Though more successful than the previous Colleen Hoover entry, VERITY still misses the magic of the erotic thriller genre it wants to capture.

by Tina Kakadelis, Associate Editor It’s a sure winner for anyone who loves the humanistic cinema of people like Wim Wenders and Mike Mills. Yi Yi is achingly sentimental for life in all of its pea...

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Tony is stagnant, missing the truth behind the man who could make friends with anyone.

The ending of Pure Scum is a kick when the audience is already down, but there’s no better way to finish a movie like this one.

Every filmmaker has a movie or a collection of films that sets them on the path to pursuing this medium. For Altoona-based writer/director Bryant Eberhart, it’s less about a particular movie and more ...

An impossible balancing act that somehow comes together, Cuddly Toys is blisteringly unlike anything you’ve ever seen before.

The End of Oak Street has wrapped itself in the trappings of the blockbuster greats of yesteryear without seeing it through all the way.

One Night Only is a small stumbling block on the road to a rom com renaissance, with brief moments of glory.

Created, written, and directed by Megan Park (of The Secret Life of the American Teenager fame), Sterling Point is a razor-sharp return to form. It’s the perfect blend of dreamy teen romance, impr...

In order to enjoy Mustache, you just have to be willing to go back to the awkward teenage years of finding yourself — the often uncomfortable, sometimes profound, and always shifting time when the tic...

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The Calling Witch is a slow burn that doesn’t rush or worry about hitting a quota of scares. It’s more interested in plumbing what it means to be a family.

Christopher Nolan’s The Odyssey is an undeniable feat of filmmaking, but one that struggles to make sense of its mortal purpose.

by Tina Kakadelis, Senior Editor To not only exist, but to be restored as a piece of history, Trace of Stones is an important addition to the history lover’s collection.

Ride or Die’s first two episodes are enjoyable, but not a clear home run. The friendship of Judith and Debbie is delightful lightning in a bottle, but it deserves to be fully unleashed.

Murder 101 takes true crime interest and funnels it through the eyes of a teenager, someone trying to understand the world around them while comprehending more than we give them credit for.

The premise is simple, the journey winding, and the jokes pile up by the minute. Gail Daughtry and the Celebrity Sex Pass is silly, good fun, something we need a lot more of.

Before Christopher Nolan’s take on The Odyssey hits theaters on July 17, take time to rewatch his visit to the ‘Burgh.

The Last Day is hazy and heavy, like the weight of our life’s choices as they come to a frightening flashpoint.

Much like Wicker Man, The Boy with the Light-Blue Eyes shows the convergence of tradition, isolation, and violence.

Much like Wicker Man, The Boy with the Light-Blue Eyes shows the convergence of tradition, isolation, and violence.

The Last Guest of the Holloway Motel

Elle Woods is the best version of who we can be. Someone who may not always get it right, but who tries to make the world a better place. Elle: From the World of Legally Blonde is perky, platinum blon...

Tim Matheson is one of those guys whose career is so varied and decade-sprawling that it makes those of us at home feel like he’s a pal.