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The Tonearm

@thetonearm.com
7.2K followers 897 following 9.2K posts

celebrating music journalism + putting a needle on the cultural wax an online journal of unexpected music + culture → thetonearm.com

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The Tonearm @thetonearm.com · 17h
“Most of these compositions come from Filin, their collaborative album of Cuban ballads — songs that were originally popular for their lyrics, interpreted here with nuanced, instrumental performances.” Melissa Aldana with Gonzalo Rubalcaba — Tiny Desk Concert: www.npr.org/2026/09/29/g...
Melissa Aldana and Gonzalo Rubalcaba perform on the Tiny Desk Concert
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The Tonearm @thetonearm.com · 19h
“BULLDAWG saved my life because it saved my identity or reminded me of my identity … We live in a world now where visibility is everything, and people trade their identities for that visibility. I fell victim to that for the better half of my career.” www.npr.org/2026/09/29/n...
A musician leans against a battered wooden doorframe, looking straight into the camera with a steady, level gaze. A beige paisley bandana is tied over his head like a hood, and long locs fall across his forehead. He wears a cream henley buttoned at the collar under an open navy work jacket. Behind him, a dim interior lit by a bar of fluorescent light; to the right, a scuffed metal door plastered with worn stickers.
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The Tonearm @thetonearm.com · 03/10/2026
Black-and-white portrait of Siavash Amini in three-quarter profile, long wavy hair falling past his shoulders, round glasses, head lowered and eyes cast down, a hard shaft of light across one side of his face and the rest sinking into black. His quote is overlaid: "I turn up Gesualdo and set fire to the speakers." The Tonearm.
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The Tonearm @thetonearm.com · 02/10/2026
In this clip from The Tonearm Podcast, Mark Isham describes his new album, 'At the Carousel Club,' as a set of images, stories, + universes to live in for four to six minutes at a time, with the repeat button as another ride. Don't miss the full conversation: podcast.thetonearm.com/mark-isham-a...
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The Tonearm @thetonearm.com · 02/10/2026
Black-and-white portrait of Olaf Rupp, bald and in a dark V-neck, head bowed and eyes closed over a nylon-string acoustic guitar held upright against his chest, his picking hand blurred with motion. His quote is overlaid: "It's not loud. And it's not the volume. It's the sound … you have to retrain your brain a little bit." The Tonearm.
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The Tonearm @thetonearm.com · 02/10/2026
Black-and-white portrait of Mark Isham in dark-rimmed glasses and a dark shirt, looking down as he cradles his trumpet upright against his shoulder, with walls of vintage modular synthesizers blurred behind him. His quote is overlaid: “Any instrument that could make me feel the presence of an infinite spirituality and whisper in my ear — sexy, sexy shit. Any instrument that could do those two things, that’s it.” The Tonearm.
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The Tonearm @thetonearm.com · 01/10/2026
"As John Cale put it, 'they had all these cult people on the label. The idea was that if you put them all together, you might sell enough to justify their presence.'” Revisit Ayers, Cale, Nico, and Eno with 'June 1, 1974' — 50 years on: www.goldminemag.com/columns/revi...
The cover art for June 1 1974, a live LP credited to Kevin Ayers, Brian Eno and ex-Velvet Undergrounders John Cale and Nico.
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The Tonearm @thetonearm.com · 01/10/2026
Black-and-white portrait of megiapa, her hair full around her face, looking straight into the camera with her arms folded over a raised knee, wearing a one-shouldered black top and long beaded earrings against a patterned backdrop. Her quote is overlaid: "I'm less of a songwriting and lyrics enthusiast and more into how things sound and the meaning, feeling, and emotion captured in that." Her name, MEGIAPA, sits below. The Tonearm.
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The Tonearm @thetonearm.com · 30/09/2026
“En Tlacotalpan, where they have the biggest fandangos I've ever seen, you can have 80 musicians. La Bamba and the dancing can go on for an hour. You play and play, and the dancers keep changing and changing, and it's interminable!” A Mexican fandango: www.npr.org/2026/09/27/n...
Jarana players join a mass jam session at a Veracruz fandango while the dancers pound out rhythms with their heels on the wooden tarima.
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The Tonearm @thetonearm.com · 30/09/2026
In this clip from The Tonearm Podcast, Mark Isham tells host Lawrence Peryer that he follows what feels emotionally right rather than expected musical form, and explains why his new album often takes an about-face or a dramatic bang. Listen to the full chat: podcast.thetonearm.com/mark-isham-a...
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The Tonearm @thetonearm.com · 30/09/2026
“Let’s not let the paletero cart just sit in the street and be forgotten about … Let’s build speakers, let’s build a voice, and let’s push it to create the Contra-ICE sound system.” A new anti-ICE compilation album benefits immigrants' rights organizations: www.npr.org/2026/09/28/n...
Kathleen Hanna (left) and Adrian Quesada are two artists featured on the benefit compilation
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The Tonearm @thetonearm.com · 30/09/2026
Black-and-white portrait of Deniz Cuylan, bald with a long grey-flecked beard, in a black shirt, looking directly at the camera against a mass of blossoming branches. His quote is overlaid: "I think nature is a projection, and it's also the space that you exist within; there's no escape from it." The Tonearm.
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The Tonearm @thetonearm.com · 29/09/2026
In this excerpt from the new episode of The Tonearm Podcast, trumpeter and composer Mark Isham explains why he calls his vintage synth setup "a little untamable beast" and how he values that it produces sounds he wouldn't think of on his own. Hear more: podcast.thetonearm.com/mark-isham-a...
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The Tonearm @thetonearm.com · 29/09/2026
Black-and-white close-up portrait of Lara Somogyi, long straight hair falling past her face, looking directly at the camera with a steady, unsmiling gaze through a soft haze of translucent fabric that blurs the lower edge of the frame. Her quote is overlaid in white italics: “I remember the first time I plugged in a delay pedal; it was like, ‘Oh, I have a pulse.’ It’s not just made by my fingers.” The Tonearm.
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The Tonearm @thetonearm.com · 28/09/2026
“Some artists shrink under tungsten lights, unable to hold up to the rawness of a stripped down set. Ferreira’s brilliance shines in the simple — guitar, bass, drums, and piano — just enough sound to illuminate an unbreakable melody.” Alex Ferreira — Tiny Desk Concert: www.npr.org/2026/09/24/g...
Alex Ferreira:, holding an acoustic guitar, performs on the Tiny Desk Concert
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The Tonearm @thetonearm.com · 28/09/2026
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The Tonearm @thetonearm.com · 27/09/2026
… Isham explains why he wants his machines to misbehave, the one instruction he gave Nels Cline (G Mixolydian, just don't play the F sharp), and how he came to cover Kenny Wheeler's and Jon Hassell's parts on David Sylvian's world tour. Listen in: podcast.thetonearm.com/mark-isham-a...
Black-and-white photo of Mark Isham playing trumpet onstage, eyes closed, both hands on the horn as he angles it up and out to the left. A small microphone clipped to the bell curves toward it. He wears a dark suit jacket over a dark shirt, and the background falls away into shadow, with one bright stage light glowing in the upper right corner.
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The Tonearm @thetonearm.com · 26/09/2026
Black-and-white portrait of Elanor Moss, long dark hair falling over a pale sweater, gazing off-camera against a bare wall. Her quote is overlaid: “I’m interested in the difficulty and the terror of being alive—it’s all very exciting to me—and I do think that’s quite Catholic.” The Tonearm.
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The Tonearm @thetonearm.com · 25/09/2026
In this excerpt from the new episode of The Tonearm Podcast, legendary record producer Bob Ezrin describes the song as the script for a film and the record as the film itself, built from performances and atmosphere. Don't miss the full conversation: podcast.thetonearm.com/bob-ezrin-ho...
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The Tonearm @thetonearm.com · 24/09/2026
The Tonearm quote graphic for The Residents: a black-and-white photo of the band's four signature figures, each with a giant eyeball for a head, wearing a top hat, white tie, and tails. Three stand arm in arm holding canes, and the fourth, in front, grips a cane in both hands. Across the bottom, over a dark gradient, is the quote: "I'm not saying they've become religious, but the manifestation of [the Residents] in a lot of ways is more spiritual than concrete." Beneath it in large type: THE RESIDENTS. The Tonearm logo is on a red banner at the top, and thetonearm.com runs along the bottom.
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The Tonearm @thetonearm.com · 24/09/2026
“So often, pop from the motherland is treated like a software update for American pop and not its own programming language, so it’s fair for an artist to attempt to build a system from the ground up.” African pop was poised for a U.S. takeover: www.npr.org/2026/09/23/n...
A graphic collage. A few of the stars of African pop's recent westward expansion. Clockwise from top left: Tyla, Davido, Ayra Starr, Wizkid, Rema.
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The Tonearm @thetonearm.com · 24/09/2026
Bob Ezrin faces the camera in a high-contrast black-and-white portrait, wearing rectangular wire-rimmed glasses and dark clothing against a black background, lit hard from the left so one side of his face falls into shadow. A red band across the top carries The Tonearm's tonearm-and-record logo and wordmark; a white band at the bottom reads thetonearm.com. Set in white italic type over the lower part of the photograph is his quote: "The song is the script for a film, and the record is the film itself, which is a combination of performances, sets, lights, props, and atmosphere." His name, BOB EZRIN, runs beneath it in large bold capitals.
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The Tonearm @thetonearm.com · 23/09/2026
In this excerpt from The Tonearm Podcast, Bob Ezrin describes mixing the Jayhawks' Sanctuary Park to sound neither too modern nor like a throwback, and treating each record as a task he sets himself + then works to accomplish. Don't miss the full conversation: podcast.thetonearm.com/bob-ezrin-ho...
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The Tonearm @thetonearm.com · 23/09/2026
“… her voice didn’t quite fit until she tried singing in Spanish … Strip back the layers of production and, here, you get a tight, Dominican beat alongside a belting voice built from classic Italian training.” YEИDRY — Tiny Desk Concert: www.npr.org/2026/09/22/g...
YEИDRY performs on NPR's Tiny Desk Concert.
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The Tonearm @thetonearm.com · 23/09/2026
Black-and-white photo of Ayman Fanous holding an electric guitar upright by its neck, gazing up at the headstock, with a nylon-string guitar at the edge of the frame. A red banner across the top reads "the tonearm." Overlaid text: "I'm definitely a lover of harmony, but I can't tell you what those chords are. I certainly can't analyze them in real time." Below it, in large capitals: AYMAN FANOUS. Footer: thetonearm.com.
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The Tonearm @thetonearm.com · 22/09/2026
In this clip from the new episode of The Tonearm Podcast, legendary record producer Bob Ezrin explains how he's very direct in the studio—someone who would rather say "that one's not working" than spend days beating around the bush. Tune in to the full chat: podcast.thetonearm.com/bob-ezrin-ho...
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The Tonearm @thetonearm.com · 22/09/2026
Jennifer Herrema in black and white, long wavy hair falling over her face, layered necklaces over a white T-shirt, standing in front of shelves of shoeboxes and hanging clothes. Branded The Tonearm quote graphic with her quote: "Sitting still is the best thing in the world when you can do it, relax, enjoy it, and not have FOMO. Then you know you're in a good place in your life." Credited to Jennifer Herrema, Black Bananas. thetonearm.com.
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The Tonearm @thetonearm.com · 20/09/2026
“‘For Your Consideration’ opens Laferte’s Tiny Desk with a cutting jazz number. Laced with critiques of the capitalist grind, her flank of corporate-outfitted musicians numbly nod along beside her.” Mon Laferte — Tiny Desk Concert: www.npr.org/2026/09/15/g...
Mon Laferte performs on the Tiny Desk Concert
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The Tonearm @thetonearm.com · 20/09/2026
… Ezrin explains why he asks permission, early in every project, to hold artists to the best thing they have ever done, how he thinks of a song as a script and a record as the resulting film, and why he loves being the dumbest guy in the room. Listen in: podcast.thetonearm.com/bob-ezrin-ho...
Bob Ezrin, eyes wide and tongue out, holds a gold Juno Award as Alice Cooper, in a black leather jacket, grins and wraps a hand around Ezrin's throat in a mock chokehold. The Juno Awards logo is on the backdrop behind them.
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The Tonearm @thetonearm.com · 19/09/2026
In this excerpt from The Tonearm Podcast, David Katz asks anyone starting his new book, 'Dub Revolution,' to set aside everything they think they know about dub — the same thing he had to do across forty years of research and five years of writing. Hear more: podcast.thetonearm.com/david-katz-c...
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The Tonearm @thetonearm.com · 19/09/2026
“I actually really like it when things sound kind of stark and awkward.” — Frances Chang, over a grainy black-and-white photo of her at night, blurred and lit from behind. The Tonearm.
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The Tonearm @thetonearm.com · 19/09/2026
A Tonearm quote graphic. Beneath the publication's red logo banner, a black-and-white photograph shows David Katz standing at a soundsystem stack, its panels crowded with stickers and patch points, a mixer in front of him. He wears a flat cap, glasses, a dark polo shirt and a lanyard, and looks toward the camera with a slight smile. Across the lower third, in white italic type: "One of the things that dub teaches us is that what's left out is as important as what's left in." His name runs beneath in large condensed capitals, and a white band at the foot reads thetonearm.com.
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The Tonearm @thetonearm.com · 18/09/2026
“In Peru, cumbia became particularly popular among oil workers deep in the Amazon. And when Jorge Rodriguez Grández started Los Mirlos in his small hometown of Moyobamba, his band played a regional style called cumbia amazónica.” Los Mirlos — Tiny Desk Concert: www.npr.org/2026/09/17/g...
Los Mirlos perform on the Tiny Desk Concert
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The Tonearm @thetonearm.com · 17/09/2026
"An open discussion on vinyl and creativity at The Vinyl Factory pressing plant." The art of pressing and the future of vinyl: thevinylfactory.com/features/the...
An employee at The Vinyl Factory pressing plant proudly holds up a color-vinyl record with yellows and browns splattered in the wax.
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The Tonearm @thetonearm.com · 16/09/2026
“YES!”
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The Tonearm @thetonearm.com · 16/09/2026
In this clip from The Tonearm Podcast, David Katz traces the Dread Broadcasting Corporation back to Rita Marley's brother Leroy—known as Lepke, The Dread Outta Control—who ran it as a soundsystem and pirate radio station. Don't miss the full conversation: podcast.thetonearm.com/david-katz-c...
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The Tonearm @thetonearm.com · 15/09/2026
In this excerpt from the new episode of The Tonearm Podcast, author David Katz describes walking into the Elite Club in San Francisco 5 days after his 17th birthday + hearing selector Fat Jaw clobber the room with the bass on a Jack Ruby Hi-Power stack. More: podcast.thetonearm.com/david-katz-c...
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The Tonearm @thetonearm.com · 15/09/2026
A high-contrast black-and-white portrait of Robert Aiki Aubrey Lowe, shown in profile against a mass of blossoming branches, looking off to the right. The image is heavily grained. Beneath it, white italic text reads: "These doors of perception that we have at our disposal—why not play around with them?" Below that, in large all-caps display type: ROBERT AIKI AUBREY LOWE. A red banner across the top carries the tonearm logo — a stylized tonearm and record — beside the wordmark "the tonearm," and a white footer bar at the bottom reads "thetonearm.com."
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The Tonearm @thetonearm.com · 13/09/2026
this coming from J Mascis sits right on the edge of traumatizing
The best song to have sex to? 
Sugar Hiccup by the Cocteau Twins.
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The Tonearm @thetonearm.com · 13/09/2026
“When Gould refused to use the sustain pedal in situations in which every other pianist in the world used the sustain pedal … every listener was forced to consider the choice, to reflect on the reasons for its wrongness …” Hearing Gould: hedgehogreview.com/issues/the-f...
A red-tinted photo of Glenn Gould at the piano, thinking.
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The Tonearm @thetonearm.com · 13/09/2026
… to a downtown appliance store that also sold off-the-shelf sound systems in 1939, to the near-impossibility of proving who actually mixed what at King Tubby's, and to a studio that became a safe haven once the neighborhood turned. Listen in: podcast.thetonearm.com/david-katz-c...
David Katz stands at a DJ setup in a flat cap and glasses, turntables in the foreground, a sticker-covered flight case and a valve amplifier rack behind him.
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The Tonearm @thetonearm.com · 11/09/2026
“Hip-hop and pop music criticism are important because they tell us where and when and, most importantly, how and why to pay close attention. Instead, it feels like distraction has become the main attraction.” Criticism vs. the rap media personality complex: www.npr.org/2026/09/10/n...
The YouTuber DJ Vlad wants credit for conducting incriminating interviews with Duane "Keffe D" Davis (pictured here, in court), the man found guilty in the 2Pac murder, but his methods underscore much of what is wrong with rap media.
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The Tonearm @thetonearm.com · 11/09/2026
Black-and-white photo of MuMu, visibly pregnant, leaning against a street pole in sunglasses and a cropped "BABY DADDY" T-shirt, bare belly above drawstring pants, with metal barriers and a fire hydrant behind her. A red banner at the top reads "the tonearm" beside the turntable logo. Overlaid text: "First concept album, first child, all at once." MuMu. Footer: thetonearm.com.
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The Tonearm @thetonearm.com · 11/09/2026
In this clip from The Tonearm Podcast, guitarist Richard Murphy of Fling ii traces the genealogy of krautrock and doom metal back to a distant common ancestor and argues that both are accused of repetition for similar reasons. Don't miss this latest episode: podcast.thetonearm.com/fling-ii-mod...
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The Tonearm @thetonearm.com · 11/09/2026
Black-and-white multiple exposure of Peter Gall playing drums in a striped track jacket, head bowed over the kit, three overlapping images of him set against a wall of pyramid acoustic foam. The Tonearm banner with its turntable logo runs across the top in red. Overlaid quote: "It was a very intense process, being alone with no musicians to help you or hide behind." Below it, the name Peter Gall in large type, and thetonearm.com along the bottom.
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The Tonearm @thetonearm.com · 11/09/2026
The Tonearm quote graphic. A grainy, faded black-and-white photo shows a long-haired musician in a T-shirt leaning over equipment in a wood-paneled room. Overlaid text: "You don't want to go hear a Fling ii track play exactly back to you. You want to go hear us get up there and see if we can pull it off." — Fling ii. thetonearm.com
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The Tonearm @thetonearm.com · 10/09/2026
Black-and-white photo of Ben Richter standing in a forest, playing a Giulietti piano accordion with the bellows drawn open, head down toward the keys. A red banner across the top carries The Tonearm's logo and name; a red bar and thetonearm.com sit at the bottom. Overlaid in white across the lower half: "One of the most consistent aims I have in making music is trying to expand outside of any accidental boxes that I might have." — BEN RICHTER
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The Tonearm @thetonearm.com · 09/09/2026
In this clip from The Tonearm Podcast, Brad Gowland explains that "Fling" was already taken, so the band took Amon Düül II's way out — when the German group could no longer be Amon Düül they simply added the numeral and kept going. Don't miss the conversation: podcast.thetonearm.com/fling-ii-mod...
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The Tonearm @thetonearm.com · 08/09/2026
In this clip from the new episode of The Tonearm Podcast, Brad Gowland describes the Ann Arbor and Detroit habit of turning out for an anonymous bill of amateur electronic musicians, and how talking to players convinced him he should be one of them. Listen in: podcast.thetonearm.com/fling-ii-mod...
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The Tonearm @thetonearm.com · 08/09/2026
“The twangy ‘Black Earth, WI’ begins with a midtempo groove, but builds to a headbanging riff that explodes. Across its hard-won career, this is the kind of emotional thrill you come to expect in every Ratboys song.” Ratboys — Tiny Desk Concert: www.npr.org/2026/09/08/g...
Ratboys perform on the Tiny Desk Concert
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