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Brett Rushforth

@brettrushforth.bsky.social
4.4K followers 1.4K following 342 posts

Early modern historian of the Atlantic world, Indigenous Americas, Western Africa, France. Editor, Huntington Library Quarterly. brettrushforth.com

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Reposted by Brett Rushforth
Sara McDougall @sarannmcd.bsky.social · 25/09/2026
Jehanne spotted in the wild huge thanks to @brettrushforth.bsky.social and to @princetonupress.bsky.social for helping to get her there
Picture of bookstore shelf with loads more French history books than normally found in us bookstores
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Brett Rushforth @brettrushforth.bsky.social · 22/09/2026
Excited to be back! Let's be in touch!
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Brett Rushforth @brettrushforth.bsky.social · 22/09/2026
Thanks, Laurent!
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Brett Rushforth @brettrushforth.bsky.social · 21/09/2026
Thank you, and any time!
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Brett Rushforth @brettrushforth.bsky.social · 21/09/2026
Some news.
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Chloe Ireton @chloeireton.bsky.social · 19/09/2026
This is such amazing news! Thank you @srsrensoc.bsky.social and many thanks to the judges for their hard work on this prize, and thank you for writing such a generous citation about the book. Many congratulations to fellow shortlisted authors. What a stellar line up! @ceceliacancellaro.bsky.social
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Joel Herman @joelherman.bsky.social · 16/09/2026
The new issue of Eighteenth-Century Ireland/Iris an dá chultúr is out now and open access (not sure if this is temporary or not). Use the link below to view the special anniversary issue. www.liverpooluniversitypress.co.uk/toc/10.3828/...
liverpooluniversitypress.co.uk
Contents | Eighteenth-Century Ireland 41,
This article surveys writings on the history of eighteenth-century Ireland over the first forty years of the journal Eighteenth-Century Ireland/Iris an dá Chultúr. Commissioned to mark the journal’s fortieth anniversary, it adopts a cautiously ...
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Brett Rushforth @brettrushforth.bsky.social · 16/09/2026
Thanks, Holly! Let us know how it goes!
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Brett Rushforth @brettrushforth.bsky.social · 15/09/2026
Thanks!
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Brett Rushforth @brettrushforth.bsky.social · 15/09/2026
Official pub day in the UK. Get our US remainders while you can! global.oup.com/academic/pro... #EarlyModern #skystorians #France
Image of a book cover for Beyond the Ocean, announcing Sept. 15 as the 
official publication date in the UK.
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Hannah Rosefield @hannahrosefield.bsky.social · 08/09/2026
"Before I banned all devices from my lectures, I would walk around the classroom as I spoke, watching my students engage in blatant day trading of cryptocurrency, sports gambling and placing Polymarket bets on everything under the sun." www.thedial.world/articles/new...
thedial.world
Jonathan Swift v. AI — The Dial
Three hundred years ago, the satirist warned of a world in which reading and writing are replaced by the flashy simulation of human knowledge. Can he help us fix it?
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Brett Rushforth @brettrushforth.bsky.social · 08/09/2026
muse.jhu.edu/article/974732
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Katherine Ibbett @eparpillee.bsky.social · 04/09/2026
When you’re so excited about a book that you preorder it twice (actually three times but managed to cancel one) - welcome to these shores @brettrushforth.bsky.social!
Two copies of Christopher Hodson and Brett Rushworth’s Beyond the Ocean, ready to change everything I know about France and the Atlantic world
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Brett Rushforth @brettrushforth.bsky.social · 04/09/2026
Beyond the Pond! Thank you!! 🥹🥹
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Brett Rushforth @brettrushforth.bsky.social · 02/09/2026
Congratulations to all the finalists for this well-deserved recognition, with a special shout out to @csschmitt.bsky.social for writing a truly transformational book. macmillan.yale.edu/glc/stories/...
macmillan.yale.edu
Yale Announces 2026 Frederick Douglass Book Prize Finalists
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Drafting the Past @draftingthepast.bsky.social · 01/09/2026
New! Kate talked to @laurenworking.bsky.social abt her vibrant book A GOLDEN WORLD and the pleasures and frustrations of writing history through objects. Lauren shared advice about evoking the sensory experience of objects (even those long gone) on the page. www.draftingthepast.com/lauren-worki... 🗃️
draftingthepast.com
Lauren Working Communes with the Objects
In episode 111 of the Drafting the Past podcast, Kate Carpenter interviews Dr. Lauren Working about how she used objects to tell a new history of England and the Americas in the sixteenth and seventee...
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Brett Rushforth @brettrushforth.bsky.social · 26/08/2026
Shout-out to Steve Hackel and the many others who have built this over 2 decades. An important resource for scholarship and community research (and community-based scholarship). news.ucr.edu/articles/202...
news.ucr.edu
UCR historian awarded NEH grant to expand Early California Population Project
UC Riverside history professor Steven Hackel has been awarded a $350,000 grant from the National Endowment for the Humanities (NEH) to expand the Early California Population Project (ECPP).
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Thomas Lecaque @tlecaque.bsky.social · 25/08/2026
I started my PhD program with an eight week old at home, sole income being my doctoral stipend, in a history program, in Knoxville, TN. And every month we got a new book to read to my son, free, mailed to us, so my kid, my kids, grew up in rooms full of books even when I had no money. That's Dolly.
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Lauren Working @laurenworking.bsky.social · 21/08/2026
I'll be giving a tour of some of the art & spaces at Queen's House, Greenwich, for the @forarthistory.org.uk Art History Festival in October. It's a free event, please spread the word and come along if you can! festival.forarthistory.org.uk/event/pearls... #earlymodern #AGoldenWorld
festival.forarthistory.org.uk
Pearls, Sugar, & Tobacco Flowers: English Queens in an Atlantic World - Art History Festival - Association for Art History
In Tudor and Stuart England, cactuses and Chesapeake plants grew in London gardens, and much of the silver gleaming in banquets had once travelled on the backs of mules across Panama. Join Lauren Work...
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Brett Rushforth @brettrushforth.bsky.social · 19/08/2026
Will you be able to come? It would be great to see you.
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Brett Rushforth @brettrushforth.bsky.social · 18/08/2026
Looking forward to this: The Great Peace of Montreal / La grande paix de Montréal, a 3-day international symposium. pacmusee.qc.ca/workspace/up...
Image of a treaty document from the Great Peace of Montreal of 1701, featuring clan totems of Native nations.
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Brett Rushforth @brettrushforth.bsky.social · 13/08/2026
Thank you, Lauren!
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Lauren Working @laurenworking.bsky.social · 13/08/2026
Have really enjoyed hearing about @brettrushforth.bsky.social & Chris Hodson’s new history of the French Atlantic, here & elsewhere — stunning archival & geographic breadth, and lots too about the impact of encounter on 16th/17th century France (such as the Black boatmen at Louis XIV’s Versailles).
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Annalisa Nicholson @apuddleofmuddle.bsky.social · 10/08/2026
People always ask me whether Aphra Behn and Hortense Mancini were friends. So I spent 4 years piecing together every bit of evidence that links them and wrote it all up in an article for HLQ. Here it is! 💫
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Brett Rushforth @brettrushforth.bsky.social · 05/08/2026
Yes, Basques--in French and Spanish regions--were a dominant force in whaling and some areas of West African trade in c16 and earlier decades of c17. Chapters 2, 3, and 5 discuss Basque fishers, whalers, corsairs, and merchant suppliers in Bordeaux and La Rochelle.
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Virginia Reinburg @vreinburg.bsky.social · 05/08/2026
Super interesting discussion with @brettrushforth.bsky.social and Chris Hodson about their new book about the French Atlantic: archives, collaboration, writing, organizing your research, questioning big narratives, history from below, and more #earlymodern
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Brett Rushforth @brettrushforth.bsky.social · 04/08/2026
muse.jhu.edu/article/996868
Joanne E. Myers, "Community, Devotion, and Collective Authorship in Seventeenth-Century Convents: Two Poems from the Poor Clares Archive"

This article presents two poems from the early modern archive of the English Poor Clares, one unpublished since the seventeenth century, the other found until now only in manuscript. Although devotional poetry might seem a privileged genre for understanding individual nuns’ spiritual experience, I argue instead that, when we consider the poems’ multiple appearances in the nuns’ prayer books, they are better understood as a communal devotional resource for shaping a collective identity. Tracing scribes’ recycling of these texts across the archive provides insight into how cloistered women sustained their vocation and how the convent’s textual culture supported modes of subjectivity and authorship that differ from those emergent in modernity.
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Brett Rushforth @brettrushforth.bsky.social · 04/08/2026
muse.jhu.edu/article/996867
Theresa Brock, "Marvelous Creatures or Monstrous Beasts?"
Abstract: This study examines André Thevet's Cosmographie universelle(Universal Cosmography, 1575) and Jean de Léry's Histoire d'un voyage fait en la terre du Bresil (History of a Voyage to the Land of Brazil, 1578) to meet two objectives. First, the study shows how confession-specific concepts and practices, including around the Eucharist, influence how each writer views animals. Second, the analysis brings French texts more squarely into the scholarly conversation on confessional attitudes toward animals of the Americas, which has foregrounded Iberian, Dutch, and Danish sources. The study contends that genre and discourses of the monstrous and marvelous support these confessional readings and that intersecting ideological influences either promote or oppose colonization.
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Brett Rushforth @brettrushforth.bsky.social · 04/08/2026
muse.jhu.edu/article/996939
Jack Avery, "Courting the Captain: Poetry in the Journals of Seventeenth-Century English Mariners"

ABSTRACT: This article examines original and quoted poetry in journals written by four English mariners to argue that they provide exceptional insight into shipboard reading and writing practices during the late seventeenth century. Maritime poetry was marked by a continual process of reinvention, both in its initial composition and circulation, and in its subsequent inscription within broader journal narratives. These manuscripts must therefore be approached carefully by criticism, for while they record the motivations and techniques of verse writing on board ship, including its enmeshment within the complex patronage systems of the vessel, mariners only compiled their materials together later to achieve fresh objectives. Their poetry was marked by a rich and imaginative variety and reinvented the familiar conventions of landed literature to better fit conditions at sea. Prior scholarship has focused on how mariners emphasized their own labor, but this article maintains that their adaptation of popular literary forms often downplayed that element to prioritize alternative paradigms, including providential and heroic narratives. Maritime writers did not mask these transformations but expected their readers to recognize and value them for their ability to simultaneously convey the rhetoric and reality of life at sea.
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Brett Rushforth @brettrushforth.bsky.social · 04/08/2026
muse.jhu.edu/article/996866
Amrita Dhar, "The Case of Eyes: Two Blindnesses on the Shakespearean Stage"
ABSTRACT: This essay studies two blindnesses on the Shakespearean stage: the feigned blindness in 2 Henry VI and the violently inflicted blindness in King Lear. Through a reading of these blindness episodes using insights from premodern critical disability studies, this essay demonstrates that blindness on the Shakespearean stage functions to denote the limits of vision, intellection, and even justice. The appearance of blindness on the Shakespearean stage works to interrogate the very nature of theatricality. The staging of blindness equally provides readers, viewers, and audiences ways of rethinking the equation between vision and intellection that was prevalent in Shakespeare’s day and persists into our own.
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Brett Rushforth @brettrushforth.bsky.social · 04/08/2026
muse.jhu.edu/article/996865
Annalisa Nicholson, "Interrogating Women’s Libertinism through the Transnational Worlds of Aphra Behn and Hortense Mancini"
ABSTRACT: In 1689, Aphra Behn dedicated her novella The History of the Nun to the exile and salonnière Hortense Mancini (Duchess of Mazarin). That dedication has attracted the curiosity of scholars, who have pointed to its queer resonances as well as to the novella’s ironic echoes with the paratextual subject, sparking speculation over the relationship between author and dedicatee. Taking this dedication as a starting point, this article revisits the connections between Behn and Mancini, two women associated with deviance, to shed new light on the vexed subject of women’s libertinism in Restoration London. While the misogynist inflections of the libertine movement have led scholars to treat women’s libertinism with suspicion, the double case study of Behn and Mancini reveals how transgressive women in the seventeenth century approached the movement themselves. Lingering on Behn’s novella and her connection to the misogynist verses in “Astrea’s Book for Songs and Satyrs,” the article reads Behn’s dedication alongside one satire to probe how Behn carved out a place for women within libertinism.
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Brett Rushforth @brettrushforth.bsky.social · 04/08/2026
muse.jhu.edu/article/996864
Eleanor Stephenson, "Layered Erasures: Vere Lynch and the First Painting of English Jamaica"
ABSTRACT: In 1672, Lady Vere Lynch (née Herbert) produced paintings of plantation crops in Jamaica. Lynch’s A Cocoa Tree in the Royal Collection is the first known painting from the English colony of Jamaica and possibly the first by any British woman in the Americas. Drawing on new research conducted in Britain and Jamaica, this essay traces Vere Lynch’s artistic development and connections to the Royal Society, thereby broadening understanding of women at the Stuart court in the art and science of the period. It also examines the layered erasures hidden in the painting and archival trail, from Lynch’s authorship to the obscuring of the enslaved African laborers who planted and tended to Jamaica’s cacao. Vere Lynch’s biography and new attribution illustrate methods for uncovering women artists in colonial archives and disrupts perceptions of seventeenth-century British women artists.
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Brett Rushforth @brettrushforth.bsky.social · 04/08/2026
The latest HLQ is here, with articles in art history, literature, disability studies, and the blue humanities. There are pastors, captives, painters, healers, actors, sailors, poets, liars, polar bears, and parrots. It's big-tent #earlymodern studies, and it's #nuntastic. muse.jhu.edu/issue/57325
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Brett Rushforth @brettrushforth.bsky.social · 04/08/2026
This was a lot of fun. Thanks, Kate, for having us on!
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John Carter Brown Library @jcblibrary.bsky.social · 03/08/2026
Call For Proposals: Conference on Families in Early American and Atlantic Worlds April 15-17, 2027 Hosted by the John Carter Brown Library (Co-chairs Julie Hardwick and Karin Wulf) Details at: forms.gle/QWcB23XGbwu6...
Conference poster for the Conference on Families in Early American and Atlantic Worlds featuring an image of birds and an image of a nest in a tree as well as the JCB logo and text.
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Elizabeth (Liz) Lehfeldt (she/her/hers) @lizlehfeldt.bsky.social · 30/07/2026
Giving this cfp a boost: please consider submitting something. Our Forum feature is a great home for shorter pieces. #earlymodern
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Brett Rushforth @brettrushforth.bsky.social · 29/07/2026
Kudos to Elspeth Currie (Boston College) for hosting a great conversation about Beyond the Ocean on New Books Network. She read the whole book and really understood what we were trying to do with it. #EarlyModern #FrenchAtlantic #Skystorians newbooksnetwork.com/beyond-the-o...
Square tile with a watermark image of ships on the sea, superimposed by text reading "In Beyond the Ocean: France and the Atlantic World from the Crusades to the Age of Revolutions (Oxford University Press, 2026), Christopher Hodson and Brett Rushforth reveal the vast and complex world of France's Atlantic enterprises in the premodern era. Drawing upon years of archival work, Hodson and Rushforth demonstrate how France's overseas activities created its empire, intentionally or not, and how these distant places built the French state and used it for their own ends. Beyond the Ocean covers an impressive sweep of history, from the late eleventh century through the early nineteenth, and yet the authors manage to retain a human element. Their judicious inclusion of microhistories and primary-source quotations, as well as their lively prose, helps the reader enter into what it might have felt like to live through these developments, to participate in the era when “France became France, and the Atlantic became a world.” Crucially, their attention to the non-European actors in this story and women’s worlds and work makes the book a helpful corrective to top-down approaches to imperial histories. Beyond the Ocean is a must-read for Atlantic world scholars, but also has value for anyone interested in early modern Europe or cultural exchange.
~Elspeth Currie, New Books Network"
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Scottie Buehler @midwifehistory.bsky.social · 24/07/2026
Look what arrived! I just dived in, but 🔥!! "Attempting to understand the history of the French Empire primarily from an institutional perspective distorts how empires actually functioned in the early modern world." 👏 Very readable, so ambitious, and brilliant! @brettrushforth.bsky.social
Cover of Beyond the Ocean by Christopher Hodson and Brett Rushforth
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Brett Rushforth @brettrushforth.bsky.social · 24/07/2026
Thank you, Scottie! We appreciate you!
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Brett Rushforth @brettrushforth.bsky.social · 15/07/2026
Join me and Chris for a zoom talk about Beyond the Ocean: Thursday at 6:45pm eastern. We each picked one thing and one person from the book to illustrate some of its main themes. #earlymodern #atlanticworld #skystorians smithsonianassociates.org/ticketing/pr...
smithsonianassociates.org
The Atlantic Empire: A History of French Colonialism
Between 1400 and 1800, the people of Europe, Africa, and the Americas grew more connected by overseas trade and colonization. According to historians Christopher Hodson and Brett Rushforth, accounts o...
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Brett Rushforth @brettrushforth.bsky.social · 15/07/2026
They do record them but then they're only available for 72 hours afterward. This is for Smithsonian Associates, which charges a small fee ($20 I think), but the $ goes to the Smithsonian rather than to us so it feels like a good cause.
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Brett Rushforth @brettrushforth.bsky.social · 15/07/2026
Join me and Chris for a zoom talk about Beyond the Ocean: Thursday at 6:45pm eastern. We each picked one thing and one person from the book to illustrate some of its main themes. #earlymodern #atlanticworld #skystorians smithsonianassociates.org/ticketing/pr...
smithsonianassociates.org
The Atlantic Empire: A History of French Colonialism
Between 1400 and 1800, the people of Europe, Africa, and the Americas grew more connected by overseas trade and colonization. According to historians Christopher Hodson and Brett Rushforth, accounts o...
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Brett Rushforth @brettrushforth.bsky.social · 07/07/2026
That's great! I need to track that down.
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Brett Rushforth @brettrushforth.bsky.social · 07/07/2026
Yes! I'm so glad to see more work on slavery in Canada, especially when it's focused on varied Indigenous experiences and strategies of engagement. Interesting parallels between Dakota reprisals at Lake of the Woods in 1738 and Inuit reprisals at Pistolet Bay in 1753.
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Lauren Working @laurenworking.bsky.social · 07/07/2026
Today is the Faber summer party AND the release of #AGoldenWorld in the US! Featured here with a few 17th century objects — a tobacco pipe & engraving of pearl divers. www.simonandschuster.com/books/A-Gold... #Tudors #earlymodern
A copy of the book, A Golden World, next to a 17th century tobacco pipe bowl and a small engraving of pearl divers. These are resting on an architecture book open to a picture of the interior of Knole House.
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Brett Rushforth @brettrushforth.bsky.social · 06/07/2026
Still time to submit for this special issue, guest edited by two superstars, @paulecohen.bsky.social and Scott Berthelette.
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Brett Rushforth @brettrushforth.bsky.social · 03/07/2026
Sad news, indeed. Thanks for sharing.
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Brett Rushforth @brettrushforth.bsky.social · 30/06/2026
Ana Garriga, "Epistemologies of the cloister: scientific and technical knowledge in the convents of the sixteenth and seventeenth centuries" www.madrid-ias.eu/fellows/curr...
madrid-ias.eu
Current Fellows - Fellows | Madrid Institute for Advanced Study
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Naomi Baker @drnaomibaker.bsky.social · 30/06/2026
It’s brilliant to get my hands on this beauty at last! Proud to have chapter on ugliness in this great collection @bloomsburyacademic.bsky.social #beauty #earlymodern #gender #shakespeare
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Brett Rushforth @brettrushforth.bsky.social · 29/06/2026
For the 250th, The Huntington curated an exhibtion called "This Land Is..." The curators--Linde Lehtinen and Josh Garrett-Davis--give a preview in the latest Verso article. www.huntington.org/watch-read-l...
Image of a time-weathered accoustic guitar.
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