iiinova — where your digital self keeps evolving

Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 08/10/2026

Sappho, Fragments 24a (P. Oxy. 1231 fr. 13 + 2166(a)7a) and 24b-c (P. Oxy. 1231 fr. 17 + 22 + 25) Tr. Anne Carson (If Not, Winter)

24Α

]ανάγα[
].[ ]εμνάϛεϛθ’ ἀ[
κ]αὶ γὰρ ἄμμες ἐυ υεό[τατι
ταῦτ’ [ἐ]πόημμεν·

πόλλα [μ]ὲν γὰρ καὶ κά[λα
. . . η . [ ]μεν, πολι[
. μμε [.]ο[.]είαις δ[
.]..[.]..[

24Ϲ

]νθα[
ζ]ώομ[ευ
]ω· υ . .[
]εναντ[
]απάππ[
τ]όλμαν[
]αυθρω[
]ονεχ[
]παιςα[

24A

]
]you will remember
]for we in our youth
did these things

yes many and beautiful things
]
]
]

24C

]
]we live
]
the opposite
]
daring
]
]
]

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 10/09/2026

But why would you even use AI for a translation? Yes, it takes a lot of time, but there's so much fun in it too. Like, that's the kind of research that I do for the fan translation I'm working on. I want this to be a labour of love and an homage to all the people who wrote and created before me.

Although not stated explicitly, those verses are a poetic translation of the "Song of Amhairghin". Many English translations exist, each with their distinctive aesthetic choices. I do not know Sean-Ghaeilge nor Nua-Ghaeilge, so it is beyond me to offer a translation of the original text. Instead, it's clear that the Japanese text makes some unexpected extrapolations. Whether those choices stem strictly from a poetic reading of the Gaelic original, are lifted from a Japanese translation I am not aware of, or a reading of an English translation, it matters not too much.

For the sake of this translation, I have selected a preexisting English translation that, I feel, makes choices close to those of the Japanese version. In particular, the swelling 海の上を吹き渡る風なり, the choice of 深淵 highlighting the depth; わたくし and この詩人 that answer the questions (...if not I?) are elements that go beyond a literal translation. They are found in the rendition by Thomas Rolleston in Myths & Legends of the Celtic Race (1911), itself inspired by the French translation of de Jubainville in Le cycle mythologique irlandais et la mythologie celtique (1884). I thus propose a loose translation based on his, while keeping the Japanese in mind and offering some balance.

For the first verse, I like Rolleston's very direct genitive, and I also keep his form for the first line. Because of the general image, I choose to translate 深淵 as the more general "Ocean", because I find "Abyss" or "Depths" a little bit too harsh in this particular construction. I forgo the "ray" for "teardrop", closer to the Japanese text and following John Carey's translation in The Celtic Heroic Age (2003).

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 08/09/2026

Saria is probably the one I think has the best look, with a good balance between her big eyes and the rest. Yes, everything could be a bit more intentional and clean like in Coup de Foudre's Après Papi, but comparing this to genAI is just so disingenuous or politically-dubious.

Saria holding an ocarina in the remake of Ocarina of Time (2026).

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 06/08/2026

I was too far away to reach the same NPC on the JP version, but here some JP text. I get it, there's the usual katakana to transcribe the accent and the チェ here is a phonetic deformation of 知恵. So the localisation might have want to capture that, but... I still think it's going overboard.

Screenshot of London seirei tantei-dan (JP version).

A woman says: 「ワタシたち何があってもくじけないよ 4千年のチェがミカタね!」(We'll never give up, no matter what! We have with us four millenniums of wisdom!)

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 06/08/2026

I've been playing London seirei tantei-dan with the fanpatch. There are things to say, but one example... I don't think there's anything that can justify this, as a writer or translator. For every /Chinese/ NPC. It doesn't even make sense. As best ignorance and annoying to read. At worst, well...

Screenshot of London seirei tantei-dan with the translation patch from Cabal Translations. A Chinese looking character is saying: "Even if you live in a foleign countly, you will nevel folget the dust of youl homeland."

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 01/07/2026

Making some progress on this Schrödinger no neko translation, and people keep mentioning a 真ちゅうの棒. So I translate as "Brass Rod" everywhere, because it sounds nice, and is literal too. The actual Brass Rod: ???????

A screenshot of Schrödinger no neko with a man handing the "Brass Rod" to the protagonist. Except, it's not a rod at all, but a tripod.

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 22/06/2026

It's just that Panorama-tō serves as a reflection of our world through the bizarre lens of Hirosuke Hitomi, going against modernity and rationality (and Westernisation in the original novella). In fact, that's what the game went for (see manual intro), but adapting that to fantasy.

Introduction from the manual of Panorama-tō, in Japanese.

ぱのらま島は、単なる想像の世界に過ぎない！貴方、そう思わますか？　我々は、そうは思いません。何が現実で、何が空虚なのか、誰がはっきりと分類できるのでしょうか。今なんとなく、このマニュアルを読んでいる事が、実は夢だとしたら？日頃、話をしている友人が、実は、自分の意識の投射だとしたら？　我々は、現実と言う虚像にふりまわされている！？とは言えないでしょうか……………。

ぱのらま島の世界は、確かに虚界なのかもしれません。そう、プレイする一人一人の心の内側に、きっと、ぱのらま島の世界が存在しているに違いない。我々は、そう確信しているのです。

-日本ファルコム-

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 11/06/2026

Memories of Xenogears Summer 2024, when I set up the most shin honkaku* storyline to bewilder @bertknot.bsky.social. (*The late Queen problem asserts that so long as the audience can never prove that the author is not willing to lie to them, they cannot build any foundation for puzzle-solving.)

Ricardo Banderas, the return of the king.

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 29/05/2026

"Sauf que je n'arrive ***plus*** à rire avec toi, Tazune." Sous-entendant qu'il y a une époque où elle le pouvait encore ? Honnêtement, à ce point, le flou est sans doute volontaire.

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 29/05/2026

En ce qui concerne la bulle d'Entre nos mains, je ne vois pas pourquoi la traduction anglaise va dans cette direction quand on a la scène précédente. Midori est la personne qui parle et le changement de sujet serait un peu étrange. J'aurais instinctivement traduit « Et dire que je l'ai aimé... ».

電車に乗って少し経ってからみどりちゃんはちゃんと好きだったのになとため息のような声で言った

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 23/04/2026

I did that for the previous patch of Honkai: Star Rail, so I might share this round of references for the Trailblaze Quest names in 4.2:

1) Philosophy of the Tourist
　↳ Azuma, Philosophy of the Tourist (sites of tourism as a confluence of influence, agency of the tourist, deconstructing the figure of the Other)
2) In the Shadow of the Millennium
　↳ Baudrillard, A l'ombre du millénaire ou le suspens de l'an 2000 (virtuality, simulacrum, against the consumerist society)
3) A Superhero Caught in a Moral Dilemma
　↳ ???
4) If We Spoke in Laughter
　↳ Especially from the Chinese (如果我们的语言是笑声), Murakami, 『もし僕らのことばがウィスキーであったなら』 (If We Spoke in Whiskey)
4-a) Howls, White Noise, or What You Feel
　↳ Ginsberg, Howl
　↳ DeLillo, White Noise (consumerism, conspiracies, disintegration of the US)
5) A Resounding Gong or a Clashing Cymbal
　↳ Quote from 1 Corinthians 13:1 ("If I speak in human and angelic tongues but do not have love, I am a resounding gong or a clashing cymbal.") (famous description of love by Paul)
5-a) Mass Deaths and Detective Fiction
　↳ Just a nod to serial murders in detective fiction, I guess.
5-b) Postmodern Imagenesis
　↳ Postmodern philosophy, maybe Lyotard, La condition postmoderne (language shift, criticism of teleological positivism), but it's such a non-stylised title.
6) Metaphors We Live By
　↳ Lakoff, Johnson, Metaphors We Live By (conceptual metaphor, language as structuring reality, cultural relativity)
6-a) Serotonin Exposure Phobia
　↳ A nod to exposure therapy, I guess (but it's just 'Serotonin Phobia' in Chinese)
7) The Generative Grammar of Liquid Modernity
　↳ generative grammar (grammatical rules as an expression of the organisation of a cognitive system)
　↳ Bauman, Liquid Modernity (fluid society, absence of final state, rise of social anomy)
7-a) Happiness, or a Fatal Ailment
　↳ From the Chinese title, Kierkegaard, Sygdommen til Døden (existentialism, religious faith, despair as a sin)
8) Arcadia Revisited
　↳ Waugh, Brideshead Revisited (the first part is titled "Et In Arcadia Ego", from the eponymous painting by Poussin) (pastoral, nostalgia for a Golden Age, moment of grace)

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 03/04/2026

Hibiya-kōen is hardly the biggest park in Tokyo, but that's still 16 hectares...

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 03/04/2026

Checking again Eiko Maruko Siniawer's book on waste management in Japan (Waste: Consuming Postwar Japan, 2018), and this little passage will never cease to amuse me...

Eiko Maruko Siniawer, Waste: Consuming Postwar Japan, 2018

Ide Toshihiko was one such unusual voice, who served four terms as an assemblyman and five years as the mayor of Numazu city, in Shizuoka prefecture, and was a widely recognized innovator in garbage separation. Interviewed in the late 1980s about his thoughts on garbage disposal, Ide was quite active then in citizens’ movements as the director of a consumer cooperative (Seikatsu Kurabu Seikyō) and a representative of the Citizens’ Association for Thinking about Garbage (Haikibutsu o Kangaeru Shimin no Kai). Ide did not shy away from bold and implausible ideas, like turning a central park in large cities, such as Hibiya Park in Tokyo, into a dump so as to force people to experience firsthand the pain of garbage management. He also made no bones about the economic costs of reducing garbage. So entwined were sys-
tems of production and garbage disposal, and so great the dependency on mass production and mass consumption, that sincere efforts to reduce garbage would require slimming down production and lifestyles. If things were valued and kept for a long time, if disposability tapered, and if garbage were thus reduced, there would be, in Ide’s blunt estimation, a sharp drop in GDP.51 Such a view, expressed so unapologetically, was an aberration in this decade. Much more typical was the assumption that affluence and daily lives were not to be jeopardized, which encouraged the tendency to define the challenges posed by garbage in terms of sanitation management.

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 23/03/2026

As I'm playing Lufia 1 with a friend, I wonder how I went through this without the Restored hack when I was younger... But despite the commonness of the story, I really like the soft banter between the characters! It feels alive and gentle, and way too often absent from RPGs!

Title drop for Lufia & The Fortress of Doom over a black background.

Lufia and the Hero (Euna, because everyone can be made a woman through the power of imagination) standing on the overworld. Lufia says: "Promise me Euna, that you'll never leave me," as the latter treks towards the north.

Next to the shopping center of Lorbenia, Lufia had let a thief child go and she explains to Euna that she did so because she knows the kid had some reason to steal.

Euna, Aguro and Lufia engaged in a fight against a couple of Evil Rabbits. Aguro is slashing at the right-most one.

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 12/03/2026

On mobile and with breaks to let the persistence of vision fade away (0.0020 without breaks). I think I can see the difference clearly until 0.0020. Past that, it's a lot of trusting my instincts, because the difference fades almost immediately for my cones. www.keithcirkel.co.uk/whats-my-jnd/

Your △EOK JND

0.00080

Either you have superhuman cone cells or you got very lucky. I'm going with lucky. This is absurdly below the theoretical JND. Your monitor is doing something weird. Or both.

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 23/02/2026

The first Paranormasight changes my life, so I had extremely high hopes for this one... And I just delivered so much, I love it so much! I'll be writing something a bit in-depth tomorrow, but suffice to say that it's such a modern game, not unlike Emio in 2024.

Circe and Avi on the left are talking with Sodo and Yumeko in front of a torii arch during a hot summer day. Yumeko says: 'I'm afraid not. It's impossible for a flesh-and-blood human to cross over to the eternal world.'

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 21/02/2026

Paranormasight: The Mermaid's Curse (2026)

The Golden Manor in Detective Conan, sitting in the forest.

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 05/02/2026

I love the idea of taking pearl fishing in the Ise Bay as the catalylist here, with the slow disappearance of ama (literally women of the sea) and tying that to all the ningyo legends and probably the religion surrounding the Ise Shrine. I just can't wait for it!

Screenshot of Paranormasight: The Mermaid's Curse. A decomposed cadaver is floating at the surface of the water.

井出「見ての通り頭部は完全に人間のそれです。やから遺体と判断したんですけど……。」

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 05/02/2026

I can't remotely explain how happy it makes me. The original game made me shift my main research topics, and it believes it is within the most interesting representative of the new blend of shakai-ha detective fiction. We knew they worked on the follow-up, but I wasn't expecting a shadowdrop...

Screenshot of Paranormasight. The frame is centered on the Sumida River, visible past the railguard of a bridge. Richter and Harue stand on both sides of frame, looking at it.

Harue: "Back then, the Sumida River was much filthier than it is now."

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 30/01/2026

The more I think, the more I believe this is one of my favourite scientific books. Such an interesting approach with topics that are so dear to me.

Cover of Foodscapes of Contemporary Japanese Women Writers: An Ecocritical Journey around the Hearth of Modernity by Yuki Masami and translated by Michael Berman. Rows of persimmons are hanging and left to dry.

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 08/01/2026

Je ne sais pas trop quoi faire de ça, puisque c'était surtout un exercice personnel sur mon temps libre, mais il y a une satisfaction si grande à avoir terminé la traduction de『燃える』de Keigo Higashino. Il faut encore que j'homogénéise le tout, mais je suis contente du résultat !

Dernière page de la traduction de 『燃える』de Keigo Higashino.

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 30/09/2025

Looking at Silent Hill f post-release, I was so correct with this comparison. Don't think that women's literature in the 1960s was all sweet. It was chaotic, violence, full of passion, of cruelty. It's about reclaiming one's self, whatever it takes. I mean, read that:

From Takako Takahashi, Sōjikei, 1971 (tr. Noriko Mizuta Lippit).

“I have been waiting for you.” The old woman appeared, something that looked like a smile floating out from among the wrinkles. She carried a blackened, middle-sized box. Instead of coming close to me and sitting in the open corridor, she sat at the edge of the room on the tatami mats. Untying the purple string with tassels, she took an old copper mirror out of the box.
‘‘Look into this.” She extended it to me.
‘‘What is this?” I took the heavy, cold mirror in my hand.
‘‘It’s my eyes. Reflect your face in my eyes.” Hesitating, I looked at the old woman. Her gray hair hung down, dry like straw. Retaining no moisture, her skin was like leather.
‘‘You don’t know. Look into this mirror,” the old woman insisted stickily.
I looked into the mirror. My face was reflected in vague outline on the dull surface. While I stared at it the face began gradually to change. Or I should say that from behind the blue-brown surface of the mirror a strange, unfamiliar face emerged vaguely, and it overlapped my face.
The face which revealed itself contained anger.
‘‘It is the face of mother.” At these words of the old woman, the image on the mirror’s surface disappeared.
‘‘It was not my mother’s,” I said. Then the copper mirror in my hand disappeared too, and looking up I saw that the old woman’s eyes were gazing at me with the same color as the mirror’s surface.
“It is the face of mother itself in general.” The old woman laughed

with a husky voice. Holding her right hand straight as if it were a blade, she hit her left wrist with it. The artery was cut and the blood began spurting out. The spray of blood made a veil between the old woman and me, and she began to fade away, only her despising laughter resounding; the blood crept stickily over the tatami mats, the flow seeming to displace the darkness, and the voice of the old woman could be heard from far away saying it was the blood of women, and the sky was filled with a red-black sticky secretion, and the old woman stretched out her hands and scooped it up saying it was the blood of women, look there is a limitless amount, scooped and scooped and it was still there; it is transmitted to the woman who comes out of your stomach, then to another woman who comes out of that woman, and what is transmitted is woman’s karma, here try to scoop it, where can you find maternal love? It is nothing but an illusion manufactured by men. Look, look, there, there is only blood, why is there such a thing?

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 12/09/2025

One of the main characters in the new Fire Emblem... We stan ladies in their revenge arc...

Leda savagely attacking a man with her sword, anger on her face.

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 12/09/2025

This account is now a Leda stan account.

Leda from Fire Emblem: Fortune's Weave, in her dancer garb.

Leda with her guitar, her ponytail flowing in the wind.

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 10/09/2025

À titre purement personnel, j'accroche plutôt au ton lancinant et ouvertement politique de Say Hello to Blackjack, même si le troisième arc parle de psychiatrie plutôt que de psychologie. Saito y apprend justement que la sincérité, si elle est importante, ne suffit parfois pas.

Send my Regards to Blackjack, chapitre 123 (pp. 11-12). Les mères des deux patients de l'arc de la psychatrie discutent de leur enfant et de la manière dont elles envisagent un meilleur futur pour eux. L'une d'entre elles se remémorent les mots du docteur Saito.

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 10/09/2025

C'est une position intéressante et ceux qui ont lu Les Enfants d'Hypocrate de Higashimoto se retrouveront globalement en terrain connu, même si l'on reste sur sa faim, que ce soit vis-à-vis de Kokubun, Jingūji ou du commercial (la tension est un peu trop artificielle avec le transfert).

Couverture française pour Les Enfants d'Hypocrate de Toshiya Higashimoto, aux éditions Mangetsu.

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 10/09/2025

Et pourtant, difficile de reprocher cela dans un Japon où il est difficile de s'extraire du moule et de parler de ses maladies ou de ses problèmes personnels. Il y a cette quête perpétuelle du bonheur, à travers une bouffée d'air frais et un optimisme engourdissant.

HELP. Kokubun joue avec son ancien patient, sous le regard adouci de sa mère, soulignant que sa méthode non-orthodoxe a fonctionné pour permettre à la mère et à son fils d'aller de l'avant. Jingūji observe la scène depuis la voiture de son supérieur, frappée par le fait que sa méthode n'est pas celle qui a fonctionné et par le bonheur des trois.

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 10/09/2025

HELP n'échappe pas à la formule, jusqu'au trope classique de Ueno avec l'alcool qui libère la parole et pousse les personnages à dire le fond de leur pensée pour ensuite passer à autre chose. Et en l'état, pourquoi pas ?

HELP. Jingūji à moitié-ivre attaque Kokubun pour ne pas avoir réussi à régler ses propres problèmes, ce qui a provoqué un transfert sur l'un de ses patients, qu'elle souhaite abandonner.

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 10/09/2025

Ai Ueno est une touche-à-tout, bien qu'elle s'illustre par des histoires introspectives qui se terminent toujours de manière ouverte et avec une perspective optimiste, fort de personnages qui parviennent à identifier leurs failles pour grandir et trouver davantage de stabilité.

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 10/09/2025

Courte note sur HELP de Ai Ueno, récemment sorti chez @editionsakata.bsky.social. C'est un court one-shot qui suit une psychologue débutante à travers deux patients qu'elle guide petit à petit. ⤵️⤵️

Couverture française pour HELP de Ai Ueno, sorti aux éditions Akata.

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 29/08/2025

Also, in some ways, it feels very Takako Takahashi-esque.

Cover for the Japanese edition of Takako Takahashi's 怒りの子.

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 21/08/2025

There's actually nothing better than doing research, but it's actually just watching Reimu and Marisa explaining how they chose their baits to fish for bonito and then marlin.

A screen capture of the Tsurikichi Sanpei game on the Famicom. Sanpei is sea fishing on a boat, reeling hard into his line. In the lower right and left corners, there is Reimu and Marisa from Touhou, commenting the action.

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 17/08/2025

One complaint that regularly surface about the ZZZ 2.x cycle is that Fairy and the early narrative mechanics have taken a backseat because of the protagonist's newfound powers (and the removal of TV mode), but it's interesting to see that this overcorrection is getting addressed here.

A scene with Belle and three Bangboo talking. One of them is standing on a flag, watching the others from above.

'Recently, Master has been able to do more and more things independently. I believe I must work hard to prove that Fairy is a trustworthy AI and Master's best assistant.'

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 13/08/2025

I was thinking of translating to take my mind off of things, and I just stumbled upon a cursed commentary on kanji pseudo-pleonasm (故障 vs. 故障中) I have absolute no idea how to translate. 🥺

事件が起きた時にも置かれていた飲み物の自動販売機は、下の部分が真っ黒に焦げたまま放置されていた。ディスプレイのところに、『故障中』と書かれた紙が張ってある。
「故障中、という言葉はあるのかな」張り紙を見て湯川は呟いた。「故障、だけで意味は通るはずだが」

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 07/08/2025

My knowledge of the Genji monogatari is so rusty. I know that there's a whole section with cormorant fishing in Fuji no uraba (Chapter 33), but I just don't know if there's more in there. Like, there's this ukiyo-e by Kunichika, but it seems an extrapolation, as far as I can remember.

Kunichika, Lord Genji's Cormorant Fishing Excursion, 1864.

Wonderful scene of companions of Prince Genji cormorant fishing in a large garden pond. The beauties wade through the shallow water holding leashes attached to the diving birds, baskets bobbing next to them to hold the catch. At right, a young woman excitedly offers up a basket of small fish, smiling happily to her companion. Cherry trees bloom along the opposite shore and a narrow waterfall rushes over a small island with a teahouse. A charming design and an unusual subject, nicely detailed with embossing on the white kimono collars and trim.

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 03/08/2025

I caught up with the ASMR stream in La+ channel, and it might be in the most chaotic thing I have ever watched in my life.

歴史的にも文化的にも大変貴重な異文化交流配信有難うございます
この貴重な記録が後世にも残り伝わることを心から願っています
ﾌﾞﾋﾌﾞﾋ!

Thank you very much for broadcasting such a culturally and historically important piece of cross-cultural exchange.
I really hope that this precious record will be preserved and passed down generations after generations.
Oink, oink!

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 31/07/2025

Oui, alors on ne m'avait jamais dit que The House in Fata Morgana était *littéralement* Le Clan des Poe.

Screenshot de The House in Fata Morgana. Mell se tient à l'intérieur d'une église, illuminée par la lumière qui traverse les vitraux colorés.

The House in Fata Morgana. Mell et Nellie dans le jardin de roses de leur manoir.

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 29/06/2025

Mais c'est pour ça que ce genre de livres font des centaines et des centaines de pages, et que personne n'arrive à circonscrire tous les usages possibles.

Couverture pour Susumu Kuno, The Structure of the Japanese Language.

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 14/06/2025

Ahh, j'aime tant ce que dessine Yumi Sudō. Certaines de ses histoires sont tout simplement mon idéal.

Yumi Sudō, Miyakobijinyawa. Mameko reprend son souffle après avoir gravi une montagne.

Yumi Sudō, Miyakobijinyawa. Mameko regarde les lumières nocturnes de la ville depuis le sommet de la montagne.

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 05/06/2025

Even without the context of the Twitter discourse or whatever, I fully agree with this article. I'll get into it at some point, but it's important to remember how 癒し was always a site for exploitation, and it has been thoroughly bowdlerised and sugarcoated when the West discovered that concept.

Cover of ことばとマーケティング―「癒し」ブームの消費社会史 by 松井剛.

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 30/05/2025

Akata vient de sortir le premier tome de Satoko & Nada, la série de Yupechika à propos de deux étudiantes, saoudienne et japonaise, aux États-Unis, qui découvrent leur culture respective. C'est doux et innocent, dans la pure tradition du yonkoma.

Satoko & Nada. Couverture française du volume 1.

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Cadensia 婉玉🪻🎀 @cadensia.eurosky.social · 21/05/2025

Et puis, il ne me faut pas grand-chose. Montrez-moi le petit pont de Tsukuda et je suis contente.

Negative Positive Angler, épisode 10. Vue de Tsukuda kobashi en fin d'après-midi avec une famille le traversant.

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