iiinova — where your digital self keeps evolving

Louise Weard @weard.moe · 30/09/2026

world premiere december 2

Screenshot of the Music Box Cinema website. Text reads Castration Movie ⅗ Year of the Hyaena
Opens December 2
2026 / 300 min / DCP
Rated Unrated

still of Castration Movie Part 3 with red border and font saying Music Box. Still features Louise Weard in a red dress as Michaela and Ada Rook in a bunnyhug as Sora.

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Louise Weard @weard.moe · 19/07/2026

shirt available now castrationmovie.com

aoife josie clements wearing a castration movie 2 t shirt. on the shirt is lex walton holding the geese gun with the text “will the circle be unbroken”, designed by remy boydell

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Louise Weard @weard.moe · 01/07/2026

Grab a copy with this sick artwork by the one and only @chuunitoons.bsky.social

Castration Movie Anthology ii. The Best of Both Worlds Blu Ray artwork by Cate Wurtz, featuring a drawing of Lex Walton holding a gun to her head while light shines down on her.

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Louise Weard @weard.moe · 18/06/2026

tomorrow is last day for late kickstarter perks www.kickstarter.com/projects/wea...

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Louise Weard @weard.moe · 13/06/2026

count me out of the Youtuber filmmaker club then lmao

Hi Louise Weard,

We have reviewed your appeal for the following:

Channel: Louise Weard

We reviewed your channel carefully, and have confirmed that it violates our sex and nudity policy. We know this is probably disappointing news, but it's our job to make sure that YouTube is a safe place for all.

How this affects your channel

We won't be putting your channel back up on YouTube.

Learn about your resolution options.

Thanks,
The YouTube team

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Louise Weard @weard.moe · 12/06/2026

tl;dr Castration Movie Chapter iii.ii Junior Ghosts—Premorphic Drift; a fragmentary passage is its own movie as a sort of Castration Movie Part 2.5 and Anthology iii. Year of the Hyaena is its own unique movie coming in 2027.

I also wanted to give an update for the release date of Anthology iii. -- as of right now it looks like we will be pushing it back to 2027. I want it to build on the momentum of Chapter 3.2 and there's some great scenes we have left to film, so I'll be shooting for the next several months to get it to perfection. Once again, if you pledged for the online premiere ticket, tune into the Discord as there will likely be the random chance to see some test screenings of certain sequences as I work on it. We are currently planning to split Chapter 3.2 Junior Ghosts-Premorphic Drift out as its own movie (consider it Castration Movie Part 2.5) as Anthology iii. is pushing five hours without it and the story flows better this way as we are moving a planned arc from Anthology iv. into Anthology iii. This feels like the best way to present the overall story of Castration Movie and it means there will be more movie sooner. Our anticipated release date for Anthology iii. is now early 2027, so Chapter 3.2 will be having it's full release in the Fall.

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Louise Weard @weard.moe · 03/06/2026

canadian friends, write your MP about this one if you want better canadian content www.canada.ca/en/canadian-...

In 2023, the Parliament of Canada passed the Online Streaming Act to update Canada’s broadcasting system for the digital age. On May 21, 2026, the CRTC, which is responsible for implementing the Act, announced new requirements for large foreign streaming services and Canadian broadcasters to spend a portion of their Canadian revenues on the acquisition or production of Canadian programming.

The CRTC’s new requirements would impose new costs on the companies providing these services, which could ultimately fall on Canadian consumers through higher prices. At a time when Canadians face cost-of-living pressure, now is not the time to make culture and entertainment more expensive.

To that end, the government will develop new policy directions to adjust the implementation of the Online Streaming Act.

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Louise Weard @weard.moe · 01/06/2026

Use the code PRIDE26 to get Castration Movie for 50% off at digital.louiseweard.com

Henri Gillespi and Avalon Fast smoke cigarettes on a stoop

ivy wolk facepalms with dialogue “I like Bushwicked too close to the fucking sun a little.”

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Louise Weard @weard.moe · 13/05/2026

we will be on that carpet in a few hours. unbelievable lol

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Louise Weard @weard.moe · 26/04/2026

last campaign had this limited edition vhs of my castration mixtape. still time to grab the castration movie chapter iii vhs before we order our limited stock.

louise holds a vhs tape that says "louise weard's castratin mix tape: the 100 best kills live show" with art that is crudely drawn dicks being cut up and shot and lit on fire.

back cover of the castration mix tape with three black and white images. louise stands on stage at fantastic fest with a microphone.

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Louise Weard @weard.moe · 03/04/2026

missed this one youtu.be/dVwcedy9sG4?...

Lex Walton holding a revolver to Emily Green in Ezra Furman music video

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Louise Weard @weard.moe · 28/03/2026

This is such a phenomenal interview. One of the few times I’ve talked about the artistic influences on Castration Movie.

Film Obsessive: So, to lighten it up a little bit, what or who would you say are some of your biggest influences as a filmmaker?

Weard: Oh, that’s a really good question. I try to always try to mix up the answers to this. I’m really a huge fan of silent cinema, or maybe more appropriately, early cinema, like pre-sound-era cinema. I mean, there was always sound, people played music, so silent isn’t an appropriate term. But, G.W. Pabst’s adaption of Pandora’s Box is phenomenal, I’m also a huge huge fan of his movie Diary of a Lost Girl starring Louise Brooks, where I took my first name from her. She’s one of my favorite actresses of all time. I’m a huge fan of those because they’re very intimate human portrayals of sex workers. Both as movies from 1929, it’s honestly just, like, phenomenally beautiful to see something, especially, like, Louise Brook’s performance as the lead characters in both of those are just kind of awe inspiring

especially, like, Louise Brook’s performance as the lead characters in both of those are just kind of awe inspiring, and I try to match her acting prowess in my own performances and I think that the way that Pabst frames the close up in those movies really gets to the heart of the character’s soul.

In those movies, where you’re in the era pre-sound and all you can really gaze upon is the expression on an actor’s face, and that becomes so important to the close-up cinematic language of Castration Movie. I would say there’s like a lot of those early filmmakers—there’s a lot of early cinema filmmakers who do that same thing that I’m talking about, like there’s a great film called A Man There Was by Victor Sjöström that is like another one of those movies I’m just like so blown away with. I think it’s like an Ibsen adaptation or something? Which I was definitely reading a lot of

Which I was definitely reading a lot of—I took a great class on Scandinavian literature and theatre when I was in university, so I became very enmeshed in, like, the sort of very dreary, sad, upsetting sort of tradition of Scandinavian storytelling, that, like, brutal realism. And, you know, silent cinema or early cinema I’m happy to talk about as an influence, because when we cut Lex’s hair at the end of Castration Movie Part ii, that’s such a Dreyer shot, that’s me trying to make Lex like fucking Joan of Arc you know?

I would say those are my biggest film inclinations on one end, and then in terms of, like, the personality around Castration Movie, I’m a big fan of Matthew Barney, the abstract filmmaker and visual artist who’s work in the 90’s like The Cremaster Cycle was like, or like Drawing Restraints, were really, really influential on me in terms of how to approach gender as, like, a construct that you can then find film language to depict.

gender as, like, a construct that you can then find film language to depict. Like his series of films The Cremaster Cycle are exceptionally important to me. This, like, ten hours of content that are fully around using cinematic form to interrogate concepts around masculinity, so that film language is very important to me. So is his imagery, and that’s very important to me.

And then I would say Andy Warhol is a big inspiration to me, both in terms of the community building that you do, in terms of like pulling together all these cool marginalized artists who don’t really have, like, a platform elsewhere—let’s get all these freaks together and let’s make some crazy stuff, it’s really exciting to me. And also, like, his work is very durational, very improvisational. I would say we defer the most in that my work has very clean, almost, like, mythological structure to it.

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Louise Weard @weard.moe · 21/03/2026

me and Avalon Fast at BFI Flare

louise weard and avalon fast stand in front of a projected screenshot of castration movie part 3 with henri gillespi and avalon smoking cigarettes

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Louise Weard @weard.moe · 18/03/2026

There is one week to go in the Castration Movie Part 3 campaign <3 www.kickstarter.com/projects/wea...

Aoife Josie Clements as Adeline. She has a blonde wig on and an unlit cigarette in her mouth.

Louise Weard as Michaela and Ada Rook as Sora in Castration Movie Part 3. Michaela holds a white object with a horrified expression on her face as they sit under a christmas tree.

Henri Gillespi as Trent and Avalon Fast as Izzy in Castration Movie Part 3. They smoke cigarettes on a stoop.

Louise Weard as Michaela in Castration Movie. Shot on 16mm film, she stares down the camera with smeared makeup on while smoking a cigarette.

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Louise Weard @weard.moe · 16/03/2026

this movie survives 21 years later thanks to 11-year-old me learning how to author a DVD (complete with making my own cover art and booklet)

a dvd copy of Night School with art of a vampire with a stake in its heart

a dvd booklet with special features and scene selection.

Special features
includes clay version
directors corner
deleted scenes
bloopers and a cast photo

scenes
openinging sequence
detention
finding chris
vampires
the showdown
the final showdown
credits

features directors cut deleted scenes bloopers and much more. you have not scene night school until you see the clay version. night school is a new era of horror with great special effects and cool new footage. it will surely make you scream. the unbitten version addition will give you nightmares and will make you scream. if you do have the original you will see the difference in hd tv. look out for the soundtrack!

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Louise Weard @weard.moe · 16/03/2026

We soared so high on our crowdfunder that I was obligated to post the short film I directed in 6th grade in our castration movie server. Get in on this and so much more here www.kickstarter.com/projects/wea...

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Louise Weard @weard.moe · 13/03/2026

pick a timecode for a 10 second clip

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Louise Weard @weard.moe · 13/03/2026

2 weeks left www.kickstarter.com/projects/wea...

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Louise Weard @weard.moe · 09/03/2026

blissful afternoon editing after a harrowing night of filming :3

A photo of a laptop with OBS studio importing footage of Aoife Josie Clements in Castration Movie. Next to it is an orange hard drive and a Hi8 Camcorder.

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Louise Weard @weard.moe · 06/03/2026

actually tho like last time all the money we raise just means we can pay the team better and also shoot a bunch of the next part too (also we have been shooting some scenes on film anyways)

Louise Weard as Michaela in Castration Movie in a still image of her smoking a cigarette in close up, her eyes looking towards the camera. Filmed on 16mm Kodak Vision3 250D stock.

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Louise Weard @weard.moe · 06/03/2026

The cast of Castration Movie Anthology iii. (in alphabetical order):

Robyn Adams
Liv Agar
Carley Aggromito
Penny Andrews
Magda Baker
Dakota Blais
Rebecca Chalon
Aoife Josie Clements
Dionne Copland
Greta Doyle
Vera Drew
Avalon Fast
Davia Lee Fiddler
Henri Gillespi
Audrey Kerridge
Sepi Mashiahof
Charlotte Miller
Tess Paul
Edith R.Y.
Kalika Rose
Ada Rook
Lila Ann Sangha
Jane Schoenbrun
Audrey Storey
Abigail Thorn
Louise Weard
Marissa Wright

And featuring music by Isobel Fox, Lex Walton, Prairie Princess, Estelle Allen, Uboa, Ravine Angel, and more.

And guest writing by Alison Rumfitt and Heather Landsman.

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Louise Weard @weard.moe · 06/03/2026

Omg thank you 😭😭😭

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