Sign in

Conor Power

@conorlpower.bsky.social
176 followers 85 following 54 posts

Film musicologist at University College Dublin

PostsRepliesMedia
Reposted by Conor Power
Royal Irish Academy @ria.ie · 09/10/2026
The RIA’s 2026 Charlemont Grantee, Emma Kavanagh, @ucddublin.bsky.social, has contributed to a new exhibition on French composer Gustave Charpentier (1860–1956), following six weeks of research supported by the RIA’s Charlemont Grant.
Black-and-white portrait of a bearded man with tousled hair wearing a dark coat and bow tie.
184
Reposted by Conor Power
Tony - Pod Guy - Groves @tonygroves.bsky.social · 10/07/2026
Caught my nephew running the tap while he was drinking a glass of water. I broke his phone as a lesson to not waste the water that’s needed for Data Centres. It doesn’t matter if it was his Mam’s phone. Lessons were learned.
Uisce Éireann is "urgently calling" on the public not to use the garden hose this weekend, and for as long as the hot weather continues, as drinking water usage remains "exceptionally high".
1438
Conor Power @conorlpower.bsky.social · 05/07/2026
So cool!
010
Conor Power @conorlpower.bsky.social · 30/06/2026
Very pleased that my new article '“An Entire Sacred Effort”: Hymnody and Mythopoetics in John Williams’s Score for Steven Spielberg’s Lincoln (2012)' is published in the Journal of the Society for American Music. doi.org/10.1017/S175... Finally managing to share some PhD material with the world :)
doi.org
“An Entire Sacred Effort”: Hymnody and Mythopoetics in John Williams’s Score for Steven Spielberg’s Lincoln (2012) | Journal of the Society for American Music | Cambridge Core
“An Entire Sacred Effort”: Hymnody and Mythopoetics in John Williams’s Score for Steven Spielberg’s Lincoln (2012)
150
Reposted by Conor Power
Seán Clancy @seanlclancy.bsky.social · 19/06/2026
Got a nice lil ⭐️⭐️⭐️⭐️⭐️ review for my album with Plus Minus Ensemble in the latest edition of BBC Music Magazine… seanclancy.bandcamp.com/album/se-n-c... @ucddublin.bsky.social @cmcireland.bsky.social
Text reads: 

Where the Paths End
Works by Seán Clancy Plus-Minus Ensemble
NMC NMCD296 62:01 mins
From the curious yet satisfying sounds to open this album (which lie somewhere between crackle
of static and spatter of rain), we know we are headed somewhere unexpected. Irish composer Seán Clancy is a true original, and this beautifully-produced disc of four experimental compositions proves a rare and special thing.
The title work, Where the Paths End, is a 30-minute piece for ensemble, electronics and location recordings, created in
2023. In seven movements, the piece offers a 'sonic translation' of walking through an industrial city. Sounds of urban life intermingle with a score that is by turns spiky and meditative, performed with panache by the Plus-Minus Ensemble. As the sleeve notes remark, walking for many people became 'a quiet refuge during the Covid-19 pandemic, and the piece commemorates that sense of solace, building in warmth to the final movement which thrums with laughter and bagpipes.
The other three works
here share this same sense of tender introspection. Fourteen Minutes of Music on the Subject of Greeting Cards is a musical reinterpretation of Deepest Sympathy, a 2011 video work by David Theobald which traces the are of a person's life through greeting card inscriptions. We are not all here moves from glitchy snippets of found sound (all recorded outside a funeral) to drone-like synth tones, creating a subtle meditation on loss, while the mischievous transparency of Five Lines of Music Slow Down and Eventually stop belies the work’s delicate emotional power. Kate Wakeling ⭐️⭐️⭐️⭐️⭐️
3183
Conor Power @conorlpower.bsky.social · 13/06/2026
The roundtable of our Music and Media conference at the Irish Film Institute. Here’s me and Dr Laura Anderson talking to Stephen Rennicks and Natasa Paulberg about composing for film, tv, and documentaries, in front of a packed crowd of academics and the general public. @ucddublin.bsky.social
240
Conor Power @conorlpower.bsky.social · 12/06/2026
So appreciate you support, Seán! Thank you!
110
Reposted by Conor Power
Seán Clancy @seanlclancy.bsky.social · 11/06/2026
My colleague @conorlpower.bsky.social getting the ‘Directions and Aesthetics of the Digital Era’ conference underway at @ucddublin.bsky.social earlier on today. Congrats to Conor and his team for a wonderful (and packed) day. More tomorrow! www.ucd.ie/music/t4medi...
A man standing at a podium giving a lecture. Some wood paneling & an AV screen in the background
141
Reposted by Conor Power
Justin Carville @justinmcarville.bsky.social · 27/05/2026
AHSS research is already massively underfunded in Ireland, proposals to restructure funding models and prioritise commercialisation of research will disproportionately impact the humanities - Irish academics, post-docs & post-grads past, current and future please add your voice in opposition 👇
openletter.earth
Concern about Research Ireland’s Strategy and Programme Plan
01515
Conor Power @conorlpower.bsky.social · 25/05/2026
Was very happy when I was asked to review the documentary "Music by John Williams" for the European Journal of American Culture. It's now been published, just as I begin to write my review of the Williams biography too. All very on brand for me! Check the review out here: doi.org/10.1386/ejac...
doi.org
Music by John Williams, Laurent Bouzereau (dir.) (2024), USA: Lucasfilm | Intellect
Review of: Music by John Williams, Laurent Bouzereau (dir.) (2024), USA: Lucasfilm
032
Reposted by Conor Power
Seán Clancy @seanlclancy.bsky.social · 08/05/2026
This is out this day next week. If you like the sound of clarinets, electric guitars, violins, cellos, pianos, analog & FM synths, an SP404, field recordings, and a superflat/deadpan aesthetic that’s maybe just a little bit sad, then maybe this is for you ✅⚡️🔥 seanclancy.bandcamp.com/album/se-n-c...
seanclancy.bandcamp.com
Seán Clancy: Where the Paths End, by Sean Clancy
10 track album
081
Conor Power @conorlpower.bsky.social · 01/05/2026
Talking all things E.T. last night to introduce the National Symphony Orchestra’s performance of the film score live in concert. Was wonderful to speak to such an enthusiastic crowd and detail the little Easter eggs and wonderful themes in Williams’s fantastic score.
130
Reposted by Conor Power
James Denis Mc Glynn @jdmcglynn.bsky.social · 07/04/2026
Excited to welcome Oscar-nominated sound editor Douglas Murray to @tlrhub.bsky.social at @tcddublin.bsky.social on April 27 Doug will be discussing his many credits, incl. his collaborations w/ David Lynch on the Twin Peaks pilot (1989) and its prequel film, Fire Walk With Me (1992) Booking link:
eventbrite.ie
Oscar-nominated sound editor Douglas Murray: Conversation and Q&A
Q&A with Oscar-nominated sound editor Douglas Murray (The Batman; Twin Peaks: Fire Walk With Me). In conversation with James Denis Mc Glynn
063
Conor Power @conorlpower.bsky.social · 16/03/2026
Looking forward to presenting on a new topic as part of the DCU musicology seminar series this Wednesday!! There’ll be lots of clips and a little bit of snark - because it’s me.
041
Reposted by Conor Power
BROKENSONG @brokensong2023.bsky.social · 09/03/2026
Two new positions with the #ERC-BROKENSONG project at Maynooth University. The first position is for a Postdoctoral Researcher/Senior Postdoctoral Researcher to conduct analysis of the medieval Insular music corpus recovered, transcribed, and edited within the project. my.corehr.com/pls/nuimrecr...
my.corehr.com
'
11010
Conor Power @conorlpower.bsky.social · 22/01/2026
Was thrilled to discuss An Cailín Ciúin (The Quiet Girl) with Dr Elsie Walker on her new podcast, Films Change Lives. I avail of every opportunity to recommend this film to friends and colleagues. It’s an absolute gem. Do have a listen to our conversation: open.substack.com/pub/filmscha...
010
Conor Power @conorlpower.bsky.social · 11/01/2026
School trip!?
010
Conor Power @conorlpower.bsky.social · 18/12/2025
Congrats!!
000
Reposted by Conor Power
RMA @royalmusical.bsky.social · 16/12/2025
The joint conference of the RMA, SMI, and EADH (Queen's University Belfast, 29 Aug-1 Sept 2026) is extending its proposals deadline to noon (BST) on Friday 2 January 2026, as it has come to our attention that one key adjacent support network has not had a chance to disseminate news of the call.
qub.ac.uk
RMA-SMI-EADH Conference 2026 | SARC | Queen's University Belfast
102
Reposted by Conor Power
Seán Clancy @seanlclancy.bsky.social · 09/12/2025
We have a fully funded PhD (+ research expenses) in Ethnomusicology going in @ucddublin.bsky.social supervised by my new colleague, Abigail Lindo. Abigail is looking to supervise in a host of exciting & pertinant areas. Full details below: www.ucd.ie/music/newsan...
ucd.ie
Ad Astra PhD Scholarship Opportunity - UCD School of Music
1129
Conor Power @conorlpower.bsky.social · 27/11/2025
Only one week left to submit to our Music and Media conference at UCD next June!
022
Reposted by Conor Power
Conor Power @conorlpower.bsky.social · 16/10/2025
Don’t forget to submit a paper by Dec 5 for our Music and Media conference at UCD: “Directions and Aesthetics of the Digital Era” www.ucd.ie/music/newsan...
0107
Conor Power @conorlpower.bsky.social · 16/10/2025
Don’t forget to submit a paper by Dec 5 for our Music and Media conference at UCD: “Directions and Aesthetics of the Digital Era” www.ucd.ie/music/newsan...
0107
Conor Power @conorlpower.bsky.social · 12/10/2025
😂😂😂
010
Reposted by Conor Power
SMI News1 @sminews1.bsky.social · 03/10/2025
Call for papers, deadline 1 December 2025. Proposals for the SMI's combined annual conference with the RMA and the EADH (29 August - 1 September 2026, Queen's University Belfast) are now warmly invited. Details at musicologyireland.com/events/confe...
musicologyireland.com
Annual Plenary Conference, jointly with the RMA and the EADH, Autumn 2026 | Society for Musicology in Ireland
013
Reposted by Conor Power
James Denis Mc Glynn @jdmcglynn.bsky.social · 21/09/2025
A reminder that the CFP is now live for the International Musicological Society (IMS) Music and Media Study Group’s annual conference. Taking place on 11-12 June 2026 at @ucdschoolofmusic.bsky.social (Dublin, Ireland), the theme is “Directions and Aesthetics of the Digital Era” Please share widely
careers.amsmusicology.org
CFP “Music and Media: Directions and Aesthetes of the Digital Era,” UCD School of Music, June 11–12 2026 - AMS Career Center
The seventeenth meeting of the ‘Music and Media’ study group of the International Musicological Society will take place in-person on June 11-12 2026 in the School of Music at University...
042
Conor Power @conorlpower.bsky.social · 10/09/2025
Well, it's happening now! Do please see the call for papers for Music and Media: Directions and Aesthetics of the Digital Era June 11-12 2026 School of Music, University College Dublin
041
Conor Power @conorlpower.bsky.social · 02/09/2025
Cheers, Seán! ☺️
010
Conor Power @conorlpower.bsky.social · 02/09/2025
Plans coming together for a film music conference @ucdschoolofmusic.bsky.social next June! Keep an eye out for our Call for Papers over the coming days ☺️
173
Conor Power @conorlpower.bsky.social · 22/08/2025
Very cool, James! Looking forward to reading
110
Reposted by Conor Power
Nicole Grimes @nicoleegrimes.bsky.social · 04/07/2025
🎨 🎼 The Expansive Canvas is more than a conference — it's a celebration! We're calling artists, musicians, poets, and creators of all kinds to respond to the music of women composers of the long 19th century. Submit to The Creative Palette! 🎨 📣 Open to all! 🔗 expansivecanvas.com/call-for-par...
expansivecanvas.com
Creative Palette - The Expansive Canvas
An open invitation to artists, writers, musicians, and dreamers of all ages The Expansive Canvas is a three-day international conference and celebration of music by women composers in the long ninetee...
0115
Conor Power @conorlpower.bsky.social · 26/06/2025
My review of Dan White’s new book, The Music of Harry Potter and The Lord of the Rings: Sounds of Home in the Fantasy Franchise, is now available to read online. Heartily recommend the book to anyone interested! liverpooluniversitypress.co.uk/toc/msmi/19/...
liverpooluniversitypress.co.uk
Contents | Music, Sound, and the Moving Image 19, 1
The theatrical release of A Quiet Place Part II (AQPII) in May 2021, following months of cinema closures due to COVID-19, was dubbed a ‘referendum on the future of moviegoing’ (Paramount). The film imagines a post-apocalyptic future where humans must ...
000
Reposted by Conor Power
Nicole Grimes @nicoleegrimes.bsky.social · 16/06/2025
📣 Registration is now open for The Expansive Canvas: Large-Scale Form in the Music of 19th-Century Women Composers! 🗓 Full programme + sign-up: 🌐 expansivecanvas.com/registration/ — Nicole Grimes & Denise Neary (Co-Chairs) #ExpansiveCanvas #WomenInMusic #Musicology
expansivecanvas.com
Registration - The Expansive Canvas
Registration for The Expansive Canvas is now open via this link. The full programme for the Conference and Collaborative Symposium is now available for download.
073
Reposted by Conor Power
SMI News1 @sminews1.bsky.social · 13/06/2025
The schedule for SMI's 23rd annual plenary conference (Dublin, 19-21 May) is now available. This and other details at musicologyireland.com/events/confe...
musicologyireland.com
022
Conor Power @conorlpower.bsky.social · 09/06/2025
Delighted to see the Berlin Phil concert of Williams’s music (TWICE) last weekend! Stéphane Denève was a wonder as conductor & the Phil were phenomenal. Denève gave his flowers to Williams, leaving them on the score on the podium. A class act 🥲
010
Conor Power @conorlpower.bsky.social · 03/06/2025
So exciting! And congrats on your excellent paper at MaMI! I’m sorry we didn’t get the chance to chat
110
Reposted by Conor Power
UCD School of Music @ucdschoolofmusic.bsky.social · 22/05/2025
💾 Online Webinar: 29th May, 3pm (Irish Time) Find out more about the MMus Music & Culture course content, new scholarship opportunities and have a chance to ask our academics questions about studying with us! Register here: docs.google.com/forms/d/1jtV...
MMus Music and Culture. Online Info Session. 29th May, 3pm
042
Conor Power @conorlpower.bsky.social · 08/05/2025
Totally agree! Also the final cue of ep. 9 was absolutely temped with Inception’s ‘Time’ too!
000
Reposted by Conor Power
UCD School of Music @ucdschoolofmusic.bsky.social · 06/05/2025
We're excited to welcome Prof Deborah Wong (UC Riverside) to UCD tomorrow for her lecture 'Music and Conviviality: Empathy, Repair, and Homage'. Prof Wong will explore the role of conviviality in music scholarship. 🔗 Full abstract: bit.ly/4iNnG5W 📍UCD Sutherland School of Law 🕔 Wed 7 May, 5pm
021
Reposted by Conor Power
UCD School of Music @ucdschoolofmusic.bsky.social · 01/05/2025
📢Calling all Early Career Ethno/Musicology Researchers Join us in a discussion with Deborah Wong, UC Riverside this Wed 3pm to share research and discuss key challenges in Ethnomusicology. Folks from all music disciplines are welcome! bit.ly/3YZYW3o @ucddublin.bsky.social
042
Conor Power @conorlpower.bsky.social · 01/05/2025
Very excited for your paper at MaMI. See you in NY!
010
Reposted by Conor Power
Seán Clancy @seanlclancy.bsky.social · 23/04/2025
Currently recruiting masters students @ucdschoolofmusic.bsky.social @ucddublin.bsky.social for September. This year myself & composition students have worked with Crash Ensemble, Bozzini Quartet, and Line Upon Line amongst others. Contact me if interested in applying people.ucd.ie/sean.l.clancy
0117
Conor Power @conorlpower.bsky.social · 22/04/2025
Nice article, Dan! To my shame, I’d never picked up on the Bush paraphrases in RotS. Very excited to see what Gilroy et al. have concocted for Andor S2
110
Conor Power @conorlpower.bsky.social · 16/04/2025
Cheers Adam!
000
Conor Power @conorlpower.bsky.social · 16/04/2025
Ah thank you, Dan! Big fan of your book and I knew I wanted to spin off of some of your key ideas when I first read it!! Happy you’re enjoying it thus far!
010
Conor Power @conorlpower.bsky.social · 15/04/2025
Ah that really means the world to me! Thanks so much, Frank! Definitely wouldn’t have got this article done without all the groundwork you’ve been laying.
120
Conor Power @conorlpower.bsky.social · 15/04/2025
Thank you! Hope to read your own thoughts on the sequel music sometime!
120
Conor Power @conorlpower.bsky.social · 15/04/2025
Going to shamelessly @ people who might be interested or who have helped me out along the way. @dangolding.com @jimbuhler.bsky.social @ucdschoolofmusic.bsky.social @franklehman.bsky.social @soundmusicmedia.bsky.social @filmstudiesff.bsky.social
240
Conor Power @conorlpower.bsky.social · 15/04/2025
Delighted to see my article '“Reminiscence Therapy”: Musical Nostalgia in the Star Wars Sequel Trilogy (2015–2019)' published in Émergences! I've so much to say about these complex scores, far beyond the wordcount! But I try scratch the surface here! publications-prairial.fr/emergences/i...
publications-prairial.fr
“Reminiscence Therapy”: Musical Nostalgia in the Star Wars Sequel Trilogy (2015–2019) – Émergences
With the return of Star Wars to the big screen in 2015 came the promise of new music by John Williams, not least new leitmotifs. Yet, in the era of the “legacy sequel” (Golding 2019), the shadow of th...
4105
Conor Power @conorlpower.bsky.social · 14/04/2025
Was great to return to Évry University, Paris, last week to present my paper of Georges Delerue’s score to Platoon, discussing tensions between it and Barber’s Adagio for Strings. Wonderful university. Wonderful colleagues. Need to return soon for more pastries.
010