Jaadugar gathered a luxurious lineup of lead creators to make its ending (for now) as evocative and fulfilling as possible.

Jaadugar is a one-of-a-kind effort in historical and cultural accuracy in TV anime, but also smart enough to introduce pointed, imaginative deceit.

Character Designer Shiori Tani talks to mantanweb about Goodbye Lara and talks about her design philosophy behind creating characters for the show.

The transformation sequence is characteristic of henshin scenes, where characters often undergo change, are seen in symbolic nudity, and experience growth in non-linear temporality. This is significant that in both Madoka Magica and Yuri Kuma Arashi, this happens in the opening, a divider of the episode appearing every episode. By Shaft Inc., copyrights belong to respective holders.

Xenogears has one of the most ambitious and complex narratives ever told

We interviewed the talented Naoko Yamada about her latest work, the Jaadugar: A Witch in Mongolia anime adaptation.

The 5th entry in the Sparks of Tomorrow Interview Series has Tatsuya Ishihara, Naoko Fujita and Genki Matsumura talk about Episode 6 of the show.

Speaking to Febri, Director of Goodbye Lara, Takushi Koide, talks about how he became a series director, why The Little Mermaid and putting it together with the Shiga Prefecture

In the first part of a multi part series, CGWORLD interviews several members of Sparks of Tomorrow's production staff and how it gives an Impressionist vibe.

Naoko Yamada and Tomato Soup have a conversation with each other about Jaadugar: A Witch in Mongolia and controlling the passage of time!