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Takeshi Sudo @artssoy.bsky.social · 13/09/2026

“The bouillon cubes of discrete human-like intellects thus melt into an algorithmic soup.” ― Nick Bostrom, Superintelligence #SundaySentence

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Takeshi Sudo @artssoy.bsky.social · 06/09/2026

“Nothing more, really, than surprise at your absence” — John Ashbery, Clepsydra #SundaySentence

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Takeshi Sudo @artssoy.bsky.social · 23/08/2026

“Please learn the pragmatics of expressing fear: sometimes words that seem to express really invoke.” ― David Foster Wallace, Infinite Jest #SundaySentence

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Moo Dog Press @moodogpress.com · 21/06/2026

“A gardener who reads never gardens alone.” Marta McDowell 📖 Emily Dickinson’s Gardening Life (2019) p. 77. #SundaySentence

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Takeshi Sudo @artssoy.bsky.social · 21/06/2026

(”Une grand page blanche palpitante dans la lumière dévastée dure jusqu'à ce que nous nous rapprochions.”) idem - it's a bilingual edition :)

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Takeshi Sudo @artssoy.bsky.social · 21/06/2026

“A large white page palpitating in the ruined light lasts until we get closer to each another.” André du Bouchet, “THE WHITE MOTOR” XI (tr. Paul Auster) #SundaySentence

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Takeshi Sudo @artssoy.bsky.social · 31/05/2026

“He said time is dead as long as it is being clicked off by little wheels; only when the clock stops does time come to life.” —William Faulkner, The Sound and the Fury #SundaySentence

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Takeshi Sudo @artssoy.bsky.social · 30/05/2026

His work shows the value and importance of poetic attentiveness in an environment beset by the fear of time wasted and time lost.” — Emma Wagstaff, “André du Bouchet: Poetic Forms of Attention”(Brill–Rodopi, 2020)

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Takeshi Sudo @artssoy.bsky.social · 30/05/2026

“Writing such as Du Bouchet’s poetic and prose texts enacts and produces attentiveness that resists speed while being constantly on the move, and combines with distraction to produce focused alertness instead of harried responsiveness to multiple stimuli.

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flowerville @flowerville.bsky.social · 29/05/2026

'... jour sur jour - sans que je disjoigne - occuper, en superpositions de couleurs, qui sont l'oubli, des plages allégées de tout le poids de l'océan.... ' Andre du Bouchet - La couleur

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Takeshi Sudo @artssoy.bsky.social · 27/05/2025

**test (a scene from a concert)

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Takeshi Sudo @artssoy.bsky.social · 03/05/2026

#concert #earlymusic #violadagamba Amber Music Box: Katja Pitelina — traverso Olga Kuznetcova — baroque oboe Simon Linné — theorbo Takeshi Sudo — viola da gamba Marais, Couperin, Hotteterre June 5th #Haarlem June 6th #Amsterdam June 7th #DenHaag www.tickettailor.com/events/katja...

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Takeshi Sudo @artssoy.bsky.social · 17/05/2026

“But the only hope of finding anything is to stay exactly where you are, at the agreed place.” — Rachel Cusk, Outline #SundaySentence

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Takeshi Sudo @artssoy.bsky.social · 10/05/2026

“«Tout ce que la mort ôtera est dans sa nuit», souffla Sainte Colombe dans l'oreille de son élève.” (“All that death shall take away lies within its night,” Sainte Colombe whispered into his pupil’s ear.) — Pascal Quignard, Tous les matins du monde #SundaySentence

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Takeshi Sudo @artssoy.bsky.social · 04/05/2026

“Oh, hitherto I have but piled up words; bought books, and bought some small experiences, and builded me in libraries; now I sit down and read.” (Pierre; or, The Ambiguities) #MelvilleMonday 🐳

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Takeshi Sudo @artssoy.bsky.social · 03/05/2026

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Takeshi Sudo @artssoy.bsky.social · 03/05/2026

“Mimesis, it seems, works smoothly in only one direction, and life refuses conveniently to mirror the art in which it’s seemingly mirrored.” — Eva Hoffman, Lost in Translation : Life in a New Language #SundaySentence

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Takeshi Sudo @artssoy.bsky.social · 26/04/2026

“Boredom is the physical sensation of chaos” — Cees Nooteboom, All Souls' Day (tr. Susan Massotty) #SundaySentence

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Takeshi Sudo @artssoy.bsky.social · 20/04/2026

“Consider; for a smile is the chosen vehicle for all ambiguities, Pierre.” — Pierre; or, The Ambiguities Happy #MelvilleMonday🐳

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Takeshi Sudo @artssoy.bsky.social · 19/04/2026

♪Ah—so far apart, you know, There’s no way to meet when I long to— If only the moon would turn into a mirror, you know, Wouldn’t that be something—♪ “Joban Tankō-bushi” (The Joban Coal Mining Song)　tr. me #sundaysentence

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Takeshi Sudo @artssoy.bsky.social · 19/04/2026

“The man who gets gunpowder from dreams also gets salt on his wounds” — Bei Dao (from “AT THIS MOMENT”) #sundaysentence

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Takeshi Sudo @artssoy.bsky.social · 16/04/2026

This was tucked between the pages—someone unknown, calling my attention from the past. Saturday 6th January 1968, Nieuwe Rotterdamse Courant.

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Takeshi Sudo @artssoy.bsky.social · 16/04/2026

“I love inscriptions on flyleaves and notes in margins, I like the comradely sense of turning pages someone else turned, and reading passages someone long gone has called my attention to.” ― Helene Hanff, 84, Charing Cross Road

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Takeshi Sudo @artssoy.bsky.social · 16/04/2026

I could not resist rescuing this 1954 Gallimard set I happened upon in a second-hand bookshop—though I already had several, as if such books refused to belong to anyone.　#MarcelProust

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Takeshi Sudo @artssoy.bsky.social · 13/04/2026

#MelvilleMonday “The symmetry of form attainable in pure fiction can not so readily be achieved in a narration essen tially having less to do with fable than with fact. Truth uncompromisingly told will always have its ragged edges” (Billy Budd, 28)

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Takeshi Sudo @artssoy.bsky.social · 12/04/2026

“But healing just seems like a very interesting process. It means such different things in different contexts. Like, is the idea of healing to get you back to the way you used to be or to turn you into something new? ” — Benjamin Markovits, The Rest of Our Lives

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Takeshi Sudo @artssoy.bsky.social · 12/04/2026

そしてこの表面的な「失敗」（携帯が壊れ録音できなかったので話をでっち上げた）こそが、重要な意味を持つことが判明する。言葉で伝えようとしていることとは？記憶とは？コミュニケーションとは？といった疑問が読者に委ねられる。老メンターのトマスという名前はピンチョンを想像させるが、ラーナーとつながりの深いRosmarie WaldropやAlexander Klugeがモデルであろう（ちなみに3人とも同年代だ）。また、Anna Ostoyaとの共作『The Polish Rider』に登場したあの絵もトマスの家の壁にかかっている。このように現実とフィクションが作品内で少しだけかたちを変えて交差していく。

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Takeshi Sudo @artssoy.bsky.social · 05/04/2026

“But waking does not end a dream. […] We extend the dream when we share it. You call it fiction but it is more.” — Ben Lerner, Transcription

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Takeshi Sudo @artssoy.bsky.social · 12/04/2026

“Impossibly thin glass filaments underground, underwater, in the lungs, in the cochlea, vibrating when the small waves hit them — You call this fiction, but it is more.” — Ben Lerner, Transcription #SundaySentence

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Takeshi Sudo @artssoy.bsky.social · 06/04/2026

Forugh Farrokhzad、うちにも1冊ある。キアロスタミ監督の映画『風が吹くまま』The Wind Will Carry Us は、Farrokhzadの一節からとられたタイトル。

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Reposted by Takeshi Sudo

山本貴光 @yakumoizuru.bsky.social · 06/04/2026

「フォルーグ・ファッロフザード――イランの抵抗の詩人」（Forugh Farrokhzad: The Rebel Poet of Iran）ファッロフザードの詩の英訳や一部ペルシア語原文、関連文献、映像などを編集したウェブサイト。 farrokhzadpoems.com

farrokhzadpoems.com

Home - Forugh Farrokhzad

Forugh Farrokhzad - Rebel Poet of Iran

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Takeshi Sudo @artssoy.bsky.social · 06/04/2026

“But say, are not the sweets of June made sweet by the April tears?” (Pierre; or The Ambiguities) #MelvilleMonday 🐳

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Takeshi Sudo @artssoy.bsky.social · 05/04/2026

“But waking does not end a dream. […] We extend the dream when we share it. You call it fiction but it is more.” — Ben Lerner, Transcription

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Takeshi Sudo @artssoy.bsky.social · 05/04/2026

ベン・ラーナーの『Transcription』は、録音されていない会話の「記録」という矛盾そのものを小説の中心的メタファーに据えた作品で、問題となるのは再現の失敗ではなく、むしろあらゆる記録が本来的に反復＝差延の運動に属しているという事態そのものだ。さらに本作は、人と人とを接続するはずのテクノロジーや目的合理性が、かえってコミュニケーションの行き違いを増幅しうることを示唆する。プルーストの『失われた時を求めて』の電話の場面も想起されるが、ラーナーのテクストに響いているのはオルフェウス的な喪失の抒情ではなく、言語というメディウムそのものに内在する、より根源的なコミュニケーションの失敗である。

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Takeshi Sudo @artssoy.bsky.social · 05/04/2026

“to be able to live your life without considering every action in the light of practical necessity seems to me an almost unacceptable privilege.” ― Rachel Cusk, Parade #SundaySentence

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agosto @wasserweg.bsky.social · 02/04/2026

百韻。なぜわたし（小夏）がここにいるのか不明だが、この頃はまだツイッターがましだった。 x.com/i/status/154...

x.com

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Takeshi Sudo @artssoy.bsky.social · 02/04/2026

#nowreading Mohammed Omer Almoghayer, “On the Pleasures of Living in Gaza: Remembering a Way of Life Now Destroyed” orbooks.com/catalog/on-t...

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Takeshi Sudo @artssoy.bsky.social · 30/03/2026

Ben Lerner, “Bolaño’s Heresy: On Distant Star” (“From the introduction to Roberto Bolaño’s Distant Star, translated from the Spanish by Chris Andrews, out from Picador in April.”)　#TheParisReview March 11, 2026 www.theparisreview.org/blog/2026/03...

theparisreview.org

Bolaño’s Heresy: On Distant Star by Ben Lerner

March 11, 2026 – “Maybe this is my own dream or projection, but when I read Bolaño’s flat, minimal descriptions of nonexistent verse, the prose begins to vibrate.”

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