Vital storytelling that isn’t always on beat

We sat down for an exclusive interview with Rachel De Fontes and Peter Jeffries, writers and directors of Lie Club: two compulsive liars meet at a Liar's Anonymous meeting.

Blending satire, physical theatre and cabaret, The Banality of Evil draws on archival research and testimony to reveal forgotten histories of women caught between exile, imprisonment and survival.

A relentless dissection of the passive violence of mass media

We sat down for a quick chat with Guillaume Pigé, Theatre Re's Artistic Director.

The American Revolutionary War doesn’t quite hit the British psyche like it does the American’s. It’s more of a footnote before the Victorian age of industry, empire and Dickensian poverty. Probably because we lost. Nevertheless, writer-director Elise Marra has taken a stab at this period of history and condensed it into an idiosyncratic 60 minute two-hander.

Dyfan Dwyfor plays Teddy Lloyd, the Art Master at the school, in The Prime of Miss Jean Brodie

A bold new staging is often more muddled than mystic

Man or myth? Freedom fighter or terrorist? A thought-provoking glimpse into one of Scotland’s most famous heroes.

A triumphant celebration of life in spite of grief

“The musical magic of John Williams remains unmatched in this wonderfully evocative evening out for the entire family“

"When words fail, movement and touch take over" is the premise offered for Blue/Glas, National Dance Company Wales's London double bill.

An afrocentric Scouse retelling of a timeless classic, Death of a Salesman has arrived to Liverpool Everyman with a strong sense of place, identity and family.

Look Up at the Stars is a one-woman play written by Stephen Wyatt, from an idea he co-conceived with star Jessica Martin.

A year after the release of the live-action remake of the hit animated film How to Train Your Dragon, Anthony Gabriele brought a concert presentation of the film to the Royal Liverpool Philharmonic Hall.

The year is 2040, 8 years before the 39th Olympics. Two young IT workers, Rayyan (James El-Sharawy) and Selma (Sama Rantisi), manage to hack the bid progress and win unexpectedly.

Orchestral concerts are often exciting and the high standard of the Philharmonia is a treat - they did not disappoint at the opening concert for the season: Santtu and Sol Gabetta.

As autumn approaches and the seasons begin to shift, there is change of another kind brewing beneath the streets of London. This September, the underworld of Hadestown welcomes a brand-new cast to the Lyric Theatre, bringing together an eclectic mix of West End talent, classical opera, screen acting and chart-topping pop.

The audience takes their seats on either side of the stage, in two rows facing each other, eagerly anticipating the Hope Theatre’s first-ever co-production, G R I E F C A S E, a collaboration with Tailwind Physical Theatre Company.

Eight years after first tackling her OCD on stage, Catherine Bohart is back at the Soho Theatre with a level of comic confidence that can only come from time, perspective, and a freshly signed mortgage.

Sting’s musical The Last Ship arrives at the Theatre Royal Drury Lane with big ambitions, trying to tell a story of industrial decline, community spirit, and past romance.

Paranormal Activity is everything an audience could want for a night at the theatre, haunting and intimate. Young couple James (James Bye) and Lou (Hannah Sinclair Robinson) have recently moved from Chicago to London to try and run away from their past. As they arrive in London, they come to understand that they have not been successful at running away from their ghosts.

Following multiple five-star sell-out runs at the Edinburgh Fringe, CSI: Crime Scene Improvisation returns with another rip-roaring crime comedy made up entirely on the spot.

We sat down for an exclusive interview with Joshua J. Jewkes. Written and performed by Joshua J. Jewkes, KEEPING YOUR SPOTS is a funny and bold solo show playing for a strictly limited one week run from 4 to 8 October at 7.30pm.

Tracy Lord’s wedding should be one of the biggest events of the season. Her former husband is still in the picture, a reporter has taken an interest in her family, and the preparations are becoming more complicated by the day. This is the setting for Cole Porter’s High Society, which has arrived at Lowry following a London season. Rachel Kavanaugh’s production has a strong cast, lovely costumes and a collection of songs that give the evening plenty of charm.

Have you ever wanted to see Shakespeare performed on a full size Elizabethan ship? If so then this show is for you. Adapted into a sixty minute abridged version, The Tempest has been re-imagined into a site-specific (more probably site-sympathetic) promenade performance for all the ages. Just make sure you’ve got good knees and a knack for ladders.

Few musicals have enjoyed the longevity of Willy Russell’s Blood Brothers, yet despite its familiarity, its exploration of class, inequality and circumstance remains remarkably pertinent today. This latest production at the Oxford Playhouse is a captivating and emotionally charged reminder of why the musical continues to resonate so strongly with audiences.

Directed by award-winning director/choreographer Ben Duke, Juliet & Romeo at the Bristol Old Vic takes on our cultural obsession with youth and our inevitable issues with longevity.

American indie band Death Cab for Cutie are on tour once more, supporting their 2026 album I Built You a Tower.

Jah Making It Happen brought a heartfelt story of family, ambition and the Windrush generation to the Oxford Playhouse, combining moments of genuine emotion with reggae music and plenty of well-placed humour.