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Anthony Cross

@anthonymcross.bsky.social
55 followers 44 following 7 posts

Phil. Prof. Aesthetics, technology, photography, bikes. www.anthonycross.com

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Reposted by Anthony Cross
Matthew Highton @matthighton.bsky.social · 27/01/2026
If Bilbo had Chat GPT
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Anthony Cross @anthonymcross.bsky.social · 23/01/2026
I'm very excited to share the pre-print of my paper, "Algorithmic Recommendation and Aesthetic Flourishing," newly forthcoming in the Journal of Aesthetics and Art Criticism! #philsky #techethics #philai (See thread for the short preview)
philpapers.org
Anthony Cross, Algorithmic Recommendation and Aesthetic Flourishing - PhilPapers
In the age of streaming, we face a pressing problem of aesthetic choice: how are we to navigate the overwhelming quantity of content to which we now have access? Streaming platforms ...
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Anthony Cross @anthonymcross.bsky.social · 12/12/2025
Looking for an intro-friendly text on the impact of tech and AI on aesthetic life? Check out this chapter I wrote, just published in the new Routledge Introduction to Contemp Aesthetics by @emmiemalone.bsky.social and @lizscar.bsky.social philarchive.org/rec/CROALI #philtech #techethics
philarchive.org
Anthony Cross, Aesthetic Life in the Digital Age: How Emerging Technologies Affect Creativity, Consumption, and Community - PhilArchive
What does aesthetic life look like in the digital age? This chapter explores the impact that AI, algorithms, social networking, and other technological innovations have had on the ways that we ...
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Anthony Cross @anthonymcross.bsky.social · 12/12/2025
Had a nice time chatting with @shaneisland.bsky.social about “aesthetic” and internet aesthetics for this wonderful piece in @washingtonpost.com
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Reposted by Anthony Cross
British Journal of Aesthetics @britjaesth.bsky.social · 07/11/2025
AI art anyone? 😬 Anthony Cross takes the plunge in our brand new issue. doi.org/10.1093/aest... #philsky
In his discussion of forgeries, Dutton is very clear on one point: creating a forgery is a kind of achievement, just not the kind of achievement that we might have initially thought it was. The same is no doubt true of AI-generated art; Allen’s work is an artistic performance, and it is to some degree an achievement. But, as Dutton puts it, ‘the fundamental question then is, what has the artist done, what has he achieved?’. This is a question which, for AI-generated art, has hardly even been asked.
- Anthony Cross, Tool, Collaborator, or Participant: AI and Artistic Agency
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