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WhoNews @who-news.com · 3h
Big Finish Behind the scenes of The Eighth Doctor Adventures
merchandise.thedoctorwhosite.co.uk
Big Finish Behind the scenes of The Eighth Doctor Adventures
Big Finish Behind the scenes of The Eighth Doctor Adventures Behind the scenes of The Eighth Doctor Adventures A brand-new feature-length audio documentary will be available as a free download to purchasers of The Eighth Doctor Adventures: New Pathways. It’s now been thirty years since Paul McGann debuted as the Eighth Doctor in the Doctor Who TV Movie. This dashing incarnation of the Time Lord continues to explore time and space in his own range of full-cast audio dramas. When he next returns in November’s box set New Pathways, the Eighth Doctor will be entering a new era of his life, with new companions Alfie Steep (Sam Stafford) and Chase Moyo (Natalie Gumede) aboard the TARDIS. As an additional celebration of the anniversary, Big Finish Productions have produced The Eighth Doctor – A New Pathway, a bumper 110-minute behind-the-scenes audio documentary, which explores the Eighth Doctor’s life so far and the creation of this new era. This in-depth documentary expands upon the standard CD extras to provide a thrilling insight into the different stages of production, with contributions from the Doctor himself Paul McGann, Big Finish’s creative director Nicholas Briggs, and creatives from across the cast and crew of New Pathways. The Eighth Doctor – A New Pathway will be made available as a digital download to own for all purchasers of The Eighth Doctor Adventures: New Pathways, which is now available to pre-order for just £19.99 (download to own) or £24.99 (download to own + collector’s edition CD box set), exclusively from www.bigfinish.com. Please note: the collector’s edition CD box set is strictly limited to 1,500 copies and will not be re-pressed. The 110-minute documentary is divided into eight sections: Part One: The Story so Far Paul McGann and Nicholas Briggs look back at the making of the TV Movie, and the Eighth Doctor’s journey to date at Big Finish. Part Two: Creating the Companions Script editor Matt Fitton, producer David Richardson, writer Alan Ronald, director Ken Bentley and actors Natalie Gumede and Sam Stafford explore the creation and development of the new companions Chase Moyo and Alfie Steep. Part Three: The Making of Chase The cast and creatives explore the making of the first episode. (Also on the standard CD extras.) Part Four: The Making of Magic of the Sycorax The cast and creatives on episode two. (Also on the standard CD extras.) Part Five: The Making of Blast from the Past The cast and creatives discuss episode three. (Also on the standard CD extras.) Part Six: The Audio World of New Pathways Sound designer Benji Clifford takes us through the creation of the audio world of the box set. Part Seven: The Music of New Pathways Musician Howard Carter discusses his score. Part Eight: The Art of New Pathways Sean Longmore tells us about his striking cover art for the stories. Producer David Richardson said: “We wanted to do something special for the thirtieth anniversary of the Eighth Doctor, driving the character ever forwards into… well, New Pathways! There was so much to say about the development, making and relaunch of the range that the usual CD extras didn’t seem to be enough. “The brilliant Maddy Searle has edited this huge documentary that dives deep behind the scenes of this box set, interviewing everyone involved as we explore the production from first idea to final edits and artwork, and Paul McGann also discusses his time on the TV Movie. It’s a fascinating journey – and it’s absolutely free on download with every purchase!” Big Finish listeners can pre-order The Eighth Doctor Adventures: New Pathways together with the following box set, Fear the Reapers, as a multibuy bundle for just £38 (as digital downloads to own) or £47 (downloads + collector’s edition CDs), exclusively from www.bigfinish.com. Alternatively, listeners can buy the two volumes as part of a bundle of all 15 Classic Doctor Who box sets released in 2026 for just £285 (download to own). Categorised under: Big Finish, CD
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WhoNews @who-news.com · 3h
Dorian Gray’s curtain call
bigfinish.com
Dorian Gray’s curtain call
Big Finish Productions’ popular audio drama series The Confessions of Dorian Gray returns today with a special feature-length tale, A Night at the Theatre by Scott Handcock. It’s the 1920s, and Dorian (Alexander Vlahos, known for TV series including Outlander and Versailles) discovers he’s the subject of the latest play to debut in a London theatre. He can’t resist checking it out, but soon becomes involved in a murder mystery. With one of the play’s cast killed, who better to take on the role of detective than Dorian Gray himself? The Confessions of Dorian Gray: A Night at the Theatre is a 120-minute full-cast audio drama, and is now available to purchase as a digital download to own for just £13.99, exclusively from www.bigfinish.com. London, 1925. On a wet October night, Dorian Gray spots a theatrical production of Oscar Wilde’s novel being staged at the Montague Theatre. Escaping the rain, he buys a ticket... but quickly becomes embroiled in a deadly mystery when one of the cast is killed after that evening’s curtain call. When all his suspects are already used to being someone they’re not, can Dorian see through their secrets? Or will the murder of Dorian Gray go unsolved...? The guest cast of A Night at the Theatre includes Harry Marcus (Poldark) as Frederick Prendergast, the actor playing Dorian, Aruhan Galieva (Doctor Who: Can You Hear Me?) as his fellow thespian Violet Beckwith, and Greg Austin (Class) as doorman Gabriel Riddle. And, Silas Carson (Star Wars) plays theatre manager Devon Montague, Bonnie Langford (Doctor Who) is Devon’s wife Prudence, and Mali Ann Rees (Mammoth) is costume girl Flora Davies. Lead actor Alexander Vlahos said: “The beauty of audio is that I don’t have to have a portrait in the attic to continue playing this role! I remember getting really scared the day before recording and sending Scott Handcock a message saying, ‘I don’t even know what Dorian sounds like.’ And Scott replied saying, ‘He’s you, Alex. He’s you.’ And I was like, ‘Oh, yeah.’ “Now, we have a two-hour audio where Dorian becomes Poirot or Agatha Christie or, dare I say it, Sherlock Holmes, as he gets to take on the role of an investigator on a murder. But he’s still Dorian, still brazen and bold. What a joy to play!” The Confessions of Dorian Gray: A Night at the Theatre is now available to purchase as a digital download to own for just £13.99, exclusively from www.bigfinish.com.
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WhoNews @who-news.com · 5h
Streaming, Doctor Who, and 1970s superheroes
audioboom.com
Streaming, Doctor Who, and 1970s superheroes
Hello! Another Kasterborous chat for you this week with the full team of Christian Cawley, James McLean, and Brian Terranova.This time, we're bringing together three conversations about television past and present — from the frustrations of streaming to Doctor Who edits and the decidedly different world of 1970s superheroes.First, has streaming actually made it harder to discover good television? With programmes scattered across an ever-growing collection of services, we look at how finding something to watch has changed — and whether we've lost something from the days when you could simply stumble across a great programme.Then we turn to Doctor Who. If you could go back to the original material and make your own edit, what would you change? Which stories could benefit from a little judicious cutting, rearranging or reconsideration?Finally, it's back to the 1970s and two very different attempts to bring Marvel superheroes to television: Spider-Man and The Incredible Hulk. Long before the MCU established what audiences expect from live-action superheroes, television had its own ideas about how these characters should work.Three conversations, one extended edition of Kasterborous.In this edition: Has streaming killed the accidental discovery of great television? The problem with programmes being scattered across multiple services What would we re-edit in classic Doctor Who? Looking back at television with the benefit of hindsight The strange world of 1970s live-action Spider-Man Bill Bixby, Lou Ferrigno and The Incredible Hulk How superhero television changed long before the MCU With Christian Cawley, James McLean and Brian A. Terranova. This edition is available as a video on our Patreon, with shorter videos on our YouTube channel.
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WhoNews @who-news.com · 10h
Video of the Day – The Late Late Show with James Corden, 2020
blogtorwho.com
Video of the Day – The Late Late Show with James Corden, 2020
A Doctor Who fan from the tender age of nine, my first Doctor was Tom Baker (and I have the long scarf to prove it!) I like New Who and the classics as well as classic cars and classic rock. Geek by profession and by choice, happily married and never ready for Winter.
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WhoNews @who-news.com · 16h
Review: The Queerest of Folk: A Life in Television by Russell T Davies with Boyd Hilton
thedoctorwhocompanion.com
Review: The Queerest of Folk: A Life in Television by Russell T Davies with Boyd Hilton
Let me guess… what you want to know about this book is: what’s the gossip, the revelations, the inside story of Doctor Who RTD1 and (particularly) RTD2. And you get that (to an extent), but this book is far more than an expose, a celebration, a justification or a mea culpa, although there are elements of all of those. As the title suggests, it’s about RTD’s life, focusing particularly on his television writing and production. In that way, it may frustrate readers looking for a Who-centred world. Each and every part of his body of work is discussed, with separate chapters for big hitters like Queer as Folk, It’s A Sin and this year’s Tip Toe. It also covers more minor hits and underappreciated series like Cucumber, Nolly and (the astounding) Years and Years – all of which have much to recommend but didn’t find a mass audience or hit the headlines. RTD is honest about some of his failings. He states clearly his belief that he’s a significant and important TV writer – never shying away from his awards and accolades. Each of the series is examined from the initial ideas through to production, broadcast, and reception, with RTD enthusing about his creativity, but being realistic about the success and impact of each programme. He’s bold, brash and ‘hoots’ a lot, and waxes lyrical about his cast and production teams. Also occasionally detailing run-ins with his crew, such as a blow-up with former Doctor Who script editor Antony Root when they were working together on The Grand. But it’s not all about his television shows, the one part of RTD’s personal life that is recounted in detail is his relationship with his long-term partner (and eventually husband), Andrew. Their story takes centre stage after RTD’s initial time on Doctor Who and his move to Los Angeles with Julie Gardner and Jane Tranter to pitch ideas to the biggest TV market in the world. This adventure is cut short when Andrew is diagnosed with a terminal, cancerous brain tumour. For the first time since childhood, RTD chooses, nobly, to live a domestic life in Cardiff for many years and put the scriptwriting on the back burner, until Andrew sadly dies. Showrunner In amongst this, ‘The Dream Job’ (as the chapter on his first stint as Doctor Who showrunner and lead writer is titled) gets a fairly short page count, detailing the highlights – Billie Piper and David Tennant’s triumph, Kylie at Christmas, getting Catherine Tate for a whole series – but it largely skirts over the challenges. To be fair, his previous book Doctor Who: The Writer’s Tale was a deep dive into his life and experiences writing and showrunning Doctor Who. There’s scant detail about why Christopher Eccleston left after one series. Knowing what the actor has said scathingly about the production team, RTD in particular, about his experience filming, it’s surprising to read that “…it became gradually clear as we went along that Christopher Eccleston would be happy to move on from being the Doctor.” Eccleston’s subsequent pronouncements could not reasonably be described as ‘happy’, and ask Big Finish if he wanted to ‘move on’ from being the Doctor. It’s understandable that RTD didn’t want to put the whole (presumably sorry) affair in writing. He’s been generously? stubbonly? tight-lipped about his perspective. One day we may know the full story. Just not today. But I suspect the real interest for Doctor Who Companion readers is the chapter about RTD’s return to running Doctor Who in 2023. And it delivers to an extent. He details his reasons for coming back and the relationship with the streaming service, Disney+. He makes the case that Disney didn’t really know what they were getting, but makes it clear that the executives ended up with a fondness for Doctor Who. But the ratings and reception meant that they chose not to grant a third series. And this is where we do find out some hitherto unknown details of what was planned for Gatwa’s third run. There were three completed scripts from other writers: a Great Fire of London historical epic by Laurence Clark and Jack Thorne, a space-station horror story about trypophobia by Lydia Adetunji, and an episode set in a Manchester council estate by Sharma Angel-Walfall. The season would probably have also featured the return of Jonathan Groff’s character Rogue in a 1980s-themed Blackpool arcade adventure (sound familiar?), alongside a new commission from writer Juno Dawson. The series was planned to culminate in an epic four-part Dalek finale. Avoid Spoilers I was hesitant to give these ‘spoilers’ for the book, but they will already have been revealed and discussed on podcasts, chat rooms, YouTube… so you might as well have them here. Like the earlier Doctor Who chapter, the Disney years section offers no indication as to why Ncuti Gatwa left – if it was amicable, pragmatic or acrimonious. Likewise, no mention of last minute re-shoots, or the unfinished story arcs of The Boss and Susan etc. The regeneration into Billie Piper is discussed and, as suspected, it was a last-minute change with no real thought as to why or what was happening. The saga of the proposed one-off Christmas special offers new revelations of what the proposed story was about: an old English village, massive spaceship and a festival called Winternox, with the Doctor running about shouting, “It’s not really Christmas!” – but no indication of which ‘Doctor’ this might be. And, as consolation for the loss of the Dalek epic, there would be, “lots and lots of Daleks!”. Tempting as it might be, I’d urge readers not to skip to chapter 17: ‘The Resurrection: Supersizing Doctor Who’. The book is, as the title suggest, a narrative about a life in television, and each chapter makes sense in context, in order. I must say, I thoroughly enjoyed the book. Its prose zips along, there are some fascinating revelations about roads not taken by RTD, including James Bond, Star Wars and Succession. RTD is honest about some of his failings, but go elsewhere if you want sack cloth and ashes. He states clearly his belief that he’s a significant and important TV writer – never shying away from his awards and accolades. And quite right too. If, like me, you are a fan of RTD’s broader writings and want to delve deeper, this is definitely the book for you. It’s also for you if you enjoy his Doctor Who output, but want to learn more and dive deeper. But for those who feel he dragged Doctor Who in the wrong direction in either his first or second time as showrunner (or both), you are unlikely to have your opinion altered. The Queerest of Folk: A Life in Television by Russell T Davies with Boyd Hilton is available from bookshops, Waterstones, and Amazon. Like this: Like Loading…
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WhoNews @who-news.com · 19h
Behind the scenes of The Eighth Doctor Adventures
bigfinish.com
Behind the scenes of The Eighth Doctor Adventures
Big Finish News • Special Offers • New Releases • Doctor Who News • Doctor Who: The Eighth Doctor Adventures It’s now been thirty years since Paul McGann debuted as the Eighth Doctor in the Doctor Who TV Movie. This dashing incarnation of the Time Lord continues to explore time and space in his own range of full-cast audio dramas. When he next returns in November’s box set New Pathways, the Eighth Doctor will be entering a new era of his life, with new companions Alfie Steep (Sam Stafford) and Chase Moyo (Natalie Gumede) aboard the TARDIS. As an additional celebration of the anniversary, Big Finish Productions have produced The Eighth Doctor - A New Pathway, a bumper 110-minute behind-the-scenes audio documentary, which explores the Eighth Doctor’s life so far and the creation of this new era. This in-depth documentary expands upon the standard CD extras to provide a thrilling insight into the different stages of production, with contributions from the Doctor himself Paul McGann, Big Finish’s creative director Nicholas Briggs, and creatives from across the cast and crew of New Pathways. The Eighth Doctor - A New Pathway will be made available as a digital download to own for all purchasers of The Eighth Doctor Adventures: New Pathways, which is now available to pre-order for just £19.99 (download to own) or £24.99 (download to own + collector’s edition CD box set), exclusively from www.bigfinish.com. Please note: the collector’s edition CD box set is strictly limited to 1,500 copies and will not be re-pressed. The 110-minute documentary is divided into eight sections: Part One: The Story so Far Paul McGann and Nicholas Briggs look back at the making of the TV Movie, and the Eighth Doctor’s journey to date at Big Finish. Part Two: Creating the Companions Script editor Matt Fitton, producer David Richardson, writer Alan Ronald, director Ken Bentley and actors Natalie Gumede and Sam Stafford explore the creation and development of the new companions Chase Moyo and Alfie Steep. Part Three: The Making of Chase The cast and creatives explore the making of the first episode. (Also on the standard CD extras.) Part Four: The Making of Magic of the Sycorax The cast and creatives on episode two. (Also on the standard CD extras.) Part Five: The Making of Blast from the Past The cast and creatives discuss episode three. (Also on the standard CD extras.) Part Six: The Audio World of New Pathways Sound designer Benji Clifford takes us through the creation of the audio world of the box set. Part Seven: The Music of New Pathways Musician Howard Carter discusses his score. Part Eight: The Art of New Pathways Sean Longmore tells us about his striking cover art for the stories. Producer David Richardson said: “We wanted to do something special for the thirtieth anniversary of the Eighth Doctor, driving the character ever forwards into… well, New Pathways! There was so much to say about the development, making and relaunch of the range that the usual CD extras didn’t seem to be enough. “The brilliant Maddy Searle has edited this huge documentary that dives deep behind the scenes of this box set, interviewing everyone involved as we explore the production from first idea to final edits and artwork, and Paul McGann also discusses his time on the TV Movie. It’s a fascinating journey – and it’s absolutely free on download with every purchase!” Big Finish listeners can pre-order The Eighth Doctor Adventures: New Pathways together with the following box set, Fear the Reapers, as a multibuy bundle for just £38 (as digital downloads to own) or £47 (downloads + collector’s edition CDs). Alternatively, listeners can buy the two volumes as part of a bundle of all 15 Classic Doctor Who box sets released in 2026 for just £285 (download to own). Big Finish is currently operating a digital-first release schedule. The mailout of collector’s edition CDs will be delayed, but all purchases of this release unlock a digital copy that can be immediately downloaded or played on the Big Finish app from the release date.
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WhoNews @who-news.com · 20h
Revealed: What Russell T Davies Planned For Doctor Who Series 3 And Beyond
thedoctorwhocompanion.com
Revealed: What Russell T Davies Planned For Doctor Who Series 3 And Beyond
In his upcoming memoir The Queerest of Folk: A Life in Television (co-authored with Boyd Hilton), former showrunner Russell T Davies opens up about the ambitious storylines and scrapped projects originally planned for Doctor Who following the conclusion of Series 2. The revelations provide a fascinating glimpse into the creative ideas already set in motion before the end of the Disney partnership. Inside the unproduced Series 3 Scripts Before the Disney deal ended, three scripts for Series 3 were already fully written, alongside several other high-concept episodes in active development: The planned episodes included a historical epic about the Great Fire of London by Laurence Clark and Jack Thorne featuring high-budget realisation of 1666 London, as well as a Space Station Horror story by Lydia Adetunji centred on trypophobia on a NASA-style spacelab. Additionally, Sharma Angel-Walfall scripted a Manchester Council Estate-set story described as a fusion between Doctor Who and the film Rocks. Other ideas included Rogue’s return in 1980s Blackpool with writers Kate Herron and Briony Redman to bring back Jonathan Groff, alongside discussions with Juno Dawson that would feed into a massive, four-part Dalek epic finale. The Proposed 2026 Christmas Special In addition to Series 3 plans, Davies pitched a 2026 Christmas Special to the BBC. The storyline intercut a quaint, ‘olde-worlde’ English village with a mysterious spaceship hosting an outer-space festival called Winternox. The special would have featured “lots and lots of Daleks” alongside a major hidden surprise. Unrealised Spin-Off Concepts The book also details spin-off concepts planned under ‘The War Between’ banner. While The War Between the Land and the Sea was developed, other annual ideas were pitched, including The War Between the Earth and the Moon – a story following a tyrannical US president who commandeers UNIT’s Moonbase – as well as The War Between the Men and the Women and The War Between the Clever and the Not. All these new revelations and more feature in The Queerest of Folk: A Life in Television by Russell T Davies with Boyd Hilton. We’ll have a review of the book for you later today… Like this: Like Loading…
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WhoNews @who-news.com · 21h
Major New Doctor Who Bidders Emerge as Tender Battle Heats Up
doctorwhotv.co.uk
Major New Doctor Who Bidders Emerge as Tender Battle Heats Up
Some major new names have emerged in the race to produce the next era of Doctor Who. Several production companies have now submitted proposals after the BBC opened the competitive tender to decide who will make the next era of Doctor Who. One of the most eye-catching names involved is Jed Mercurio, best known for creating Line of Duty and Bodyguard. According to Deadline, he is reportedly attached as an executive producer to a bid from Hat Trick Mercurio, the production company he runs with Hat Trick founder Jimmy Mulville. Mercurio also has some sci-fi pedigree, having created the 1998 BBC series Invasion: Earth, not to be confused with the Peter Cushing Doctor Who film. World Productions, the company behind Line of Duty, has reportedly submitted a separate proposal and is said to be leading ITV Studios’ attempt to win the production contract. Another potentially significant bid comes from STV Studios, which Deadline reports has teamed up with Screen Scotland on a proposal that could move Doctor Who production to Scotland. STV Studios also has a link to the Doctor Who family through Peter Capaldi, who stars in its Apple TV drama Criminal Record. The series is produced by Tod Productions, run by Capaldi’s wife Elaine Collins. BBC Studios is also expected to be firmly in contention, with two of its production labels previously reported to be preparing bids. Scripted boss Jamie Hall recently suggested there was an opportunity for the programme to return to elements of its core appeal during the David Tennant and Matt Smith eras. Deadline stresses that its list of bidders is not exhaustive, meaning other companies could still be in the mix. Some major production companies have reportedly chosen not to bid, with concerns said to include the rights available and the scale of the commitment involved in producing Doctor Who. For fans, the most important detail remains the timetable. The BBC’s tender asks bidders to present a vision capable of bringing Doctor Who back to screens in 2028 or 2029. Interviews with bidders are expected to take place in January 2027, with the BBC aiming to award the production contract in March 2027.
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WhoNews @who-news.com · 21h
Complaining Doctor Who fans need to grow up
metro.co.uk
Complaining Doctor Who fans need to grow up
Fans of the show have kept it going for decades (Picture: Wire Image) Yesterday, Doctor Who fans got their first bit of good news about the legendary sci-fi series in what feels like forever. After months of reports about cancellations, controversies and a general feeling that Doctor Who was past its sell-by date, the BBC PR machine groaned into life to announce the show’s latest regeneration. Specifically, they announced a new kids’ cartoon called Doctor Who: TARDIS Crew, which will follow a new blue-haired incarnation of the titular Time Lord as he and his friends travel through time and space while battling various evil aliens and ghoulish grumblies. It should give devoted followers of the TV behemoth something to enjoy while the Beeb starts a tender process for the main show. To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video Up Next Previous Page Next Page Get personalised updates on Doctor Who Wake up to find news on your TV shows in your inbox every morning with Metro’s TV Newsletter. Sign up to our newsletter and then select your show in the link we’ll send you so we can get TV news tailored to you. But if you thought news that there was still life in the twitching carcass of the Doctor Who franchise would make fans happy, though, then I’m afraid I’ve got a bridge in Gallifrey to sell you. Online, a certain section of the fandom is angrier than a cross Dalek confronted by a particularly difficult set of stairs, with some even saying this is proof the show is in a double heartbeat flatline. ‘The Doctor Who franchise is dead and decomposing after violently being mauled for years,’ moaned @DiscussThing on X. One of the most iconic supporting characters was a dog made of tinfoil and Hoover parts (Picture: Getty) ‘Doctor Who is officially dead at this point,’ wailed @themasething. ‘You never come back from the kids’ slope.’ While @lokinuenl asked: ‘Guys, be honest, is it over?’ Well, I’ve got some good news for you. It’s not over. In fact, I’d argue it’s not even close to being over. And look, I understand why some people might be disappointed in the direction the franchise seems to be going. In the last 18 months or so, we’ve gone from having a live-action Doctor backed by the limitlessly wealthy Disney to an 11-minute cartoon made for toddlers – on paper, that feels like a slow death march, but I honestly think it’s anything but. The show will almost certainly endure (Picture: Getty) I think that by producing this show, the BBC is demonstrating its continuing commitment to Doctor Who and the series’ future. After all, as Whitney Houston once warbled, the children are our future, and by exposing them to the ionising radiation of Gallifrey we’re ensuring a new generation of Doctor Who-loving nerds will march on Broadcasting House and demand the BBC keep the show going for another 25 years. Okay, perhaps I’m getting ahead of myself (and I don’t think Whitney mentioned radiation), but the point stands: the Beeb clearly thinks the franchise has legs and is working to ensure it endures by introducing kids to Who. This isn’t like the Wilderness Years – the 16-year gap when the franchise was kept on life support by comics, radio dramas, and a somehow monthly magazine . Doctor Who is still going to be on TV, even if it’s not in a form you’re familiar with, and that’s a good thing because it means Who will remain part of the conversation. I do think, as well, that we need to acknowledge the rather large trumpeting elephant in the particularly small room here. The people complaining don’t seem to appreciate that Doctor Who is a family show. The new pre-school series Doctor Who: Tardis Crew will hit screens sometime from late 2027 to early 2028 (Picture: BBC) One of the most iconic supporting characters was a dog made of tinfoil and Hoover parts, while the Doctor’s most iconic enemies are just racist pepperpots – this isn’t a serious show. I know that Who has told some dark stories over time and space, but I think people sometimes confuse seriousness with maturity. Those two things don’t always go hand in hand; a story can be silly and mature just as easily as a serious show can be immature. Look at something like Scrubs; a medical programme but ultimately a pretty daft show full of gags, jokes and over-the-top characters that can also make me cry like a baby. It is unclear how the CBeebies show will slot into the history of the Time Lord in the main show (Picture: BBC) Grey’s Anatomy, in contrast, is a series that takes itself seriously, while the drama is actually pretty high school play. And if you’re wondering what those shows have to do with Who, well, they all star doctors, so it’s a perfectly apt comparison. Perhaps I’m being optimistic, but I just don’t think this is the type of announcement that warrants the sort of doommongering I’m seeing online, especially as the BBC has just put the live-action show out to tender. And if the most recent reports are to be believed, Jed Mercurio of Line of Duty fame is interested in making the next series, which is pretty impressive for a show fans are saying is already dead. So basically, if you’re whinging about the Doctor Who kids show, I suggest you grow up. Do you have a story you’d like to share? Get in touch by emailing Ross.Mccafferty@metro.co.uk. Share your views in the comments below. Arrow MORE: Celebrity Traitors fans say one star is getting too much screen time and it’s scaring them Arrow MORE: Former Strictly star says Amy Dowden ‘not doing very good job’ on the show Arrow MORE: Channel 4’s Celebrity Handcuffed has gone too far booking Lady Victoria Hervey
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WhoNews @who-news.com · 07/10/2026
Call of Who-ty: Jed Mercurio among names bidding on Doctor Who
thedoctorwhocompanion.com
Call of Who-ty: Jed Mercurio among names bidding on Doctor Who
Line of Duty creator Jed Mercurio has emerged as a leading name in the bidding race to produce Doctor Who for the BBC. Mercurio — who is a fan of sci-fi and was in talks with Steven Moffat to write a Doctor Who script over a decade ago — is part of a bid from his own company Hat Trick Mercurio. Also known as HTM, this is the production company Mercurio runs Jimmy Mulville, the former comedy actor who has had considerable success with his own production company Hat Trick. Fans may be enthused to learn that HTM has submitted a bid proposal for Doctor Who that has Mercurio attached as an executive producer, according to Deadline. Mercurio was also responsible for the Keeley Hawes/Richard Madden serial Bodyguard, as well as the 1990s hospital drama Cardiac Arrest, which co-starred Ace Bhatti (The Sarah Jane Adventures). Both Cardiac Arrest and Bodies drew upon Mercurio’s previous career as a doctor in the NHS. We don’t think this will inform the Doctor Who bid, however… Mercurio also created the BBC sci-fi show Invasion: Earth and 1970s-set comedy-drama The Grimleys. Meanwhile, other shows from Hat Trick Mercurio include Trigger Point, Bloodlands, and DI Ray. These are all considered top-draw shows on their networks, have been picked up by streaming services in some cases, and confirm Mercurio’s position as a respected writer and showrunner. Of course, the bid document states the BBC is happy to move away from that model… Other Doctor Who Bids It isn’t only the Mercurio/HTM bid that has come to light today. The production company (confusingly) behind Mercurio’s Line of Duty and Bodyguard, World Productions, is also said to be in the running. This follows earlier rumours inspired by Simon Heath, the company’s CEO, in early September, who said: “We may go for it, we may not. It’s not decided yet. The process hasn’t been outlined yet, to see what we’d have to go through. You want to take a look at that really before you make any decision.” Deadline reports that “Sources said that World is effectively spearheading ITV Studios’ efforts to land the contract.” Doctor Who made by ITV?! Scottor Who? Another bid has also emerged, this time from STV Studios. The Scottish TV company has had recent success with Blue Lights and Bridge of Lies, but accepting the bid would move production of Doctor Who north of the border. This may seem unlikely, but the BBC’s co-production with Bad Wolf for the 2005 series was partially intended to assist in the support of TV and film production in Wales. With four previous Scottish Doctors (I’m counting Tennant once and not including the AI creation), Scotland has an affinity with Doctor Who, so this bid — while not as prominent as the HTM bid — should not be ruled out. We’re also aware of two BBC Studios bids to run Doctor Who over the next few years. The eligibility for tender closed on 2nd October 2026, with a long list of successfully eligible tenders published on Friday this week (October 9th). Here’s a recap of what happens next: The shortlist is published on 9 th November, followed by a briefing with those tenderers on 13 th November. November, followed by a briefing with those tenderers on 13 November. Final tender submissions close in early December, with interviews with tenderers taking place in January 2027. The final contract will be awarded in March 2027. We’ll keep you updated as new details are released. Does Jed Mercurio sound like the right direction? Or would you prefer a Doctor Who filmed in Scotland? Like this: Like Loading…
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WhoNews @who-news.com · 07/10/2026
RSD Black Friday Doctor Who The Day of the Troll Vinyl LP
merchandise.thedoctorwhosite.co.uk
RSD Black Friday Doctor Who The Day of the Troll Vinyl LP
RSD Black Friday Doctor Who The Day of the Troll Vinyl LP Categorised under: CD
041
WhoNews @who-news.com · 07/10/2026
TDP 1505: NEW Doctor Who CBBC Show Image
sites.libsyn.com
TDP 1505: NEW Doctor Who CBBC Show Image
× About the Podcast The Top Rated Doctor Who Podcast. One fan, One mic and an opinion. What more does anyone need? Daleks, TARDIS, Cybermen, Sontarans, Ood, Classic Series. Home of Whostrology and the Big Finish Retrospective.
021
WhoNews @who-news.com · 07/10/2026
The Clash of Cultures
shows.acast.com
The Clash of Cultures
8.5. The Besheshra Bash 37:36 | | Season 5 , Ep. 8.5 It's time for another Eighth Doctor story! In one of the most egregious displays of naked hypocrisy, Iain and Ryan take offence at some childish, scatological humour while discussing Nick Walter's short story "The Besheshra Bash", which is available in Obverse Books' excellent collection Party Like It's 1998. I guess it wasn't for us, but other people will really enjoy this one. So read it and judge it for yourself. There's lots of stuff in here about poo and following through, so if you aren't up for toilet humour, maybe skip this episode? I dunno, you do you.gonna
010
WhoNews @who-news.com · 07/10/2026
Video of the Day – Doctor Who: Children in Need Special, 2005
blogtorwho.com
Video of the Day – Doctor Who: Children in Need Special, 2005
A Doctor Who fan from the tender age of nine, my first Doctor was Tom Baker (and I have the long scarf to prove it!) I like New Who and the classics as well as classic cars and classic rock. Geek by profession and by choice, happily married and never ready for Winter.
031
WhoNews @who-news.com · 06/10/2026
The Doctor Who Podcast #429 – Ice, Ice Warrior!
thedoctorwhopodcast.com
The Doctor Who Podcast #429 – Ice, Ice Warrior!
What a weekend, courtesy of Mr Russell T. Davies and The Guardian! Join Ashley and Brent as the now former showrunner junks our recording schedule with (incredibly interesting) interview promoting his memoires! Memoires, at 63?! Madness. Anyway Doctor Who features heavily in the extract published by the Guardian – great Who news for the Campervan to chew over. Along with coverage of the celebratory anniversary screening of The Satan Pit at cinemas across the globe, and the latest Thirteenth Doctor and Yaz story from Big Finish and Rochana Patel – that’s The Hallamshire Incident – what more could you possibly ask for?! Enjoy.
020
WhoNews @who-news.com · 06/10/2026
Doctor Who: TARDIS Crew Is Unveiled With Odd Timing
thedoctorwhocompanion.com
Doctor Who: TARDIS Crew Is Unveiled With Odd Timing
The BBC has unveiled our very first look at Doctor Who: TARDIS Crew, the new animated series aimed at preschool children set for broadcast in late 2027 and early 2028. Expected to welcome new generation of fans, these animated adventures will go out on CBeebies, and follow a young Doctor and friends Hannah, Beastie, and Toast-IE as they travel through time and space in the TARDIS. (We suspect that Doctor Who: TARDIS Crew is best viewed without any notion of canon.) The serial will see the adventurers “encounter incredible creatures, discover amazing new worlds.” They’re also going to meet the Daleks in a series of scripts promising humour and imagination, designed to encourage curiosity, kindness, and courage. Show Format Younger viewers will travel time and space in 52 eleven-minute episodes, with Kate Morton, Senior Head of Commissioning for CBeebies, telling fans: “The TARDIS is ready for its youngest crew yet. Packed with imagination, humour and adventure, Doctor Who: TARDIS Crew will inspire children to be curious, courageous and kind as they explore incredible worlds across time and space. It’s everything families love about Doctor Who, wonder, excitement and endless possibility, reimagined for CBeebies’ youngest explorers.” Doctor Who: TARDIS Crew is produced by Blue Zoo Animation Studio, with Dominic Minns (Mojo Swoptops and Supertato) serving as Series Director. While it should air late 2027/early 2028, we’re hoping for some clips sooner than that… First Impressions… Pass? As first looks go, this is pretty muted — I’d have loved to see a few clips. Ultimately, Doctor Who: TARDIS Crew a preschool kids show, the type that is likely to be repeated for years and years and go out to TV stations and streaming platforms around the world. It is essentially an advert for the main show, and in this regard, the BBC should be lauded in keeping things going in this way. But, by the time it goes out on CBeebies and BBC iPlayer, a new series of Doctor Who should be in production. This show appears to be giving us a whole new incarnation of the Doctor — something that used to be an event, whether on TV, in print, or on audio. These days (perhaps thanks to Chris Chibnall) the notion of a new Doctor is pretty “meh.” That could be a problem for the main show moving forward. Like this: Like Loading…
020
WhoNews @who-news.com · 06/10/2026
BBC confirms brand new Doctor Who show after going back to square one
metro.co.uk
BBC confirms brand new Doctor Who show after going back to square one
The BBC has shared a first look at the CBeebies show, which is currently in production (Picture: BBC Studios/Bad Wolf/James Pardon) Despair no longer Whovians: Doctor Who is returning even sooner than the 2028/2029 projection for the main show. Albeit in animated form. CBeebies will be taking us back into the world of intergalactic travel with the new pre-school series Doctor Who: Tardis Crew (it has a ring to it). The show has shared a first look at the series, with a blue-haired, sonic screwdriver-wielding Doctor and his eager-looking companion. The series follows the Doctor, who is a young Time Lord (it is not currently clear where this fits into the grand arc of his regeneration history), as well as his ‘crew’ of Hannah, Beastie and Toast-IE. Presumably, the latter is the robot being trailed in the Doctor’s wake. The quartet will embark on adventures across time and space, with the BBC promising the series will be ‘bursting with imagination, humour and adventure’. Get personalised updates on Doctor Who Wake up to find news on your TV shows in your inbox every morning with Metro’s TV Newsletter. Sign up to our newsletter and then select your show in the link we’ll send you so we can get TV news tailored to you. The show, which is set to hit CBeebies screens sometime from late 2027 to early 2028, hopes to introduce a younger audience to the Whoniverse. The new pre-school series Doctor Who: Tardis Crew will hit screens sometime from late 2027 to early 2028 (Picture: BBC) The Daleks have had quite a cuddly rebrand for the show (Picture: BBC) The official announcement states: ‘Travelling aboard the iconic Tardis, they encounter incredible creatures, discover amazing new worlds and come face-to-face with legendary Doctor Who foes, including the Daleks.’ Ah yes, the Daleks. They’ve had quite a cuddly rebrand for the show, which is probably to be expected. The first look image shows their manipulation arm – which has always looked a bit like a plunger – has been turned plunger-red. Their eyestalk has also been anthropomorphised, with a big googley eye peeping out of it now. It remains to be seen exactly how evil these Dalek variants will be, but the kids tuning in might be in for a shock when they upgrade to watching the show proper. The BBC statement continues: ‘The series celebrates curiosity, courage and kindness, encouraging young viewers to explore new ideas, solve problems and embrace the unexpected. It is unclear how the CBeebies show will slot into the history of the Time Lord in the main show (Picture: BBC) ‘Families will join the Tardis Crew on unforgettable journeys where friendship, teamwork and quick thinking can change everything. Blending the wonder and excitement of Doctor Who with the trusted storytelling and learning through play values of CBeebies, the series is set to introduce a whole new generation to one of the world’s most iconic brands.’ Doctor Who: Tardis Crew will comprise 52 bite-sized episodes at 11 minutes a piece and is currently in production. Kate Morton, Senior Head of Commissioning for CBeebies, said: ‘The Tardis is ready for its youngest crew yet. Packed with imagination, humour and adventure, Doctor Who: Tardis Crew will inspire children to be curious, courageous and kind as they explore incredible worlds across time and space. ‘It’s everything families love about Doctor Who, wonder, excitement and endless possibility, reimagined for CBeebies’ youngest explorers.’ It comes after the main show was officially put out to tender last month, inviting studios to roll up, roll up and envisage the future of the Doctor. The deadline for initial applications closed last week. Doctor Who: Tardis Crew will arrive on CBeebies and BBC iPlayer in late 2027/early 2028. Arrow MORE: All the celebrities who turned down Celebrity Traitors – and now ‘regret it’ Arrow MORE: Celebrity Traitors fans think everyone missed Joe Lycett’s ‘total foot in mouth moment’ Arrow MORE: BBC Radio 4 presenter Justin Webb taken off air after ‘struggling with his throat’
031
WhoNews @who-news.com · 06/10/2026
First Look at Doctor Who: TARDIS Crew, the New Preschool Animated Series
doctorwhotv.co.uk
First Look at Doctor Who: TARDIS Crew, the New Preschool Animated Series
Press release: BBC Children’s and Education has unveiled a first look at Doctor Who: TARDIS Crew, a brand-new animated preschool series that introduces younger audiences to the wonder, adventure and endless possibilities of the Whoniverse. Created for CBeebies viewers, the series follows the Doctor, a young Time Lord, and his friends Hannah, Beastie and Toast-IE as they embark on extraordinary adventures through time and space. Travelling aboard the iconic TARDIS, they encounter incredible creatures, discover amazing new worlds and come face-to-face with legendary Doctor Who foes, including the Daleks. Bursting with imagination, humour and adventure, Doctor Who: TARDIS Crew brings the excitement of the Whoniverse to a new generation of fans. Through action-packed, preschool-friendly stories, the series celebrates curiosity, courage and kindness, encouraging young viewers to explore new ideas, solve problems and embrace the unexpected. Across 52 eleven-minute episodes, families will join the TARDIS Crew on unforgettable journeys where friendship, teamwork and quick thinking can change everything. Blending the wonder and excitement of Doctor Who with the trusted storytelling and learning through play values of CBeebies, the series is set to introduce a whole new generation to one of the world’s most iconic brands. Kate Morton, Senior Head of Commissioning for CBeebies, said: “The TARDIS is ready for its youngest crew yet. Packed with imagination, humour and adventure, Doctor Who: TARDIS Crew will inspire children to be curious, courageous and kind as they explore incredible worlds across time and space. It’s everything families love about Doctor Who, wonder, excitement and endless possibility, reimagined for CBeebies’ youngest explorers.” Doctor Who: TARDIS Crew will arrive on CBeebies and BBC iPlayer in late 2027/early 2028. Produced by Blue Zoo Animation Studio, the series is currently in production, with Dominic Minns serving as Series Director. Minns previously directed acclaimed CBeebies series including Mojo Swoptops and Supertato. BBC Studios handles global sales for Doctor Who: TARDIS Crew as well as licensing, consumer products, digital and immersive experiences on behalf of the BBC.
021
WhoNews @who-news.com · 06/10/2026
CBeebies Doctor Who: TARDIS Crew First Look
blogtorwho.com
CBeebies Doctor Who: TARDIS Crew First Look
BBC Studios have revealed that the new CBeebies show will be Doctor Who: TARDIS Crew BBC Children’s and Education has unveiled a first look at Doctor Who: TARDIS Crew, a brand-new animated preschool series that introduces younger audiences to the wonder, adventure and endless possibilities of the Whoniverse. They’ve also provided details of the Doctor’s new companions, and a first look at the designs for the show. It will arrive on CBeebies in late 2027/early 2028, and therefore ahead of the main show’s BBC One return in 2028/2029. Created for CBeebies viewers, the series follows the Doctor, a young Time Lord, and his friends Hannah, Beastie and Toast-IE. Together, they embark on extraordinary adventures through time and space. Travelling aboard the iconic TARDIS, they encounter incredible creatures and discover amazing new worlds. They’ll even come face-to-face with legendary Doctor Who foes, including the Daleks. Bursting with imagination, humour and adventure, Doctor Who: TARDIS Crew brings the excitement of the Whoniverse to a new generation of fans. Through action-packed, preschool-friendly stories, the series celebrates curiosity, courage and kindness. It will encourage young viewers to explore new ideas, as well as solve problems and embrace the unexpected. Across 52 eleven-minute episodes, families will join the TARDIS Crew on unforgettable journeys where friendship, teamwork and quick thinking can change everything. Episodes will blend the wonder and excitement of Doctor Who with the trusted storytelling and learning through play values of CBeebies. The series will introduce a whole new generation to one of the world’s most iconic brands. TARDIS Crew aims to encourage children to be curious, courageous, and kind Kate Morton, Senior Head of Commissioning for CBeebies, said: “The TARDIS is ready for its youngest crew yet. Packed with imagination, humour and adventure, Doctor Who: TARDIS Crew will inspire children to be curious, courageous and kind as they explore incredible worlds across time and space. It’s everything families love about Doctor Who, wonder, excitement and endless possibility, reimagined for CBeebies’ youngest explorers.” Doctor Who: TARDIS Crew will arrive on CBeebies and BBC iPlayer in late 2027/early 2028. Produced by Blue Zoo Animation Studio, the series is currently in production, with Dominic Minns serving as Series Director. Minns previously directed acclaimed CBeebies series including Mojo Swoptops and Supertato. Like this: Like Loading…
040
WhoNews @who-news.com · 06/10/2026
First look at Doctor Who: TARDIS Crew coming soon to CBeebies
news.thedoctorwhosite.co.uk
First look at Doctor Who: TARDIS Crew coming soon to CBeebies
First look at Doctor Who: TARDIS Crew coming soon to CBeebies Doctor Who: TARDIS Crew is planned to arrive on CBeebies and BBC iPlayer in late 2027/early 2028 BBC Children’s and Education has unveiled a first look at Doctor Who: TARDIS Crew, a brand-new animated preschool series that introduces younger audiences to the wonder, adventure and endless possibilities of the Whoniverse. Created for CBeebies viewers, the series follows the Doctor, a young Time Lord, and his friends Hannah, Beastie and Toast-IE as they embark on extraordinary adventures through time and space. Travelling aboard the iconic TARDIS, they encounter incredible creatures, discover amazing new worlds and come face-to-face with legendary Doctor Who foes, including the Daleks. Bursting with imagination, humour and adventure, Doctor Who: TARDIS Crew brings the excitement of the Whoniverse to a new generation of fans. Through action-packed, preschool-friendly stories, the series celebrates curiosity, courage and kindness, encouraging young viewers to explore new ideas, solve problems and embrace the unexpected. Across 52 eleven-minute episodes, families will join the TARDIS Crew on unforgettable journeys where friendship, teamwork and quick thinking can change everything. Blending the wonder and excitement of Doctor Who with the trusted storytelling and learning through play values of CBeebies, the series is set to introduce a whole new generation to one of the world’s most iconic brands. Kate Morton, Senior Head of Commissioning for CBeebies, said: “The TARDIS is ready for its youngest crew yet. Packed with imagination, humour and adventure, Doctor Who: TARDIS Crew will inspire children to be curious, courageous and kind as they explore incredible worlds across time and space. It’s everything families love about Doctor Who, wonder, excitement and endless possibility, reimagined for CBeebies’ youngest explorers.” Produced by Blue Zoo Animation Studio, the series is currently in production.
040
WhoNews @who-news.com · 06/10/2026
Doctor Who's Russell T Davies admits it would have been a nightmare to do another season
digitalspy.com
Doctor Who's Russell T Davies admits it would have been a nightmare to do another season
Doctor Who's Russell T Davies has admitted that doing another season since returning to the science fiction show would have been "a nightmare". When Davies' comeback was announced, the BBC and Disney had entered into a deal to produce the show, with the House of Mouse releasing it on its streaming service outside of the UK. The deal was only for two seasons plus the three 60th anniversary specials and spin-off The War Between the Land and the Sea, while there was hopes to do a third (season 16 since the 2005 revival). In an excerpt from his book The Queerest of Folk published in The Guardian, Davies said: "We knew Ncuti Gatwa was leaving, so I'd written the climax in which the Doctor, having saved the life of a baby in 'The Church on Ruby Road', Ncuti's first episode, now departs by saving the life of a baby because the universe is at stake." Shutterstock Related: Best streaming services UK 2026 – including Disney+, Netflix, iPlayer and Apple TV "But we had to make these final episodes not knowing whether the Disney deal would be renewed," he continued in the book. "That was nothing to do with us at [independent production company] Bad Wolf; it was down to conversations with Disney and the BBC. So we had no idea what was going on. What to Read Next "Deep down I thought it wouldn't. You could tell what I was thinking, because I was already creating new work: Tip Toe for Channel 4, and also setting up the dance version of It's a Sin with Rambert. "In fact, in some ways it would have been a nightmare for me if that third series had come along, but I would have managed it." Getty Images Related: Doctor Who boss reveals plot details of the scrapped 2026 Christmas special The plan was to end Ncuti's season with an open-ended regeneration, but as the broadcast date neared and it had been "pretty much confirmed that Disney had said no", Davies said that cutting to credits without revealing the actor taking over from Gatwa would look "like the death of the show". Instead, the decision was made to give Billie Piper step in for the regeneration scene, something that Davies said got people talking about the show again. will be released on 8 October. Doctor Who can be streamed on BBC iPlayer. Visit our Streaming Guide now to see at a glance where you can view ALL your favourite shows and movies. The new edition of Legends, a 100-page celebration of Dolly Parton's life, is here. Buy Dolly in newsagents or online.
010
WhoNews @who-news.com · 06/10/2026
Doctor in the Mirror
bigfinish.com
Doctor in the Mirror
It’s time to draw the curtains, turn out the lights, and prepare to be scared, as this year’s collection of terrifying tales set in the darker corners of the Doctor Who universe is available now. Halloween - Doctor, Doctor, Doctor and Other Stories is a box set of four full-cast audio episodes, each with a horror theme. The title story stars Sylvester McCoy as the Seventh Doctor, who’s trapped in a mirror – but is this really the Doctor, or something much worse using his image? In the following three stories, the Third Doctor (Tim Treloar) and Jo Jones (Katy Manning) encounter witch hunts and a Krynoid in the sixteenth century, something lurks in the shadows of a UNIT call centre, and the Fifth Doctor (Peter Davison) and Nyssa (Sarah Sutton) visit a haunted hospital. Doctor Who: Halloween - Doctor, Doctor, Doctor and Other Stories is now available to purchase for just £24.99 (download to own) or £35.99 (download to own + collector’s edition CD) each, exclusively here. Please note: the collector’s edition CD box set is strictly limited to 1,500 copies and will not be re-pressed. The four frightful full-cast stories are: Doctor, Doctor, Doctor – a Seventh Doctor adventure by Stewart Pringle and Lauren Mooney In the 1980s, four physics students find themselves drawn to a strange mirror, seemingly haunted by a ghastly figure carrying a distinctive umbrella… As they experiment with the mirror, they begin to lose themselves in its mystery, as the entity within seeks to break into their world. The Song of the Reed Man – a Third Doctor and Jo Jones adventure by Katherine White When the Doctor and Jo land in the marshes of Essex, in 1562, they find themselves at the dawn of England’s witch hunting mania. But lurking beneath the waterways, there lies an ancient evil, ready to hunt and feast. Can the Doctor help an isolated coven see reason, before it’s too late? Office Space – a UNIT adventure by Georgia Cook and Fio Tretheway It’s Max’s first night shift at the UNIT liaison call centre in Chester, screening emergency calls from the public for signs of extraterrestrial threat. But tonight the calls hold something far deadlier, and soon Max and his colleagues find themselves fighting for their lives to survive against the night itself. Overworked – a Fifth Doctor and Nyssa adventure by Hannah Kennedy When the TARDIS locks on to a signal calling out for a ‘doctor’, Nyssa and the Doctor are brought to a hospital on Earth in 1974. However, with the help of cleaners Harold and Sophie, they discover that something is very wrong with the patients here, something otherworldly. Stewart Pringle, one of the writers of the box set’s title story, said: “When we were set the challenge of writing a horror-inspired Doctor Who, we thought back to some of our favourite classic horror stories, including The Gatecrasher by Ronald Chetwynd-Hayes, in which a man comes into possession of a mirror containing an entity which drives him to murder. “It’s a classic horror trope, and we thought, what’s the Doctor Who version of that? We thought about the game in schools where you say ‘Bloody Mary’ three times in the mirror and this thing pops up, but maybe a cooler version is if, when you say that three times, the Doctor appears – and what if it’s a monstrous version of the Doctor?”
010
WhoNews @who-news.com · 06/10/2026
“I Fking Love What I Did!”: RTD Defends His Second Doctor Who Era After ‘Waves of Hatred’
doctorwhotv.co.uk
“I Fking Love What I Did!”: RTD Defends His Second Doctor Who Era After ‘Waves of Hatred’
Russell T Davies has reflected on the divisive reaction to his second era of Doctor Who, saying there have been “waves of hatred” towards the series while suggesting his work will become more appreciated in the years ahead. Speaking in a recent interview with The Guardian, Davies was asked whether he had been personally wounded by the reaction to his latest run as showrunner. “I’m not personally wounded by that,” Davies said. “I thought it was a shame.” He admitted that the response had caused him to question some of his creative choices. “And maybe I wonder if I should have done something different,” he said, before quickly dismissing the idea: “Except I f**king love what I did!” Davies said that despite some of the fierce criticism directed towards his second era, he remains proud of the programmes he made. “I work really hard on my shows, and I genuinely love them,” he said. “I think there are waves of hatred, and maybe in a few years it’ll be more appreciated. But it’s appreciated by ME!” Asked what he believes it will take to save Doctor Who, Davies pointed towards changes within the BBC itself. “Part of the problem is that there seem to be spasms and ruptures and cuts at the BBC,” he said. “My worry is that there’s nobody there to champion it.” Davies believes the programme needs someone within the corporation persistently pushing for it. “You need a producer saying: ‘What about Doctor Who? What about Doctor Who? What about Doctor Who?’ every single day,” he said. “That’s gone.” Davies also suggested that the next version of Doctor Who may need to rethink how it fits into the wider television landscape. Looking back to the programme’s successful 2005 revival, Davies explained: “I made it exactly like a 9pm ITV drama, with a lot of the rhythms of everyday life.” “That concept has gone now,” he said. He even raised the possibility that the programme could eventually become a “vertical drama”, designed for smartphone viewing with frequent cliffhangers. Whatever form it takes, Davies believes Doctor Who needs to reflect the television environment around it rather than simply trying to recreate what worked in the past. “When it returns, it should be part of whatever the rest of telly is doing,” he said. One thing Davies will not do is publicly nominate the next Doctor. “I’ve made the mistake of saying so-and-so would be good,” he explained, “and the next thing you know, journalists are at their door.”
031
WhoNews @who-news.com · 06/10/2026
Tops & Bottoms Tens - Dan Pinn Tops the Classic Series
podcasters.spotify.com
Tops & Bottoms Tens - Dan Pinn Tops the Classic Series
Join Joe Ford as he waltzes all around the world (via whatever means the internet allows) and undertakes Doctor Who commentaries with a wide range of wonderful contributors. Fans, podcasters, online reviewers, writers, actors...the USP of this podcast is it's variety of guests and the fact that they all bring their own unique perspective to the podcast. The guest chooses the story, be it one they love, hate or are completely indifferent, and amongst the gossip is trivia, critique and personal experience.
010
WhoNews @who-news.com · 06/10/2026
Video of the Day – Time: Season 3 Official Trailer, 2026
blogtorwho.com
Video of the Day – Time: Season 3 Official Trailer, 2026
A Doctor Who fan from the tender age of nine, my first Doctor was Tom Baker (and I have the long scarf to prove it!) I like New Who and the classics as well as classic cars and classic rock. Geek by profession and by choice, happily married and never ready for Winter.
022
WhoNews @who-news.com · 06/10/2026
Doctor Who boss reveals plot details of the scrapped 2026 Christmas special
digitalspy.com
Doctor Who boss reveals plot details of the scrapped 2026 Christmas special
Doctor Who's two-time former showrunner Russell T Davies has revealed some of the plot details for the scrapped 2026 Christmas special. The most recent episode of the sci-fi series ended with Ncuti Gatwa's Doctor regenerating with Billie Piper's face, and a festive episode was initially announced with RTD at the helm to follow up on that ending. However, it was confirmed in June that the special was no longer going ahead, with the show going out to competitive tender as per BBC protocol. The winner of that tender is set to be announced next March. Related: Best streaming services UK 2026 – including Disney+, Netflix, iPlayer and Apple TV In an excerpt from his new memoir The Queerest of Folk published in The Guardian over the weekend, Davies revealed a little bit about the story he had in mind. "I pitched it to the BBC, and they loved it," he said. "An olde-worlde English village intercut with a huge, mysterious spaceship, an outer-space festival called Winternox, and lots and lots of Daleks, with something very unexpected hidden away … Oh, yes, I liked it!" What to Read Next Davies explained that even though the special was announced in October last year, he didn't even get the contract to write the script until March of this year, and by that point it looked untenable to get everything together in time. He then confirmed rumours that there had been discussions about reworking the Christmas special into an Easter one, and that became part of his plot idea. He said: "For a while, I became obsessed with the notion of a Christmas story transmitting at Easter, because, as part of the plot, time was out of joint. The Doctor running around shouting: 'It's not really Christmas!' A bit meta, but fun." Related: Your next TV obsession! 5 must-see shows on this week, including Sherwood star's British crime drama But then Davies wondered what the point of the special was, and admitted that it probably wouldn't have been loved by the fanbase. "There’s a huge era behind us, there’s a huge era ahead of us, what’s this thing in the middle? A single episode which is neither here nor there, neither fish nor fowl," he said. "It really existed to please the fans, except the irony is, it was exactly the sort of episode that fans would not be pleased by." With that in mind, and aware of the financial difficulties currently facing the BBC, he went to the broadcaster in early May and was the one to suggest dropping it. "I think they’d been waiting for me to say it," he continued. "We'd all been too polite with each other, them not wanting to let me down, me not wanting to let them down. But this new plan sets the show free." That does leave the issue of the Billie Piper regeneration unresolved, which is a potentially confusing thing to explain for a new era looking to bring in a new audience. Davies, however, thinks that the whole thing can be easily dealt with, noting how the 1996 TV movie's 'revelation' that The Doctor is half-human was just ignored afterwards. The Queerest of Folk: A Life in Television will be released on 8 October. Doctor Who can be streamed on BBC iPlayer. Visit our Streaming Guide now to see at a glance where you can view ALL your favourite shows and movies. The new edition of Legends, a 100-page celebration of Dolly Parton's life, is here. Buy Dolly in newsagents or online. Joe Anderton is a freelance news writer at Digital Spy, having worked there since 2016. In his time, he's covered a host of live events and interviewed celebrities big and small. A big fan of TV and movies both mainstream and obscure, Joe also enjoys video games and in particular PlayStation. Joe currently does not use Twitter, but he only ever used it to tell people to watch the film Help! I'm a Fish.
011
WhoNews @who-news.com · 06/10/2026
Doctor Who star Peter Davison reveals why son-in-law David Tennant once told him off in the TARDIS
digitalspy.com
Doctor Who star Peter Davison reveals why son-in-law David Tennant once told him off in the TARDIS
Doctor Who legend Peter Davison has revealed he got a telling off from son-in-law David Tennant when the pair were in the TARDIS together. Davison played the Fifth Doctor from 1981 to 1984, over 20 years before Tennant made his debut as the Tenth Doctor. Tennant, who is married to Davison's daughter Georgia, teamed up with Davison for mini episode 'Time Crash,' which aired in 2007 in aid of Children in Need. Speaking to The Whoniverse Show about filming the special episode, Davison shared that his son-in-law gave him a stern talk after he pulled the wrong lever in the TARDIS. BBC Related: Best streaming services UK 2026 – including Disney Plus, Netflix, iPlayer and Apple TV He explained: "I always loved pressing the buttons on the TARDIS set because it meant the sound department would have to add the noise every time you press a button. "It started off with just me on David's set, walking around the TARDIS, just pressing every button and pulling every lever and apparently I did pull one lever that David had decided had a special function... so he told me off a bit about that. 'You can't pull that lever!' But we had a really nice time doing it." What to Read Next Davidson's appearance marked the first time a classic Doctor had appeared in the reboot series, and the actor said he was surprised but "very happy" to get the script, describing filming the episode as a "joy" to do. Following 'Time Crash', Davidson has reprised his role as the Fifth Doctor numerous times, including Jodie Whittaker's final episode 'The Power of the Doctor' in 2022. Meanwhile, Tennant made a reappearance as the new 14th Doctor in three special episodes in 2023. Shutterstock Related: 'Can't tell you what we filmed': David Tennant's 'surprise' project sends fans wild with guesses Meanwhile, Doctor Who fans will be happy to know that the show is coming back to the BBC — but they'll have to wait. Last month the broadcaster posted a competitive tender invitation, which stated that it is aiming to have "a multi-episodic series (including specials) for transmission in 2028/29". Doctor Who airs on BBC One in the UK, with classic episodes available via BBC iPlayer. Take our interdimensional Doctor Who quiz! Interested in talking about Doctor Who? Visit our dedicated sub-forum Read more Doctor Who news on our dedicated homepage Visit our Streaming Guide now to see at a glance where you can view ALL your favourite shows and movies. The new edition of Legends, a 100-page celebration of Dolly Parton's life, is here. Buy Dolly in newsagents or online.
032
WhoNews @who-news.com · 05/10/2026
Divided We Fall?
thedoctorwhocompanion.com
Divided We Fall?
Has Doctor Who fandom ever been so divided? Did you even know, for that matter, about all the online drama that goes on in our community? I must say that being here on the DWC is a pure delight. All manner of news is keenly shared. Discussions are often passionate but still respectful. There’s some back and forth, but “fallings out” are thankfully rare. We might have different views on the best incarnation of the Doctor, the greatest Dalek story ever to be told and the comfiest looking TARDIS console room. To which I’d say, the indisputable facts are… The Fourth Doctor, Genesis of the Daleks and the one from the TV Movie. But if you choose to differ from these entirely correct answers, even though the act would make you foolish and worthy of my scorn, I’m still relatively happy to accept that we’re all grown up enough to make our own choices and that it’s best to just move on with things. What’s the point in sulking? Life’s too short, isn’t it? So, let’s just agree to differ! It doesn’t really matter. We can all be friends despite our differences, can’t we? You’re still wrong though! Very, VERY wrong! And I curse you and your bowels forever more. At the end of the day, we are all Doctor Who fans, and we share an interest that should shine like a beacon in bringing us all together. Sadly, as you’ll no doubt already know, in the often wonderful but sometimes dark space that we call the internet, this is far from being the actual case. The Division Maybe it’s just the way that society has gone these days. Everywhere you look there’s some form of division, where sides are quickly taken, and arguments are stoked until even the smallest flame becomes an inferno. I don’t recall Doctor Who fandom being so vociferous in the past. Then again, we didn’t really have the means to instantly express every thought, feeling, and spur of the moment whim, as we do now. Back in the 1970s and 1980s, the most you could do to vent your angst was write a ‘strongly’ worded letter to the BBC. You know the type, something along the lines of… Dear BBC, Why! Oh why! Oh Why! Yours, Mrs Ophelia Nuts (Disgruntled from Norwich) Perhaps it’s the internet that’s to blame, or rather the people that use it. But the genie has been well and truly out of the bottle for some time and people are free to speak their minds. Well… they certainly speak! If you dare to travel into the battlefield that is YouTube, you’ll find opposing armies deployed and making campaigns for your clicks. From ‘Who’s Views’ to ‘The Sense Sphere’ on one side to the likes of ‘Tharries’ and ‘The Confused Adipose’ on the other. On one side, you have an older band of ‘classic’ loyalists, on the other, there’s a younger generation of ‘modern’ devotees. I know I’m using these terms as broad sweeping generalisations because I’ve no doubt that things are much more nuanced than I’m making out. But the dog needs a walk, and you haven’t got all day to be reading this article, so I think a bit of generalising is best to get things moving more quickly. Changing Channels Suffice it to say, I watch all the content, and I generally enjoy the discussions and thoughts that are shared. There are things, of course, that I don’t agree with. But that’s okay because I like to hear differing views, as I find that it’s often a good way of confirming your own opinions. It also sometimes has the opposite effect, in making you stop and think that you might have actually got things wrong. When it comes to their respective Doctor Who channels, all of these content creators have a passion for the show and an incredible work ethic. Their dedication to the cause blows me away and it is far beyond anything that I would ever do as a fan. I think it would be remiss, at this point, if I didn’t step aside for a moment and mention someone like our very own, Philip, who has put in an incredible amount of work and effort into singlehandedly maintaining and growing this website over so many years. I doff several caps to you, Sir! All your efforts are appreciated. When it comes to YouTube, if I have to declare a particular allegiance, it would be to the ‘classic’ guys, as they are from my generation and I share the love that they have for the earlier version of the show. But I still have a great deal of time and admiration for ‘Tharries’ whose ideas are always interesting and well thought out. Meanwhile, ‘The Confused Adipose’ has a confidence in presenting to the camera that I could only dream about having in the present, let alone in my increasingly dim and distant youth. Whatever their views, even if they might differ in so many ways, all of these channels have their merits, but they also serve to show how the Doctor Who community has increasingly split over the last few years. Recently, the A.I. based ‘Missing Season’ and an attempt by one side of fandom to launch a new version of the ‘Doctor in Distress’ song has sent tongues wagging in a very cruel way. Harsh comments, not necessarily by the content creators themselves, but from different sides of our community have caused a lot of drama. People have stepped away, then as is often the YouTube case, they have returned after taking a short break. Who Says? You might argue that it’s all clickbait territory and that people who put themselves out there must accept the negativity. But no-one deserves that amount of abuse or bile for just having an opinion or doing something that is connected to a T.V. show. Some people, it seems, are incredibly keen to cast the first stone, before even taking a moment to consider the consequences or their own lack of perfection. For me, this great divide in fandom just wasn’t there in the early days of ‘modern’ Doctor Who. It felt as it we were all united, old fans and new, in our enjoyment of the wonderfully successful return that Doctor Who made to our screens. From being at an all time high of the Eccleston, Tennant, and Smith eras, there was no drop in quality with Capaldi. Viewing figures were still good, but perhaps not quite as high as they had been. So, the BBC deemed that a fresh start and new direction was needed. Chris Chibnall took over as showrunner and Jodie Whittaker became the Thirteenth Doctor. You might feel differently, but I don’t think that this was to be a lucky number for the show. It’s at this point, that I believe the fractures in fandom really started to appear. Now, before some of you start, I’m not after any controversy or drama. There are fans who adore this era, which is lovely and fine for them, but I have to be honest and say that I’m not one of them. Chibnall imposed some ‘Clueless Child’ revisions and storylines that never really hit with me. Jodie didn’t have the gravitas, in my opinion, and I’d rather have had Scooby and Shaggy on board the TARDIS than the Fam. Recollections May Differ But these are only my thoughts. You might, once again, feel differently. Neither of us can claim that we are definitively right or wrong. What followed with RTD2 didn’t improve things. The bold new vision took the fractures in fandom and turned them into chasms. Some people thought that Ncuti was the best Doctor ever! I didn’t. RTD’s messaging, some truly awful scripts and two seasons with catastrophic finales nearly got me to the point of pushing the eject button. I feel that Ncuti was miscast and that he didn’t really understand what the role required. His portrayal of the Doctor was a take on the character that I almost didn’t recognise. It just didn’t work for me. Despite all this, I still watched all the episodes. There were some stories, both in Jodie’s and Ncuti’s eras, that I enjoyed. None of them would find a place in my top ‘whatever’ list of adventures, though that’s purely down to my own particular taste. Both Jodie and Ncuti are obviously a long way from my ‘perfect’ version of the show, but I’d still not want either of these recent incarnations to be retconned or removed from the rich history of Doctor Who. It’s clear that they are loved by lots of people and that they have, in common with all the other Doctors, their own very loyal following. Many of whom, might have been inspired to watch the show and become fans because they felt a connection to these incarnations of the Doctor. Good for them, I say! Welcome on board! The Crazy Train I think it might be time to stop putting the blame of the current hiatus on any particular set of shoulders. I’m being, of course, a complete hypocrite because I’ve done this as much as anyone else! Everyone has their own ideas about what has happened, but that’s done and dusted now, so perhaps it’s time that we moved on. If the show is to survive, we all need to start putting on a united front. When Doctor Who returns to our screens, I believe it’s important to accept that it won’t be able to please all the fans and cater to what they perceive as being their perfect vision of the show. There will have to be some compromise and meeting in the middle along the way. As one of our own regular DWC contributors, Rick Lundeen, very wisely wrote in his recent article… “…we might come to the conclusion that what we knew as Doctor Who is gone for good, and what comes next is just some new show based on an old program we knew long ago.” I couldn’t agree more. When Doctor Who comes back, it will be a shiny new entity with some recognisable features. On this point, Mark Gatiss, who is both wise and wonderful, gave an interview a little while ago, which really helps to sum up my own personal feelings on the matter. When it came to the classic Pertwee era, Gatiss admitted to feeling a sense of worship towards the show. But for everything else, even the adventures that he worked on himself, for which he still feels a great deal of love, it’s just not quite as profound an emotion as what he felt for the episodes of his childhood. Perhaps, dear readers, this is the best way for us all to be. After over sixty years, we each have our own Doctor Who peaks and troughs. But that’s great, isn’t it? Such things give us countless stories and opinions to share with each other. It’s what makes us all fans in the first place, so let’s just celebrate the endless light years of common ground and not worry as much about any differences. I’d like to urge everyone out there, whatever your opinions might be on the classic or the modern eras of the show, to come together as a community and get behind any new production. It might end up being our last throw of the dice, so let’s try and make sure we take it, while we still have the chance. Like this: Like Loading…
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WhoNews @who-news.com · 05/10/2026
REVIEW: Doctor Who: Battles in Time
blogtorwho.com
REVIEW: Doctor Who: Battles in Time
Blogtor Who has entered the world of Battles in Time with a fast growing collection of these fun and beautiful Doctor Who trading cards Those who’ve been following along with Blogtor Who’s Instagram Reels and TikTok will already know how much he’s been enjoying the reinvigorated Battles in Time from Master Replicas. We’ve has now opened a whole box of the Obliterator set, along with the packs for the First Doctor and the Second Doctor. The collectible card game originally ran from 2006 to 2009 and covered Series One to Series Four. Now it’s back, and expanding to cover all the seasons before those seasons and those since. Each character features a different character, object, or action, with the own power rating, as well as offensive and defensive strengths for intelligence, agility, stamina, special abilities, and fear factor. When competing against another player, these scores determine the winner, but objects like the sonic sunglasses or the Moment have special actions that can change everything. However, the real appeal here is just how gorgeous all the cards look. Many of the modern eras of Doctor Who featured fantastic, high resolution photographs and they’ve rarely looked better than when produced on the glossy Battles in Time cards. But Master Replicas also do wonders with the photos from the 1960s. Wonderfully, they’re resisted any urge to colourise them, and the black and white image look simply beautiful here. Building a complete set with depend on a great deal of trading with your fellow fans, but even an incomplete set is a lovely thing to behold The Obliterator set consists of 142 individual cards, 92 of which are Common, 40 are Rare, and 10 are Super Rare. Each packet of six cards contains 5 Commons, either 1 Rare (in 9 out of 10 packs) or 1 Super Rare (in 1 out of 10 packs.) Although to add to the fun, or complexity, whichever way you want to look at it, there are also Vortex cards to be found in 1 in 720 packs, and 6 oversized Box Toppers, with 1 in every box of 36 packs. If that that all makes building a complete collection sound like a daunting task, then you’d be right. You could spend over £2,000 on boxes and still only probably find an ultra-rare Vortex card. Leaving that aside, even putting together the full 142 cards on the main set will depend on some canny trading with other collectors. In Blogtor Who’s review box from Master Replicas, we wound up with 55 Commons, 15 Rares, and 2 Super Rares, with the rest of the box doubles of those cards. So more or less half of the entire set. However, few things worth doing are easy, and the thrill of finding a new card, versus the good natured groan finding your twelfth Mr. Sweet from The Crimson Horror, is more benign and pleasant than a visit to the casino. In any event, even an incomplete set is a delightful thing to have between your Target Books and Blu-rays. The Doctor sets, however, feature 15 cards in every packet, giving you their entire set of Rare cards in one go There are no such concerns with the First Doctor and Second Doctor sets. Each is a single packet of 15 Rare cards, highlighting companions and monsters from their respective eras. Plus, of course, the Hartnell and Troughton Doctors themselves. Moreover, this is just the start, with more such self-contained sets for each classic Doctor arriving each month. Though it will be interesting to see how the team get 15 cards out of the Eighth Doctor era. There’s also a full Dalek Invasion set, following fast on the heels of Obliterator, and even a new Doctor set for Circuit Breaker. It seems clear that the regenerated Battles in Time is here to stay. And while it may not be the most inexpensive hobby, whether you’re a Tennant baby looking for a hit of nostalgia, a dedicated gaming enthusiast bringing two interests together, or the newest of fans encountering Doctor Who’s long legacy in a fun and visually appealing way, it doesn’t disappoint. You can follow along with Blogtor Who’s Battles in Time journey on Instagram and TikTok. Meanwhile, you can start your own Battles in Time collection by ordering from the Master Replicas page. Like this: Like Loading…
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WhoNews @who-news.com · 05/10/2026
RTD Wanted Doctor Who Leaker Arrested After BBC Traced Online Source
doctorwhotv.co.uk
RTD Wanted Doctor Who Leaker Arrested After BBC Traced Online Source
Russell T Davies has revealed that he wanted legal action taken against the person responsible for leaking Doctor Who information online during his second era, asking why he didn’t have the right to “get that person arrested”. The comments come from an edited extract from Davies’ new memoir, The Queerest of Folk: A Life in Television, published by The Guardian ahead of the book’s release on 8 October. Davies says leaks became a major problem throughout his latest Doctor Who era, claiming that virtually every major creative decision eventually found its way online. “Every decision we ever made, every single plot twist, every single moment” was leaked, he writes, including Billie Piper’s surprise appearance at the end of ‘The Reality War’. Davies believes the constant leaks damaged the way fans reacted to the programme. “It introduces a cynicism among fans,” he argues, saying leaked ideas were often judged negatively before viewers had seen how they actually worked on screen. According to Davies, the BBC eventually managed to trace the person putting the information online to a member of the public. “They were probably friends with someone at some point in the delivery chain of Doctor Who,” he writes. However, the BBC did not have the legal power to seize that person’s emails and investigate further. Davies was clearly frustrated by that limitation. “This was my copyrighted material,” he writes. “Why don’t I have the legal right to get that person arrested?” He says the BBC was wary of how prosecuting a member of the public over copyright infringement might appear, describing it as potentially “breaking a butterfly on a wheel”. Despite tracing the person who was posting information online, Davies says the production never established who was actually supplying the leaks from within Doctor Who’s wider production and delivery chain. “To this day, we don’t know who the leaker was,” he writes. That uncertainty caused suspicion behind the scenes, with Davies admitting there were “some tricky conversations at work”. He believes the source may ultimately have been someone relatively far removed from the creative team, working somewhere along the many technical stages Doctor Who episodes pass through before transmission. Davies says the production spent around two years knowing material was leaking but feeling “absolutely powerless” to stop it. He also argues that leaking and the online reaction surrounding it have become a wider problem across science-fiction fandom, citing Doctor Who alongside franchises including Star Trek and Star Wars.
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WhoNews @who-news.com · 05/10/2026
Martin Johnson Interview | Sherwood Sound Studios | The War of the Worlds
sirensofaudio.com
Martin Johnson Interview | Sherwood Sound Studios | The War of the Worlds
.video-container { position: relative; padding-bottom: 56.25%; } .video-container iframe { position: absolute; top: 0; left: 0; width: 100%; height: 100%; } For fans of The War of the Worlds, Sherwood Sound Studios released a faithful to the book audio adaptation back in 2017 under the title, "The Coming of the Martians".Now, for the first time, it is being released on YouTube in 5.1 Surround Sound, for FREE! Keep an eye on their YouTube channel on 30th October 2026 - https://www.youtube.com/ ⁨@sherwoodsoundstudios⁩ The founder of Sherwood Sound Studios, Martin Johnson, joins us to talk about this release, as well as some of the work he did with Big Finish Productions on the Doctor Who, Benny Summerfield and other ranges. Be sure to subscribe to our other podcast, Blake's 7 - The Way Back - ⁠https://www.youtube.com/@Blakes7WayBack⁠Theme music by Joe Kraemer.Website - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.sirensofaudio.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Instagram - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/audiosirens⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Facebook - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/audiosirens⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on X - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://x.com/audiosirens⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠
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WhoNews @who-news.com · 05/10/2026
TDP 1503: Starcops from #Bigfinish REVIEW - Adrift
sites.libsyn.com
TDP 1503: Starcops from #Bigfinish REVIEW - Adrift
https://www.amazon.co.uk/Villain-Venice-Steampunk-Adventure-Expanded/dp/B0GYVW1ZM3?source=ps-sl-shoppingads-lpcontext&ref_=fplfs&psc=1&smid=A3P5ROKL5A1OLE When a stolen cargo shuttle drifts back into lunar orbit, seemingly deserted, Nathan and Paul investigate. They uncover a conspiracy involving hijacking, smuggling - and claims of a creature on the loose. Script editor Andrew Smith said: "Conflict is the most epic story we've told in Star Cops, with the stakes higher than they've ever been, not just for our heroes but for all mankind. In this concluding set of three episodes, the threat of global conflict builds towards a climax. "Georgia Cook is a hugely welcome new member of the writing team. In Adrift, she's applied her expertise in the horror genre to deliver an episode where, as the Star Cops are dealing with the fallout from a tragedy, they're faced with a mystery that raises the question - could there actually be monster aliens in space? "We're now starting the final three parts of Star Cops – Conflict. Georgia's episode Adrift is kind of a standalone, though we've got the background, as we have throughout the whole of the Conflict set, of world tensions growing. " When I asked Georgia to come on board, I was aware that her particular genre is horror and I thought that would be an interesting thing to explore in a Star Cops context. So that was her brief: 'Can you give us a story with a real horror vibe?' Georgia really runs with it and puts our main characters through the mill, it’s fair to say." Writer Georgia Cook added: "It was certainly nerve-wracking to pick up from such a dramatic and impactful last episode. All the characters are still reeling from the aftermath, but aren't given much time to process before they're thrown back into work. "I love the whole crew of Star Cops. Everyone is such an interesting and well-rounded character, each dealing with the trials of space and their jobs in their own way. It's been such a delight adding to everyone's extended Big Finish canon." Trevor Cooper (Inspector Colin Devis) Linda Newton (Chief Superintendent Pal Kenzy) Lynsey Murrell (Inspector Alice Okoro)
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WhoNews @who-news.com · 05/10/2026
Video of the Day – The Whoniverse Show, 2026
blogtorwho.com
Video of the Day – The Whoniverse Show, 2026
A Doctor Who fan from the tender age of nine, my first Doctor was Tom Baker (and I have the long scarf to prove it!) I like New Who and the classics as well as classic cars and classic rock. Geek by profession and by choice, happily married and never ready for Winter.
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WhoNews @who-news.com · 04/10/2026
Radio Free Skaro #1088 – You Just Hope It Will Generate Content
radiofreeskaro.com
Radio Free Skaro #1088 – You Just Hope It Will Generate Content
Doctor Who is dead, long live Doctor Who! Russell T Davies speaks of the end of his time on Doctor Who in an excerpt from his new book, while Bad Wolf’s Jane Tranter laments the dismantling of the most recent TARDIS set. All this...
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WhoNews @who-news.com · 04/10/2026
Who's He? Podcast 558 | Formula 1 To Blake's 7 - Part 2
whos-he-podcast.co.uk
Who's He? Podcast 558 | Formula 1 To Blake's 7 - Part 2
In this episode of the Who's He? Podcast.... Formula 1 to Blake's 7 - Interview with Richard Ashton - Part 2 This week, it's the second part of our interview with model making genuis Richard Ashton, who helped bring the updated special effects to the screen for the Blake's 7 blu-ray boxsets. This week, Richard tells about being a body double for David Tennant, repairing Thunderbird 2 for Jamie Anderson and of course rebuilding the Liberator for the Blake's 7 blu-rays. You can find amazing Richard's amazing model work here: It's An Ashton Contact us: Bluesky: @whoshepodcast.bsky.social X/Twitter: @Whos_He_Podcast Threads: @doctor_who_whos_he_podcast Facebook: www.facebook/groups/whoshepodcast Email: whoshepodcast@yahoo.co.uk
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WhoNews @who-news.com · 04/10/2026
Russell T Davies, 63, ‘reported’ relationship with boyfriend, 27, to Doctor Who bosses
metro.co.uk
Russell T Davies, 63, ‘reported’ relationship with boyfriend, 27, to Doctor Who bosses
Russell T Davies and Oliver Cole confirmed their relationship earlier this year (Picture: Jed Cullen/Dave Benett/Getty Images for The National Theatre) Russell T Davies has opened up about his relationship with Oliver Cole and why he addressed it with Doctor Who bosses. The showrunner of the hit BBC sci-fi series, 63, confirmed his relationship with the model, 27, earlier this year. He and Oliver have frequently shared updates with fans, including a video of Oliver taking a trip around the Tardis last November. When asked if Oliver was a Doctor Who fan in an interview with The Guardian, Russell said: ‘He is, but that takes about five minutes of conversation; it’s not like we sit there discussing [show antagonist] the Rani.’ However, he said that he reported his relationship to Doctor Who bosses when it began because of this. Get personalised updates on Doctor Who Wake up to find news on your TV shows in your inbox every morning with Metro’s TV Newsletter. Sign up to our newsletter and then select your show in the link we’ll send you so we can get TV news tailored to you. ‘When it became a relationship, I reported it to the bosses at Doctor Who, in case anyone tried to say I was abusing my position by going out with a fan.’ The Doctor Who showrunner said he told bosses about his relationship because Oliver is a fan (Picture: Instagram/Russell T Davies) Russell also recently opened up about the 36-year age gap between the pair, saying he does not see his boyfriend as ‘young’. ‘[He’s] a lot younger; he’s 27, which is ridiculous, I know. But he’s Australian. They’re very grown up, aren’t they, Australians?’, he said while speaking on the How To Fail with Elizabeth Day podcast. He continued: ‘They know what’s what; he might as well be 40. It’s like, he’s kind of had a hell of a life actually. He’s seen a lot and done a lot and kind of fought his way to get to Britain.’ Russell also spoke about how respectful Oliver is of the memory of his late husband, Andrew Smith. Smith was diagnosed with a brain tumour in 2011 and given a three per cent chance of recovery. He has previously said how ‘lucky’ he feels to have found love with Oliver after the death of his husband, Andrew Smith, in 2018 (Picture: Instagram/Russell T Davies) Russell opened up about the everyday things that remind him of his late husband (Picture: Jeff Spicer/Bafta/Getty Images for Bafta) Russell took two and a half years away from work to care for his husband, who died in September 2018, aged 54. ‘My lovely boyfriend Oliver is completely respectful, and when I make him sit and watch The Chase, I’m like, “Andrew loved this. Watch this.” Like that all the time, non-stop,’ he said. Russell admitted he feels ‘very lucky’ to have found love again after his loss. Speaking with Gaby Roslin on her podcast, Russell responded to her praise of his ‘lovely boyfriend’ by saying: ‘He’s beautiful, isn’t he? I’m very lucky.’ He added on the latest episode of Reasons To Be Joyful: ‘It’s a year now – it’s been a year since we started saying hello. Amazing. I’m very, very lucky. ‘I was widowed eight years ago, and you kind of think, that’s it – genuinely. And at 63 you do think that’s it. Fine, I’ve had a lovely time. So for this to happen, it’s a great surprise and very lovely.’ To mark a full 12 months together, Russell and Oliver shared an Instagram picture on July 26, taken at a bar. ‘Our first anniversary! We drank all those bottles @mountain.restaurant ♥️’, he captioned it. ‘What joy! Love you both. Happy Annie ❤️’, commented Georgia Tennant, while Tom Read Wilson said: ‘Congratulations! Such a special duo. You give endless glee to this old gleeman x’ Arrow MORE: Strictly Come Dancing’s first axed couple leaked hours before show airs Arrow MORE: Shirley Ballas ‘at risk of being axed from judging role’ over close bond with dancer Arrow MORE: Strictly Come Dancing has miraculously fixed its Johannes Radebe problem
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WhoNews @who-news.com · 04/10/2026
Review: The Terror: Devil in Silver: Season 3 (2026)
howeswho.blogspot.com
Review: The Terror: Devil in Silver: Season 3 (2026)
The Terror is a series of limited series developed for AMC. I was first aware of it as the first season adapted Dan Simmons' novel The Terror, but since that found success, they have developed the show so that each season covers a different story with different cast. This is a similar-ish approach to shows like American Horror Story and Scream Queens where each season has a different plot but in those cases uses the same cast.Season 3 of The Terror is based on the novel The Devil in Silver by Victor Lavell, and is six episodes long. This is a benefit because unlike many 'limited series' it doesn't outstay its welcome and does not need padding to make up the length, issues which often plague this format, making the shows drag and end up being a chore to get through four or five episodes of plot expanded out to ten or twelve episodes.The plot follows Pepper (the always excellent Dan Stevens) who is arrested by police after a fight and thrown into a mental asylum, the New Hyde Hospital, rather than just being charged. The hospital staff immediately drug him and he finds that the other residents there are likewise drugged and have been there for a long time.There's something creepy going on there too, with people hearing voices and having visions of nocturnal vistations ... plus there is a mysterious silver locked door ... which no-one must enter ... it's all very well done, creepy, and well played.When the revelations start to come, they're well developed, and we discover what is really happening here, and what lengths the 'management' are going to in order to keep their secrets and to keep whatever the strange entity is happy.I won't give it all away here, as the show is worth watching, and as it's only six episodes, is an excellent binge-worthy watch for Halloween!The entire season is now available on blu-ray from Acorn Media International, and Seasons 1 and 2 are also available. The blu-ray also contains a very short behind the scenes documentary and a photo gallery.
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WhoNews @who-news.com · 04/10/2026
RTD Reveals Cancelled Christmas Special Had “Lots and Lots of Daleks” and a Hidden Surprise
doctorwhotv.co.uk
RTD Reveals Cancelled Christmas Special Had “Lots and Lots of Daleks” and a Hidden Surprise
Russell T Davies has revealed that his axed Doctor Who special would have featured “lots and lots of Daleks”, an outer-space festival called Winternox and a mysterious spaceship. The details come from an edited extract from Davies’ new memoir, The Queerest of Folk: A Life in Television, published by The Guardian ahead of the book’s release on 8 October. Davies says he had developed a story involving “an olde-worlde English village” intercut with “a huge, mysterious spaceship”. There would also have been “an outer-space festival called Winternox” and “lots and lots of Daleks”, with Davies teasing “something very unexpected hidden away”. “Oh, yes, I liked it!” he writes. The revelation adds some interesting context to Davies’ comments when the special was officially cancelled in June. At the time, Davies was emphatic that the planned episode had never reached script stage, writing: “For the record: there was no script, I never wrote it.” His memoir now makes clear, however, that a fairly developed story did exist. “But I did have a story,” Davies writes. “I pitched it to the BBC, and they loved it.” That does not necessarily contradict his claim that no actual script was written, with a story pitch existing before a screenplay. Davies also reveals he did not receive a contract to write the Christmas special until the end of March 2026. However, there had previously been indications that the episode was further along. In Doctor Who Magazine 624, Davies teased that the special contained the words “Bafflers”, “Winternox” and “village”. And in February, composer Murray Gold said: “I know that Russell’s written, I think, multiple versions depending on certain outcomes.” Gold did qualify the claim with “I think”, and it remains unclear whether he was referring to completed scripts or different versions of the developing story. The special itself continued to shift as production stalled. Davies says scheduling difficulties even led to discussions about moving it from Christmas 2026 to Easter 2027. For a time, he became “obsessed” with making the strange scheduling part of the story itself, with time being out of joint and the Doctor running around shouting: “It’s not really Christmas!” Eventually, Davies decided the one-off no longer made sense as the BBC accelerated plans for Doctor Who’s next era. On 6 May 2026, he went to the BBC and said: “I don’t think we should be making this.” Instead, he urged the corporation to “put your energy and imagination into the future”, clearing the way for a new production team to take over Doctor Who. That means Davies’ Winternox story, its mysterious spaceship, its hidden surprise and its promised “lots and lots of Daleks” will remain one of Doctor Who’s unmade adventures.
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WhoNews @who-news.com · 04/10/2026
Talks to Joumana, Rob and Lucy about their choice of The Masque of Mandragora (3/4)
podcasters.spotify.com
Talks to Joumana, Rob and Lucy about their choice of The Masque of Mandragora (3/4)
Join Joe Ford as he waltzes all around the world (via whatever means the internet allows) and undertakes Doctor Who commentaries with a wide range of wonderful contributors. Fans, podcasters, online reviewers, writers, actors...the USP of this podcast is it's variety of guests and the fact that they all bring their own unique perspective to the podcast. The guest chooses the story, be it one they love, hate or are completely indifferent, and amongst the gossip is trivia, critique and personal experience.
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WhoNews @who-news.com · 04/10/2026
Video of the Day – Doctor Who: Out of Context Moments, 2026
blogtorwho.com
Video of the Day – Doctor Who: Out of Context Moments, 2026
A Doctor Who fan from the tender age of nine, my first Doctor was Tom Baker (and I have the long scarf to prove it!) I like New Who and the classics as well as classic cars and classic rock. Geek by profession and by choice, happily married and never ready for Winter.
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WhoNews @who-news.com · 03/10/2026
RTD Dismisses Concerns Over Leftover Piper Cliffhanger: “A Piece of Piss” for Doctor Who’s Next Team
doctorwhotv.co.uk
RTD Dismisses Concerns Over Leftover Piper Cliffhanger: “A Piece of Piss” for Doctor Who’s Next Team
Russell T Davies has dismissed concerns that Billie Piper’s Doctor Who cliffhanger could cause problems for the show’s next production team, calling the mystery “a piece of piss” to resolve. The comments come from an edited extract from Davies’ new memoir, The Queerest of Folk: A Life in Television, published by The Guardian ahead of the book’s release on 8 October. Piper unexpectedly appeared following Ncuti Gatwa’s regeneration at the end of The Reality War, but the episode did not explain who or what she was playing. With Davies and Bad Wolf now stepping away from Doctor Who, the mystery will be inherited by the show’s next production team. But Davies does not see that as much of a problem. “Yes, that leaves us with a Billie puzzle,” he writes, before adding: “but c’mon, that’s easy.” “Doctor Who problems are simple to solve,” Davies continues. He points to the 1996 TV Movie revealing that the Doctor was half-human, joking that it was eventually dealt with by “everyone discreetly never mentioning it again”. Davies says the new team has two obvious options for Piper’s appearance. “A new production team can either seize hold of that appearance happily,” he writes. Or, in what Davies believes is the more likely outcome, “they can explain the event away with exactly seven words.” “Painless,” he adds, before describing the issue as “a piece of piss.” Elsewhere in the same memoir extract, Davies reveals that Piper was not originally part of Gatwa’s regeneration at all. The original version ended with an open-ended regeneration before Davies decided in the edit that it looked too much like the end of Doctor Who.
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WhoNews @who-news.com · 03/10/2026
“It Looked Like the Death of the Show”: RTD on Gatwa’s Original Open-Ended Doctor Who Regeneration
doctorwhotv.co.uk
“It Looked Like the Death of the Show”: RTD on Gatwa’s Original Open-Ended Doctor Who Regeneration
Russell T Davies has revealed that Ncuti Gatwa’s final Doctor Who regeneration was originally filmed as an open ending, with no successor appearing, before Billie Piper was later added to the cliffhanger. The details come from an edited extract from Davies’ new memoir, The Queerest of Folk: A Life in Television, published by The Guardian ahead of the book’s release on 8 October. Davies explains that Gatwa’s final episodes were made without knowing whether Disney would renew its Doctor Who deal. “So we had no idea what was going on,” he writes. With a third series uncertain, Davies says “the finale was intended to climax with an open-ended regeneration”. “So we shot that with Ncuti: he smiled and said his last line, and the screen melted into a golden glow…” There was originally nobody waiting to emerge from the regeneration. For fans who would have preferred a completely clean handover to Doctor Who’s next production team, that was effectively the ending that had been planned. However, Davies says it did not work once they saw it on screen. “Except when we edited that together, it looked like the death of the show.” He says the production team immediately considered how younger viewers might see it: “Think of children watching that. It’s like a death. We can’t do that to them.” By the time the episode reached the edit, Davies says it was “pretty much confirmed that Disney had said no”, while the BBC was still deciding what would happen next. The production was left, in Davies’ words, “stuck in limbo with many months of inaction”, while he continued watching an ending that “looked like too much of an ending”. Eventually, Davies called a meeting with the show’s executives. “We can’t transmit this,” he told them. “We need someone to step in. We need someone to be there. Someone for him to physically regenerate into in front of our eyes.” Davies says the answer quickly became clear: “We decided the Doctor should regenerate into … Billie Piper!” Piper was subsequently approached about returning. “She was so delighted to do it, because she loves Doctor Who and she loves the team,” Davies writes, adding: “She gave us the fastest yes we could have had.” Davies believes the revised ending achieved what he wanted. “And it worked, because everyone paid attention to the show once more,” he writes, recalling how people were suddenly talking about “Billie, Billie, Billie!” after transmission.
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WhoNews @who-news.com · 03/10/2026
“Deep down I thought it wouldn’t.” The End of RTD 2 Revealed
thedoctorwhocompanion.com
“Deep down I thought it wouldn’t.” The End of RTD 2 Revealed
A new memoir by Russell T Davies is heading to bookshops (and gigawarehouses) near you, and the now former executive producer of Doctor Who has dedicated some words to the final few months of his second stint on the show. An excerpt from the book has been published in the Guardian, and it covers everything from Disney+ to Billie Piper, not to mention leakers, fandom, and the BBC’s Royal Charter agreement. (The main book probably includes something about Ncuti Gatwa quitting, but that isn’t included in the Guardian excerpt.) RTD on Disney The main takeaway is Davies’ recollections on what was happening between the BBC and Disney. …we had to make these final episodes not knowing whether the Disney deal would be renewed. That was nothing to do with us at [independent production company] Bad Wolf; it was down to conversations with Disney and the BBC. So we had no idea what was going on. Deep down I thought it wouldn’t. (Having spent a lot of time over the years watching and analysing Doctor Who, the events surrounding the Disney deal never really sat comfortably with me. It’s all felt like a bit of a mad adventure — a bit like the production of Planet of the Dead, which I was admittedly very critical of at the time, but on a far larger scale.) After deciding that the end of the 15th Doctor would scare children (apparently an open-ended regeneration is “like a death”), a meeting was held, and Billie Piper’s name came up… We need someone to be there. Someone for him to physically regenerate into in front of our eyes. We decided the Doctor should regenerate into … Billie Piper! Leakers, Charters, Stalkers The excerpt also includes details on the written/unwritten script for the 2026 Christmas special, the tangible creation of which is neither confirmed not denied. But the passage also provides information about the situation concerning leakers, BBC politics, and while the Disney decision isn’t analysed (and we don’t know if it is elsewhere in the book), the impact of the Royal Charter. Also, Russell takes the credit for pulling the 2026 Christmas special, something that would have kept him very busy. That’s the highlights, but this being RTD, almost every other line is a zinger so I recommend you head over to the Guardian and read it yourself. There’s also an interview with the writer which includes a worrying account of a visitor to his home… Like this: Like Loading…
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WhoNews @who-news.com · 03/10/2026
Daryl Joyce’s Moments In Time Calendar 2027 Calendar
merchandise.thedoctorwhosite.co.uk
Daryl Joyce’s Moments In Time Calendar 2027 Calendar
Daryl Joyce’s Moments In Time Calendar 2027 Calendar Available to order from www.kickstarter.com Keep track of times and places throughout 2027 with this fantastic calendar showcasing the art of Daryl Joyce. Acclaimed fan favourite artist Daryl Joyce presents his all new calendar showcasing 13 of his own favourite moments from 26 years of time travel! These 13 original, stunning interpretations are presented here in full colour with the illustration on one page and a separate full page with ample space for all your dates and notes! Spend 2027 with Daryl’s favourite time travelling moments – pre order now! Daryl Joyce is a highly regarded illustrator and designer, specialising in genre film and TV illustrations. His work has been used for numerous DVD and Blu Ray covers, books, animations, magazines and TV documentaries. Having illustrated pieces for ‘Doctor Who Magazine’, ‘Doctor Who storybook’, ‘Doctor Who annual’ and the official BBC website e-book editions of several original novels, Daryl was approached in 2006 to provide the background art for some of BBC Studio’s animation projects including ‘The Power of the Daleks’. Daryl’s work has also been presented more recently in the book, ‘The Illustrated Journey’. A4 Landscape which opens to a full length A3 Wall Calendar with each month of 2027 Plus a bonus month of January 2028! – displayed under a glorious new Artwork, Featuring moments from the first seven Doctors. High quality print, paper & Packaging Categorised under: Annuals, diaries and calendars, Books
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WhoNews @who-news.com · 03/10/2026
Talks to Lucy McCaul, Joumana Medlej & Robert Valentine about their choice of The Masque of Mandragora (2/4)
podcasters.spotify.com
Talks to Lucy McCaul, Joumana Medlej & Robert Valentine about their choice of The Masque of Mandragora (2/4)
Join Joe Ford as he waltzes all around the world (via whatever means the internet allows) and undertakes Doctor Who commentaries with a wide range of wonderful contributors. Fans, podcasters, online reviewers, writers, actors...the USP of this podcast is it's variety of guests and the fact that they all bring their own unique perspective to the podcast. The guest chooses the story, be it one they love, hate or are completely indifferent, and amongst the gossip is trivia, critique and personal experience.
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WhoNews @who-news.com · 03/10/2026
Video of the Day – The Upcoming, 2025
blogtorwho.com
Video of the Day – The Upcoming, 2025
A Doctor Who fan from the tender age of nine, my first Doctor was Tom Baker (and I have the long scarf to prove it!) I like New Who and the classics as well as classic cars and classic rock. Geek by profession and by choice, happily married and never ready for Winter.
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WhoNews @who-news.com · 02/10/2026
Love Who Tender: BBC Plans TWO Proposals!
thedoctorwhocompanion.com
Love Who Tender: BBC Plans TWO Proposals!
BBC Studios could submit up to two separate company bids for the upcoming Doctor Who production tender, with executives expressing a desire to recapture the golden-era feel of the David Tennant and Matt Smith years. Sorry, Peter Capaldi. Apologies, Jodie. I’d mention Ncuti, but I don’t think he’ll be reading this any time soon… Rediscovering Doctor Who BBC Studios’ Managing Director for Scripted, Jamie Hall, has opened up about the competitive tender process that’s currently underway. According to Hall, BBC Studios – which manages both in-house production arms and various owned independents – has “probably got one, potentially two companies” preparing to compete for the contract. “Doctor Who should sit within the BBC and the whole group should reap the rewards of it,” Hall told Deadline. When asked what he hopes to see from the next production company to take over, he cited the David Tennant and Matt Smith eras. “It feels to me that there is an opportunity to get back to what the core offering was in that time,” Hall explained. “It will be off screen for two or three years, and that gives the audience a great chance to have a break then rediscover, while also bringing a new audience.” What is the BBC Looking For? The official invitation to tender details a comprehensive vision for the series’ future. Key guidelines laid out for prospective production teams include: The format: A multi-episodic series including specials, targeted for a 2028/2029 broadcast, with a discretionary option for the BBC to extend the contract into a second series. The tone: The broadcaster is asking for pitches that feel “contemporary and creatively ambitious,” encouraging innovative approaches to world-building, visual effects, and storytelling. The companions: The tender specifies that producers must develop “at least one” companion alongside the Doctor – stating that they must be “distinctive, authentic characters in their own right, whose lives, relationships, ambitions, and personal journeys enrich the series. Looking to the future While BBC Studios is positioning its own labels to fight for the continuation of the show, external production companies have also registered interest, including names like Electric Entertainment and World Productions. However, notable absences include Quay Street (headed by Russell T Davies’ longtime producing partner Nicola Schindler), which has confirmed it will not enter a bid. The formal tender process has drawn immense industry attention. Following the initial application deadlines, the BBC is expected to narrow down the field through a multi-stage evaluation process, with a final decision and official contract signing anticipated in Spring 2027. What direction are you hoping a new production team takes the show? Should they just get Tennant back (again) and be done with it? Haven’t they got any new ideas? Is John Warr a possibility? Let us know in the comments below! Like this: Like Loading…
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WhoNews @who-news.com · 02/10/2026
Tim's Take On: Episode 878(Jason Haigh-Ellery & Johnanthan Carley at Whooverville 17)
tto.libsyn.com
Tim's Take On: Episode 878(Jason Haigh-Ellery & Johnanthan Carley at Whooverville 17)
This week more Whooverville 17 coverage with a panel featuring Jason Haigh Ellery and Johnathan Carley from Big Finish. You may wish to contribute to the show’s running costs, it’s Patreon is here https://www.patreon.com/tdrury or buy me a coffee here https://ko-fi.com/timdrury The show is also on Facebook please join the group for exclusive behind the scenes insights and of course also discuss and feedback on the show https://www.facebook.com/groups/187162411486307/ If you want to send me comments or feedback you can email them to tdrury2003@yahoo.co.uk or contact me on twitter where I'm @tdrury or send me a friend request and your comments to facebook where I'm Tim Drury and look like this http://www.flickr.com/photos/tdrury/3711029536/in/set-72157621161239599/ in case you were wondering.
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WhoNews @who-news.com · 02/10/2026
Fugitive Doctor to get more audio adventures next month
thedoctorwhocompanion.com
Fugitive Doctor to get more audio adventures next month
Following the multi-medium Circuit Breaker series made in collaboration with the BBC, there will be more adventures for the Fugitive Doctor this year through a new boxset that is just over a month away. While much of Big Finish Productions’ upcoming audio dramas have been pushed back in a more spread out release schedule, with some stories announced over a year before they will be available to listen to, a third boxset in the Fugitive Doctor Adventures range has been snuck in at late notice. The three-episode Running Wild boxset comes out in November and puts the Fugitive Doctor, played by Jo Martin, against a new incarnation of Cosmogon in addition to the Daleks. In the range’s first series (released in 2025), Cosmogon was portrayed by Alice Krige and on behalf of Gallifrey’s High Council and Division (the secret Time Lord agency) she pursued its previous employee the Doctor. The pair bounced off each other well, and now Martin is acting against Helen Lederer of Absolutely Fabulous fame. Lederer will be known by Doctor Who fans for her performance as Aunty Pat in the heart-breaking Death in Blackpool which opened the fourth series of Big Finish’s Eighth Doctor Adventures. She describes her latest role as “a very interesting character, divided in her motives because she has to do the right thing” and “to veer who is she fighting for and against, but always with a slight exasperated humour”. That last point in particular suggests this incarnation will be notably different to Krige’s portrayal. At present it’s unclear whether Running Wild is part of a structured second series in the Fugitive Doctor range. The cover art shows her in her series one outfit and the story descriptions indicate that this boxset will cover off significant developments. This will lead the Doctor to finding out the truth about her past and into hiding as seen in television episode Fugitive of the Judoon. Tholos by Alex Hewitt To uncover the secrets hidden within her mind, the Doctor voyages to the Temple of Lucidity – a great tholos floating through space – where a multicoloured tiger will teach her the secrets of the mystical dream-language of Oneira. But are the Arkiris Tiger’s motives pure? How has the Doctor’s dogged pursuer, Cosmogon, managed to follow her here? And why does Cosmo have a new face? Scripture by Katharine Armitage In the Scripture System, temporally unbound scribes chronicle the history of the universe: everything that has been, everything that is, and everything that will be. They’re the people with the answers and the Doctor has some very big questions for them. But so do the Daleks… … and if the metal-plated conquerors from Skaro are ever going to dominate the universe, they’re going to have to do something about someone whose name begins with ‘D’. Genesis of the Doctor by Rochana Patel All stories have a beginning, but some are shrouded in myth and legend, and lost to the mists of time… What you need is a living witness. And a mind probe. And the Doctor will soon have both… This time, one way or another, she will have her answers – but is she ready for them? Hewitt started off his career at Big Finish with minor acting roles, before debuting as a writer in the ninth volume of The New Adventures of Bernice Summerfield. They script edited and produced full-cast Circuit Breaker episode Full Circuit, then wrote and produced the Dan Starkey-performed two-story release Short Circuits. Both were released last month, so Hewitt is familiar with the Fugitive Doctor. On script-editing duties for Running Wild is Robert Valentine. He has also previously penned stories in this range, and commented: “This new phase of the Fugitive Doctor’s adventures sees her taking a more aggressive course in her flight from Division. She may still be on the run, but she’s determined to find the mysterious ‘Man in the Grey Suit’, who may know the secrets of her predicament.” He added “I’m delighted to have the wonderful Helen Lederer join the series as Cosmogon’s second incarnation. The dogged Time Lord detective has been forcibly regenerated by Division in the hope she’ll play by their rules in their hunt for the Doctor, but this new Cosmo won’t bend so easily. Helen’s Cosmogon is funny, wild and in many ways more like the Doctor than the Doctor is, and I can’t wait for people to hear them together.” The Fugitive Doctor: Running Wild is now available to pre-order for download and in a collector’s edition CD box set from the Big Finish website. Like this: Like Loading…
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WhoNews @who-news.com · 02/10/2026
Doctor Who The Satan Pit Extended Movie Cut DVD
merchandise.thedoctorwhosite.co.uk
Doctor Who The Satan Pit Extended Movie Cut DVD
Doctor Who The Satan Pit Extended Movie Cut DVD Available to order from www.rarewaves.com You can also keep checking www.amazon.co.uk (not listed yet) The Doctor and Rose arrive on a world that should not exist. an impossible planet orbiting a black hole. Stranded alongside a human expedition and the mysterious Ood, they soon discover an ancient force stirring deep beneath the surface. As the darkness in the Pit awakens, the Doctor is pushed to his limits in a battle that will test his beliefs, his courage, and demand the ultimate sacrifice. Special Features Interviews: James Strong (director) Categorised under: Doctor Who DVDs, DVD
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