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Not (A.) I.

@aerialeverything.cryptoanarchy.network
1.4K followers 839 following 1.7K posts

PhD Humanities: Aerial Perspectives; Landscape Traditions; Operational Images; Critical AI; AI Slop & Visual Culture; Surveillance Studies; Also Art Criticism; Definitely Coffee. Professoring in the gig economy.

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Not (A.) I. @aerialeverything.cryptoanarchy.network · 6h
Another photo of our times.
A youth is detained by an anti-riot officer during clashes in Nancy, France, on Monday. (Jean-Christophe Verhaegen/AFP/Getty Images). In this photo, an anti-riot officer towers over a child and holds a baton to his head.
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 30/09/2026
NAZA debuts in Montreal starting Friday, October 2 at Cinema du Musée. Link to schedule & ticket purchase in ALT.
Screen shot of "Now Playing" at Cinéma du Musée in Montreal highlighting NAZA screenings beginning Friday Oct. 2 at 3:10pm, 7:30pm, 9:30pm. https://cinemacinema.ca/en/cinema-du-musee/schedule?date=2026-10-02
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 27/09/2026
Constructed my @cleanairkits.bsky.social CR box tonight. Added an activated carbon sheet to filter VOCs. The fans are mega quiet compared to commercial air purifiers or box-fan CR box! My taping is not pretty, but these fans are amazing. Compared to our Levoit air filter, it is night and day.
White Corsi-Rosenthal box (Brisk Box by Clean Air Kits) with three computer fans on top.White Corsi-Rosenthal box with black carbon-activated filters taped over the Filtrete filters.
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 23/09/2026
Here are the 2025 mayoral candidates positions on safety/policing. Only one candidate was not pushing the surveillance state. He did not win. Martinez Ferrada making good on her opening promise on body cams (with a side of "robots.") Link to article in ALT
Luc Rabouin
Projet Montréal
The party favours police officers wearing body cameras. It would amend municipal bylaws to protect against racial and social profiling. It would maintain Montreal police's specialized intimate partner violence team and support shelters for women victims of violence and their children to ensure rapid and concrete support. It would install more lighting in parks, public spaces and active transportation links to strengthen the feeling of safety. It would "improve the effectiveness" of interventions by mixed teams (police and civilians trained in social work) in situations involving precarious people. It would ensure firefighters have access to high-performing and safe equipment.


Soraya Martinez Ferrada
Ensemble Montréal
The party favours police officers wearing body cameras. It would install cameras in public spaces, in collaboration with the Montreal  police to determine appropriate locations. It would create a voluntary Montreal registry of private surveillance cameras. It would hire up to 230 special constables to cover the STM network. It would improve the lighting of parks and public spaces. It would increase public safety committees in each neighbourhood. It would call on mixed teams made up of police and social workers for interventions. It would invest $12.5 million next year and $3 million annually afterward in firefighters' equipment, as well as $110 million until 2029 to modernize fire department vehicles.

Craig Sauvé
Transition Montréal
The party would implement strict controls on police overtime to finance prevention initiatives. It would establish a new civil service. It says it would put an end to random street checks and increase investment in prevention by $25 million annually. It would limit interventions of the Montreal police to urgent security issues.The party favours police officers wearing body cameras. It would install smart surveillance cameras to deter criminal acts. It would increase police patrols in neighbourhoods affected by "street gangs, trafficking, prostitution, delinquency, and intercommunity tensions.” It says it would ensure fair and non-discriminatory interventions but did not specify how. It would regulate religious gatherings through police enforcement. It would require a permit for any religious event in a public space, evaluated based on "strict criteria" of safety, traffic flow, and a "respect for secularism," with designated locations and times to prevent any disruption. It would aim to prohibit "spontaneous prayers." It would launch an awareness campaign in schools, associations and neighbourhoods to promote secularism and strengthen Montreal’s unity.

Jean-François Kacou
Futur Montréal
The party would create a police squad targeting violence and drug trafficking downtown. It would invest in video surveillance, including body cameras for police, and other digital tools for tracking interventions. It would increase police patrols, reduce response times and install more surveillance cameras in alleys and parks. It says it would improve the integration of technological evidence in the judicial system but did not specify how. It would work with Montreal police to train Metro security officers in "frontline intervention tactics." It would set up a social intervention hotline for citizens to reduce the number of 911 calls and establish a single point of contact for police services in social intervention cases.

https://newsinteractives.cbc.ca/features/2025/montreal-municipal-election/#montreal-municipal-2025-active-transit
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 21/09/2026
I'm going to give these charcoal filters a shot w the clean air kits I just ordered. We discovered mold in our crawl space & need to get it decontaminated. In the meantime, I got air quality monitor for kid's room & VOCs are climbing as it calibrates, even w window open & air purifier running.
Charcoal activated filters for filtration of dust, VOCs, Odours, Cooking Fumes, Grease, Smoke, Allergens, Pet Hair and many more invisible air pollutants.
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 21/09/2026
I went to the International IDEA site to reference the Global State of Democracy 2026 study and along the way traversed the "Cookies Policy" page, which had a tab labelled "Email Tracking." I guess "advancing democracy worldwide" begins with surveillance.
Email tracking

Some of the emails we send to you may contain a ‘web beacon pixel’ or tracked links which allows us to identify when you have opened the email and to verify which links contained in the email you have accessed. We use this information to determine which parts of our emails are of most interest to you.

You can delete the pixel by deleting the email. If you do not wish to download the pixel to your computer or other device, you can ensure this by selecting to receive emails from us in plain text rather than HTML.

Alternatively you can unsubscribe from our mailing list by contacting us at info@idea.int.
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 20/09/2026
In case you needed 1min29sec of a black cat watching his fave program on the kitty channel
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 19/09/2026
Now the US Govt has 'hallucinating AI' to manufacture false narratives to start wars with, vs the analogue versions of the past.
Slide from Colin Powell's infamous Powerpoint presented at the UN Security Council in 2003, which he used to make the case for an invasion of Iraq based on "intel" that the country possessed weapons of mass destruction. The slide features two black-and-white satellite images labelled with enormous yellow caption boxes that cover 1/4 of the images. The labels indicate features such as "chemical munitions bunkers" and "sanitized bunkers" -- all of which was proven false.
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 15/09/2026
Exhibit A and B in the case for "AI-enhanced" learning.
Bluesky post that reads: Please admire this slop-guide to the U.S. government that my kid received in this ninth grade government class. Beneath are two images featuring a flow chart of nonsense and at time illegible words. Post featuring New York Times article "Universities Sound Warnings About AI Even as the They Embrace It." Quote above it reads: "One 2025 study out of MIT found that people who used chatbots as writing assistants struggled to remember what they had written on minutes after finishing their essay."
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 15/09/2026
A new sub-species of positive interaction thanks to the mass embedding of AI that no one asked for is when your vet has read your file and observes your refusal of its use in appts and says no problem.🫠 Don't know how anyone would read the notice and not see this as surveillance.
Notice at vet clinic featuring image of a winking Corgi that I can only assume was AI-generated. Message reads: Quick heads up! We use a program that records our conversation to assist with your medical records. This helps us put our full focus on you and your pet. In very small lettering in pale grey it says you can ask staff for more information.

No mention of AI or the possibility of opting out.
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 13/09/2026
Look at these eyelashes. 😍
A male masked trogon on the nest at the Buenaventura reserve.
Photograph: Javier Aznar González de Rueda. 
A multi-coloured bird with a lot of pizazz looks out of the hollow of a tree. Its breast and head is a forest green, which turns to lime green then red on its stomach. It has black floofs of feathers around its yellow-orange beak, so that it resembles a beard. Its eyes are lined with red and adorned with long eyelashes.
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 31/08/2026
Montréal: All Out Against 'All In'
Poster for anti-AI demonstration on a signpost. Reads: " The biggest AI development conference in Canada comes to town. All Out Against 'All In' Demonstration. Wednesday September 16, 4:30 pm at Place Jean-Paul Riopelle (who I'm pretty sure will be there in spirit).
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 21/08/2026
Her tattoo 🔥 Rene Magritte, The Lovers II, 1928
Screen shot from video clip of that shows a grayscale tattoo on front of upper right arm, which is a representation of Rene Magritte’s The Lovers II. The tattoo features a couple with heads and faces wrapped in a white shroud embracing in a kiss. A couple with their heads and faces covered in white shrouds embrace in a kiss. One figure is dressed in a black suit and tie and the other in a rust-coloured sleeveless top. The figures are cropped at the torso and  framed in tight geometrical/architectural space, with a blue mottled sky behind them.
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 08/08/2026
I keep thinking about this thread re: 19th C. The extract below is from Virilio's Open Sky (p19). The "transfer machine" is apt phrasing for the current promoted use cases for Gen AI.
Redundancy of man's muscular strength in favour of the ´machine tool' from the nineteenth century on. Now redundancy, permanent unemployment, of his memory and his consciousness, with the recent boom in computers, in ´transfer machines', and the automation of postindustrial production combining with the automation of perception, and finally with computer-aided design, enabled by the software market, ahead of the coming of the artificial intelligence market.
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 07/08/2026
Samuel Beckett’s Trilogy: Molloy, Malone and The Unnamable. Beckett’s stories and plays often feature the disabled and disenfranchised, or those whose mobility is impeded by circumstance often represented by claustrophobic spaces. All his work has enduring relevance & the prose & creativity are🔥
Book jacket for Samuel Beckett’s Trilogy, Molloy, Malone Dies, and the Unnamable that features the book’s title overlaid on a sepia-toned photograph of Beckett, sitting cross-legged and looking pensive, probably at the attendance of a rehearsal of one of his plays.
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 05/08/2026
This article is so bonkers. But also very transparent about the aims of “AI.” Ugh, community and all its friction. Thank goodness AI can relieve us of that.
"Another kind of feedback was from the academic researcher side. Everyone there sees that sharing research results has been a pain point for hundreds of years, because any scientific breakthrough is a joint effort. It doesn’t come from individual brilliant scientists. It’s from a community effort, different people pushing in different directions."
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 05/08/2026
Ok everybody let’s work together to make things more efficient for AI agents that are going to make everything more efficient for us. Never mind the spine tingling you might feel when you land on the word “replacement."
“AI agents are becoming first-class participants in research workflows, not tools that assist humans but autonomous contributors that read, reproduce, and extend scientific work. That transition demands infrastructure built around agents from the start,” the authors write in the provocative article, titled “The Last Human-Written Paper.” The paper proposes a replacement, called an “Agent-Native Research Artifact” (ARA), that presents work in a format AI agents can use efficiently. (As an example, the paper itself is online in ARA form.)"
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 05/08/2026
Excerpt from ‘Lavender’:The AI machine directing Israel’s bombing spree in Gaza” By Yuval Abraham in  +972 Magazine April 3, 2024

https://www.972mag.com/lavender-ai-israeli-army-gaza/

In “The Human-Machine Team,” the book referenced at the beginning of this article, the current commander of Unit 8200 advocates for such a system without referencing Lavender by name. (The commander himself also isn’t named, but five sources in 8200 confirmed that the commander is the author, as reported also by Haaretz.) Describing human personnel as a “bottleneck” that limits the army’s capacity during a military operation, the commander laments: “We [humans] cannot process so much information. It doesn’t matter how many people you have tasked to produce targets during the war — you still cannot produce enough targets per day.”
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 05/08/2026
And Joseph Beuys! He is mentioned, but I think his work belongs on this list (it is definitely on mine). It would be hard to choose just one though.
Joseph Beuys, The Pack, 1969. Sculpture consisting of several wooden sleds on which felt rolls and  flash lights are attached. They appear to be crawling out of the open back of a beige 1960s model Volkswagen van.Joseph Beuys, Fat Chair, 1968. A wooden chair that has a large triangular wedge of yellow fat on the seat that reaches to just below the top of the back rest.
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 05/08/2026
Double helicopter sunset
Photo with tree tops lining the bottom edge of frame. Above them is a soft pink sky, with two helicopters flying through it. They are small bc of the scale of distance.
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 02/08/2026
The poster is the work of Winnipeg-born artist, Marcel Dzama. In his early work, he used root beer as a pigment (as in example from 2003 below).
Marcel Dzama, Untitled, 2003. Ink, watercolor, and root beer concentrate on paper. Seven odd characters dressed in military gear march in three rows towards the right edge of the paper. Colour palette is tonal: khaki green, brown, burgundy and grey. https://www.moma.org/collection/works/95870
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 31/07/2026
Contemporary world picturing in two stories:
Headline from Al Jazeera (April 5, 2026) that reads : "US satellite firm Planet Labs announces blackout on war on Iran images. “
Source:
https://www.aljazeera.com/news/2026/4/5/us-satellite-firm-planet-labs-announces-blackout-on-war-on-iran-imagesTitle of Google blog post July 30, 2026: “Transform any place with Nano Banana in Google Earth”
https://blog.google/products-and-platforms/products/earth/nano-banana-google-earth-image-generation/
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 31/07/2026
"But the regulation also has a security rationale: important details of strategic sites get camouflaged at the 0.5-meter resolution, as are the consequences of violence and violations such as drone strikes on buildings.”
Excerpt from Eyal Weizman, Forensic Architecture: On The Threshold of Detectability, 27. The second paragraph: “The reason for halting the process of improving the resolution of publicly available satellite images was that at 0.5 meters, the pixel resolution corresponds to the dimensions of the human body — an area 0.5 meters by 0.5 meters is roughly the size of the human body as seen from above. As such, the pixel could be thought of as analogous to what Le Corbusier called a “modulor” —a system or proportions and measurements that relate to the human body. The satellite images’ modulor was not meant to help organize space, but rather to remove the human figure from representation. The human body was now drowned within the pixel resolution available to independent groups to analyze human rights violations. 
       The 0.5-meter resolution was selected as a limit of publicly available (continued in next image)Previous paragraph continued:
“images because it bypassed risks of privacy infringement when recording people in public spaces, much in the same way that Google Street View blurs the faces of people or car license plates. But the regulation also has a security rationale: important details of strategic sites get camouflaged at the 0.5-meter resolution, as are the consequences of violence and violations such as drone strikes on buildings."
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 31/07/2026
"The photographic modulor: pixel sizes in relation to the dimensions of the human body.” Source: Weizman, Forensic Architecture, p. 26
Graphic that shows the resolution of publicly available satellite images over time that uses the logic of Corbusier’s modulor. Pixel sizes were not large enough to capture the human body. A red square shows how varying pixel sizes capture the presence of the human body
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 22/07/2026
Today was crappy; I felt crappy but then this book that contains my favourite essay (The Instrumental Image), which I've coveted for years arrived, still wrapped. Thought I'd bought a gently used version. I'll run my hand over the plastic a few more times before I break the seal. sigh.
The front cover of Allan Sekula's Photography Against the Grain: Essays and Photo Works 1973-1983. The cover is black with light green text and a light green rectangle in centre on which there are black graphics.
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 21/07/2026
Nixon’s head in a jar from a scene in Futurama.
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 19/07/2026
"The average estimated cost of MQ-9s is $34m in 2024. If 30 were really shot down in four months that is a cost of more than $1bn for the US military." Source: Al Jazeera, Live Updates Iran War, July 19, 2026 (link in ALT)
Iran says 30 MQ-9 drones shot down since US-Israel war started

By Resul Serdar Atas
Reporting from Tehran, Iran
Iran’s Revolutionary Guard says it shot down an MQ-9 Reaper drone of the US over the city of Ahvaz.

This is the fourth American MQ-9 drone shot down by Iran in the last eight days, according to the authorities. These are expensive and sophisticated drones used for both surveillance and attack.

Iranians say they have downed more than 150 US drones since the beginning of the war with about 30 of them being MQ-9s.

In the first week of March, US Secretary of State Hesgeth said his country is in full control of Iranian airspace. MQ-9s are known for not being easily detected by air defence systems."
 
[continued in next image]
source:
https://www.aljazeera.com/news/liveblog/2026/7/19/iran-war-live-us-launches-new-strikes-trump-mourns-killed-soldiers"In the first week of March, US Secretary of State Hesgeth said his country is in full control of Iranian airspace. MQ-9s are known for not being easily detected by air defence systems.

Iranians say they have new and advanced air defence systems, and if they have downed 30 Reapers this is in contradiction with what the secretary is claiming.

The average estimated cost of MQ-9s is $34m in 2024. If 30 were really shot down in four months that is a cost of more than $1bn for the US military."

Source: https://www.aljazeera.com/news/liveblog/2026/7/19/iran-war-live-us-launches-new-strikes-trump-mourns-killed-soldiers
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 18/07/2026
Throwback to 2003, at the meeting of the UN Security Council as the US argues for invasion of Iraq as purportedly they are in possession of weapons of mass destruction. In this photo, Colin Powell, wearing a dark suit and burgundy coloured tie, holds up a vial holding a yellowish substance meant to represent the amount of Anthrax that closed the U.S. Senate in 2002.
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 14/07/2026
Today, on the edge of thunderstorms, the sky in Montreal is like a Wanda Koop painting.
Wanda Koop, Smoke, 2023
A minimalist landscape painting on a vertically ordered canvas. The background is a greyish yellow, representing the sky (which dominates the composition) and the water beneath it. In the foreground is a glimpse of a dark grey shoreline and on the horizon, there are silhouettes of city architecture in a lighter grey, with a faint orange line dividing where land meets water. In the high middle of the painting is a large red-orange sun and below, near the bottom edge is an exclamation mark in a faded variety of that same colour.
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 14/07/2026
Currently, in Montreal the sun is red and the sky is yellow and the air feels like wet cement and I'm sure everything is fine.
Yellow grey background with a red dot in it. Looks like a Wanda Koop painting, but is actually a photo of the sky in Montreal on a day with severe storm warnings.
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 12/07/2026
"Lanier asked a company called BoodleBox to make him a bespoke AI incorporating a combination of Gemini, Claude, ChatGPT and other existing models."
The jury might have been anonymous, but the legal teams were able to gather a significant amount of data about each member during jury selection, Lanier explains. “We have questionnaires they filled out that tell us their age, their gender, their occupational history, their family status. But it gives us more insight: it asks, who are three people you most admire and why? Who are three you least admire and why? How do you feel about this or that on a scale of one to 10?” Armed with a dossier of information, Lanier’s AI created models of every juror, “a demographic and psychological exemplar” of each one that allowed him to try out potential arguments on individual members. At the end of each day in court, he would feed the transcripts to his AI shadow jury and ask questions. What did juror number 11 think of the witness? What did juror number seven think was important? Where did juror number three get confused? “Pretty cool,” he grins.
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 12/07/2026
“It’s early days, but we’ve already learnt that curating a critical mass of unique, distinctive datasets has piqued the interest of even some of the largest global technology companies,” Gurr says. Last month, his museum licensed its biodiversity health data to asset management group BlackRock, which is using it to improve the model for its sustainable investing intelligence platform
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 06/07/2026
@dadshammdad.bsky.social got my tee in the mail! Many thanks. I love it.
My new favourite tee shirt. Black tee with white letters all-cap reading : ANTI-FASCIST BICYCLE CLUB
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 02/07/2026
Temp w humidity predicted tomorrow in Montreal: FORTY-SIX degrees Celsius. ☠️
Panels from weather network showing predicted temps for Montreal tomorrow afternoon, evening, and night (46, 39, 29).
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 15/06/2026
Also Taylor & Francis:
Excerpt from the AI Policy page on the Taylor and Francis website. It says:

AI Policy

"Generative Artificial Intelligence (AI) tools, such as large language models (LLMs) or multimodal models, continue to develop and evolve, including in their application for businesses and consumers.  

Taylor & Francis welcomes the new opportunities offered by Generative AI tools, particularly in: copyediting and language refinement, enhancing idea generation and exploration, supporting authors to express content in a non-native language, and accelerating the research and dissemination process. "

I highlighted the bit about enhancing idea generation and exploration, which is generally what the blank page challenges a writer to do using imagination and research.
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 24/05/2026
Referencing the book Ansel Adams Examples, the Making of 40 Photographs (pp 40- 43), one is reminded of the confluence of serendipity and deliberation that made this image. Sorry for quality of pics and limited ALT text. /8
Bluesky limitation on characters prohibits me from the including entire ALT, so here are highlights.

"The making of this photograph-- it is certainly my most popular single image--combined serendipity and immediate technical recall. [...]

We were sailing southward along the highway not far from Española when I glanced to the left and saw an extraordinary situation-- an inevitable photograph! I almost ditched the care and rushed to set up my 8x10 camera."

Adams then goes on to describe the technical skills he employed to capture the photograph. 
On this page, Adams continues the technical discussion of Moonrise. Here is the excerpt pertaining to the clouds:

There were light clouds in a few areas of the sky, and the clouds under the moon were very bright (two or three times as bright as the moon!). I burn-in the foreground a little toward the bottom of the print. I then burn along the line of the mountains, keeping the card edge in constant motion. In addition, I hold the card far enough from the paper to produce a broad penumbra in its shadow; this prevents a distinct dodging or burning line, which would be very distracting.  I also burn upward a bit to the moon to lower the values of the white clouds and the comparatively light horizon sky. I then burn from the top of the moon  to the top of the image with several up-an-down passages.

It is difficult to make prints from this negative that I truly like; papers differ, toning sometimes gives unwanted density changes etc. It is safe to say that no two prints are precisely the same. On this page, Adams talks about the uncertainty around dates of his negatives and the technological procedures used to determine them.

Finally, the essay ends with this paragraph:

This photograph has undoubtedly evoked more comment than any other I have made and represents an unusual situation of content and effect. I am sure that the image would command general interest for the subject alone. It is a romantic/emotional moment in time. I think it would have a certain appreciation even if poorly printed. However, the mood of the scene requires subtle value qualities in the print that I feel are supportive of the original visualization. The printed image has varied over the years; I have sought more intensity of light and richness of values as time goes on.
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 24/05/2026
One can find bios for the artists represented by the Catherine Couturier on the Gallery website. Ansel Adams is included, which makes mention of the seriality of Moonrise. This detail makes the serial AI-generated version by Danziger Gallery even more problematic. /7
Ansel Adams bio on Catherine Couturier Gallery website: https://www.catherinecouturier.com/artists/ansel-adams/

Ansel Adams was an American photographer best known for his iconic images of the American West, including Yosemite National Park.
Ansel Adams was born on February 20, 1902, in San Francisco, California. Adams rose to prominence as a photographer of the American West, particularly Yosemite National Park, using his work to promote conservation of wilderness areas. His iconic black-and-white images helped to establish photography among the fine arts. He died in Monterey, California, on April 22, 1984.In 1928, Ansel Adams married Virginia Best, the daughter of the Best’s Studio proprietor. Virginia inherited the studio from her artist father on his death in 1935, and the Adamses continued to operate the studio until 1971. The business, now known as the Ansel Adams Gallery, remains in the family.

Adams’ professional breakthrough followed the publication of his first portfolio, Parmelian Prints of the High Sierras, which included his famous image “Monolith, the Face of Half Dome.” The portfolio was a success, leading to a number of commercial assignments.

Between 1929 and 1942, Adams’ work and reputation developed. Adams expanded his repertoire, focusing on detailed close-ups as well as large forms, from mountains to factories. He spent time in New Mexico with artists including Alfred Stieglitz, Georgia O’Keeffe and Paul Strand. He began to publish essays and instructional books on photography.

During this period, Adams joined photographers Dorothea Lange and Walker Evans in their commitment to affecting social and political change through art. Adams’ first cause was the protection of wilderness areas, including Yosemite. After the internment of Japanese people during World War II, Adams photographed life in the camps for a photo essay on wartime injustice.

Weeks before the attack on Pearl Harbor in 1941, Adams shot a scene of the moon rising above a village. Adams re-interpreted the image—titled “Moonrise, Hernandez, New Mexico”—over nearly four decades, making over a thousand unique prints that helped him to achieve financial stability.

By the 1960s, appreciation of photography as an art form had expanded to the point at which Adams’ images were shown in large galleries and museums. In 1974, the Metropolitan Museum of Art in New York hosted a retrospective exhibit. Adams spent much of the 1970s printing negatives in order to satisfy demand for his iconic works. Adams had a heart attack and died on April 22, 1984, at the Community Hospital of the Monterey Pen…
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 24/05/2026
Again, there are a lot of reviews, but I found one in Blind Magazine by Ben Small that mentions Adams' "Moonrise" and features an image of the work. As a scholar of landscape and an art critic, I take issue with the reduction of this tradition as ornamental, but I won't get into that here. /5
Excerpt from Blind Magazine review of AIPAD show at the Armoury.


The world at a distance

There is a long tradition of treating landscape as the dependable anchor: the beautiful vistas and horizons that collectors trust and decorators reach for. What the fair delivers this year is something more unsettling: landscapes that use beauty to deliver something more profound.

The first thing that stops the eye is at Catherine Couturier Gallery out of Houston: a gelatin silver print of a small New Mexico village at dusk, a moon hanging impossibly bring above a flat horizon, snow on distant mountains, white crosses in a graveyard catching the last light. Ansel Adams made this in 1941, printed it in the 1960s, and it is one of those photographs that you can argue about endlessly: too famous, too reproduced, too beautiful maybe. Moonrise, Hernandez, New Mexico is not beautiful in the sentimental sense. It is precise and the dark sky is not romantic. The light on those graves is not poetic, it is factual, and these facts make it devastating.
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 24/05/2026
I was curious if there were other AI-booster galleries exhibiting, but the list of exhibitors is too long for Sunday morning sleuthing. /3
2026 EXHIBITORS

MAIN GALLERY SECTOR

19th Century Rare Book & Photograph Shop | New York, NY
Alta | Anyós, Andorra
Augusta Edwards Fine Art | London, UK
Bildhalle | Zurich, Switzerland | Amsterdam, The Netherlands
Bruce Silverstein | New York, NY
Catherine Couturier Gallery | Houston, TX
Cavalier Galleries | New York, NY | Greenwich, CT | Nantucket, MA | Palm Beach, FL
Charles Isaacs Photographs | New York, NY
CLAMP | New York, NY
Curatorial Gallery | London, United Kingdom
Daniel / Oliver Gallery | Brooklyn, NY
Danziger Gallery | New York, NY
Deborah Bell Photographs | New York, NY
Echo Fine Arts | Cannes, France
Edwynn Houk Gallery | New York, NY
Form. Gallery | Dinard, France
Galerie Olivier Waltman | Miami, FL | Paris, France
Galerie XII | Los Angeles, CA | Paris, France
Galerie Sophie Scheidecker | Paris, France
Gana Art | Seoul, South Korea | Los Angeles, CA
Gilman Contemporary | Ketchum, ID
Gitterman Gallery | New York, NY
Gregory Leroy Photographs | Madrid, Spain
HackelBury | London, United Kingdom
Hans P. Kraus Jr. Inc. | New York, NY
Higher Pictures | Brooklyn, NY
Holden Luntz | Palm Beach, FL
Howard Greenberg Gallery | New York, NY
The Hulett Collection | Tulsa, OK
IBASHO | Antwerp, Belgium
Ilaria Quadrani Fine Art | New York, NY
IN-DEPENDANCE by IBASHO | Antwerp, Belgium
INTHEGALLERY | Copenhagen, Denmark | Palma de Mallorca, Spain
Jackson Fine Art | Atlanta, GA
Janet Borden Inc. | Brooklyn, NY
jdc Fine Art | San Diego, CA
Keith de Lellis Gallery | New York, NY 
La Galerie de l’Instant | Paris, FR
LARGE GLASS | London, UK
Leica Gallery New York | New York, NY
Marshall Gallery | Los Angeles, CA
Michael Hoppen | London, United Kingdom
Michael Shapiro Photographs | Westport, CT
Momentum | Miami, FL
Monroe Gallery of Photography | Santa Fe, NM
Nailya Alexander Gallery | New York, NY
Obscura Gallery | Santa Fe, NM
Paul M. Hertzmann, Inc. | San Francisco, CA
POLKA Galerie | Paris, France
Rick Wester Fine Art | New York, NYRobert Koch Gallery | San Francisco, CA
Robert Mann Gallery | New York, NY
Rolf Gallery | Buenos Aires, Argentina
Ruiz-Healy Art | New York, NY | San Antonio, TX
Scheinbaum & Russek Ltd. | Santa Fe, NM
Scott Nichols Gallery | Sonoma, CA
Staley-Wise Gallery | New York, NY
Stephen Bulger Gallery | Toronto, ON
Stephen Daiter Gallery | Chicago, IL
Throckmorton Fine Art | New York, NY
Toluca Fine Art | Paris, France
Vasari | Buenos Aires, Argentina
Von Lintel Gallery | Los Angeles, CA
Yancey Richardson | New York, NY

FOCAL POINT SECTOR

Be Fine Art Gallery | Chiayi and Taipei City, Taiwan | Artist: Hsu-Pin Lee
C + C Gallery | New York, Nantucket, and Palm Beach | Artist: Dean West
Central Server Works | Los Angeles, CA | Artist: Lenard Smith
Duncan Miller Gallery | Los Angeles, CA | Artist: Jacqueline Woods
ELLEPHANT | Montreal, Quebec, Canada | Artist: JJ Levine
Glaz Gallery | Moscow, Russia | Artist: Zhenya Mironov
Galerie Catherine et André Hug | Paris, France | Artist: Susan Burnstine
L. Parker Stephenson Photographs | New York, NY | Artist: Ray Mortenson
LAS Contemporary | Nashville, TN | Artist: Chrissy Lush
Proyecto CALLE | Buenos Aires, AR
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 24/05/2026
Upon visiting the AIPAD (Association of International Photography Art Dealers) website [link in ALT text], one is met with this declaration (highlight mine). Why is an org dedicated to maintaining high standards of photographic art permitting AI-generated work in its exhibition? /2
The Association of International Photography Art Dealers encourages public support of fine art photography by acting as a collective voice for the dealers in fine art photography and through communication and education that enhances the confidence of the public, museums, institutions and others in responsible fine art photography dealing.

To read more about the History of AIPAD, click here.

The Association of International Photography Art Dealers [AIPAD] was organized in 1979. With members in the United States, Australia, Canada, Europe and Japan, the Association has become a unifying force in the field of photography. AIPAD is dedicated to creating and maintaining high standards in the business of exhibiting, buying, and selling photographic art.

Acting as the collective voice of the art photography dealers that make up its membership, AIPAD maintains ethical standards, promotes communication within the photographic community, encourages public appreciation of photography as art, concerns itself with the rights of photographers and collectors, and works to enhance the confidence of the public in responsible photography collecting. AIPAD members provide a wide range of services to the public, such as exhibitions, appraisals, expert opinions and consultations.
https://www.aipad.com/aboutThe Association of International Photography Art Dealers [AIPAD] was organized in 1979. With members in the United States, Australia, Canada, Europe and Japan, the Association has become a unifying force in the field of photography.
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 24/05/2026
The AI-generated image boasts a flat homogenized glow, while the bright architectural elements & the frosted surfaces of the vegetation cause the foreground to overtake the composition. In the photograph, these elements are more muted, inviting viewers' eyes to travel towards the horizon line.
AI-generated colourized image in imitation of "Moon Over Hernandez" by Ansel Adams. Underneath the image is the following text:
A.I. GENERATED
From the prompt: Make a realistic colour version of Ansel Adams; iconic "Moonrise Over Hernandez"
Proofed, regenerated & photoshopped from 11/25-4/26
Printed by master printer Esteban Mauchi
Editions of 10 in 3 sizes -- 20x24", 24 x30", 30 x 40"Image source: https://www.moma.org/collection/works/53904
Screenshot of the silver gelatin print, Moonrise, Hernandez, New Mexico by Ansel Adams (1941). A black and white night-time landscape, with shrub-like vegetation in the foreground, followed by a line of architectural structures, a field in the mid-ground, and mountains running along the horizon line. Above this is a long horizontal cloud, and a pale moon.
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 24/05/2026
Rembrandt (left) also did a version of this famous biblical scene. The light effect in the two are quite distinct.
Rembrandt van Rijn. "Flight into Egypt," 1647. Nocturne landscape painting with two major sources of light. The campfire warming the travellers, Joseph, Mary, and infant Jesus and top left corner, moonlight escapes the clouds above the trees. 

Image source: https://commons.wikimedia.org/wiki/File:Rembrandt_van_Rijn,_Landscape_with_the_Rest_on_the_Flight_into_Egypt.jpg
Adam Elsheimer, "Flight into Egypt" (c.1609), oil on copper. Nocturne landscape painting, illustrating biblical scene. Four major sources of light - the moon and its reflection on the water; a torch held by Joseph illuminates Mary on the back of a donkey holding the infant Jesus; a camp fire. 
Image source: https://en.wikipedia.org/wiki/The_Flight_into_Egypt_(Elsheimer)
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 24/05/2026
For example, seventeenth-century painter, Adam Elsheimer (German) was considered a master of luminary effects, often having no less than three sources of light in any one of his compositions. Note the multiple light sources in his version of the "The Flight into Egypt" (c. 1609):
Adam Elsheimer, "Flight into Egypt" (c.1609), oil on copper. Nocturne landscape painting, illustrating biblical scene. Four major sources of light - the moon and its reflection on the water; a torch held by Joseph illuminates Mary on the back of a donkey holding the infant Jesus; a camp fire. 
Image source: https://en.wikipedia.org/wiki/The_Flight_into_Egypt_(Elsheimer)
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 24/05/2026
This photograph is a nocturne. Nocturnes, despite the suggestion of darkness, are very much a showcase of light. In art history, they were exercises that tested an artist’s technical skill in the rendering of various light effects in the dark, such as the moon, stars, open fires, and lanterns...
Image source: https://www.moma.org/collection/works/53904
Screenshot of the silver gelatin print, Moonrise, Hernandez, New Mexico by Ansel Adams (1941). A black and white night-time landscape, with shrub-like vegetation in the foreground, followed by a line of architectural structures, a field in the mid-ground, and mountains running along the horizon line. Above this is a long horizontal cloud, and a pale moon.
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 24/05/2026
Here's Adams' original as featured on MoMA's website, along with interpretive text that describes Adams' interest in technology and his process for this image.
Image source: https://www.moma.org/collection/works/53904
Screenshot of the silver gelatin print, Moonrise, Hernandez, New Mexico by Ansel Adams (1941). A black and white night-time landscape, with shrub-like vegetation in the foreground, followed by a line of architectural structures, a field in the mid-ground, and mountains running along the horizon line. Above this is a long horizontal cloud, and a pale moon. Ansel Adams was deeply interested in the visual nuances made possible by photographic technology and in registering the ways that the various stages of the photographic process could be controlled by the photographer, from the exposure of the negative to its development in the darkroom. This print is one of the first of many that he made from a single negative. Attempting to convey the intensity of his experience watching the moon rise over this austere landscape, Adams progressively increased the contrast in the prints, heightening the moon’s whiteness and deepening the sky’s darkness.
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 24/05/2026
Here's the AI-generated colourized image of Adams' photo, which is still on the Danziger Gallery website linked under the announcement for their participation in the AIPAD Photography Show at the Park Avenue Armory April 22-26. I guess the gallery doesn't care much about the Trust's complaints.
AI-generated colourized image in imitation of "Moon Over Hernandez" by Ansel Adams. Underneath the image is the following text:
A.I. GENERATED
From the prompt: Make a realistic colour version of Ansel Adams; iconic "Moonrise Over Hernandez"
Proofed, regenerated & photoshopped from 11/25-4/26
Printed by master printer Esteban Mauchi
Editions of 10 in 3 sizes -- 20x24", 24 x30", 30 x 40"
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 23/05/2026
Protest and public pressure work. -fin-
Anna Stavrianakis, a professor of international relations at the University of Sussex and expert on the global arms trade, said public pressure played a decisive role in pushing governments to reassess their export policies.

“In several cases, it has been public protest, labour organising and strategic litigation that has forced arms-exporting states to reconsider or restrict transfers,” she told Al Jazeera.

In the United Kingdom, a case brought by Al-Haq, an NGO based in the occupied West Bank, and nonprofit Global Legal Action Network (GLAN), and supported by Amnesty International and others, challenged Britain's arms exports in court.

In Spain, dockworkers refused to handle ships reportedly carrying military equipment bound for Israel, prompting authorities to block or investigate shipments.

In Canada, demonstrations and pressure from lawmakers preceded a parliamentary vote calling for a halt to transfers, after which the government paused new permits. In France, large-scale protests intensified scrutiny of arms sales.
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 23/05/2026
13/14
Despite the statements of condemnation and concern from world leaders, at least 220 shipments have arrived at Israel’s ports, originating from 28 different countries, between the ceasefire and December 31, 2025.

Neve Gordon, an Israeli professor of international law and human rights at Queen Mary University of London, told Al Jazeera that “country after country has contributed to the evisceration of the international legal order by feigning blindness and refusing to abide by their legal obligations".

“This is myopic. The very states that helped build this legal order, and invoke it constantly, are now playing a central role in its dismantlement.”
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 23/05/2026
An interactive chart with search engine can be found in the article. 12/14
Interactive chart with search engine titled "The countries and self-governing territories linked to military-related goods entering Israel.
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Not (A.) I. @aerialeverything.cryptoanarchy.network · 23/05/2026
11/14
Temporary ceasefire: A time to rearm
Between January 19 and March 18, 2025, a temporary ceasefire and exchange of Israeli captives and Palestinian prisoners took effect. It was the second pause in the war.

According to the data analysed by Al Jazeera, some of the largest single weapons consignments recorded during the war arrived during this period, suggesting that the pause in fighting may also have created space for resupply and replenishment.

In February 2025, customs records show a shipment valued at 605 million shekels ($16.6m) entered Israel through the port of Haifa. Classified under codes for tank and armoured vehicle parts, it was the single largest weapons-related import identified in this investigation.
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