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Typotheque is looking for a junior graphic designer, 2–3 days/week to design type specimens.

Chairman is a utilitarian neo-grotesque that grows quieter at headline sizes and sparkier in running text, with three width systems that shape the rhythm of paragraphs.

An in-depth overview of Tibetan typography, tracing the script’s origins, structure and stylistic traditions, and following its transformation from early calligraphy and woodblock printing through met...

Last year, we released our first fonts for Chinese, Japanese, and Korean — used by more than a billion people across the region. We are equally committed to lesser-used yet culturally significant scri...

We’re creating a new type specimen and need your help ranking 200+ fonts by expressiveness — from most neutral to most characterful. Play pairwise comparison game and you might spot some unreleased ty...

Zed expands beyond Latin with five new scripts — Armenian, Cyrillic, Georgian, Greek, and Hebrew — raising its coverage to 572 languages and making it one of the most extensive and ambitious type syst...

As every year, we’re ending the year with a short overview of what happened at Typotheque. 2025 was busy: we released new typefaces, published new research, and spent a fair amount of time lecturing a...

Support Global Indigenous Language Revitalization

Typotheque type foundry, get unique, high quality fonts for print and screens directly from the designers. We also create custom (bespoke) fonts for most world's languages.

Each summer, Typotheque takes time to recharge. Before our break, we share seven books from our studio shelves that continue to inspire our work.

We are interested in learning more about the use of typography in the graphic design industry. How do you use type? How do you license it? And what do you value about it? Help us answer these question...

The article was triggered by the discussions with the late Gerard Unger about the nature of originality in the type design industry, highlighting the importance of historical continuity in creating ne...

This printed type specimen presents the background and design thinking behind the Terrassa typeface.

This article explores how stroke thickness affects perceived weight in Chinese characters, explaining the complexity of designing balanced, readable type across various weights and styles.

Chinese characters, or Han characters, vary across East Asia due to regional language evolution and reform. Although Unicode unifies them into a single Chinese, Japanese and Korean (CJK) block, fonts ...

This article highlights the typographic differences between Latin and CJK (Chinese, Japanese and Korean) typography. It covers vertical and horizontal text orientation, line height requirements, text ...