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Cadernos de Linguística

@cadlin.bsky.social
2.2K followers 6K following 479 posts

A #DiamondOA journal sponsored by the Brazilian Linguistics Association (Abralin), promoting responsible research practices, collaboration, diversity, inclusion, and openness in academia. 🌐 cadernos.abralin.org 🌐 linktr.ee/cadlin

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Cadernos de Linguística @cadlin.bsky.social · 17h
New in Cadernos de Linguística: Izabel Magalhães connects gender, race and social class in a decolonial analysis of discourse, focusing on how violence against Black and Indigenous women is represented in Brazil. doi.org/10.25189/267...
Publication card on a light neutral background. Header: “NEW PUBLICATION | THEORETICAL ESSAY.” Title: “Gender, Race and Social Class in Decolonial Critical Discourse Studies.” Author: Izabel Magalhães, Universidade de Brasília. A small cyan dot precedes the author information.
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Cadernos de Linguística @cadlin.bsky.social · 27/09/2026
New in Cadernos de Linguística: a pilot study tests prosodic-acoustic cues in speech from inland Paraíba and São Paulo. Pause variability emerged as the strongest cue in the classification models. doi.org/10.25189/267...
Publication card on a light cyan background. Header: “NEW PUBLICATION | PILOT STUDY.” Title: “The Influence of Prosodic-Acoustic Features in Automatic Speech Recognition of Two Inland Brazilian Dialects: A Pilot Study.” Authors: Leônidas Silva Jr., State University of Paraíba; Luciani Ester Tenani, State University of São Paulo; and João Marcelo Monte.
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Cadernos de Linguística @cadlin.bsky.social · 26/09/2026
New in Cadernos de Linguística: Amanda Chofard, Greize Alves da Silva, and Romário Duarte Sanches review how language contact, migration, and historical-social processes help explain Brazilian Portuguese varieties. doi.org/10.25189/267...
New publication card from Cadernos de Linguística. Text: “New publication | Literature review”. Title: “Geolinguistic Approaches to the Description of Brazilian Portuguese Varieties: Contactual, Migrational, and Historical-Social Aspects”. Authors: Amanda Chofard, Universidade Federal da Bahia; Greize Alves da Silva, Universidade Federal do Tocantins; Romário Duarte Sanches, Universidade Federal do Amapá.
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Cadernos de Linguística @cadlin.bsky.social · 24/09/2026
New in Cadernos de Linguística: Campião & Puglisi review 43 studies comparing Usage-Based Theory and Gestalt Language Processing in child language development, including shared processes and different evidence bases. doi.org/10.25189/267...
New-publication card from Cadernos de Linguística. Text: “New publication | Literature review”. Featured title: “Usage-Based Theory and Gestalt Language Processing”. Authors: Alice Campião and Marina Leite Puglisi, both affiliated with the Federal University of São Paulo.
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Cadernos de Linguística @cadlin.bsky.social · 01/09/2026
For Priscilla Freitas, writing this article was a learning process, sharpened by reviewer suggestions during CadLin's editorial review. doi.org/10.25189/267... #linguistics #academicwriting
Mint-green feed card labeled "Why publish in Cadernos de Linguística" above a thin dark rule, displaying a large quotation in quotation marks about taking part in the process being enriching and reaffirming how much the dialogue between authors and reviewers matters in building research that is both excellent and socially engaged, attributed below to "Priscilla Araújo de Figueiredo Freitas," with a small radiating-lines icon in the bottom-left corner.
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Cadernos de Linguística @cadlin.bsky.social · 31/08/2026
Priscilla Freitas's research on violence and intersectionality, from a decolonial perspective, grounds her new article on an ANTRA booklet and Brazil's prison system. doi.org/10.25189/267... #linguistics #decolonial
Warm beige feed card labeled "Meet the Author" above a thin dark rule, featuring a circular headshot of a smiling woman with long dark hair, followed by the name "Priscilla Araújo de Figueiredo Freitas" in large caps with the surname portion italicized, then body copy describing her as a master's student in the Graduate Program in Linguistics at the University of Brasília researching intersectionality, violence, and harassment from a decolonial perspective, with a small radiating-lines icon in the bottom-left corner.
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Cadernos de Linguística @cadlin.bsky.social · 30/08/2026
Marcos Nascimento's article on the ANTRA booklet began as a pilot analysis from his master's research, sharpened through CadLin's peer review process. doi.org/10.25189/267... #linguistics #peerreview
Mint-green feed card labeled "Why publish in Cadernos de Linguística" above a thin dark rule, displaying a large quotation in quotation marks about what stands out being the Cadernos de Linguística team's commitment to democratic, ethical, and socially engaged science, attributed below to "Marcos Antonio Nascimento," with a small radiating-lines icon in the bottom-left corner.
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Cadernos de Linguística @cadlin.bsky.social · 29/08/2026
Marcos Nascimento's research on social movements resisting transphobia grounds his new article on an ANTRA booklet and Brazil's prison system. doi.org/10.25189/267... #linguistics #humanrights
Warm beige feed card labeled "Meet the Author" above a thin dark rule, featuring a circular headshot of a smiling man with curly dark hair and glasses, followed by the name "Marcos Antonio Nascimento" in large caps with the surname italicized, then body copy describing him as a master's student in Language and Society at the University of Brasília researching Critical Discourse Analysis and social movements against transphobia, with a small radiating-lines icon in the bottom-left corner.
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Cadernos de Linguística @cadlin.bsky.social · 28/08/2026
This study on an ANTRA booklet began as Marcos Nascimento's master's research at the University of Brasília, first presented at Abralin em Cena. It's now published in Cadernos de Linguística. doi.org/10.25189/267... #linguistics #gradstudent
Mint-green feed card labeled "Why publish in Cadernos de Linguística" above a thin dark rule, displaying a large quotation in quotation marks about publishing being a real learning process both scientifically, through the quality of peer reviews, and editorially, through dialogic text revisions and an editorial approach pointing toward a new era for international-reaching publications, attributed below to "Viviane Cristina Vieira," with a small radiating-lines icon in the bottom-left corner.
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Cadernos de Linguística @cadlin.bsky.social · 27/08/2026
A research line on discourse, gender, and power underlies Viviane Cristina Vieira's new study on an ANTRA booklet and the fight against transphobia in Brazilian prisons. doi.org/10.25189/267... #linguistics #discourseanalysis
Warm beige feed card labeled "Meet the Author" above a thin dark rule, featuring a circular headshot of a smiling woman with light hair and glasses, followed by her name "Viviane Cristina Vieira" in large caps with the surname italicized, then several lines of body copy describing her as a professor at the University of Brasília researching Critical Discourse Analysis and gender-based discrimination, with a small radiating-lines icon in the bottom-left corner.
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Cadernos de Linguística @cadlin.bsky.social · 26/08/2026
Repetitions, prolongations, and blocks are usually counted one by one. This protocol proposes reading them against the timing of everything said around them. doi.org/10.25189/267... #linguistics #speechrhythm
A lilac card headed "Read in Cadernos de Linguística" carries the large statement "A speech archive built to study the rhythm of stuttered speech" in dark grey uppercase letters spanning most of the card, with the Abralin sunburst logo in the bottom left corner.
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Cadernos de Linguística @cadlin.bsky.social · 24/08/2026
Cadernos de Linguística publishes its peer reviews openly. This one, by reviewer Mizael Inácio do Nascimento, assesses a paper reading a TikTok word-cutting trend alongside YouTube's content guidelines. doi.org/10.25189/267... #linguistics #openpeerreview
A cream-colored announcement card with a thin horizontal rule and the header "Open Review | Cadernos de Linguística" at the top, a large rounded lilac panel filling most of the card with the bold label "Public Review¹" followed by the reviewer's name "Mizael Inácio do Nascimento" in dark grey, beneath which sits the quoted review text "The article holds real relevance for Materialist Discourse Analysis, as it seeks to understand, through its theoretical-analytical framework, how subject and language are affected by the new conditions of production of the digital era," followed by a smaller footnote reading "¹Excerpt translated from the peer review of Analysis and the Mist Language, by Mônica Ferreira Cassana (2026)," with a small dark starburst icon in the lower left corner of the cream background outside the panel.
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Cadernos de Linguística @cadlin.bsky.social · 23/08/2026
Associate Editor Theresa Biberauer studies how sentence structure varies across languages and shifts over centuries. That comparative eye guides how she weighs evidence in submissions to Cadernos de Linguística. cadernos.abralin.org/index.php/ca...
A pale lilac card in portrait format with a thin dark horizontal rule across the top, beneath which the header "MEET THE EDITORIAL TEAM" appears in small widely spaced dark grey capitals, followed lower down by a small circular photograph of a smiling woman with long fair hair wearing a red cardigan over a black top and a pendant necklace against a vivid blue backdrop, then the name "THERESA BIBERAUER" in very large dark grey capitals with the surname set in italics on a second line, then a body paragraph in medium-weight dark grey reading "Principal Research Associate at the University of Cambridge, working on theoretical, comparative and historical syntax. Her research centres on how sentences are built in the Germanic languages, with the patterns of variation and change found in Afrikaans. Questions of language acquisition and of contact between languages run throughout the work.", and finally the Abralin logo, a fan of five dark radiating lines, in the lower left corner.
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Cadernos de Linguística @cadlin.bsky.social · 22/08/2026
How do you test what a word means to someone? Researchers showed 194 Brazilian adults eight TV news clips and asked, after each, what the presenter meant by "Brazil." No multiple choice, just open answers. doi.org/10.25189/267... #linguistics #methods
A cream-colored quote card headed "Read in Cadernos de Linguística" in dark gray, with a vertical rule down the left side of a large quoted passage reading "When someone says 'Brazil was robbed,' they may be referring to public money, to the people, and to the government all at once. Using 'Brazil' as an underspecified metonymy would then be the most economical way of referring to all of these concepts at the same time," in which the phrase "underspecified metonymy" is marked with a pale lilac highlight, followed by the credit line "Silva Tavares, V. da R. da; Siqueira, M., 2026" in small capitals, with a radiating burst icon in the bottom left corner.
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Cadernos de Linguística @cadlin.bsky.social · 17/08/2026
Ricardo Regis de Almeida says he had support at every stage of publication, with quick and clear replies. The result is his essay on bodies, memory and coloniality in English classrooms. doi.org/10.25189/267... #linguistics #openaccess
A pastel lilac testimonial card headed by a thin horizontal rule above the small all-caps line "WHY PUBLISH IN CADERNOS DE LINGUÍSTICA", with the journal name in bold, carrying a large dark grey quotation set across eight lines reading "I want to express my gratitude for being part of an initiative as important as Cadernos de Linguística, which publishes and promotes, free of charge, excellent research produced in Brazil and abroad", attributed below in smaller all-caps type to RICARDO REGIS DE ALMEIDA, with a small sunburst logo in the lower left corner.
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Cadernos de Linguística @cadlin.bsky.social · 15/08/2026
Ricardo Regis de Almeida researches English teaching in the Brazilian Amazon. In Cadernos de Linguística, he argues experience is never separable from the body that carries it. doi.org/10.25189/267... #linguistics #decoloniality
A cream-colored author profile card headed "Meet the Author | Cadernos de Linguística" beneath a thin horizontal rule, with a small circular photograph of a bearded man in a grey shirt standing in front of a brick wall, followed by the name "Ricardo Regis de Almeida" in large letters with the surname in italics, and below it the biography "Assistant professor at the School of Foreign Languages of the Federal University of Pará, at its Bragança campus in the Brazilian Amazon. He holds a doctorate in language studies and works on language teacher education, critical approaches to language teaching, and decolonial thought, with attention to how race, place and lived experience run through the English classroom.", with a small sunburst logo in the lower left corner.
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Cadernos de Linguística @cadlin.bsky.social · 13/08/2026
A satirical channel gave a Brazilian congressman's face to an invented character who admits serving the rich. An essay asks what political debate becomes when the joke looks like the record. doi.org/10.25189/267... #linguistics #AI
Feed card with a pale yellow background, the label "READ IN CADERNOS DE LINGUÍSTICA" running across the top beneath a thin horizontal rule, the words "VISUAL RUMOR" set in very large, thin, all-capital letterforms in dark warm grey occupying the upper half of the composition, generous empty space below, and the CadLin sunburst logo in the bottom-left corner.
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Cadernos de Linguística @cadlin.bsky.social · 13/08/2026
A headmaster fences off an ancestral path because he will not hear the priest explaining what it means. An essay by Neuda Lago reads five works where form itself does the critical work. doi.org/10.25189/267... #linguistics #decolonialStudies
A vertical portrait-format social media card split into two horizontal bands, the upper two-thirds in soft pale yellow and the lower third in warm off-white, where a thin horizontal rule runs across the top of the yellow band above a small dark brown all-caps line reading "READ IN CADERNOS DE LINGUÍSTICA" with the journal name in bold, below which a very large thin-stroked numeral 5 sits at the left in dark brown, followed underneath by a bold spaced all-caps caption reading "READINGS THAT TEACH LISTENING", and in the off-white band below the article title set in large dark brown sans-serif type across three lines reading "English-Language Literatures and Social Justice: Critical, Decolonial, and Praxis-Oriented Perspectives" with the smaller all-caps attribution "LAGO, N. 2026." beneath it, and the Abralin logo, a compact fan of five dark brown strokes radiating from a lower left corner, placed at the bottom left with generous empty space around the whole composition.
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Cadernos de Linguística @cadlin.bsky.social · 11/08/2026
Twenty-four years of Brazilian graduate research on Portuguese, sorted by hand into seven groups after reading every title and abstract in the set. doi.org/10.25189/267... #linguistics #methods
A pale yellow illustrated card in flat design showing a large cyan magnifying glass resting on a thick stack of overlapping mint-green and lilac documents covered in thin line-art text and small seals, with seven smaller document icons in the same green and lilac scattered around the stack and joined to it by thin dark connecting lines, small pink dots and diamonds dotted across the yellow background, the dark-grey caption "A magnifying glass over 176 studies of how Portuguese has been researched" set in two lines beneath the illustration, and the small dark sunburst mark in the bottom left corner.
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Cadernos de Linguística @cadlin.bsky.social · 10/08/2026
Cataloging looks like the least interesting part of scholarship. A theoretical essay argues it is where the decisive choices happen: an uncatalogued document is, for practical purposes, an absent one. doi.org/10.25189/267... #linguistics #archives
Text card from Cadernos de Linguística on a light cream background, headed "READ IN CADERNOS DE LINGUÍSTICA" beneath a thin horizontal rule, with the bold uppercase title "WHAT A LANGUAGE MUSEUM GATHERS" highlighted in pale yellow, followed by a paragraph in dark grey explaining that a museum cannot capture language itself but instead creates contact points such as an old recording, a 1540 grammar, and a regional speech transcript, with the phrase "contact points" in bold and the journal's diagonal-lines logo in the bottom left corner.
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Cadernos de Linguística @cadlin.bsky.social · 09/08/2026
In 1942, Hermine Topker taught foreigners 'você' rather than 'tu', reflecting how Brazilians actually spoke at a time when most grammar books refused to acknowledge it. doi.org/10.25189/267... #linguistics #PFL
A "Read in Cadernos de Linguística" card on a pale yellow background displaying the large-type phrase "A PIONEERING GRAMMAR BOOK" with the word "PIONEERING" italicized, and the Cadernos de Linguística logo in the lower left corner.
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Cadernos de Linguística @cadlin.bsky.social · 08/08/2026
Platforms need you to be the same person across sessions, or there's nothing to sell. An essay argues that environments refusing that record produce a user who can't be filed. doi.org/10.25189/267... #linguistics #discourseanalysis
A pale yellow Instagram card from Cadernos de Linguística reading "Read in Cadernos de Linguística" at the top, followed by a horizontal strip of four lilac photo-booth style frames outlined in dark grey: the first shows a complete line-drawn human face, the second and third show the same face progressively breaking apart into disconnected fragments, and the fourth contains only scattered mint green and cyan shapes with no recognisable form, below which a bold headline reads "Nothing here was saved" above a paragraph explaining that closing a window and leaving nothing behind reads as disappearance, but an essay proposes the opposite: when a digital environment refuses to build your profile, what remains is someone the system cannot pin down, with the CadLin sunburst logo in the bottom left corner.
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Cadernos de Linguística @cadlin.bsky.social · 07/08/2026
Calling your opponent a "disguised communist" describes no one. A study analyzed six excerpts from a mayoral podcast interview and showed what the label does: it ends the debate before it starts. doi.org/10.25189/267... #linguistics #politicaldiscourse
Quotation card for Cadernos de Linguística on a soft pink background, with four outlined keyword tags reading Ideology, Discourse, Power, and Politics above a quote about how critical attention to language exposes connections we have been trained to see as natural, credited to Miranda and Martins, 2026.
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Cadernos de Linguística @cadlin.bsky.social · 06/08/2026
Same person, same word, two listeners disagreeing about which accent they just heard. That gap between what gets produced and what gets perceived is why accent change is measured from the signal rather than settled by argument. doi.org/10.25189/267... #linguistics #accents
Cadernos de Linguística text card on a pale cream background with dark grey type. A thin horizontal rule sits above a small header reading "Read in Cadernos de Linguística" in letter-spaced capitals, with the journal name in bold. Below, a large two-line question in light grey-brown reads "Can you hear when someone has picked up a new accent?", followed by a second horizontal rule. Beneath it, a paragraph in smaller grey type answers: not always, since pronunciation often lands somewhere in between, and listening forces a choice between open and closed, so an acoustic measurement records the degree instead, giving each vowel a value on a continuous scale that is compared between migrants and lifelong residents. The words "in between" carry a soft pink highlight block. In the lower left corner sits the Abralin logo, a small fan of five dark diagonal strokes radiating from a vertical bar.
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Cadernos de Linguística @cadlin.bsky.social · 04/08/2026
Associate Editor at Cadernos de Linguística, Sterre Leufkens compares grammars from across the world to ask what makes one language harder to learn than another, and turns that into tools for teachers. cadernos.abralin.org/index.php/ca...
Vertical social media card in soft pastel pink with all text and graphic elements in dark warm grey, opening with a thin horizontal rule above the heading "MEET THE EDITORIAL TEAM" set in widely letter-spaced uppercase sans-serif at the top left, followed below by a small circular black-and-white portrait of a woman with curly hair pulled back, wearing a thin necklace and looking directly at the camera against a dark background, then by the name "STERRE LEUFKENS" in very large clean sans-serif capitals with the surname in italics on a second line, then by a left-aligned paragraph in lighter-weight sans-serif reading "Assistant professor at Utrecht University, in the Netherlands. Her research compares the grammar of languages across the world to ask what makes a language easier or harder to learn, looking closely at grammatical forms that add no meaning or repeat information already given. She also works on second language teaching and writes about language for general readers.", and closing at the bottom left with the Cadernos de Linguística logo, a small fan of five diagonal lines radiating from a single point.
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Cadernos de Linguística @cadlin.bsky.social · 03/08/2026
Asked about a Brazilian regional word, ChatGPT produced a confident answer about medieval Portugal, with bold headings and a summary line. The one model that hedged and asked for context was Sabiá, built in Brazil, trained on Brazilian data. doi.org/10.25189/267... #linguistics #AIbias
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small caps, dark gray: "READ IN CADERNOS DE LINGUÍSTICA", with "CADERNOS DE 
LINGUÍSTICA" in bold, sitting below a thin horizontal rule. Large all-caps 
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LANGUAGE ISN'T IN THE TRAINING DATA, AI WON'T ADMIT IT. IT JUST INVENTS." 
Lower half left empty. Bottom left: CadLin logo mark, a set of stylized 
radiating lines. Minimal editorial layout with generous white space.
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Cadernos de Linguística @cadlin.bsky.social · 02/08/2026
In Cadernos de Linguística, peer reviews are published alongside the article. Anyone can read what Guilherme Adorno (UNICAMP) wrote about this essay on comment moderation. doi.org/10.25189/267... #linguistics #openaccess
A vertical publication card. The outer background is soft pink. At the top, a horizontal rule followed by the header "OPEN REVIEW | CADERNOS DE LINGUÍSTICA" in sans-serif font, with "CADERNOS DE LINGUÍSTICA" in bold. Centered on the card, a rounded white rectangle contains the bold label "PUBLIC REVIEW¹" above the reviewer name "GUILHERME ADORNO (UNICAMP)" in spaced capitals, followed by the text: "Researchers in language and communication will find this valuable, and so will anyone trying to make sense of who controls what gets said online." At the bottom of the white rectangle, a footnote in small text reads: "¹Excerpt from the peer review of the article Réseaux socio-numériques et frontières du lire/écrire dans la modération des commentaires, de SEURRAT, A.; LAITANO, M. I. (2026)." At the bottom left, the Cadernos de Linguística logo appears as a small mark of radiating dark lines.
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Cadernos de Linguística @cadlin.bsky.social · 31/07/2026
If code decides who gets seen and who gets flattened into a stereotype, an essay argues, then the fix isn't a patch. It's rewriting the grammar that produced the bias in the first place. doi.org/10.25189/267... #linguistics #AIethics
Quote card for Cadernos de Linguística. Top line reads: "READ IN CADERNOS DE LINGUÍSTICA." A vertical line in dark gray runs along the left margin beside a block quote in large serif-free type: "To say that the algorithm is a text, in this context, is to say that it can and must be read critically, interpreted as" followed by the phrase "ideological performance" highlighted in a pink block, then "and, above all, rewritten. Since code determines who is seen and who is reduced to a caricature, the critical task is to hack its syntaxes, deprogram its grammars, and reimagine its languages." Below the quote, the citation reads "ARAÚJO, J., 2026." Bottom left corner shows the CadLin logo mark, three diagonal lines of descending height. Background is off-white with muted dark gray typography and a single pink highlight accent.
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Cadernos de Linguística @cadlin.bsky.social · 30/07/2026
Debates about how to teach a national language are not new. An essay revisits sixty years of Brazilian linguistics grappling with that very question. doi.org/10.25189/267... #linguistics #brazil
A vertical social media card in a pale cyan-blue background presents a new-article announcement for Cadernos de Linguística. A thin horizontal rule sits above the small caps label "NEW ARTICLE | CADERNOS DE LINGUÍSTICA" in dark charcoal-brown letters. Below, in large serif-adjacent charcoal-brown type spanning three lines, the article title reads "The Portuguese Language Teaching in the History of Brazilian Linguistics." Underneath, a small circular bullet outlined in the same brown precedes the author's name in spaced capital letters, "LEONARDO GUEIROS," with the affiliation "Universidade Federal da Paraíba" printed just below in a lighter mauve-gray tone. The lower half of the card is left empty, and in the bottom-left corner a small angular sunburst icon made of a few short diagonal strokes appears in dark brown, echoing a minimalist logo mark.
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Cadernos de Linguística @cadlin.bsky.social · 29/07/2026
Neuda Lago researches how English-language literatures are taught to future teachers. Here she reads five works to argue that interpreting a text also means learning to listen. doi.org/10.25189/267... #linguistics #socialJustice
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Cadernos de Linguística @cadlin.bsky.social · 28/07/2026
An essay on reading as ethical listening went through an editorial process its author calls careful and clear. Neuda Lago on publishing with Cadernos de Linguística. doi.org/10.25189/267... #linguistics #socialJustice
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Cadernos de Linguística @cadlin.bsky.social · 27/07/2026
Computer-generated voices are getting hard to tell from human ones. What still gives them away? A study of Venezuelan Spanish measured the melody of statements and questions in both, moment by moment. doi.org/10.25189/267... #linguistics #speechtech
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Cadernos de Linguística @cadlin.bsky.social · 26/07/2026
Brazil keeps a national record of every thesis defended in the country. Researchers searched it for one phrase, "description of Portuguese," and found 176 studies written between 2000 and 2024. doi.org/10.25189/267... #linguistics #Portuguese
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Cadernos de Linguística @cadlin.bsky.social · 25/07/2026
Before the program and after it: this pilot study listened to four teachers' voices at every stage to map how a speech-language workshop series changed the way they sounded. doi.org/10.25189/267... #linguistics #education
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Cadernos de Linguística @cadlin.bsky.social · 24/07/2026
A language collection cannot include everything. Every archivist has to decide what is worth keeping. A theoretical essay argues this decision is never made without political stakes. doi.org/10.25189/267... #linguistics #archives
Announcement card for Cadernos de Linguística split into two horizontal bands, the upper in mint green displaying the large numeral 6 above the caption "ARCHIVES AND MUSEUMS ANALYZED," and the lower in off-white carrying the article title "Museums and Linguistic Collections: Between Memory and Experience" and the citation "CHAPANSKI, G. ET AL., 2026," with the journal's diagonal-lines logo in the bottom left corner.
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Cadernos de Linguística @cadlin.bsky.social · 23/07/2026
Brazil holds the world's third largest prison population. A study on an ANTRA booklet asks what the everyday language of denunciation can do when the law is already on the books but not enforced. doi.org/10.25189/267... #linguistics #socialmovements
Minimalist beige feed card announcing a new Cadernos de Linguística article, showing the English title "Social and Discursive Action of the Booklet 'There Is No Humanized Prison!' by the National Association of Travestis and Transsexuals in Combating Transphobia" above a list of its three authors, Marcos Antonio Rodrigues Nascimento, Priscilla Araújo de Figueiredo Freitas, and Viviane Cristina Vieira, each marked with a small mint-green circle and identified with Universidade de Brasília, beneath a thin dark rule and the label "New Article | Cadernos de Linguística," with a small radiating-lines icon in the bottom corner.
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Cadernos de Linguística @cadlin.bsky.social · 22/07/2026
"A scientific text that can't speak to different audiences loses part of its power to transform." Ramon Almeida, co-author of the "Abrindo o Verbo" podcast study, on publishing in Cadernos de Linguística. doi.org/10.25189/267... #linguistics #openscience
Testimonial card for Cadernos de Linguística journal on a solid mint green background. At the top, a thin dark horizontal rule sits above the header text "WHY PUBLISH IN CADERNOS DE LINGUÍSTICA," with the journal name in bold. Below, a large quotation in dark gray serif-style font reads: "What caught my attention was the journal's concern with making texts accessible, which reinforces that scientific work should be designed for everyone, from a perspective of inclusion, diversity, and the democratization of knowledge." Underneath the quote, in smaller uppercase letters, is the attribution "RAMON DE ALMEIDA MIRANDA." A small starburst icon appears in the bottom left corner. The layout is minimalist, with generous negative space below the text and no additional imagery.
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Cadernos de Linguística @cadlin.bsky.social · 21/07/2026
Both authors have studied political discourse before, always asking what political words leave out. Here, they turn to a mayoral podcast interview in Brazil. doi.org/10.25189/267... #linguistics #politicaldiscourse
Author profile card for Cadernos de Linguística, labeled "Meet the Author." A circular headshot shows a young man with curly dark hair and glasses, smiling outdoors against a green, blurred background. Below the photo, the name "Ramon Miranda" appears in large serif-style lettering, with "Miranda" in italics. A short bio underneath describes him as an undergraduate in Portuguese/English Language and Literature at the State University of Maranhão (UEMA, Brazil), supported by a scientific initiation grant from FAPEMA, researching political discourse and visual language as a member of UEMA's Multiliteracies in Language Teaching research group. The design uses a lilac horizontal rule near the top, cream background, dark gray text, and a small starburst icon in the bottom left corner.Author profile card for Cadernos de Linguística, labeled "Conheça a Autora" ("Meet the Author" in Portuguese). A circular headshot shows a smiling woman with short dark hair against a soft neutral background. Below the photo, the name "Ana Maria Sá Martins" appears in large serif-style lettering, with "Martins" in italics. A short bio underneath describes her as an Associate Professor in the Department of Language and Literature at the State University of Maranhão (UEMA), also teaching in the municipal school system, with research in linguistics, language, and literature emphasizing media and political discourse, and membership in UEMA's MELP and TECER research groups. The design uses a lilac horizontal rule near the top, cream background, dark gray text, and a small starburst icon in the bottom left corner.
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Cadernos de Linguística @cadlin.bsky.social · 20/07/2026
Each step in CadLin's editorial process is built to strengthen the final work. Leandro Silveira de Araujo, on publishing his research on Brazil's 1942 Portuguese manual for foreigners. doi.org/10.25189/267... #linguistics #PFL
A "Why Publish in Cadernos de Linguística" card on a mint green background featuring a pull quote by Leandro Silveira de Araujo describing his experience of an editorial process unlike what linguists typically encounter, handled at every stage with precision, agility, and close attention to detail, with his name in small uppercase below the quote and the Cadernos de Linguística logo in the lower left corner.
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Cadernos de Linguística @cadlin.bsky.social · 19/07/2026
Which Portuguese gets taught — the formal rulebook or the language people actually speak? Leandro Silveira de Araujo researches that question. His latest work looks at Brazil's only Portuguese manual for foreigners in 1942. doi.org/10.25189/267... #linguistics #PFL
A "Meet the Author" card on a warm off-white background featuring a circular profile photograph of Leandro Silveira de Araujo, a smiling man wearing glasses and a plaid shirt, alongside his name in large type with the surname italicized, followed by a short biography describing him as Associate Professor at the Federal University of Uberlândia whose research examines the history of grammar writing and language teaching textbooks across Latin America, with the Cadernos de Linguística logo in the lower left corner.
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Cadernos de Linguística @cadlin.bsky.social · 18/07/2026
Instead of treating stutters as isolated glitches, this project analyzes them as part of the same rhythm that organizes all speech, built on two coupled internal "clocks" for stress and syllables. doi.org/10.25189/267... #linguistics #speechrhythm
A lilac card labeled "New Article, Cadernos de Linguística" displays the title "Building a Corpus to Analyze Stuttering According to a Dynamic Model of Speech Rhythm Production," followed by the names Sandra Merlo (Brazilian Fluency Institute, IBF) and Luciana Lucente (Federal University of Minas Gerais) with their institutional affiliations, alongside the Abralin sunburst logo in the bottom corner.
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Cadernos de Linguística @cadlin.bsky.social · 17/07/2026
A candidate calls his rival a "disguised communist." A study analyzing a mayoral podcast interview found that the phrase does real work: it saves the speaker from arguing against actual proposals. doi.org/10.25189/267... #linguistics #politicalspeech
Flat design illustration of a mint green human figure almost completely covered by a large lilac price tag, with cyan, yellow, and pink circles scattered around it on a cream background, above the caption "The label gets there first. And often the person never comes into view."
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Cadernos de Linguística @cadlin.bsky.social · 16/07/2026
Two widely used browsers both claim to protect your privacy, but they mean something different by it. One builds a stable profile to sell. The other tries to scatter it each session. doi.org/10.25189/267... #linguistics #digitalrights
A pastel lilac Instagram card from Cadernos de Linguística reading "Read in Cadernos de Linguística" at the top, followed by a highlighted headline "Privacy that still names you" and a paragraph explaining that a browser promising the greatest private browsing experience still addresses a "you," creating a contradiction where the word "individualizing" is bolded, ending with the observation that not even privacy escapes the logic of the individual, with the CadLin sunburst logo in the bottom left corner.
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Cadernos de Linguística @cadlin.bsky.social · 13/07/2026
Júlio Araújo (UFC) coined "necroalgorithmization": how AI systems automate exclusion. His essay tests the idea on a concrete case: what happens when you search "ugly hair" on Google Images. doi.org/10.25189/267... #linguistics #algorithmicbias
Author profile card for Cadernos de Linguística. Top line reads: "MEET THE AUTHOR | CADERNOS DE LINGUÍSTICA". Below, a circular headshot of a man with glasses and a short beard, seated in front of a bookshelf. His name appears in large text: "JÚLIO ARAÚJO," with the surname in italics. Below the name, a short bio describes him as a Full Professor at the Federal University of Ceará working in Critical Applied Linguistics, whose research on algorithmic textuality and algorithmic racism led him to coin the concept of necroalgorithmization. Bottom left corner shows the CadLin logo mark, three diagonal lines of descending height. Background is off-white with muted dark gray typography.
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Cadernos de Linguística @cadlin.bsky.social · 12/07/2026
Ronaldo de Oliveira Batista, Associate Editor at Cadernos de Linguística, studies the history of linguistics in Brazil, tracing rivalries between theoretical schools. That view guides his editorial judgment. cadernos.abralin.org/index.php/ca...
A lilac card titled "Meet the Editorial Team" shows a circular portrait of a bearded man wearing glasses beside the bold name Ronaldo de Oliveira Batista, followed by a short biography describing him as a professor in the Graduate Program in Language Studies at Universidade Presbiteriana Mackenzie in São Paulo, Brazil, who specializes in the history of linguistics and studies how the science of language developed in Brazil through the dialogue and disputes between competing theoretical schools across the twentieth century, with a small radiating-lines icon in the bottom corner.
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Cadernos de Linguística @cadlin.bsky.social · 11/07/2026
Algorithms built to catch hate speech sometimes flag the people fighting it. Antiracist, feminist, and LGBT+ groups get over-moderated because machines read reclaimed slurs the same way they read attacks. doi.org/10.25189/267... #linguistics #contentmoderation
A vertical publication card with a light gray background, headed by a horizontal line and the label "READ IN CADERNOS DE LINGUÍSTICA" in bold sans-serif font. Below the header, a flat design illustration shows a pair of hands typing on a mint green keyboard, connected by thin lines to five speech bubble icons in pastel colors — lilac, pink, cyan, mint, and lilac again — two of which bear small X marks indicating removed comments; the bubbles feed into a gray funnel on the right, with small geometric shapes falling from its base, and yellow dot accents are scattered throughout the composition. Below the illustration, the bold title reads "WHO FILTERS WHAT WE READ?" followed by body text: "Four platforms, one comment section, countless silent decisions. An essay argues that page owners, algorithms, and platforms together decide what shows up, in what order, and what quietly disappears, and that these moves are rarely traceable to any single actor." At the bottom left, the Cadernos de Linguística logo appears as a small mark of radiating dark lines.
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Cadernos de Linguística @cadlin.bsky.social · 10/07/2026
As Associate Editor of Cadernos de Linguística, Roberta Pires de Oliveira brings a comparative view of semantics, her research on quantity and definiteness spans Brazilian Portuguese and Rikbaktsa. cadernos.abralin.org/index.php/ca...
A pale yellow card headed "Meet the Editorial Team," with a black-and-white circular portrait of a smiling white-haired woman, her name "Roberta Pires de Oliveira" set in large dark gray type with the surname in italics, followed by a paragraph describing her as a Full Professor at the Federal University of Santa Catarina working in semantics and pragmatics, whose research examines how Brazilian Portuguese and underrepresented Indigenous languages such as Rikbaktsa express quantity and definiteness, including the use of nouns without articles, with a small sunburst icon in the bottom left corner.
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Cadernos de Linguística @cadlin.bsky.social · 09/07/2026
Every time you buy something with a card, walk with your phone, or search for a word, that action gets translated into data. The article by Moraes & Sousa (2026) argues that translation is never neutral — it carries the values of whoever designed the system. doi.org/10.25189/267... #datajustice
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Quote card, vertical format, off-white background. Top left header in small 
caps, dark gray: "READ IN CADERNOS DE LINGUÍSTICA" with "CADERNOS DE 
LINGUÍSTICA" in bold. Below, three keyword tags with rounded borders in pale 
yellow: "GLOBAL SOUTH", "FORMS OF LIFE", and "GENERATIVE AI". Large body 
quote in dark gray serif: "Datafication cannot be reduced to a mere technical 
process of encoding reality: it is, rather, a semiotic device that converts 
social practices into quantifiable data to feed algorithmic ecosystems". 
Attribution below in small caps: "MORAES, L.; DE SOUSA, S. M. 2026". Bottom 
left: CadLin logo mark (stylized radiating lines). Minimal editorial layout 
with generous white space.
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Cadernos de Linguística @cadlin.bsky.social · 08/07/2026
"What is dictatorship?" A researcher asked Grok that same question from four X accounts. The one with browsing history got longer, more specific answers than the blank one, even on the free tier. doi.org/10.25189/267... #linguistics #AIandlanguage
Vertical 4x5 feed card with pale yellow background. Header reads "READ IN CADERNOS DE LINGUÍSTICA" in dark gray, separated by a thin horizontal line above and below. Large centered title: "How much is a subject worth?" Below the title, a body paragraph in dark gray: "You use an AI. It uses you back. Your browsing history already shapes the answer before you type the question. Online, being a subject has become a commodity you hand over without noticing." The word "commodity" is highlighted with a light background. A small decorative radiating lines element sits in the bottom left corner.
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Cadernos de Linguística @cadlin.bsky.social · 07/07/2026
When a TV host says "Brazil was robbed," what does "Brazil" mean? A study asked 194 Brazilian adults to find out, and political leaning changed the answer. doi.org/10.25189/267... #linguistics #cognition
A cream-colored announcement card labeled "New Article" and "Research Report" at the top in dark gray text, above the large title "Brazil, Show Your Face: A Cognitive-Discursive Analysis of Metonymic Interpretations from Different Political Orientations," followed by the names Vinícius da Rosa da Silva Tavares and Maity Siqueira, each marked with a small pale-yellow circular bullet and listed under their shared affiliation, Universidade Federal do Rio Grande do Sul, with a radiating burst icon in the bottom left corner.
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