In a collection of broken, dog-eared and graffitied books in Bologna, Ilaria Maria Sala finds an antidote to a world being muddled by AI

ArtReview speaks to Grace Cheung, the founding principal of XRANGE Architects and executive director of the Hong Foundation.

For all its suspicion of the contemporary artworld and its machinations, the art critic’s debut novel remains surprisingly sincere about art itself

Jenny Wu speaks to various nonprofits about fundraising and the types of compromises that may come with it

Endlessly curious, irreverent, ingenious, easily bored. It’s hard not to think of Carson as a Laureate for our times, writes Ella Frears

Our editors on the exhibitions they’re looking forward to around the world this month – from London and Paris to Tokyo and Tunis

Through the iconography of opera and martial arts to a burst dam, the artist’s video and photoworks interrogate the nature of human displacement

And how land, material and community identities shift alongside industrial changes

The grid in the artist’s hands becomes a paradoxical thing: highly regimented yet somehow entropic

Do we, today, possess even half the energy these artists had to fight?

Why is the artworld so hungry for their panoramic visions of mass resistance?

“I was quite aware of the fact that it’s, in actuality, very difficult to understand what is happening when you look at whatever you see around you”

The artist’s latest work exposes our equivalencing of art and youth as coveted forms of commodity

The artist’s work echoes notions of the Red Army Faction as a ghost entity – and a fading memory

The cooperative’s history provides a model for ideas of collective working that suffuse much of the discourse surrounding artmaking today

Our editors on the exhibitions they’re looking forward to around the world this month – from London and Paris to Tokyo and Tunis

From experimental instruments to architectural acoustics, the Lebanese artist explores how listening can alter our experience of bodies, spaces and environments

The Japanese artist’s symphony of decomposing matter and broken things offers a poetic reflection on the disjointed state of modern life

The artist’s paintings test and probe the thresholds (real and imagined) that shape the queer and migrant experience, holding and proposing unruly ideas

ArtReview speaks to Stefan Björkman, CEO of Amos Anderson Fund, and Kieran Long, museum director and CEO of Amos Rex

What is there to like about Tapponi’s depicition of the 2020s London artworld?

The artist’s paintings test and probe the thresholds (real and imagined) that shape the queer and migrant experience, holding and proposing unruly ideas

The artist’s exhibition in London lets us feel what trusting historical and colonial documentary has always cost

From experimental instruments to architectural acoustics, the Lebanese artist explores how listening can alter our experience of bodies, spaces and environments

Leal’s absence from the narrative is difficult to reconcile with the force of his paintings, enlivening knife-fights and bar-brawls with a remarkable formal sophistication

The artist’s installation at Secession is undoubtedly spectacular, but does it move beyond that?

In the distinctly contemporary collages of one Buddhist artist, Suraj Yengde finds echoes of a tradition that stretches back centuries

From experimental instruments to architectural acoustics, the Lebanese artist explores how listening can alter our experience of bodies, spaces and environments

Our editors on the exhibitions they’re looking forward to around the world this month – from London and Paris to Tokyo and Tunis

For all its suspicion of the contemporary artworld and its machinations, the art critic’s debut novel remains surprisingly sincere about art itself

Is the future nomadic? Jeni Fulton takes a look at the extent to which private foundations are starting to eschew brick-and-mortar structures

The artist’s work echoes notions of the Red Army Faction as a ghost entity – and a fading memory

And is the quest to document the world ever more than just a bid for control?

Riffing off Chaplin, Caguiat Delacruz’s new film acts as a proxy for artists mourning the slow demise of radical culture

‘Reflecting on the political situation in Indonesia today, we have come to the conclusion that we need to REST’, said representatives of the foundation

Book for Manufactory × ArtReview: Hannah Pezzack & Aram Masharqa in Conversation with Fi Churchman & Mazzy-Mae Green by Park Royal Design District

The artist’s work echoes notions of the Red Army Faction as a ghost entity – and a fading memory

For all its suspicion of the contemporary artworld and its machinations, the art critic’s debut novel remains surprisingly sincere about art itself

The artist’s installation at Secession is undoubtedly spectacular, but does it move beyond that?

The shroud of apparent sincerity over the banal evils of technology is rapidly unravelling. What’s art got to do with it?

Is the future nomadic? Jeni Fulton takes a look at the extent to which private foundations are starting to eschew brick-and-mortar structures

Why is the artworld so hungry for their panoramic visions of mass resistance?