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天使くん推す

@angeldeviloshi.bsky.social
285 followers 558 following 13K posts

アキ天おもろい。好き。 25⬆️ EN/华语/日本語 🆗 I post about nsfw sometimes so no minors. 🔞 🚫No reupload/AI training/NFTs/unauthorised usage of my art🚫

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天使くん推す @angeldeviloshi.bsky.social · 2h
YoshiMiriDen Kpop Demon Hunters AU but it's Miri's diary fanfic
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天使くん推す @angeldeviloshi.bsky.social · 3h
Ok Ill use my break time at work to continue reading nana. Starting from the top again w official TL tho.
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Celestial Fang 🩸 Artist @celestialfang.bsky.social · 14h
Toxic yuri for @idkwhat.bsky.social
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Erica Friedman @okazu.yuricon.com · 6h
Your reminder that Sword of Paros will be the prettiest book you have ever owned and if you pre-order now, you'll get a signed shikishi and a classic tale of queer life, betrayal and love. store.mangamavericks.com/products/the...
store.mangamavericks.com
The Sword of Paros (Deluxe Edition)
This product is a pre-order. Orders containing this product are not guaranteed to ship until all items are in stock. Pre-orders from the Manga Mavericks Store also include an EXCLUSIVE shikishi board ...
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天使くん推す @angeldeviloshi.bsky.social · 12h
There should just be more fashion games in general.
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天使くん推す @angeldeviloshi.bsky.social · 12h
As it should be RT
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Ian Boudreau @ianboudreau.com · 15h
I think it's pretty neat that one of the legit breakout indie success stories this year is a game about painstakingly designing and sewing opulent ballgowns store.steampowered.com/app/4019220/...
store.steampowered.com
Dressmaker on Steam
Become a dressmaker! Choose fabric, cut out patterns, and sew them all together to satisfy (or sabotage!) townsfolk in this cozy crafting game inspired by real dressmaking.
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天使くん推す @angeldeviloshi.bsky.social · 12h
Anything I think about my music OC and idol Reze for my Gun AU is like revisiting an old friend (idolish7)
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天使くん推す @angeldeviloshi.bsky.social · 15h
Keep passing by the Butter novel by Asako Yuzuki at work since it's under the department I'm overseeing as its only staff and contemplating whether or not I should get it even tho I have 0 space in my room rn (I still haven't opened up all of my doujins from this year) I'll just check the library
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みつるぎ @mitsurugi0604.bsky.social · 21h
早川のクリアファイルだけ買ってきました… これは交通費考えると通販にした方が安かった気がするな そして船橋屋党員の私はあんみつを食べます 自分の盛り付けが下手すぎるせいで美味しそうに見えないけど多分季節商品の栗餡ver.非常に美味いです
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下岡EP @sokichi.bsky.social · 29/09/2026
ZOZOTOWN✖️ŹOOĻ 最高すぎるコラボは続報をお待ちくださいませ〜! x.com/zozojp/statu...
x.com
ZOZOTOWN (@zozojp) on X
\✨ZOZOTOWN× ŹOOĻ 開催決定✨/ ZOZOTOWN限定撮り下ろしビジュアルのシルエットを公開! 続報をお楽しみに📢 #アイナナ #ZOZOTOWN
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moka !! @mokadevs.itch.io · 28/09/2026
IT TAKES A VILLAGE !!! Okay i wont get too into the weeds of how capitalism isolates but literally this …….
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moka !! @mokadevs.itch.io · 28/09/2026
-even hurts the person working on it because it turns them into someone so obsessed with getting that “solo” title that it hurts their ability to work with others, thus limiting their potential to make games. I dunno! Sighs
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moka !! @mokadevs.itch.io · 28/09/2026
i really dislike the obsession with ”solo dev” flexes because i feel like its hurtful for everyone involved. It hurts the people who work on the game who don’t get proper credit, hurts potential devs who are sold on this “ideal” of being a solo dev and makes future work harder for themselves, and-
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天使くん推す @angeldeviloshi.bsky.social · 19h
Dynamic that's like two characters who think they're the same person and want the same things but are not and can't understand each other because of it because of their differing definitions of self that they can't give up but their symbiosis demands it.
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天使くん推す @angeldeviloshi.bsky.social · 16/01/2025
AsaYoru
Another important element of “Carmilla” is the concept of dualism presented through the juxtaposition of vampire and human, as well as lesbian and heterosexual.[15] It is also vivid in Laura's irresolution, since she "feels both attraction and repulsion" towards Carmilla.[16] The duality of Carmilla's character is suggested by her human attributes, the lack of predatory demeanour, and her shared experience with Laura.[17] According to Gabriella Jönsson, Carmilla can be seen as a representation of the dark side of all mankind.
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天使くん推す @angeldeviloshi.bsky.social · 19h
Denji: Wow Reze, you really know everything. Reze: I only know what I know, Denji.
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nawtis✤ @navvvtis.bsky.social · 19h
🎀💫
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天使くん推す @angeldeviloshi.bsky.social · 21h
Nooooo
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天使くん推す @angeldeviloshi.bsky.social · 29/09/2026
Yoru turning Makima into a weapon.
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天使くん推す @angeldeviloshi.bsky.social · 29/09/2026
The sushi chapter is funny when maki is also a type of sushi.
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天使くん推す @angeldeviloshi.bsky.social · 28/09/2026
Yoru is Ougi to Asa and Asa is Hanekawa to Yoru's Black Hanekawa.
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天使くん推す @angeldeviloshi.bsky.social · 28/09/2026
Currently been working on this idea of deceptive glamour as voice for sentimentality and emotion with my OC and idol Reze thing in the Gun Aki AU. Planting flowers on a walking zombie.
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天使くん推す @angeldeviloshi.bsky.social · 28/09/2026
I think what's great about p2 that's hard to stomach for people is how characters willingly subject themselves to their very specific and personal horrors that consume them entirely and the lens they spin around it to themselves and how they want to be seen and not seen. Delightfully gut-wrenching.
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天使くん推す @angeldeviloshi.bsky.social · 28/09/2026
Page from Chapter 101 of Chainsaw Man, "Afterschool Devil Hunters" of Yoru and Asa conversing.

Yoru: Very well! Then call me "Yoru"! If it serves my quest to kill Chainsaw Man, I'll swallow everything you say... Asa.

Asa: Thanks... Yoru. (Kill Chainsaw Man? Turn Yuko into a weapon? I don't care about all that disturbing stuff.)Page from Chapter 102 of Chainsaw Man, "Save a Cat" of Yoru trying to persuade Asa to turn an injured and unconscious Yuko into a weapon to survive the Bat Devil as Asa is stricken with panic. Yoru assures Asa that she's not in a moral dilemma by virtue of them sharing a body and brain.

Yoru: "Don't worry, you are me, so I know. You aren't sorry for killing bucky."

Page from Chapter 102 of Chainsaw Man, "Save a Cat" of Asa carrying the wounded and unconscious Yuko as she runs away from the Bat Devil in a bid to save both of them, disproving Yoru's claims as Yoru yells at her.

Yoru: "You damned fool!!"Page from chapter 106 of Chainsaw Man "Bonfire" of Yuko transforming into a devil of justice against Yoru as the windows of the school crack while students are in class.

Yuko: "I like Asa... but I hate you."
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天使くん推す @angeldeviloshi.bsky.social · 28/09/2026
Thinking about my AsaYoru analysis as of late and it's like I may have reinvented Oshino Ougi through a Sonohara Anri filter.
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Xalavier Nelson Jr. @writnelson.bsky.social · 28/09/2026
WE'RE MAKING A SHELVING SIM WHERE YOU USE THE DEWEY DECIMAL SYSTEM IN A LIBRARY THAT'S HAUNTED AS FUCK BECAUSE A BILLIONAIRE WAS STUFFING CORPSES IN THE WALLS TO GENTRIFY HIS CITY WISHLIST "SOMETHING IS WRONG WITH THE LIBRARY" TODAY store.steampowered.com/app/3971340/...
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天使くん推す @angeldeviloshi.bsky.social · 28/09/2026
Highly recommend reading this interview, it's a genuinely insightful read.
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天使くん推す @angeldeviloshi.bsky.social · 28/09/2026
There's a lot of good stuff I wanted to share but I might as well just link the full interview lmao. The source is the movie's pamphlet. fixupx.com/foolcauldian...
fixupx.com
lyra (@foolcauldian)
i translated an exclusive japanese interview between fujimoto tatsuki (chainsaw man) and oscar-winning director kore-eda hirokazu about the live action release of the film 'look back' (2026) full link...
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天使くん推す @angeldeviloshi.bsky.social · 28/09/2026
And once again, it comes back to this. The material conditions.
An excerpt of an interview with Fujimot and Kore-eda about the live action Look Back movie.

Fujimoto:
With every work I create, I start with the idea that it's nice not to die, but the more I draw, the more I realise, "No... this is painful." That pain of being unable to die is an extension of everyday life. If I'm currently serialising a work, I think the feeling that it's fun is reflected in the work, as is the feeling that it's tough because I can't sleep.
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天使くん推す @angeldeviloshi.bsky.social · 28/09/2026
HAHAHAAH YEAHHHHH
Excerpt from interview with Fujimoto and Kore-eda about the live action Look Back movie.

Kore-eda:
Fujimoto-sensei seems fond of vampires, judging from their work. I get the impression they seem to like the concept of immortality.

Fujimoto:
That's right. It's not so much about "not dying" as it is about "being unable to die".

Kore-eda:
"Are you not going to die, or are you unable to die?" The theme is a motif that ppears in various works they made, isn't it? Stories about people burdened with a certain kind of destiny, and it's depicted variously. That's true of Look Back as  much as it is Chainsaw Man, Fire Punch and Goodbye Eri. I'm strongly drawn to stories about the karma that immortal people bear. The word 'sympathy' might be too simplistic, but it really shouldn't be reduced to just another superhero story.
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天使くん推す @angeldeviloshi.bsky.social · 28/09/2026
Hey I had a thread that touched on something like this.
Excerpt from an interview with Fujimoto and Kore-eda about the live action Look Back movie.

Kore-eda:
'voice' becomes crucial. Whether the character I wrote in the script speaks in the actor's voice or not is a huge factor. If I can write the lines in the actor's voice I can naturally embody the character. Conversely, if the voice is different, it becomes difficult. That might be the biggest difference between acting and manga.

Fujimoto:
That's true about voices, manga doesn't have voices after all.

Kore-eda:
It's hard to change a person's voice, so I might even be more concerned with it than the face. Of course, I make minor adjustments to the script to suit the casting.
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天使くん推す @angeldeviloshi.bsky.social · 28/09/2026
:)))))
Excerpt from an interview with Fujimoto and Kore-eda about the live action look back movie.

Interviewer:
For Kore-eda: Nobody Knows (2004) is a film that, like Fujimoto-sensei drawing Look Back, is something that you felt you couldn't move forward without making. How was it while making this film?

Kore-eda:
When I was in my twenties, the incident that forms the basis of that film happened in Tokyo, and as I looked into it out of curiosity, various things started to click. Eventually, I just thought, "I can understand this boy better than anyone!" Of course, it was just an assumption, but I felt that I had to leave some kind of record no matter how long it took, not out of a sense of social justice, but a personal mission. Perhaps I wouldn't have been able to create it if I hadn't convinced myself of that.

Interviewer:
So it's like remembering things that catch your attention in everyday life?

Kore-eda:
I suppose it's more like a lingering feeling of unease. Regarding my previous film,, Sheep in the Box (2026), I had a similar feeling when I saw the news about reviving [enka singer] Misora Hibari using AI. I thought, "Is it really OK to do this?"and "Who said this is a good idea?" That kind of unease.Excerpt from an interview with Fujimoto and Kore-eda about the live action look back movie.

Kore-eda:
At the time I didn't really put it into words and just left it, but when similar cases came up, I started to feel a sense of unease thinking about all the connections I saw.

Interviewer:
How do you create a story?

Kore-eda:
A lot becomes clear as I write the script. Even if I can see the ending. It changes when I actually write it, and I rarely reach the initial thought I had about the ending. The characters start moving in my head and as I follow them, the story becomes clear. While you can add other elements, the story won't develop unless the characters start moving first. It's better to have the characters before the story.

I then have people read the plot I've written, much like an editor would read a mangaka's work. Usually it's about three people.

Fujimoto:
I also have three people review my work now. In my case, I writ a rough plot, then a more detailed plot, and then the storyboards. I think it's probably the same method as many mangaka, but the story changes at each stage. It's different for serialised works because I think about the whole story as I go along, but for one-shots, I always have the whole story in my mind, and it's easier to draw that way. Just like Kore-eda, I-
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天使くん推す @angeldeviloshi.bsky.social · 28/09/2026
Incredible. He actually name dropped it for his own work. Telling on himself with yet another Kenji Miyazawa reference.
Excerpt by Fujimoto for his interview about the live action Look Back movie.

"It's not music, but there were a lot of train sounds and images in the film. Besides the scenes when they're on the train, trains pass by outside Fujino's workplace, and you can hear the sound of trains when she comes to art school. It made me think a lot of things, like how it overlaps with the story of seeing off a friend in a world of fantasy, like in Night on the Galactic Railroad (1985)."
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天使くん推す @angeldeviloshi.bsky.social · 28/09/2026
Ok back to reading the interview
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天使くん推す @angeldeviloshi.bsky.social · 28/09/2026
The whole segment about music has me :)
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MasterSauce @mastersauce.bsky.social · 15/06/2026
WHICH ONE WILL IT BE, 30-YEAR-OLD FURRY ARTIST??? #shitpost
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天使くん推す @angeldeviloshi.bsky.social · 28/09/2026
*reading someone's translation of the interview with fjmt on the live action look back movie rn* This exact thing is also why "Just Listen To The Song" is really unique to me as a story and also my Gun AU composer OC brainrot lol.
Excerpt from an interview by Fujimoto Tatsuki with Kore-eda Hirokazu about the live action Look Back movie. 

"-imagined. You can never include music in manga, so I was happy to see this kind of presentation in the film. The song itself is wonderful, and it was great to hear different versions playing like theme songs."
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天使くん推す @angeldeviloshi.bsky.social · 28/09/2026
Reading fjmt's interviews about his art journey never stops feeling like a punch in the face every time.
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天使くん推す @angeldeviloshi.bsky.social · 28/09/2026
Since starting my job at the bookstore, it's nice to see that there are still kids who're into books be it novels, comics or colouring/activity books. Esp by local writers for various genres and age groups.
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トガクハジメ @togakuhajime.bsky.social · 28/09/2026
カブト
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天使くん推す @angeldeviloshi.bsky.social · 28/09/2026
Still thinking about this banger of a tweet I saw yesterday. The Hanekawa pfp makes it even better.
A tweet reply from user HanekawasHero that says

"A fish doesn't know land. Doesn't make grass niche."
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天使くん推す @angeldeviloshi.bsky.social · 28/09/2026
Church Arc is just Fire Punch
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天使くん推す @angeldeviloshi.bsky.social · 28/09/2026
Thinking abt the people who made Fire Devil contracts in p2 and transformed into devils. Them being given a sort of name to associate with their devil identities because they weren't birthed from concepts but reborn through the concepts they took into themselves. A form of baptism. Ough. CSM & Yoru.
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コミックナタリー @comic.natalie.mu · 28/09/2026
「ジャンプフェスタ2027」計34作品のプログラムを展開、新ラウンジやチケット情報も natalie.mu/comic/news/691296?utm_so… #ジャンプフェスタ #ジャンフェス
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淵゛(ぶち) @qooo003.bsky.social · 27/09/2026
ラフ🍁
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天使くん推す @angeldeviloshi.bsky.social · 27/09/2026
I like when I think up scenarios for my Gun AU that makes you feel like ur held at gunpoint experiencing it.
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天使くん推す @angeldeviloshi.bsky.social · 27/09/2026
These two scenes are the same to me. What does "going to school" indicate for Asa and Reze. Much to think about.
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天使くん推す @angeldeviloshi.bsky.social · 27/09/2026
And it's more famous spiritual successor. www.youtube.com/watch?v=btgo...
youtube.com
Gumi - Mozaik Role (モザイクロール) (Translyrics)
YouTube video by vgperson
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天使くん推す @angeldeviloshi.bsky.social · 10/04/2025
AsaYoru song. (Title is Dummy Dummy) youtu.be/dvRKvDIe4Vc?...
youtu.be
ダミーダミー
YouTube video by DECO*27 - Topic
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