Cormac Donnelly @cormacrestrike.bsky.social · 20/04/2026Absolutely chuffed to win the BAFTSS videographic criticism award for my video essay 'The Anthropocene will eat itself'. Such a blast to be at my first in person BAFTSS conference in somewhat sunny Bournemouth criticalcommons.org/view?m=pA9FR... 041
Reposted by Cormac DonnellyFragments - A Journal of videographic form and method @fragmentsjournal.bsky.social · 20/03/2026Fragments is heading to the BAFTSS conference in April and we'd like to invite you to take part in our 'Playful Parameters' videographic interlude. Find the instructions to our short (and hopefully) fun videographic exercise at the link below. 9th April deadline fragments.video/reels-a-play... 034
Reposted by Cormac DonnellyFragments - A Journal of videographic form and method @fragmentsjournal.bsky.social · 11/03/2026Our 4th Collection of experimental videographic practice is now live. This themed collection comes courtesy of Alan O'Leary, comprising outtakes from his videographic project 'Men Shouting: A History in 7 Episodes' and featuring a response letter by Will Knowles. Find it all here fragments.video 034
Cormac Donnelly @cormacrestrike.bsky.social · 27/01/2026I finished this video essay in June 2025 and included a flash frame of the Doomsday clock showing 89 seconds to midnight. And now it's out of date... vimeo.com/1074720429vimeo.comThe Anthropocene Will Eat ItselfFeatured in the first issue of Cinégraphia: Journal of Literature, Film, and Other Media https://openjournals.library.sydney.edu.au/Cinegraphia/issue/view/1380 Screening… 010
Reposted by Cormac DonnellyFragments - A Journal of videographic form and method @fragmentsjournal.bsky.social · 14/11/2025Péter Lichter and Bori Máté's fragment shows "just how much the definition of a fragment can be stretched". Read their extended exploration of the making of the film and watch it as part of our 2nd collection of fragments. Find our more here fragments.video/2025/07/28/t... 012
Reposted by Cormac DonnellyFragments - A Journal of videographic form and method @fragmentsjournal.bsky.social · 03/11/2025"It’s a subtle (and welcome) reminder of how seemingly insignificant details can, when collated, lead to new ideas or prove worthy of greater aesthetic appreciation." Andrea Comiskey's fragment published as part of our 2nd collection. Read more here fragments.video/2025/06/19/p... 021
Reposted by Cormac DonnellyFragments - A Journal of videographic form and method @fragmentsjournal.bsky.social · 08/10/2025"is it a humorous piece? Disturbing? What is the broader context from which this fragment comes? Will it feature in the final essay film or, like the damp loaf, is it now to be discarded?" @bolddecade.bsky.social's fragment in our 2nd collection. Read more here fragments.video/2025/06/19/s... 021
Reposted by Cormac DonnellyFragments - A Journal of videographic form and method @fragmentsjournal.bsky.social · 07/10/2025"In Joel’s piece (and his description) I enjoy the idea of returning to a ‘safe’ videographic space, in this case the supercut, though one which is less ‘cut’ and more ‘blend’." Joel Blackledge's fragment published as part of our 2nd collection. Read more here fragments.video/2025/07/03/t... 032
Reposted by Cormac DonnellyJason Mittell @jmittell.bsky.social · 07/10/2025So very excited to announce that as of today the number of Videographic Books in the world has doubled! Check out ADAPTIVE FORMS, Gregory Brophy & Shawn Malley's fabulous new open-access book on contemporary science-fiction - complete with video essays on ARRIVAL, SNOWPIERCER, BLACK PANTHER, etc.!!!fulcrum.orgAdaptive Forms: Videographic Criticism and Contemporary Science Fiction FilmAn examination of media adaptation in contemporary science fiction film, with 14 video essays <br><i>Part of the <a href="https://www.leverpress.org/videographicbooks/">Videographic Books</a> series</... 1199
Cormac Donnelly @cormacrestrike.bsky.social · 04/10/2025'The Anthropocene Will Eat Itself' has made the official selection for the Adelio Ferrero Video Essay prize. Exciting stuff vimeo.com/1074720429 010
Reposted by Cormac DonnellyFragments - A Journal of videographic form and method @fragmentsjournal.bsky.social · 02/10/2025"There is something in its constructed-ness that seems to demand a normative reading of the video, i.e., what it is saying about this character—the wrestler—and how he is treated by the film and by himself." @arielavissar.bsky.social's fragment in our 2nd collection. fragments.video/2025/06/19/t... 013
Reposted by Cormac DonnellyFragments - A Journal of videographic form and method @fragmentsjournal.bsky.social · 30/09/2025"The physical recreation of a footage bin...from magazine clippings combines with the carefully arranged Cheezit timeline and other elements to be entirely familiar as an editing space" Benedetta Andreasi's fragment published as part of our 2nd collection. Read more fragments.video/2025/06/25/c... 002
Reposted by Cormac DonnellyFragments - A Journal of videographic form and method @fragmentsjournal.bsky.social · 25/09/2025Our 2nd Collection of experimental videographic practice is now live. 9 fragments (from eight creators) ranging from 35 seconds to an hour. fragments.video 063
Reposted by Cormac DonnellyJason Mittell @jmittell.bsky.social · 23/07/2025I've been working on this project for a long time and am excited to finally share "The Video Essay About The Show" publicly! It's a multipart video essay about "The Show About The Show," the cult webseries - check it out:justtv.wordpress.comThe Video Essay About The ShowFor the past year, I’ve been working on a long-form project that I’m finally ready to share publicly. In Fall 2024, I taught a new course entitled Faking Reality: Mockumentaries, Hoaxes… 1266
Cormac Donnelly @cormacrestrike.bsky.social · 18/07/2025 A wonderful new research/writing/thinking tool for moving image work. Bravo 032
Cormac Donnelly @cormacrestrike.bsky.social · 18/07/2025My new video essay featured in the first issue of Cinégraphia, the journal of the Sydney Literature and Cinema Network. vimeo.com/1074720429 You can find the journal at the link below openjournals.library.sydney.edu.au/Cinegraphia/...vimeo.comThe Anthropocene Will Eat ItselfFeatured in the first issue of Cinégraphia: Journal of Literature, Film, and Other Media https://openjournals.library.sydney.edu.au/Cinegraphia/issue/view/1380 Screening… 065
Reposted by Cormac DonnellyFragments - A Journal of videographic form and method @fragmentsjournal.bsky.social · 06/06/2025"I was genuinely excited by the idea of ‘seeing through sound’...with an immediate feeling of ‘I want to try that!’." @cormacrestrike.bsky.social's fragment published as part of our first collection. Find out more here fragments.video/2025/03/04/b... 053
Cormac Donnelly @cormacrestrike.bsky.social · 05/06/2025Hello old friend. On television now in the UK. And all the grain is gone? Or is this me remembering it differently? 020
Reposted by Cormac DonnellyFragments - A Journal of videographic form and method @fragmentsjournal.bsky.social · 28/05/2025We are delighted to launch ‘Fragments’, a new journal of experimental videographic form and method. Please enjoy our first collection of fragments and check out our evolving manifesto to learn a little more about our ambitions for this journal. fragments.video 13918
Reposted by Cormac DonnellySteve Yedlin @steveyedlin.bsky.social · 02/05/2025Fellow film tech nerds, today I'm launching a brand new demo debunking some common misconceptions about so-called "HDR" colorspace. Up now on my website. #NerdyFilmTechStuff www.yedlin.net/DebunkingHDRyedlin.netDebunking HDRby Steve Yedlin 57019
Reposted by Cormac DonnellyWill DiGravio @willdigravio.bsky.social · 01/05/2025The Video Essay Podcast returns! @jmittell.bsky.social joins to discuss his new videographic book, The Chemistry of Character in Breaking Bad, the first in a series he edits for Lever Press. Listen here: thevideoessay.com/jason-mittel... 0156
Reposted by Cormac DonnellyOpen Library of Humanities @openlibhums.org · 04/01/2025New issue of @intransition.bsky.social is here! Issue 11.4 features 10 peer-reviewed video essays on queer spectatorship, vampires, pop music in fanvids, female subjectivity in socialist cinema, unfulfilled love stories, and more. Check them out: intransition.openlib... 0139
Cormac Donnelly @cormacrestrike.bsky.social · 18/12/2024The Sight and Sound video essay poll for 2024 is out! My first time voting which was a real honour (thanks to the organisers for inviting me). Something for everyone in here. Enjoy! www.bfi.org.uk/sight-and-so...bfi.org.ukThe best video essays of 2024From film festivals to TikTok, our annual poll showcases 183 unique video essays nominated by 47 international voters. 0122
Cormac Donnelly @cormacrestrike.bsky.social · 17/12/2024A fabulous collection of new video essay work here. 010
Reposted by Cormac Donnelly[in]Transition @intransition.bsky.social · 12/12/2024Brand new issue up with 10 video essays!!! Check them out: intransition.openlibhums.org/issue/1295/i...intransition.openlibhums.org [in]Transition | Issue: Issue: 4(11) (2024) 0144
Cormac Donnelly @cormacrestrike.bsky.social · 05/12/2024Reinstating the office cd player is genuinely the best decision I've made in a long time 040
Reposted by Cormac DonnellyCatherine Grant @filmstudiesff.bsky.social · 29/11/2024 Check out @cormacrestrike.bsky.social's “Sound Stack, Soundwalk, Southworth” at SCREENWORKS, a videographic portfolio that questions the extent to which a scholar (the creator) might go before they consider a piece of videographic research to be ‘complete’ www.screenworks.org.uk/archive/volu...screenworks.org.ukSound Stack, Soundwalk, SouthworthSound Stack, Soundwalk, Southworth Author: Cormac Donnelly Format: Videographic PortfolioDuration: 9′ 58″; 88′ 07″ & 34′ 53″ Published: October 2024 https://doi.org/10.37186/swrks/15.1/1 0114
Reposted by Cormac DonnellyOnePerfectHEADshot @headexposure.bsky.social · 28/11/2024The reason Hong Kong action films used to be the most kinetic? In the words of the late David Bordwell: 9468128
Reposted by Cormac DonnellyFilmscalpel @filmscalpel.bsky.social · 28/11/2024On November 28, 1961, Alfonso Cuarón was born. He has directed just eight feature films but often does double duty on his movies. He's won Academy awards as director, producer, editor and cinematographer. Here's a selection of half o dozen video essays to celebrate his birthday. 🧵📽️ #filmsky 142
Reposted by Cormac DonnellyFilmscalpel @filmscalpel.bsky.social · 21/11/2024The angry cadence of THE RHYTHMS OF RAGE is both catchy and cathartic. @barbarazecchi.bsky.social mixes dozens of film and tv clips of enraged women into a video essay that pulses powerfully.vimeo.comThe Rhythms of Rage: from Solitude to SolidarityRage possesses a formidable ability to catalyze revolutions, spur transformative change, and magnify voices. Yet, its expression is not uniformly accessible to all.… 075
Reposted by Cormac DonnellyBarbara Zecchi @barbarazecchi.bsky.social · 22/11/2024We invite contributions to “𝐒𝐭𝐚𝐫𝐝𝐨𝐦 𝐚𝐧𝐝 𝐀𝐠𝐢𝐧𝐠: 𝐁𝐞𝐭𝐰𝐞𝐞𝐧 𝐃𝐮𝐬𝐭 𝐚𝐧𝐝 𝐒𝐭𝐚𝐫𝐝𝐮𝐬𝐭”, a special edition of the ScreenStarsDictionary dedicated to aging actors. Please send an email with your idea to Barbara (bzecchi@umass.edu), Ariel (arielavissar24@gmail.com) and Vicente (vrortega@hum.uc3m.es) by 𝐌𝐚𝐲 𝟐, 2025 0105
Reposted by Cormac DonnellyHorror Lex® @horrorlex.bsky.social · 25/04/2024Hark, do I hear "eldritch gurgling"? Or a "wet squelch"? The Soundtrack's latest has essays on how sound & screenplay blend together in ENYS MEN + the sound captioning in STRANGER THINGS & THE LAST OF US. @kingsleymarshall.bsky.social James Deaville #horror intellectdiscover.com/content/jour... 043
Cormac Donnelly @cormacrestrike.bsky.social · 20/11/2024Today's class screening. A wonderfully crafted piece... vimeo.com/857446024vimeo.comKnit One, Stab Two (2023)This essay film examines the representation of knitters and knitting, in over sixty horror films made by women, from the 1920s - 2020s, across Europe, East Asia,… 053
Reposted by Cormac DonnellyFilmscalpel @filmscalpel.bsky.social · 20/11/2024Filmmaking is as pragmatic as it is creative. The song that plays over the closing credits of The Cry of the Owl is a case in point. CHOOSING DEATH ROW SONGS, a video essay by John Gibbs, explains how rights issues complicated the audio post-production of the film, but enriched the end result.vimeo.comChoosing Death Row SongsWinner: Audiovisual Essay Selection, Marienbad Film Festival, 2024 This video essay is published in Music, Sound and the Moving Image, 18:1, where you can read… 073
Cormac Donnelly @cormacrestrike.bsky.social · 19/11/2024Physical Media! vimeo.com/1031165637/2...vimeo.comPhysical MediaThis is "Physical Media" by Cormac Donnelly on Vimeo, the home for high quality videos and the people who love them. 040
Reposted by Cormac DonnellyVeronika Hanakova @veronikahanakova.bsky.social · 18/11/2024💙 My baby is here 💙 ILUMINACE 2/2024 - OPEN ACCESS - TEXTS & AV ESSAYS What if we stopped asking how computers shape moving images and asked: how is computer iconography represented in audiovisual media? Dive into the complex portraits of computer labor in film & TV. See: bit.ly/3YMMG5m 01510
Cormac Donnelly @cormacrestrike.bsky.social · 16/11/2024Worth visiting to read the 1 (AI?) comment that's been left. Yours sincerely, Professor Connelly aeon.co/videos/a-hau...aeon.coA haunting scene from ‘Minority Report’ inspires a voyage into time and memory | Aeon VideosIn this mediation on ‘après-coup’ in art, Cormac tries to understand why he’s still haunted by a scene from ‘Minority Report’ 020
Cormac Donnelly @cormacrestrike.bsky.social · 13/11/2024Loved being able to share this amazing video essay with my students today. youtu.be/jz7nOzBv7eE?...youtu.beIrani Bag / کیف ایرانی by Maryam TafakoryYouTube video by maryam tafakory 0115
Cormac Donnelly @cormacrestrike.bsky.social · 10/11/2024If you have 88 minutes to spare you can join me on a soundwalk around Boston www.screenworks.org.uk/archive/volu...screenworks.org.ukSound Stack, Soundwalk, SouthworthSound Stack, Soundwalk, Southworth Author: Cormac Donnelly Format: Videographic PortfolioDuration: 9′ 58″; 88′ 07″ & 34′ 53″ Published: October 2024 https://doi.org/10.37186/swrks/15.1/1 030
Cormac Donnelly @cormacrestrike.bsky.social · 20/12/2023I'm here for the 'low double digit' video essays 😁📼 Amazing work by the list curators, and thanks to the wonderful people who wrote nice things about some of my work. Take your time to enjoy this brilliant list www.bfi.org.uk/polls/best-v...bfi.org.ukThe best video essays of 2023Our annual poll spotlights 181 unique video essays, nominated by 48 international voters, showcasing the breadth and depth of current videographic practice. 040
Reposted by Cormac DonnellyJason Mittell @jmittell.bsky.social · 19/12/2023It's that time of year: the annual Best Video Essays poll is up! Gratified that a few respected colleagues nominated my work and that @intransition.bsky.social had so many works highlighted - but more excited to dive into the dozens of great-sounding videos I haven't watched yet! Share your faves...bfi.org.ukThe best video essays of 2023Our annual poll spotlights 181 unique video essays, nominated by 48 international voters, showcasing the breadth and depth of current videographic practice. 0113
Cormac Donnelly @cormacrestrike.bsky.social · 21/10/2023According to my not-at-all scientific study, 1 in 10 films begins with 'meaningful sound' (open to interpretation!) before picture. And here is a video essay featuring 60 of them... vimeo.com/816886504vimeo.comSound Before PictureScreened at the Marienbad Film Festival in July 2023 031
Cormac Donnelly @cormacrestrike.bsky.social · 05/10/2023Can't resist props for lecturers (they're empty sadly) 020
Cormac Donnelly @cormacrestrike.bsky.social · 28/09/2023Screened 'American Movie' for my students today. Uncle Bill's dialogue recording in the car remains one of my favourite things. RIP Uncle Bill. youtu.be/TSzHvRVE5uM?...youtu.beIt's Alright! It's OK! Uhhhh...."It's the first line of the film man, it's gotta be on the money here!" 010