tower and finding out all these cartoon characters die horribly and unceremoniously in the comics.
0112
Reposted by Crazy ass moments in DC history 🇧🇷🏳️‍🌈
R.E.D. From Boulder Punch @redlreview.bsky.social · 29/08/2026
There’s *2 Parts*!
2135