iiinova — where your digital self keeps evolving

Adrian Gomar @adriangomar.bsky.social · 01/06/2026

Hello @motormike.bsky.social je suis disponible pour en parler, je suis compositeur dans le jeu vidéo et ai joué la plupart des Zelda

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Adrian Gomar @adriangomar.bsky.social · 03/04/2026

While Suno is generating 7 million songs per day, some of us are still crafting music the old way, composing it by hand and recording it with the best musicians to create unique soundtracks one at a time. No AI slop EVER

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Adrian Gomar @adriangomar.bsky.social · 27/03/2026

Hectic week post-GDC with lots of things in preparation. Can't wait to talk to you all about it 🚀

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Adrian Gomar @adriangomar.bsky.social · 17/03/2026

Hot take: I never understood all the praise for the original Alien soundtrack. I appreciate the musicianship, but in the end I don't know why I'm listening to a symphonic orchestra on a cyberpunk spacecraft. It doesn't seem like the most immersive thing for that set up

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Adrian Gomar @adriangomar.bsky.social · 16/03/2026

Had an amazing week full of meaningful connections and exceptional human beings at #GDC2026 Thank you all for your warm welcome to a first timer here, specially to the awesome audio community and to Audiokinetic Looking forward to talking with you all about what's been going on 🚀

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Adrian Gomar @adriangomar.bsky.social · 08/03/2026

100% human music, handcrafted to an insane level of detail

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Adrian Gomar @adriangomar.bsky.social · 27/02/2026

POV: you try to game but your controller has main character energy 🔈🔉🔊

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Adrian Gomar @adriangomar.bsky.social · 25/02/2026

The 2010s were the pinnacle of virtual orchestral game music. Seen from today: uncanny valley feeling everywhere. We're in a much better place now

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Adrian Gomar @adriangomar.bsky.social · 20/02/2026

The 7th guest was the first video-game soundtrack that got me completely hooked when I was 11. It was ahead of its time youtu.be/__nljZezcbg?...

youtu.be

The 7th Guest - Music Soundtracks Complete

YouTube video by Soundtracks2U

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Adrian Gomar @adriangomar.bsky.social · 18/02/2026

As many of your already know, I'll be at GDC this year. It will be my first time and I'll be looking forward to meet and discuss about game music, the Universe and Everything 🚀

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Adrian Gomar @adriangomar.bsky.social · 15/02/2026

Hybrid music. Hybrid music all the way

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Adrian Gomar @adriangomar.bsky.social · 11/02/2026

If you aim for the best, good music is not enough. In games we need good music that enhances the gameplay. It has to work both ways

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Adrian Gomar @adriangomar.bsky.social · 07/02/2026

When the composer integrates and tests music in the game engine the "breaking immersion" problem disappears. It becomes much clearer how the music can help the game

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Adrian Gomar @adriangomar.bsky.social · 05/02/2026

What you don't want is a machine that will industrially create wood sculptures because you want your carving to have its own soul. It's about being unique and fascinating in a way that allows you connect with the people who come to see it.

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Adrian Gomar @adriangomar.bsky.social · 05/02/2026

In both cases you can achieve a beautiful piece of carved wood, provided you know how to use your tools. Only using some machines is going to spare you some time on repetitive tasks that don't involve creative decisions.

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Adrian Gomar @adriangomar.bsky.social · 05/02/2026

Your job is to carve a piece of wood to make an sculpture. You could carve it entirely by hand with different tools, or you could use some machines to help you achieve the results you envision.

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Adrian Gomar @adriangomar.bsky.social · 02/02/2026

Game music really isn't like movie music. Being interactive means that the player isn't just following a character. It is the character. And the music has the power to make this agency feel powerful and personal for every single player

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Adrian Gomar @adriangomar.bsky.social · 30/01/2026

I love scoring narrative games where you have to balance how much the music serves the gameplay versus how much it follows the story. That tension often leads to the most absurd ideas, which surprisingly turn out to be the ones that work best

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Adrian Gomar @adriangomar.bsky.social · 20/01/2026

Low poly, pixel art, realistic, cell shading, hand drawn. Each one is a goldmine for musical ideas. Translate the aesthetic, not the genre, and you'll be set up to create something unique.

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Adrian Gomar @adriangomar.bsky.social · 19/01/2026

Wwise should give composers and audio designers the possibility to map the sounds to a game controller to see how it plays without needing access to the game engine. So much of what we do in music for games depends on how it feels with the controller in your hands. #vgm #composer #gameaudio

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Adrian Gomar @adriangomar.bsky.social · 13/01/2026

Composers, let your music be not only good, but also something that ressembles you. The games industry needs original and fresh voices, new ideas. Find the thing that only you can do best

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Adrian Gomar @adriangomar.bsky.social · 08/01/2026

10000 hours. That's the amount of time that takes to get good at making music. Those thinking you can bypass that effort are being fooled by some illusion of competence. It's simply not how it works.

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Adrian Gomar @adriangomar.bsky.social · 05/01/2026

Creative work is not about exporting, about presets or about adding a mono track. It is and will always be about finding and developing great ideas. Making templates for everything will help you to spend your time where it really matters.

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Reposted by Adrian Gomar

Game Audio France @gameaudiofrance.bsky.social · 15/12/2025

Clair Obscur : Expedition 33 de Sandfall Interactive est sacré Jeu de l'Année (GOTY) et remporte 9 récompenses au total aux #GameAwards2025 ! Une victoire historique pour l'industrie tricolore. Voici les talents que nous célébrons 🧵👇 #GameAudioFrance #GOTY #FrenchDev

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Adrian Gomar @adriangomar.bsky.social · 16/12/2025

My workflow: Pencil for drafting 👇 Composition and arrangement on Cubase 👇 Mixing on REAPER

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Adrian Gomar @adriangomar.bsky.social · 12/12/2025

Woodwinds + 2 Harps + string harmonics + low end horn + Debussy is a treasure trove for beautiful orchestral textures

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Adrian Gomar @adriangomar.bsky.social · 10/12/2025

Towards the end you shouldn't be using any sound straight from your template. Not because they are bad, but because you found better

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Adrian Gomar @adriangomar.bsky.social · 09/12/2025

Finding the right palette, creating themes, actually composing the music, making and polishing the arrangements, mixing and mastering. All those things need to be taken care sequentially. At the end of the day, rushing means that awesome music will be less awesome

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Adrian Gomar @adriangomar.bsky.social · 08/12/2025

Letting go a project is the hardest part. Every time it feels like leaving an awesome place where there is so much left to do

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Adrian Gomar @adriangomar.bsky.social · 05/12/2025

Your DAW is not a score, it's a virtual canvas to paint with sounds. We composers are like Renaissance oil painters, building layer over layer to create texture, volume and detail

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Adrian Gomar @adriangomar.bsky.social · 04/12/2025

Only testing your music in-game gives you the full picture of whether your music is working or not. Totally different experience from listening it in your DAW

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Adrian Gomar @adriangomar.bsky.social · 02/12/2025

No matter what they say, a well-produced texture isn't enough by any means. Melodies and themes are the only real superpower of music. It's what makes us connect emotionally with it.

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Adrian Gomar @adriangomar.bsky.social · 01/12/2025

Everyone has flaws, but if you love Bloodborne then we can be friends for sure

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Adrian Gomar @adriangomar.bsky.social · 28/11/2025

9. Ask Suno for ideas and discard them all 10. Add one more reverb and regret everything

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Adrian Gomar @adriangomar.bsky.social · 28/11/2025

7. Celebrate when the main theme plays during a cutscene and nobody skips it 8. Name a file "Boss_theme_v7_master_ACTUALLY_FINAL.wav"

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Adrian Gomar @adriangomar.bsky.social · 28/11/2025

5. Roll on the studio couch at 4 am after finishing the last cue 6. Compose unforgettable themes you'll be humming for years

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Adrian Gomar @adriangomar.bsky.social · 28/11/2025

3. Cry when your game characters die 4. Give his/her personal, uncompromised artistic vision

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Adrian Gomar @adriangomar.bsky.social · 28/11/2025

10 Things a game composer can do but AI can't: 1. Yell at the computer because stems take too long to export 2. Work with musicians that will pour their very soul into the music

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Adrian Gomar @adriangomar.bsky.social · 26/11/2025

The little KM184s are just so good at capturing every nuance of what musicians are playing. Genuinely amazing gear.

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Reposted by Adrian Gomar

Ed Newton-Rex @ednewtonrex.bsky.social · 19/11/2025

It is indescribably sad that, if you exploit “essentially all music files of reasonable quality that are accessible on the open Internet” without paying the musicians behind them - and create a model that can compete with those musicians - this is how you are rewarded

'AI Music Platform Suno Valued at $2.45 Billion'

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Adrian Gomar @adriangomar.bsky.social · 20/11/2025

Once you start recording live musicians there is no coming back. Music becomes so much richer and human you have to rethink your pipeline.

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Adrian Gomar @adriangomar.bsky.social · 19/11/2025

There is lots of things you can learn by reading. But music is not one of them. You can't learn to make music by reading books in the same way you can't learn to have sex by reading books

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Adrian Gomar @adriangomar.bsky.social · 18/11/2025

Live bagpipes and violin really set the vibes on this one. Soon on Roots of Tomorrow DLC #gameaudio #composer #indiedev #gamedev

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Adrian Gomar @adriangomar.bsky.social · 13/11/2025

It's not about the money. It never was. It's about matching creative energies. Once you get that, the rest will follow.

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