I’ve put off this final message for far too long, but it is an obligation I took on when I started this project—one that became all the more pressing as the site grew, flourished, and ultimately withe...

I’m pleased to say that Scurry feels like a big step up for Seann—a culmination of all these years of grinding in the indie space and building an audience. Right up to the end, I was dialed into thi...

Farrenkopf’s writing style is fresh, creative, and appreciably direct, generally putting the reader right into the story without laying out too much behind or ahead…The prose is polished and accessibl...

ALT: a woman in a native american outfit stands in the woods

The sixteenth annual installment of Datlow’s flagship anthology series features some excellent work, and it’s a great read for anyone looking to catch up on the acclaimed short fiction of recent years...

How and why Vogue Horror came to be, and where I want to take it.

After a disastrous first twenty minutes, The Bystanders does an impressive job of adding some much-needed charisma and charm to the film. While the script could have used some significant polishing,...

Bury Me Cold is not the book that puts Mohr on the awards map and primes him for mainstream success, but it is a publication that gives me full faith that, if he keeps hustling and honing his craft, h...

A disharmonic triumph, And One Day We Shall Die: Strange Stories Inspired by the Music of Neutral Milk Hotel is a collection like no other, striking a secret chord in the American creative zeitgeist t...