Ariel Avissar @arielavissar.bsky.social · 3hCoen Brothers Supercut #10: vimeo.com/1233046758vimeo.comThe Nature of You (A Coen Brothers Supercut)A Year of Supercuts #10: Ares 000
Ariel Avissar @arielavissar.bsky.social · 01/10/2026Coen Brothers Supercut #9: vimeo.com/1231872255vimeo.comPhone Calls (A Coen Brothers Supercut)A Year of Supercuts #9: Hermes 120
Reposted by Ariel Avissar[in]Transition @intransition.bsky.social · 14/09/2026New issue just launched, with nine new video essays on topics including Red Desert, One Night in Miami, surveillance footage, visual representations of sound, feminist zombie narratives, the British cine-club movement, and Before Sunrise! Check them out: intransition.openlibhums.org/issue/1969/i...intransition.openlibhums.org [in]Transition | Issue: Issue: 3(13) (2026) 01111
Reposted by Ariel AvissarFilmscalpel @filmscalpel.bsky.social · 07/09/2026In his own words. A CLASS WITH JOAQUIM JORDÀ uses archival interviews with the Catalan filmmaker to piece together a videographic lecture. The result is a deft, thought-provoking video essay by @nuriacancela.bsky.social and Samantha da Silva Diefenthaeler. Published by @intransition.bsky.socialvimeo.comA Class With Joaquim Jordà by Nuria Cancela and Samantha da Silva Diefenthaeler“A Class with Joaquim Jordà” approaches the teaching facet of Catalan documentary filmmaker Joaquim Jordà. The video essay is structured around Jordà’s voice-over, drawn from different documentaries a... 011
Reposted by Ariel AvissarFilmscalpel @filmscalpel.bsky.social · 07/09/2026THE HOLES WE LEFT BEHIND views the coming-of-age film Breaking Away through an industrial lens. Jacob Smith uses archival footage of a stone carver who appeared as an extra to open up a fresh way of reading Peter Yates' film. The result is a remarkable video essay that "extracts" new insights.vimeo.comThe Holes We Left BehindThis video essay has been published in Movie: a journal of criticism issue 12, and an accompanying statement can be read here. 021
Reposted by Ariel AvissarFilmscalpel @filmscalpel.bsky.social · 07/09/2026Benedetta Andreasi sings the praises of an Italian talkshow host in PHENOMENOLOGY OF MARCO DAMILANO. Through inventive visuals, her video essay explores the source of his appeal. Published on @intransition.bsky.socialvimeo.comPhenomenology of Marco Damilano by Benedetta Andreasi"Phenomenology of Marco Damilano" is a study on how Damilano’s talk show Il Cavallo e la Torre mediates displacement and humanitarian crises through reassuring televisual forms. By destabilizing its a... 031
Reposted by Ariel AvissarFilmscalpel @filmscalpel.bsky.social · 03/09/2026The work of script supervisor Penny Eyles takes center stage in the video essay MAKING FICTION FLOW. Combining oral testimony with well-chosen and thoughtfully arranged film excerpts, @feministbell.bsky.social and @filmstudiesff.bsky.social give voice and visuals to her underappreciated labor.vimeo.comMAKING FICTION FLOWA video essay on film continuity and the life and work of script supervisor Penny Eyles. Published with an accompanying authors' statement in the scholarly journal MOVIE: A Journal of Film Criticism i... 041
Reposted by Ariel AvissarFilmscalpel @filmscalpel.bsky.social · 03/09/2026In TO SEE YOU (IS TO LOVE YOU) – NOVAK VARIATIONS, two Hitchcock masterpieces are joined and conjoined with a film of lesser stature. John Gibbs' great video essay turns the mash-up format into a tool for cinematic emancipation.vimeo.comTo see you (is to love you) – Novak variationsPublished in Research in Film & History where you can read a creator's statement. Official Selection Marienbad Film Festival 2025 Official Selection Adelio Ferrero Award 2025 Nominee: Best Experimenta... 011
Reposted by Ariel AvissarFilmscalpel @filmscalpel.bsky.social · 03/09/2026Seductive and destructive, oil takes many forms. In TIMELINE DRIPPING, Celia Sainz contrasts its glossy allure in music videos with its devastation in news footage. The result is an unsettling video essay about our "petromodernity." Published by @intransition.bsky.socialvimeo.comTimeline Dripping by Celia SainzThis video interrogates the contradictory aesthetics of oil using music videos and footage of oil-spill catastrophes to examine how petroleum can hold both exuberance and catastrophe in our lives and ... 011
Reposted by Ariel AvissarFilmscalpel @filmscalpel.bsky.social · 03/09/2026The video essay MOMENTS OF INTEGRATION is a close reading of Robert Wise’s noirish Odds Against Tomorrow. Henry Rownd goes through the movie’s mise-en-scène with a fine comb, finding a wealth of overlaps and visual echoes.vimeo.comMoments of Integration: A Close Analysis of Odds Against Tomorrow (Robert Wise, 1959)Published in Movie: A Journal of Film Criticism, Issue 12 (2025) https://warwick.ac.uk/fac/arts/scapvc/film/movie/contents/rownd._a_close_analysis_of_odds_against_tomorrow.pdf Author: Henry Rownd H... 021
Reposted by Ariel AvissarFilmscalpel @filmscalpel.bsky.social · 01/09/2026The Coens have as keen an ear for sound as they do an eye for images. In his video essay TALES TOLD IN TUNES, Martin Hall argues that the brothers do more than use diegetic folk songs. Their filmmaking, he suggests, displays characteristics of folk music. Published by @intransition.bsky.socialvimeo.comTales Told in Tunes by Martin HallThis video essay examines the films of the Coen Brothers, arguing that their distinctive and compelling approach to filmmaking reflects the essence of creating folk music. It posits that the Coen Brot... 031
Reposted by Ariel AvissarFilmscalpel @filmscalpel.bsky.social · 01/09/2026The supercut may be a simple format, but in the right hands it still packs a punch. Made for @filmkrant.bsky.social, WILDER MACHINE strings together shots and sounds from Billy Wilder's filmography to reveal his fascination with mechanics and machines, rhythm and repetition.vimeo.comThe Thinking Machine #103: Wilder MachineOn so many levels, Billy Wilder’s films are obsessed with mechanics and machines – the precisely structured scripts he co-wrote have even been described as ‘narrative machines’ in their own right. On ... 011
Reposted by Ariel AvissarFilmscalpel @filmscalpel.bsky.social · 07/08/2026When Hitchcock visited Jerusalem in 1966, he had an Israeli state-sponsored film crew in tow. Iddo Better Pocker's video essay BEHIND THE CURTAIN cleverly splices that propaganda film with Hitchcock's Torn Curtain, blurring the line between fiction and fact. Published by @intransition.bsky.socialvimeo.comBehind the Curtain by Iddo Better PockerThis video examines With Hitchcock in Jerusalem (1966), an Israeli state-sponsored propaganda film documenting Alfred Hitchcock’s visit to Jerusalem. By juxtaposing it with Hitchcock’s feature film To... 031
Reposted by Ariel AvissarFilmscalpel @filmscalpel.bsky.social · 07/08/2026EARLY CINEMA’S FISH TANK FILMS dives into the appeal of aquariums for cinema’s pioneers. In a visually rich video essay, @alexzivkovic.bsky.social traces the fascination with fish from Méliès' fantasy films to the documentaries of Jean Painlevé and beyond. Published by @intransition.bsky.socialvimeo.comEarly Cinema's Fish Tank Films by Alex ZivkovicThis video essay encourages us to look closely at early cinema’s aquariums. First, seeing the fish and aquatic effects as a “distraction” in the age of the cinema of attractions (Georges Méliès), then... 053
Reposted by Ariel AvissarFilmscalpel @filmscalpel.bsky.social · 31/08/2026PLAYING WITH MEDIATION is a fascinating video essay about a fascinating video game. Clémence Folléa documents her playthrough of Season: A Letter to the Future, a game that invites players to document a world on the verge of disappearing. Published by @intransition.bsky.socialvimeo.comPlaying with Mediation by Clemence FolleaThis is "Playing with Mediation by Clemence Follea" by Open Library of Humanities on Vimeo, the home for high quality videos and the people who love them. 021
Reposted by Ariel AvissarFilmscalpel @filmscalpel.bsky.social · 01/09/2026Mariana Schwartz looks beyond (and behind) the characters in Kubrick’s films. Her supercut compiles the colors and textures, patterns and artworks that frame them. WHAT’S BEHIND THE KUBRICK CHARACTERS? was published by Tecmerin.vimeo.comWhat's behind the Kubrick characters. Mariana SchwartzThis is "What's behind the Kubrick characters. Mariana Schwartz" by JOURNAL OF AUDIOVISUAL ESSAYS on Vimeo, the home for high quality videos and the people who love them. 011
Reposted by Ariel AvissarFilmscalpel @filmscalpel.bsky.social · 01/09/2026THE RED SHOES: A DESKTOP FAIRY TALE is a love letter to Powell and Pressburger’s film. In her well-crafted video essay, @veronikahanakova.bsky.social attempts to capture the elusive red color of the titular footwear. Published by @intransition.bsky.socialvimeo.comThe Red Shoes by Veronika Hanáková“The Red Shoes: A Desktop Fairy Tale” explores the color red in Emeric Pressburger and Michael Powell’s 1948 film. Though shaped by shifting materials and technologies, red remains potent and spellbin... 031
Ariel Avissar @arielavissar.bsky.social · 16/08/2026Coen Brothers Supercut #8: vimeo.com/1218651115vimeo.comThe Passage (A Coen Brothers Supercut)A Year of Supercuts #8: Artemis 010
Reposted by Ariel AvissarColleen Laird @colleenlaird.bsky.social · 22/07/2026Some summer listening? How about the new episode of The Video Essay Podcast with guest host Lucy Fife Donaldson interviewing @arielavissar.bsky.social, Matthew Payne, and me, included in the fabulous new issue of Open Screens: www.openscreensjournal.com/article/id/2...openscreensjournal.comThinking in the Timeline: A Conversation with The Video Essay PodcastThis conversation, produced in collaboration with The Video Essay Podcast, brings together three of the special issue co-editors – Ariel Avissar, Colleen Laird, and Matthew Thomas Payne – and guest mo... 041
Ariel Avissar @arielavissar.bsky.social · 17/07/2026Screen Stars Dictionary #42 - Elizabeth Taylor and Richard Burton, by Alexander Greenhough: vimeo.com/1209600663vimeo.comElizabeth Taylor and Richard Burton. Screen Stars Dictionary. By Alexander Greenhough (Stanford University)Screen Stars Dictionary Entry on Elizabeth Taylor and Richard Burton by Alexander Greenhough 010
Reposted by Ariel AvissarDr Marta F Suarez @martafsuarez.bsky.social · 13/07/2026Open Screens would like to announce the publication of its latest Special Issue “Thinking in the Timeline: Videographic Dissection as Analytical Method” (8.2). Eds: Ariel Avissar, Barbara Zecchi, Colleen Laird and Matthew Payne. Available open access here openscreensjournal.com/issue/1749/i...:openscreensjournal.com Open Screens | Issue: Issue: 2(8) Thinking in the Timeline: Videographic Dissection as Analytical Method (2026) 022
Ariel Avissar @arielavissar.bsky.social · 11/07/2026Now on Open Screens - "𝐓𝐡𝐢𝐧𝐤𝐢𝐧𝐠 𝐢𝐧 𝐭𝐡𝐞 𝐓𝐢𝐦𝐞𝐥𝐢𝐧𝐞: 𝐕𝐢𝐝𝐞𝐨𝐠𝐫𝐚𝐩𝐡𝐢𝐜 𝐃𝐢𝐬𝐬𝐞𝐜𝐭𝐢𝐨𝐧 𝐚𝐬 𝐀𝐧𝐚𝐥𝐲𝐭𝐢𝐜𝐚𝐥 𝐌𝐞𝐭𝐡𝐨𝐝", the second peer-reviewed special issue to come out of last summer's "Reframing the Argument" videographic workshop: www.openscreensjournal.com/issue/1749/i... 132
Ariel Avissar @arielavissar.bsky.social · 10/07/2026Coen Brothers Supercut #7 - the shortest one yet: vimeo.com/1208867955vimeo.comWhat's Going On? (A Coen Brothers Supercut)A Year of Supercuts#7 000
Ariel Avissar @arielavissar.bsky.social · 10/07/2026Blue Velvet, the Szalinski cut: vimeo.com/1208758001vimeo.comIt's a Strange WorldThis is "It's a Strange World" by Ariel Avissar on Vimeo, the home for high quality videos and the people who love them. 010
Reposted by Ariel AvissarColleen Laird @colleenlaird.bsky.social · 09/07/2026Another month, another supercut. vimeo.com/1208516737?s...vimeo.comThe Gum You LikeA Year of Supercuts: Apollo Exploration: Reverse Motion 011
Ariel Avissar @arielavissar.bsky.social · 03/07/2026Coen Brothers Supercut #6: vimeo.com/1205243804vimeo.comShow of Hands (A Coen Brothers Supercut)A Year of Supercuts #6: Athena 000
Reposted by Ariel AvissarColleen Laird @colleenlaird.bsky.social · 26/06/2026#6 in A Year of Supercuts. What is a supercut. What is a video essay. vimeo.com/1204964369?s...vimeo.comThe Secret of SuccessA Year of Supercuts: Athena Exploration: Voice-over 011
Reposted by Ariel Avissar[in]Transition @intransition.bsky.social · 09/06/2026Our new issue just published - a special issue on Reframing the Argument, emerging out of a graduate student workshop on incorporating videographic work in eight students' research projects! intransition.openlibhums.org/issue/1730/i... 096
Reposted by Ariel AvissarColleen Laird @colleenlaird.bsky.social · 03/06/2026#5 in a Year of Supercuts vimeo.com/1197993726?s...vimeo.comHashtag EverythingA Year of Supercuts: Aphrodite Exploration: deformation 021
Ariel Avissar @arielavissar.bsky.social · 29/05/2026Coen Brothers supercut #5: vimeo.com/1196582153vimeo.comLet's Dance (A Coen Brothers Supercut)A Year of Supercuts #5: Aphrodite 031
Reposted by Ariel AvissarColleen Laird @colleenlaird.bsky.social · 11/05/2026Coming in a bit late, but my fourth supercut of the year is finally done: vimeo.com/1191277564?s...vimeo.comThe LandladyThis is "The Landlady" by Colleen Laird on Vimeo, the home for high quality videos and the people who love them. 011
Ariel Avissar @arielavissar.bsky.social · 22/04/2026Coen Brothers supercut #4: vimeo.com/1185598453vimeo.comSit-Off (A Coen Brothers Supercut)A Year of Supercuts #4: Zeus 010
Reposted by Ariel AvissarHollywood Memories @hollywoodmemories.bsky.social · 22/04/2026Check out @kathleenloock.bsky.social's entry for the Screen Stars Dictionary, starring THE Remake queen, Naomi Watts! ⭐ And don't worry—this one may be short, but unlike other videos you won't be in for any nasty surprises seven days after watching it. 042
Ariel Avissar @arielavissar.bsky.social · 13/04/2026Screen Stars Dictionary - entry #41: Alia Bhatt, by Aashna Singh: vimeo.com/1181898070vimeo.comAlia Bhatt. Screen Stars Dictionary. By Aashna Singh (University of Chicago)Screen Stars Dictionary Entry on Alia Bhatt by Aashna Singh 010
Ariel Avissar @arielavissar.bsky.social · 11/04/2026Screen Stars Dictionary - entry #40: Naomi Watts, by @kathleenloock.bsky.social: vimeo.com/1181900385vimeo.comNaomi Watts. Screen Stars Dictionary. By Kathleen Loock (Leibniz Universität Hannover)Screen Stars Dictionary Entry on Naomi Watts by Kathleen Loock 062
Reposted by Ariel AvissarFragments - A Journal of videographic form and method @fragmentsjournal.bsky.social · 24/03/2026'Video Essay alert' A new issue of [in]Transition to enjoy. Find it here intransition.openlibhums.org/issue/1729/i... 012
Reposted by Ariel Avissarkev, it is what it is @kevinlferguson.bsky.social · 23/03/2026[in]Transition 13.1 is live! intransition.openlibhums.org/issue/1729/i... mediation in video games, philosophy and AI, data centers and the environment, Catalan documentarian Joaquim Jordà, Coen Bros folk music, and fish tanks. Plus our inaugural SCMS SIG Grad Student winner on THE RED SHOES! 043
Reposted by Ariel AvissarColleen Laird @colleenlaird.bsky.social · 24/03/2026New Ways of Doing Newsletter! It is totes free with videographic goodies. Get yours today: waysofdoing.com/newsletter/ 021
Reposted by Ariel AvissarColleen Laird @colleenlaird.bsky.social · 21/03/2026Third entry in my Year of Supercuts: vimeo.com/1175774964?s...vimeo.com傘A Year of Supercuts: Poseidon Exploration: environmental sound 021
Reposted by Ariel AvissarBarbara Zecchi @barbarazecchi.bsky.social · 17/03/2026Only 20 spots available. Open to graduate students and faculty at any rank. Deadline March 31 VIDEOGRAPHIC VENICE WORKSHOP July 31 - Aug 6. Step into Venice, one of the world’s most fragile landscapes as a videoessayist, and learn to navigate through delicate terrains: www.univiu.org/study/summer...univiu.orgVideographic Venice | The Video Essay at the Intersection of Place and Practice - Venice International UniversityVenice International University 033
Reposted by Ariel AvissarUBC Asian Studies @asia.ubc.ca · 25/02/2026Co-organized by Dr. Colleen Laird and her colleagues, Videographic Venice invites participants to explore Venice as both subject and medium through videographic criticism. Apply by March 31: www.univiu.org/study/summer...univiu.orgVideographic Venice | The Video Essay at the Intersection of Place and Practice - Venice International UniversityVenice International University 042
Reposted by Ariel AvissarFragments - A Journal of videographic form and method @fragmentsjournal.bsky.social · 20/03/2026Fragments is heading to the BAFTSS conference in April and we'd like to invite you to take part in our 'Playful Parameters' videographic interlude. Find the instructions to our short (and hopefully) fun videographic exercise at the link below. 9th April deadline fragments.video/reels-a-play... 034
Reposted by Ariel AvissarNelson Carvajal @nelsoncarvajal.com · 14/03/2026Wonderful Coen brothers supercut by @arielavissar.bsky.social Watch it!!vimeo.comHigh and Low (A Coen Brothers Supercut)A Year of Supercuts #3: Poseidon 031
Reposted by Ariel AvissarFragments - A Journal of videographic form and method @fragmentsjournal.bsky.social · 11/03/2026Our 4th Collection of experimental videographic practice is now live. This themed collection comes courtesy of Alan O'Leary, comprising outtakes from his videographic project 'Men Shouting: A History in 7 Episodes' and featuring a response letter by Will Knowles. Find it all here fragments.video 034
Ariel Avissar @arielavissar.bsky.social · 06/03/2026Coen Brothers supercut #3: vimeo.com/1170995498vimeo.comHigh and Low (A Coen Brothers Supercut)A Year of Supercuts #3: Poseidon 020
Reposted by Ariel AvissarLaughing Squid @laughingsquid.com · 18/02/2026Ariel Avissar created a well-rounded supercut of circular images found in Coen Brothers movies from 1987 through 2018. laughingsquid.com/coen-brother...laughingsquid.comA Supercut of Circles in Coen Brothers MoviesAriel Avissar created a well-rounded supercut of circular images found in Coen Brothers movies from 1987 through 2018. 021
Ariel Avissar @arielavissar.bsky.social · 15/02/2026Screenworks 16.2 - "Laird's Constraint": Videographic Montage Analysis Special Issue, entry #6 of 6 In "The Most unCertain Hour", @colleenlaird.bsky.social studies multiple iterations of the Marvel Studios logo, then pairs it with the 1963 anime "Astro Boy": www.screenworks.org.uk/archive/volu... 031
Ariel Avissar @arielavissar.bsky.social · 13/02/2026Screenworks 16.2 - "Laird's Constraint": Videographic Montage Analysis Special Issue, entry #5 of 6 In "Watch for Joy", Quan Zhang pairs a sequence from the 1999 Chinese New Year Gala televised broadcast with a sequence from "Anchors Aweigh": www.screenworks.org.uk/archive/volu... 030
Ariel Avissar @arielavissar.bsky.social · 12/02/2026Screenworks 16.2 - "Laird's Constraint": Videographic Montage Analysis Special Issue, entry #4 of 6 @drdanobrien.bsky.social's "Everybody Dreams" analyzes the closing montage from "Vanilla Sky", and connects it with Hans Richter’s "Dreams That Money Can Buy": www.screenworks.org.uk/archive/volu... 021
Ariel Avissar @arielavissar.bsky.social · 11/02/2026Screenworks 16.2 - "Laird's Constraint": Videographic Montage Analysis Special Issue, entry #3 of 6 In "Dance With Me", @newsfromnihon.bsky.social breaks down a shopping montage from "Mannequin" and places it in playful conversation with "42nd Street": www.screenworks.org.uk/archive/volu... 031