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toeslayer2000.bsky.social @toeslayer2000.bsky.social · 13h

Left foot was connected to the spiritual path whilst right foot was associated with the logical, physical direction of life. Whilst males led with their left, royal women were typically shown with feet together to emphasize calm stability, or with only a very slight, subtle left-foot advancement.

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toeslayer2000.bsky.social @toeslayer2000.bsky.social · 15/10/2026

Can you ever imagine a time in the future when we might say. 'Come back Donald all is forgiven'. No ! Me neither.

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toeslayer2000.bsky.social @toeslayer2000.bsky.social · 15/10/2026

Standing statues of pharaohs & high-ranking officials was almost universally depicted with left foot set forward. Linked to the heart, centre of life force (ka) & emotion, the left foot symbolically meant action, readiness, & the forward journey of the soul into the eternal afterlife.

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toeslayer2000.bsky.social @toeslayer2000.bsky.social · 14/10/2026

Ancient Egyptian hieroglyphic of a single human leg & foot stood for the sound "b" or denoted concepts of place & position. When glyph is paired with vessels or walking elements, a standing foot serves as an ideogram or determinative for foot, leg, place, and position.

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toeslayer2000.bsky.social @toeslayer2000.bsky.social · 13/10/2026

To show inner profile of both feet facing the same direction, artists drew the big toe on outside edge of the far foot & the inside edge of the near foot. Depending on direction of movement the figure had two left or right feet with essential elements perfectly preserved for eternity.

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toeslayer2000.bsky.social @toeslayer2000.bsky.social · 12/10/2026

Ancient Egyptian artists used strictly regulated grid system to draw human figures. This conceptual framework ensured perfect proportions, maintaining ma'at (cosmic order, balance, & truth) so subject's soul (ka) could successfully recognize its eternal home & survive in the afterlife.

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toeslayer2000.bsky.social @toeslayer2000.bsky.social · 11/10/2026

Egyptian artists used twisted perspective or composite view where different parts of the body were depicted from their most characteristic angles to capture the essential form of the subject rather than a realistic snapshot. Feet were painted almost always from the inside sagittal profile.

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toeslayer2000.bsky.social @toeslayer2000.bsky.social · 10/10/2026

In Old Kingdom's "pyramid age" (2686 BCE - 2181 BCE) depiction of human foot was deliberate, bound by strict religious rules & carried deep symbolic meaning rather than exact biological reality. Toes were completely straight & parallel, prioritizing rigidity, order, & symbols of eternal power.

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toeslayer2000.bsky.social @toeslayer2000.bsky.social · 10/10/2026

Donald, Here's what you could have won !

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toeslayer2000.bsky.social @toeslayer2000.bsky.social · 10/10/2026

Passed on in good faith: smarthistory.org/ancient-egyp...

smarthistory.org

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toeslayer2000.bsky.social @toeslayer2000.bsky.social · 10/10/2026

Ancient Egyptian art thought to date from between 5k – 8k years ago. It was established during Early Dynastic Period & remained remarkably consistent for next 3,000 years before it gradually faded out around the Roman & Byzantine periods in first few centuries CE.

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toeslayer2000.bsky.social @toeslayer2000.bsky.social · 09/10/2026

In contemporary Indigenous art dot work allowed communities to share their connection to the land publicly on canvas while keeping sacred, restricted ceremonies & ancestral laws hidden from uninitiated eyes.

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toeslayer2000.bsky.social @toeslayer2000.bsky.social · 08/10/2026

The Papunya Tula Artists was first entirely Aboriginal-owned & directed art company in Australia & formed in 1972. Local artists adapted secret or sacred symbols into a modified dot-and-circle style suitable for the public & the Western art market.

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toeslayer2000.bsky.social @toeslayer2000.bsky.social · 07/10/2026

Population of Papunya settlement were Luritja & Pintupi language groups with some people from Anmatyerr, Warlpiri & Kukatja. Many had limited previous contact with Europeans & lived as hunter-gatherers until the '60s. Painting allowed them their identity by recording their Dreamtime stories .

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toeslayer2000.bsky.social @toeslayer2000.bsky.social · 06/10/2026

Posted in good faith: The Papunya Tula Art Movement...from Ephemeral Indigenous Australian Art to Cultural Preservation youtu.be/q0I_CYc5SyE?...

youtu.be

The Papunya Tula Art Movement...from Ephemeral Indigenous Australian Art to Cultural Preservation

YouTube video by The Better Angels Society

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toeslayer2000.bsky.social @toeslayer2000.bsky.social · 06/10/2026

The Australian government forcibly relocated different Western Desert language groups into Papunya, northwest of Alice Springs (1957). Schoolteacher Geoffrey Bardon helped Indigenous men paint a traditional mural on a school wall (1971). This was the start of the Papunya Tula art movement.

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toeslayer2000.bsky.social @toeslayer2000.bsky.social · 05/10/2026

Oldest physical human footprints in Australia are Willandra Lakes Footprints near Lake Mungo. Preserved in claypan, date to circa 20,000 ya. Tracks heavily mirror track-style storytelling later adapted into rock art. Tied to Barkandji/Paakantji, Ngiyampaa, & Mutthi Mutthi peoples.

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toeslayer2000.bsky.social @toeslayer2000.bsky.social · 04/10/2026

Radiocarbon dating for specific individual motifs remains a challenge but the oldest confirmed carbon-dated rock painting/drawing fragment was discovered at Nawarla Gabarnmang in Arnhem Land, Northern Territory & is dated to 28,000 ya.

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toeslayer2000.bsky.social @toeslayer2000.bsky.social · 03/10/2026

Babys Feet Cave in Growee Gulf region on Wiradjuri country, features tiny stencils of a baby’s feet high up on rock surface estimated to be between 10k & 40k yo. There are also dozens of ancient ochre hand stencils stacked on top of one another indicating milestones or generational presence.

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toeslayer2000.bsky.social @toeslayer2000.bsky.social · 02/10/2026

First Nations artists relied on blueprint perspective & track iconography with indented footprints representing journeys, hunting, or ceremonial progression. A sequence of footprints (or mondoes) suggest a person moving across the landscape, navigating ancestral pathways, or going on a Walkabout.

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