Detachment digs deeper into James Reece’s path of vengeance and the web of corporate and military interests that keep pulling him forward. Chris Pratt continues to carry the weight of this character proving he has more range as an actor than people think. By this point in the season Reece is fully off the grid, dealing with the aftermath of the ambush that wiped out his team, the murders of his wife and daughter, and the growing evidence that something far bigger than a simple failed operation is at play.

Marshals quickly returns for its second season with All Hat No Cattle and wastes no time diving back into the chaos left hanging from the previous finale. The story picks up in the immediate aftermath of the brutal events at East Camp, where the stakes for Kayce Dutton and his son Tate remain life threatening. We are thrown straight into the action as Pete Calvin and Belle Skinner continue their desperate fight against the hired guns who ambushed them.

MobLand reaches a fever pitch of family betrayal, raw emotion, and cold blooded power plays in Beggars Banquet. Every conversation carries the weight of years of secrets and every silence threatens to explode into violence. The Harrigan clan finds itself under siege from all sides yet the true danger comes from within and the episode lays that bare with ruthless precision.

Netflix have released a new trailer for Animals. When their son is kidnapped, an LA mayoral candidate and his wife scramble to raise the ransom while making choices that could tear their world apart. Animals, in select theaters and on Netflix October 9. OTHER TRAILERS

Well, it's time to flick the lights off on Lanterns for now as we've finally reached the final episode of its eight episode run. It's been something of an impressive ride, especially as - for the most part - the show has focused more on the "cop" part of the space cop nature of the classic comic book character than it has on large-scale cosmic drama.

Just because you have a good concept for a film, it doesn't mean that your finished movie is immediately guaranteed to work. Obviously you have to follow the idea to its logical conclusion, while ensuring that the various themes and morals remain steadfast, but if the story takes a wrong path, it can be disastrous for the finished product. If you need a handy example to help explain futher, you'd be hard pressed to find a better one than 2016's sci-fi "romance", Passengers.

As versatile creatures as they are, there's something about zombies that makes them perfect foils for comedy. Shambling, clueless beasts at the best of times, their easy-to-dissemble nature makes them prime candidates for some messy slapstick and their slow pace is perfect to allow the human leads to utter any number of quips, punchlines or wise cracks before they find themselves within biting range.

Episode 3 of picks up right where the previous one left off and digs deeper into the mess surrounding James Reece. Chris Pratt continues to carry the weight of this role with a quiet intensity that is not normally associated with him . You can see the exhaustion in his eyes and the way he moves like a man who has already decided the only way forward is through the people who wronged him.

This series has had you gripped by the tangled web of London crime families, the Harrigans and the Stevensons, from the start and this epiode feels like the moment the whole thing kicks into a higher gear. The personal and the professional bleed into each other so completely that you start questioning every alliance you thought you understood. The episode opens in the quiet aftermath of Brendan Harrigan’s brutal death.

We've discussed the trials and tribulations of building a better sequel here before; but how do you follow a story like The Hunger Games and not repeat yourself? Numerous follow-ups have played the "oh no, not again" card in order to offset a similar reaction from audiences - Hell, Die Hard 2 made John McClane's disbelief that he was in yet another terrorist situation part of the ad campaign - but there was always a feeling that author Suzanne Collins and the filmmakers behind The Hunger Games: Catching Fire were in danger of getting caught between a rock and a hard place.

Episode 2 of The Terminal List picks up in the immediate, devastating aftermath of the events that closed the premiere and wastes little time establishing the emotional and narrative stakes that will drive the rest of the season. Where the first episode delivered high-octane combat and a shocking personal tragedy, this follow-up shifts into a more intimate, paranoia-laced mode of storytelling that prioritises character psychology and the slow assembly of a conspiracy.

Bonzo Goes To Bitburg is an episode deliberately designed to make you feel uncomfortable and then hits you with a gut punch. Right from the start you feel the weight of everything that just went down. Fergus is dead. Bella and Zosia are gone. The family is scattered and scrambling while the police poke around the Falkland Arms asking for CCTV.

Oh hey, anyone remember when it seemed like M3GAN was going to take over the world? Not in an AI, crush, kill, destroy sort of way like the movies suggested, but more in a way that hinted that the Tiktok dancing, ear-ripping lil' Terminator would become even more of a household name once M3GAN 2.0 hit in 2025. However, it seems that one thing that can stop the advancement of maurauding AI is poor box office, and after 2.0 halted the rise of the titular 'bot, it seemed that M3GAN's ascent had been halted just as quick as it began.

Bradley Copper will star in the new take on the toy franchise that is being co-written and directed by Danny McBride. Cooper has taken the role of Duke, the leader of the specialist military team know as G.I. Joes. This is the same character played by Channing Tatum in the live-action films G.I. Joe: Rise of Cobra and G.I. Joe: Retaliation…

The trailer has been released for Season 2 of Dexter: Resurrection. Some things get better with age. Season 2 of Dexter: Resurrection premieres October 30 only on the Paramount+. RETURN TO OTHER TRAILERS

Marvel has released the trailer for VisionQuest. On October 14, experience the final Vision of the groundbreaking trilogy. Marvel Television’s VisionQuest streaming soon on Disney+. RETURN TO MARVEL TRAILERS

Despite spending a good share of its time delivering red hot episodes, it really does seem that season 5 has gone spectacularly off the boil in its final stretch. With a couple of underachievers landing in a row, it's now down to W. Peter Iliff's "Till Death Do We Part" to end things on an up note - but even though we're treated to a story filled with ruthless gangsters, half-naked broads and a genuinely surprising twist here and there, is the fate of a Tales From The Crypt finale really in the hands of *checks notes* John Stamos?

I have to say, watching terrible things happen to terrible people can prove to be the most fun you can have in ages - especially in this time of vapid reality shows and dead-eyed social media celebrities. In an effort to feed our hunger of wanting to watch self-obsessed posers with bloated amounts of self-worth get a humorous dose of reality, director Greg Jardin is happy to pitch in with It's What's Inside, a comedy thriller with a sci-fi twist that sees a bunch of privileged friends get to know each other way too personally.

The Prophet delivers a devastating, precisely calibrated turn that reframes everything the series has carefully built. After four episodes of mounting dread, investigative tension, and the slow unspooling of a father’s refusal to accept loss, this penultimate chapter steps back and shows the origin of the wound at the heart of the story. What emerges is not a simple villain origin or a cheap twist, but a portrait of grief so absolute it warps love, faith, and identity into something both tragic and monstrous.

From the moment the episode opens on the lingering shock of River Cartwright walking into his late grandfather’s house and finding someone he has spent years mourning, the episode locks in with confidence. What follows is not simply a reunion or a chase sequence, but a densely packed, darkly comic, and emotionally sharp episode as the season hits its stride. The title is more than apt; this is an episode about people and threats that refuse to stay buried, about professional lies that create living ghosts, and about the peculiar, dysfunctional family that is Slough House assembling itself under pressure.

Prime Video has released the teaser for The Man With The Bag. When Santa’s (Arnold Schwarzenegger) iconic red bag is stolen by a rogue elf with a grudge (Awkwafina), Christmas is suddenly at risk. With his biggest night of the year fast-approaching, Santa recruits a thief (Alan Ritchson) from his ‘Naughty List’ who quickly assembles a crew of criminally skilled misfits — with a little help from elves and reindeer — to pull off the most unexpected heist of their lives. The Man With The Bag streams Dec. 2 on Prime Video. RETURN TO OTHER TRAILERS

So after twelve episodes that featured slow burn, noir-tinged anti-heroics, it's time to find out what the season finale of Jessica Jones' second season has in store. However, those expecting an emotional, tear-streaked final face off between mother and daughter obviously haven't been paying much attention, as the season in general has done everything in it's power thus far to avoid such typical MCU tropes.

Kathryn Bigelow really does just loves to keep us on edge, doesn't she? If it's not peeking over the shoulders of bomb disposal experts during the Iraq war, she has us following those on the trail of Osama bin Laden - but it seems that in her latest endeavour, the director is taking her latest chain of command thriller to the most extreme conclusion: The threat of nuclear devestation.

The trailer has been released for Nocturne. Catching a killer means crossing the line. In Nocturne, when a victim of notorious serial killer Jurek Walter unexpectedly turns up alive, detective Jonah Lynn races against time to find the one person still missing, while his protégé Saga Bauer goes undercover to get answers from the killer himself. Liev Schreiber, Zazie Beetz, and Stephen Graham star in Nocturne, premiering October 30 on Apple TV. RETURN TO OTHER TRAILERS

After a string of star-studded, ghost-related romps, it seemed that the minds behind Dark Castle films fancied trying something far more subtle than the rambunctious likes of The House On Haunted Hill, Thirteen Ghosts and Ghost Ship. To be fair, considering that all three of those films featured characters aimlessly wandering around various, haunted structures while waiting to be attacked by some violent apparition in an explosion of flashy 90s/00s editing, a change was probably something of a wise move.

Woah. It really does seem that the quality found in the dying episodes of season 5 are really drying up fast. We began the run with episodes that not only contained deliriously wild stories and supremely fucked-up characters ("People Who Live In Brass Hearses" is a prime example), but also found innovative ways to put those twisted tales on screen, with Tim Curry playing an entire, inbred family in "Death Of Some Salesmen" immediately springing to mind.

From its opening moments to its haunting final frames, the The Crossroads delivers a relentless, pulse-pounding episode that takes the series to new heights of intensity and emotional complexity. What makes it so compelling is not merely the bloodshed or the high-stakes maneuvering, but the way it forces every character to confront the irreversible consequences of loyalty, betrayal, and the thin line between calculated strategy and catastrophic miscalculation.

HBO has released the trailer for the eighth episode of Lanterns. Don't be afraid — to be afraid. Stream the season finale of Lanterns Sunday at 9pm on HBO Max. RETURN TO DC TRAILERS

Is declaring an action movie as incredibly dumb always such a bad thing? Now, I'm not just talking about an actioner that willfully ditches physics and cultivates a couple of plot holes just to make an outlandish premise work, no I'm talking about flicks that are game-changingly dumb at every single level of their construction and operates on the the kind of levels of stupid where you can't help but sit back and take a minute to absorb just how breathtakingly idiotic it really is.

It's penultimate episode time, and when you actually sit back and consider just how much ground Lanterns has covered in the past six episodes, I was starting to wonder just where else it could possibly go. With multiple time hops that took in the unique childhood of John Stewart, an alien invasion plot set in 2016 and a whodunit set a decade later, the show has certainly managed to keep itself busy despite going relatively light on the famously "space" part of the space-cop world(s) of Green Lantern.

The Truth is packed full of sustained tension, emotional devastation, and character-driven thriller storytelling that makes this the best episode of the series so far. Apple TV’s Australian miniseries has been quietly building something special across its first three episodes. What began as a gripping mystery about a former cop turned emergency dispatcher haunted by the disappearance of his daughter has steadily deepened into a study of obsession, fractured loyalty, and the corrosive weight of secrets.

Does anyone else get the feeling that Tales From The Crypt front-loads all of its best episodes at the start of the season? While there's been a few exceptions to the rule, the fact that season 5 has delivered its first, true stinker so late in the game kinda lends credence to my theory. Despite sporting an absolute cracker of a title in the form of "Oil's Well That Ends Well", the resulting episode proves to be a crass, flat, season low point that offers little in the way of laughs, shocks, or even basic surprises.

Telling a simple, stripped-back, ghost story can be something of a complex task. Obviously you have to assemble appropriately creepy surroundings to fully drive home the supernatural occurrences, and ensure that the lore that lurks within carries sufficient weight to deliver effective scares that burrow beneath the skin and chill the blood. Well, if chilling the blood is in order, 2007 horror flick, Wind Chill, certainly has the promise to succeed simply by ensuring that events occur in distinctly below zero temperatures, as a winter rideshare takes a sinister detour along a stretch of road with far more dangerous hazards than black ice.

Jon Watts, the director of the first three Tom Holland Spider-Man films, will take charge of the first film in the new Simon Kinberg written trilogy which is rumoured to be Episode X. Jon Watts isn't new to the Star Wars Universe, having co-created Skeleton Crew. Simon Kinberg's trilogy has been in development since 2024 and will be a continuation of the Skywalker saga that started in 1977.

A new trailer has been released for Werwulf. Witness Robert Eggers’ most visceral and haunting experience yet. Focus Features presents WERWULF, a harrowing tale of devotion, damnation and the devil within. WERWULF is only in theaters this Christmas. RETURN TO HORROR TRAILERS

We've arrived at the penultimate episode of Jessica Jones' second solo outing, and once again we find the show sticking rigorously to its slower, darker pace. It's a fairly impressive feat of restraint, as the MCU, even in its grittier, TV incarnation, isn't exactly renowned for keeping things subtle - but even if Jones' downplayed attitude is possibly born more out of a necessity to keep the budgets down, it manages to fit the character like a battered, worn, leather jacket.

Why don't more international auteurs make break-neck action flicks? OK, so maybe offering someone with an eclectic world view a big pile of cash to film huge explosions might be incredibly risky when it comes to making some of that money back (the world still remembers David Lynch's Dune), but sci-fi/action movies would certainly be more interesting if that was the case.

Touched delivers a action packed, emotionally charged finale that brings Frances Neagley’s first solo investigation to a satisfying close while proving the spin-off can stand firmly on its own. Prime Video’s Reacher expansion has spent seven episodes building a tight personal mystery around the apparent suicide of Frances Neagley’s childhood friend Tommy Crane. Episode 8 pays off that investment with an explosive assault on Echo Canyon Farm, revelations about the drug Tranqlara and the people behind it, and a quieter but more devastating confrontation with the ghosts of Neagley’s past.

Song 2 delivers an episode of escalating tension, character depth, and ruthless efficiency that cements the series as one of the best crime dramas around right now. From the start, the episode establishes a quiet dread that never lets up. Harry Da Souza trails his daughter Gina as she parties with Eddie Harrigan and their bodyguards. There is a sadness to the surveillance, he wants to protect her and shields her from the life yet he has the knowledge that Gina has already begun dipping into the family’s world of protection schemes and online creator shakedowns.

And here. We. Go! After ten whole episodes of gradually building dread and tension while Jessica Jones' life was once again picked apart by a super powered antagonist who could get under her skin with unerring ease, it's time for all these straining plot threads to simultaneously snap at the absolute worst moment. I've mentioned numerous times that this season of Jessica Jones may have been on the more deliberate side when it came to pacing, but it's rather slow nature has been worth it when it's ultimately proved to be one of the most consistent seasons that's ever come out of the Marvel/Netflix union.

Lebron's No Jordan delivers a taut, character-driven episode that keeps the Reacher spin-off firing on all cylinders while deepening the personal stakes for its lead and her unlikely allies. Maria Sten continues to own the role of Frances Neagley with a performance that balances steely competence and quiet vulnerability. As the investigation into her childhood friend’s suspicious death stalls and larger forces close in, Sten’s Neagley is forced to confront buried family history.

While the familiar adage franticly warns people to avoid working with children or animals, some filmmakers just can't help putting a loveable dog at the centre of their movies. The latest to do so is none other than David Ayer, a director whose filmography suggests that he was beyond such cuddly, puppo worship. When not rolling around in some grimy, urban surroundings, examining the pros and cons of morals-free, hyper-masculinity, the director was last seen helming two Jason Statham action flicks on the bounce - but just because Ayer has moved on to a man and his dog movie, it doesn't mean he's suddenly made Marley & Me with extra tattoos.

The trailer has been releaed for the second season of Black Doves. Back with a bang, darling. As spy Helen navigates life as the prime minister's wife and Sam faces a deadly ultimatum, an attack on Reed pulls them into a desperate hunt for answers. Black Doves returns for season 2 on November 5th, only on Netflix. RETURN TO OTHER TRAILERS

The trailer has been released for Madden. Football wouldn’t be football, without Madden. Watch Madden November 18. RETURN TO OTHER TRAILERS

Rocked begins to reveal the full scale of the conspiracy while delivering some of the series’ most effective character work and tension. Frances Neagley’s investigation has steadily expanded beyond the death of her childhood friend Tommy. Where earlier episodes established the pieces of the puzzle such as Echo Canyon’s cult-like atmosphere, the experimental drug Tranqlara, and the shadowy pharmaceutical interests behind it, …

The final trailer has been released for Clayface. In four weeks, look fear in the face. Clayface - only in theaters October 23. DC Studios’ “Clayface” is a horror thriller from director James Watkins, starring Tom Rhys Harries in the title role of the cult favorite villain from Gotham’s rogues gallery. Matt Hagen’s meteoric rise from Gotham street kid to Hollywood leading man is tragically cut short when a local crime boss’s actions leave him horribly disfigured.

In the right set of hands, any genre can play to any audience, even one that might not think that a particularly type if film is their cup of tea. Some examples over the years include movies such as Skyfall, Godzilla Minus One and The Substance scoring big with people who wouldn't normally be caught dead watching the likes of James Bond, Kaiju, or extreme body horror.

As Jessica Jones continues its deliberate, winding path to whatever gut-wrenching mother/daughter endgame it has in store, we find that episode 10 has moved the goal posts more than an earthquake at the World Cup. When we last left the show, Jessica had finally realised that Alisa may be her long lost mother, but she's also an unrepentant killer and needs to be put away for the protection of everyone.

Netflix has released the trailer for Ray Gunn. Academy Award winner Brad Bird, the visionary director of The Incredibles, Ratatouille, and The Iron Giant, brings you a whole new world to investigate… In Metropia, a gigantic city in an alternate future as seen from 1939, private eye Raymond Gunn (Sam Rockwell) is drawn into a case involving aliens, murder and a multimedia star named Venus Nova (Scarlett Johansson). Watch Ray Gunn - in select theaters December 4 and on Netflix December 18. RETURN TO OTHER TRAILERS

Slow Horses has always thrived on its particular brand of grimy, cynical excellence, the kind that makes bureaucratic failure and personal dysfunction feel like the only honest response to the intelligence world. Daddy Issues continues that tradition with a steady, escalating sense of dread laced with the series’ trademark dry wit. It builds directly on the premiere’s funeral atmosphere and scattered killings, tightening the noose around anyone who has worked at Slough House.