Re: the Boulez anniversary: "This article examines the lessons that Pierre Boulez learned about sound from Antonin Artaud, suggesting that Boulez's ideas about musical writing (écriture) took shape as the composer imagined and appropriated forms of non-European expression."
cambridge.org
Ontological Appropriation: Boulez and Artaud | Twentieth-Century Music | Cambridge Core
Ontological Appropriation: Boulez and Artaud - Volume 18 Issue 2
!["The present project ... [takes] as axiomatic that all fashionings of Indigenous Land have a constitutive relationship to sovereign Indigenous nations. While this principle is foundational to contemporary Indigenous politics and critical theory on Turtle Island and elsewhere, its implications for US colonizer-settler art musics are extremely unsettling..."
-Colin Tucker, "De-normalizing 'wide open spaces:' Notes Towards a Decolonial Performance Practice"](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:uedpywdm4bo5fxu7c4vvvuzl/bafkreifbsfarhrikhfg2cmjxai6km56u6lcyamextkeh7ivyp5ahtaoqia)
