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The Yale Review

@yalereview.bsky.social
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“A great contrast to the usual magazine.” —Virginia Woolf Join a conversation 200 years in the making. yalereview.org

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The Yale Review @yalereview.bsky.social · 18h
"It is Tuesday, and at the behest of her mother, I have chosen again to love her down" —Joseph Earl Thomas, "Dreaming in Panini" yalereview.org/article/jose...
yalereview.org
https://yalereview.org/article/joseph-earl-thomas-dreaming-in-panini
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The Yale Review @yalereview.bsky.social · 02/10/2026
The first retrospective of Theresa Hak Kyung Cha’s work in twenty-five years is up at Artists Space in New York until November 21. Revisit our folio on "Dictee," with five writers and artists on Cha and her influence.
yalereview.org
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The Yale Review @yalereview.bsky.social · 30/09/2026
On our Substack, Joanna Biggs talks about her piece on ballet in our fall issue—the dancers she is watching now, what writers might learn from the body, and how to see ballet on a budget. backmatter.yalereview.org/p/behind-the...
backmatter.yalereview.org
Behind the Essay: Joanna Biggs
On ballet’s geniuses, writing from the body, and why we need more dancing at parties
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The Yale Review @yalereview.bsky.social · 30/09/2026
"My baby’s booty is nothing like the sun, for one, it is soft." "Dreaming in Panini" by Joseph Earl Thomas, TYR's Poem of the Week: yalereview.org/article/jose...
yalereview.org
https://yalereview.org/article/joseph-earl-thomas-dreaming-in-panini
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The Yale Review @yalereview.bsky.social · 26/09/2026
"I felt terrible that I had argued with the famous writer. I also felt terrible that the famous writer… had turned out to be a stodgy middle-class Briton with the narrow views of his class." —Lucy Sante
yalereview.org
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The Yale Review @yalereview.bsky.social · 26/09/2026
"The child wrote down what he wanted: phone, toy car, puzzle. And then he wrote what he was thinking: Putin is a dick." —Carolyn Forché, "In the beginning"
yalereview.org
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The Yale Review @yalereview.bsky.social · 25/09/2026
"Even more important than the onset of desire is the fact that a poem is coming on." Emily Greenwood on the translation that made Sappho a modern love poet.
yalereview.org
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The Yale Review @yalereview.bsky.social · 25/09/2026
"My aunt wore a vest and a little hat and turned the crank on her storytelling machine, knowing when story met seam not all of the images moved easily through" —Chaya Holch, "Crankie Show in Wintertime" yalereview.org/article/chay...
yalereview.org
https://yalereview.org/article/chaya-holch-crankie-show-in-wintertime
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The Yale Review @yalereview.bsky.social · 25/09/2026
"I was compelled to create PPJ because he is a complex character who is singular in his emotional wounds, his dark and frightening actions, and his brilliance." Christina Anderson on her play "Man in Love."
yalereview.org
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The Yale Review @yalereview.bsky.social · 25/09/2026
"Momager: O Kim, tho it’s still dark it’s almost dawn time to make the protein shake" —Joyelle McSweeney, "Killanova"
yalereview.org
https://yalereview.org/article/joyelle-mcsweeney-killanova
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The Yale Review @yalereview.bsky.social · 24/09/2026
"Moby-Dick is a giant parable of thought and knowledge." Tom McCarthy on Melville and the sublime.
yalereview.org
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The Yale Review @yalereview.bsky.social · 24/09/2026
"Poe’s stories… let us live for a while in our knowledge of the worst. He gives us that weird and dark reprieve." Emily Ogden on the sinister visions of Edgar Allan Poe.
yalereview.org
https://yalereview.org/article/emily-ogden-edgar-allan-poe
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The Yale Review @yalereview.bsky.social · 24/09/2026
"This is the secret of the city, young man. The invisible secret that flows through everything. Capital. We made it work like the water." An excerpt of S. Shakthidharan’s play "The Sun’s Song."
yalereview.org
https://yalereview.org/article/s-shakthidharan-the-suns-song
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The Yale Review @yalereview.bsky.social · 24/09/2026
"My father’s sister had a little box she carried from stage to stage, hung with a scroll, the frame ornamented with pencils and matchsticks, strung up with stories sung and chanted" —Chaya Holch, "Crankie Show in Wintertime" yalereview.org/article/chay...
yalereview.org
https://yalereview.org/article/chaya-holch-crankie-show-in-wintertime
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The Yale Review @yalereview.bsky.social · 23/09/2026
"The scent of yellow sweet clover is the last thing of this world I will lose, though when I crush the flowers in my hands I can’t find it" —Karen Solie, "Clover"
yalereview.org
Karen Solie: "Clover"
A poem by Karen Solie: "It requires so little to thrive, the yellow sweet clover / whose modest ambitions are interrupted only by the mower,"
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The Yale Review @yalereview.bsky.social · 23/09/2026
"My aunt wore a vest and a little hat and turned the crank on her storytelling machine, knowing when story met seam not all of the images moved easily through" —Chaya Holch, "Crankie Show in Wintertime" yalereview.org/article/chay...
yalereview.org
https://yalereview.org/article/chaya-holch-crankie-show-in-wintertime
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The Yale Review @yalereview.bsky.social · 23/09/2026
"'They say that I am a dissident,' he said, and roared with laughter. 'If I were a dissident I would have been dead long ago.'" Lucy Sante on an encounter with a famous writer.
yalereview.org
Lucy Sante: "Famous Writers School"
The writer Lucy Sante recalls her early encounters with her literary idols.
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The Yale Review @yalereview.bsky.social · 23/09/2026
"on the ground the girl I was decades ago looks up not because a sound was heard but because something came between the sun and herself" —Carolyn Forché, "Written in pencil / anamnesis"
yalereview.org
Carolyn Forché: "Written in pencil / anamnesis"
A poem by Carolyn Forché: "The luggage was last seen at a hotel on a park square in a city / where I have never been but I am hearing that music again"
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The Yale Review @yalereview.bsky.social · 23/09/2026
"‘Empty vessels,’ he said. ‘It’s a cliché for a reason.’" Two sketches by Gwendoline Riley.
yalereview.org
Gwendoline Riley: "Two Sketches"
Short fiction by Gwendoline Riley, the author of "The Palm House."
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The Yale Review @yalereview.bsky.social · 23/09/2026
"My father’s sister had a little box she carried from stage to stage, hung with a scroll, the frame ornamented with pencils and matchsticks, strung up with stories sung and chanted" "Crankie Show in Wintertime" by Chaya Holch, TYR's Poem of the Week: yalereview.org/article/chay...
yalereview.org
https://yalereview.org/article/chaya-holch-crankie-show-in-wintertime
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The Yale Review @yalereview.bsky.social · 22/09/2026
"Kendall: Cry more, I’m famous a moon-goddess with five phases: Slim, Tall, Lovely, Rich, and I forget the fifth but somehow I’m still beta next to Kim" —Joyelle McSweeney, "Killanova"
yalereview.org
Joyelle McSweeney: "Killanova"
An excerpt from a verse play about Kim Kardashian.
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The Yale Review @yalereview.bsky.social · 22/09/2026
"An English professor sent me a check for $2.50. He had read a Melvin Maddocks piece which quoted Cyril Connolly’s saying that we should tip authors. I didn't know what to make of the $2.50. I cashed the check." yalereview.org/article/anni...
yalereview.org
Annie Dillard: "Making Contact"
The author of Pilgrim at Tinker Creek shares the most surprising letters sent by her readers.
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The Yale Review @yalereview.bsky.social · 22/09/2026
"His mentor will feel obligated to bring him home; which is to say, the eminent professor is coming to appropriate his Surinam specimens." —Adam Ehrlich Sachs, "The Flora of Surinam"
yalereview.org
Adam Ehrlich Sachs: "The Flora of Surinam"
A new short story by the author of "The Organs of Sense" and "Gretel and the Great War."
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The Yale Review @yalereview.bsky.social · 17/09/2026
Join us tomorrow for coffee and conversation at the College Street tent. Our editorial director, Clare Sestanovich, sits down with Christina Anderson, Joyelle McSweeney, S. Shakthidharan, and Karen Solie at 10:30.
windhamcampbell.org
Morning Wake Up
September 17th, 2026 at 10:30 AM. College Street Tent. 2026 Windham-Campbell Prizes Festival.
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The Yale Review @yalereview.bsky.social · 16/09/2026
"With Sappho, where else to begin but on the pillow?" Emily Greenwood on Mary Barnard’s translation, and the sickbed where it began.
yalereview.org
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The Yale Review @yalereview.bsky.social · 16/09/2026
"The mythologies of strong men Speed ahead of me: Samson, Prometheus, Apollo, Hercules. Why can’t I reverse The history cupped in my father’s hands?" —Rachel Eliza Griffiths, "Driving Past My Father" yalereview.org/article/rach...
yalereview.org
https://yalereview.org/article/rachel-eliza-griffiths-driving-past-my-father
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The Yale Review @yalereview.bsky.social · 16/09/2026
Annie Dillard has died. In our Summer 1988 Issue, she wrote about the "surprising letters" and gifts that fans and readers sent her over the years—a fossil fish, a marriage proposal, a check for $2.50, and, again and again, questions about God. yalereview.org/article/anni...
yalereview.org
Annie Dillard: "Making Contact"
The author of Pilgrim at Tinker Creek shares the most surprising letters sent by her readers.
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The Yale Review @yalereview.bsky.social · 16/09/2026
"‘Who’s that for?’ I said. ‘This is Lydia’s chair. Lydia is on her fifth year, now, of this two-year course.’" New fiction by Gwendoline Riley.
yalereview.org
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The Yale Review @yalereview.bsky.social · 16/09/2026
"I’ve already passed the maple By the time I realize the old man sitting On a porch once gave me my name." "Driving Past My Father" by Rachel Eliza Griffiths, TYR's Poem of the Week: yalereview.org/article/rach...
yalereview.org
https://yalereview.org/article/rachel-eliza-griffiths-driving-past-my-father
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The Yale Review @yalereview.bsky.social · 15/09/2026
"Man in Love" is set in the early 1930s, in a fictional northern city that has enacted Southern Jim Crow laws. Read an excerpt of Christina Anderson’s play in our fall issue.
yalereview.org
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The Yale Review @yalereview.bsky.social · 15/09/2026
"The Sun’s Song" delves into "masculinity and intimacy; the wild earth and the wild in us; the politics of climate change; and the consequences of not dealing with your own hurt."
yalereview.org
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The Yale Review @yalereview.bsky.social · 15/09/2026
"The place had to be a nest of spies." Lucy Sante on the building where a famous writer lived, next door to the former Soviet embassy in Paris.
yalereview.org
https://yalereview.org/article/lucy-sante-famous-writers-school
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The Yale Review @yalereview.bsky.social · 14/09/2026
"Anything in sufficient numbers becomes a sign." —Karen Solie, "To the Meteorologist"
yalereview.org
Karen Solie: "To the Meteorologist"
A poem by Karen Solie: "Two weeks out forecasts are unstable. / Time infiltrates the differential equations which dissolve"
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The Yale Review @yalereview.bsky.social · 14/09/2026
"But Kim’s triumph is colored by a dawning ambivalence because, unlike in Euripides’ play, there is no elsewhere to flee to." Joyelle McSweeney on "Killanova," her Greek tragedy with Kim Kardashian as its heroine.
yalereview.org
Joyelle McSweeney: "Killanova"
An excerpt from a verse play about Kim Kardashian.
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The Yale Review @yalereview.bsky.social · 14/09/2026
"Many amateur historians today have set out to restore the ‘true history’ of John Canoe. But perhaps they only restory it." Kei Miller on the elusive namesake of a Caribbean festival.
yalereview.org
Kei Miller: "In Search of John Canoe"
Kei Miller on the mysterious origins of the Caribbean festival of Junkanoo.
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The Yale Review @yalereview.bsky.social · 10/09/2026
"except there is no center it’s the mind that wants a center." —Karen Solie, "To the Meteorologist"
yalereview.org
Karen Solie: "To the Meteorologist"
A poem by Karen Solie: "Two weeks out forecasts are unstable. / Time infiltrates the differential equations which dissolve"
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The Yale Review @yalereview.bsky.social · 10/09/2026
"Moby-Dick is a giant parable of thought and knowledge." Tom McCarthy on Melville and the sublime.
yalereview.org
Tom McCarthy on Moby-Dick and the Sublime
The novelist on Herman Melville's tale and the sublime.
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The Yale Review @yalereview.bsky.social · 10/09/2026
"He was capable of taking off from the point of his own minor perversities—procrastination, prolixity—and supplying a far darker setting for them." Emily Ogden on Poe’s imagination.
yalereview.org
Emily Ogden on the True Horror of Edgar Allan Poe's Stories
Edgar Allan Poe’s stories are full of ghastly crimes, but the true horror lies in their confessions, Emily Ogden writes.
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The Yale Review @yalereview.bsky.social · 10/09/2026
"This play has three big ideas about what nature is and what we are, and these ideas are in contest with one another." S. Shakthidharan annotates an excerpt of his new play.
yalereview.org
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The Yale Review @yalereview.bsky.social · 10/09/2026
"an infant at the boat’s helm, etched in pencil, just above the rim. Those full-stop eyes, like pinpricks of the smallest rice or stars about to wink." —Fatima Jafar, "My Father's Drawing" yalereview.org/article/fati...
yalereview.org
https://yalereview.org/article/fatima-jafar-my-fathers-drawing
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The Yale Review @yalereview.bsky.social · 09/09/2026
"A butterfly has come into the room and gone out, come in and gone out, a butterfly from sixty years ago, a butterfly that drinks from flowers." —Carolyn Forché, "Other World"
yalereview.org
Carolyn Forché: "Other World"
A poem by Carolyn Forché: "Those who made them, those who knew how to use them, those / who knew how to live in the world where they were made, who"
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The Yale Review @yalereview.bsky.social · 09/09/2026
"The paper boat and its two stick-people waving from the deck, gleeful, ink-drunk." —Fatima Jafar, "My Father's Drawing" yalereview.org/article/fati...
yalereview.org
Fatima Jafar: "My Father's Drawing"
A poem by Fatima Jafar: "Years ago, deep in her closet. The postcard / tacked above the mirror. Its browned corners / wing-thin. London, 1994."
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The Yale Review @yalereview.bsky.social · 09/09/2026
"Anderson could get very worked up while arguing a point. Three times in the five years I lived with him he got so worked up he decided he was having a heart attack." New fiction by Gwendoline Riley.
yalereview.org
Gwendoline Riley: "Two Sketches"
Short fiction by Gwendoline Riley, the author of "The Palm House."
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The Yale Review @yalereview.bsky.social · 09/09/2026
In our fall issue, Joanna Biggs explores r/bunheadsnark and classical dance fandom online. "If you need proof that balletomanes, with their barely tamed passion for the art, still exist, then here it is."
yalereview.org
Joanna Biggs: "Who Cares About Ballet?"
The critic on Timothée Chalamet's remarks about ballet and the young dancers and choreographers revitalizing the art form: Mira Nadon, Justin Peck, Alexei…
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The Yale Review @yalereview.bsky.social · 09/09/2026
Joyelle McSweeney wanted to write a Greek play whose heroine breaks every rule and gets away with it. "Naturally, Kim Kardashian came to mind."
yalereview.org
Joyelle McSweeney: "Killanova"
An excerpt from a verse play about Kim Kardashian.
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The Yale Review @yalereview.bsky.social · 09/09/2026
"an infant at the boat’s helm, etched in pencil, just above the rim. Those full-stop eyes, like pinpricks of the smallest rice or stars about to wink." "My Father's Drawing" by Fatima Jafar, TYR's Poem of the Week: yalereview.org/article/fati...
yalereview.org
Fatima Jafar: "My Father's Drawing"
A poem by Fatima Jafar: "Years ago, deep in her closet. The postcard / tacked above the mirror. Its browned corners / wing-thin. London, 1994."
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The Yale Review @yalereview.bsky.social · 08/09/2026
Where does the voice we know as Sappho’s come from? Emily Greenwood on Mary Barnard’s inventive translation, back in print this fall.
yalereview.org
How Mary Barnard Invented the Sappho We Fell In Love With
Emily Greenwood on Mary Barnard, Anne Carson, and how translators have interpreted Sappho.
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The Yale Review @yalereview.bsky.social · 08/09/2026
Should you meet your literary idols? Lucy Sante recalls five interactions between 1975 and 2009.
yalereview.org
Lucy Sante: "Famous Writers School"
The writer Lucy Sante recalls her early encounters with her literary idols.
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The Yale Review @yalereview.bsky.social · 08/09/2026
Our Fall 2026 issue is online in full: new work by this year’s Windham–Campbell Prize winners and previous recipients, plus critical essays on ballet, translating Sappho, and the filmmakers who stop making films.
yalereview.org
Fall 2026
Join a conversation 200 years in the making. We believe in the power of connecting great minds across disciplines, backgrounds, and generations.
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Reposted by The Yale Review
Helen Barrett @helenbarrett.bsky.social · 06/09/2026
So engrossed in this I've missed by tube destination by three stops.
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