The 1 October edition of The Wire 's weekly show on Resonance FM and Resonance Extra featured music by Don Cherry, Glass Triangle, Agnes Haus, Ziúr and more

Two newly reissued albums showcase the seismic psychedelia of George Clinton’s Funkadelic at its rawest and most disruptive, writes John Morrison in The Wire 512

To complement her interview in The Wire 512, Slovenian improvising pianist and bandleader Kaja Draksler creates an exclusive Wire mix

The 24 September edition of The Wire 's weekly show on Resonance FM and Resonance Extra featured a guest mix by Ak'chamel, The Giver of Illness, plus music by Harju, Joni Mitchell, Bill Orcutt and mo...

To complement her interview in The Wire 512, Slovenian improvising pianist and bandleader Kaja Draksler creates an exclusive Wire mix

Voice and sound theorist Zeynep Bulut talks to Xenia Benivolski about her latest book, which delves into the friction between voices, electromagnetic sound, synthetic speech and listening beyond the d...

The 17 September edition of The Wire 's weekly show on Resonance FM and Resonance Extra featured music by Mali Obamsawin, Jay Mitta, BBBBBBB, Pamela Z and more

Cuban drummer Francisco Mela’s free jazz odyssey continues on four new releases, writes Daniel Spicer in The Wire 512

In this latest instalment of the Secret History of Film Music, Philip Brophy considers how Jon Brion’s music engenders sympathy for the flawed characters in Paul Thomas Anderson’s One Battle After An...

The 10 September edition of The Wire ’s weekly radio show on Resonance FM and Resonance Extra featured music by Julian Cope, Albert Bouchard, Black Mountain Transmitter, Zodiac Youth and more

To accompany his article on Aspen Edities in The Wire 512, Peter Margasak compiles an annotated playlist of tracks from the Belgium label

Machine listening is transforming environmental sound into data points that support surveillance infrastructure, changing what it means to hear, argues Stephen Roddy in The Wire 512

Listen to the music we played to Pamela Z during her Invisible Jukebox interview in The Wire 512

Stream a selection of tracks from releases we listened to during the making of our October 2026 issue

To complement her interview in The Wire 511, Korean American composer Lucy Liyou creates an exclusive Wire mix

In this extract, taken from the chapter “Mystical Warriors”, Laurie Osborne aka Appleblim and Sam Shackleton recall the development of their influential Skull Disco label

Collective listening events respond to a cultural need, but are at risk of co-option by wellness and lifestyle marketeers, argues Derek Walmsley in The Wire 511

To complement her interview in The Wire 511, Korean American composer Lucy Liyou creates an exclusive Wire mix

In this extract, taken from the chapter “Mystical Warriors”, Laurie Osborne aka Appleblim and Sam Shackleton recall the development of their influential Skull Disco label