For all its suspicion of the contemporary artworld and its machinations, the art critic’s debut novel remains surprisingly sincere about art itself

The artist’s installation at Secession is undoubtedly spectacular, but does it move beyond that?

The shroud of apparent sincerity over the banal evils of technology is rapidly unravelling. What’s art got to do with it?

Is the future nomadic? Jeni Fulton takes a look at the extent to which private foundations are starting to eschew brick-and-mortar structures

Why is the artworld so hungry for their panoramic visions of mass resistance?

The sounds of protest and resistance produced by women are caught in a political contradiction, as Anne Carson’s ‘The Gender of Sound’ explores

From experimental instruments to architectural acoustics, the Lebanese artist explores how listening can alter our experience of bodies, spaces and environments

Our editors on the exhibitions they’re looking forward to around the world this month – from London and Paris to Tokyo and Tunis

And is the quest to document the world ever more than just a bid for control?

Riffing off Chaplin, Caguiat Delacruz’s new film acts as a proxy for artists mourning the slow demise of radical culture

In the distinctly contemporary collages of one Buddhist artist, Suraj Yengde finds echoes of a tradition that stretches back centuries

This edition will be the first since the museum’s reopening in March, following two years of construction

The exhibition, curated by Lu Pei-Yi, will be titled ‘Mrahul Tminun · 共織 · Co-Weaving’

Tinari will take on the former role of longtime director Timothy Calnin

Surveying the historic representation of the blind and visually impaired in photography – and even simulating their experience – a new show in Taipei expands what ‘seeing’ can mean

Leal’s absence from the narrative is difficult to reconcile with the force of his paintings, enlivening knife-fights and bar-brawls with a remarkable formal sophistication

Our editors on the exhibitions they’re looking forward to around the world this month – from London and Paris to Tokyo and Tunis

The biennial, titled ‘The Museum of Things Unseen’ is curated by Furen Dai, Chinyere Obieze and Sam Hopkins

A shockingly revisionist script; questionably sourced funding; backing from the US MAGA faction – and all building up to Brazil’s October elections. Euan Marshall tries to take this thing seriously

An exhibition examining ‘heat as bodily sensation, historical memory and cultural language’ is more a hotchpotch of the three curators’ pet topics than a satisfying whole

‘Bizarre Life’ asserts that an image can surrender its photographic identity while retaining an iconographic power

The artist ponders the long game of embroidery, having too many ideas at once, where to sit in a puppet show and whether making fashion is selling out

ArtReview editors on the off-site pavilions and exhibitions not to miss at the 61st Venice Biennale

Naked piss-tank dancers; Wohnung dioramas; monuments to massacre, and more – ArtReview editors on the national pavilions not to miss at the 61st Venice Biennale

Defending connoisseurship, criticism and collective intelligence in the age of AI slop

It’s sometimes hard to know where Na Hong-jin’s monster movie, reportedly the most expensive Korean movie ever made, is going – other than on and on

Staging subjects of racial inequality, power and a yearning for better futures, the artist keeps things fluid

It’s not just the earth that’s being turned over in the redeveloping London’s ‘creative quarter’

Through restagings and reconstitutions of Mike Kelley’s past performances, the artists question our relationship with images and reality

The Japanese artist’s symphony of decomposing matter and broken things offers a poetic reflection on the disjointed state of modern life

Grotesquerie has long been the language of rebellion. On our screens and in the contemporary art gallery, an era of ugly, morbidly playful satire is back

The artist is interested in the role clothes serve as both a means of presentation and of concealment

Staging the artist’s sculptures in the UK’s late-capitalist haven tells Owen Hatherley plenty about the various false aesthetics of ‘Englishness’

The exhibition is at its best when work evokes the minutiae and anguish of emotional, embodied, everyday struggles

We seem to be living in an era of competitive shamelessness

“Violence exceeds the physical, operating structurally and pervasively, to the point that it is naturalised as the very air we breathe”

Visually seductive, responsibly researched, culturally portable and diplomatic, In Minor Keys is a protest conducted with fine-print slogans and no concrete demands

Staging the artist’s sculptures in the UK’s late-capitalist haven tells Owen Hatherley plenty about the various false aesthetics of ‘Englishness’

It’s not just the earth that’s being turned over in the redeveloping London’s ‘creative quarter’

It’s not just the earth that’s being turned over in the redeveloping London’s ‘creative quarter’

Through restagings and reconstitutions of Mike Kelley’s past performances, the artists question our relationship with images and reality

The exhibition is at its best when work evokes the minutiae and anguish of emotional, embodied, everyday struggles

The Japanese artist’s symphony of decomposing matter and broken things offers a poetic reflection on the disjointed state of modern life