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Punch

@thepunch.studio
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thepunch.studio The independent type foundry index. Buy direct from the designers who actually draw the letters. No Monotype. No conglomerates. No middlemen.

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Punch @thepunch.studio · 19/02/2026
Etcetera Type Company. Tyler Finck open-sourced his way to 860 million views on Epilogue alone. Pre-installed in Figma, on Google Fonts, built for everyone. NYT, WSJ clients. Philosophy: give it away if you can survive. www.thepunch.studio/foundry/etcetera-type-company-etc
Etcetera Type Company foundry screenshot from The Punch
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Punch @thepunch.studio · 16/02/2026
Canada Type. Patrick Griffin and Kevin Allan King building from Toronto since 2004. Twenty years of revivals and originals—Gibson, Rialto, Acropolis, Figgins. Massive library from designers who were frustrated with what existed. www.thepunch.studio/foundry/canada-type
canadatype foundry screenshot from The Punch
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Punch @thepunch.studio · 15/02/2026
Indian Type Foundry. Satya Rajpurohit building from Ahmedabad since 2009. Poppins, Kohinoor, General Sans—300 families across 20 scripts. One of the world's largest independents feeding Google Fonts and major tech. www.thepunch.studio/foundry/indian-type-foundry
itf foundry screenshot from The Punch
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Punch @thepunch.studio · 15/02/2026
Jeremy Tankard Typography. Cambridge foundry since 1998. Microsoft, Adobe, Eurostar, Oxford University on the client list. Bliss, Enigma, Corbel—British humanist type with corporate reach. www.thepunch.studio/foundry/jeremy-tankard
tankard foundry screenshot from The Punch
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Punch @thepunch.studio · 14/02/2026
Okay Type. Jackson Showalter-Cavanaugh building warm American type from Chicago since 2008. Alright, Harriet, Okay, Euchre—approachable faces with craft behind them. Boutique mentality, meticulous execution. www.thepunch.studio/foundry/okay-type
okaytype foundry screenshot from The Punch
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Punch @thepunch.studio · 14/02/2026
Bretagne. Lucas Le Bihan building open-source type from Brittany since 2019. Self Modern, Kernevel, Happy Times at the IKOB. French experimental faces that cost nothing because he wants you to use them. www.thepunch.studio/foundry/bretagne
bretagne foundry screenshot from The Punch
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Punch @thepunch.studio · 13/02/2026
Or Type. Iceland's first type foundry, Reykjavik since 2013. GUNMAD building experimental faces that challenge convention—Forzata, Boogie School, Landnáma. Nordic vernacular with teeth. www.thepunch.studio/foundry/or-type
ortype foundry screenshot from The Punch
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Punch @thepunch.studio · 13/02/2026
General Type Studio. Stéphane Elbaz building clean variable fonts from Montreal since 2019. Cambon, Pilat, General Grotesque. Free for personal use, paid when you ship. Licensing that trusts designers. www.thepunch.studio/foundry/general-type-studio
general foundry screenshot from The Punch
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Punch @thepunch.studio · 13/02/2026
Loud Room. Jason Santa Maria built web typography for two decades—Typekit, A Book Apart, On Web Typography. Now he's making type himself. Citywide and Chonk from Philadelphia. The teacher becomes the practitioner. www.thepunch.studio/foundry/loud-room
Loud Room foundry screenshot from The Punch
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Punch @thepunch.studio · 12/02/2026
MCKL Type. Jeremy Mickel building American vernacular from Los Angeles since 2012. Uber, adidas, LA28 Olympics on the client list. Fort, Router, Shift—display faces with muscle. www.thepunch.studio/foundry/mckl-type
mckl foundry screenshot from The Punch
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Punch @thepunch.studio · 12/02/2026
Mark Simonson Studio. Forty years of typographic experience from St. Paul, Minnesota. Proxima Nova alone powers half the web. Twenty-five years of independence in an industry that consolidates everything. www.thepunch.studio/foundry/mark-simonson
marksimonson foundry screenshot from The Punch
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Punch @thepunch.studio · 11/02/2026
NaN. Luke Prowse building variable fonts from Berlin since 2019. Fair Font Pricing adjusts costs by country. Jaune, Holo, Tragedy—experimental faces with technical depth. Weirdness and wisdom in equal measure. www.thepunch.studio/foundry/nan
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Punch @thepunch.studio · 11/02/2026
House Industries. Delaware foundry since 1993. Neutraface, Eames Century Modern, Chalet. Americana with craft credentials. Disney, Cartoon Network, J.J. Abrams. Rich Roat's legacy lives in the letterforms. www.thepunch.studio/foundry/house-industries
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Punch @thepunch.studio · 11/02/2026
Feliciano Type. Mário Feliciano building Portuguese typographic tradition from Lisbon since 2001. BBC, Nike, El País in the client book. Flama and Merlo speak for themselves. www.thepunch.studio/foundry/feliciano-type
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Punch @thepunch.studio · 10/02/2026
Blaze Type. Matthieu Salvaggio building variable fonts from Paris since 2016. Over 50 families including Apoc, Surt, and Obviously. French display type with serious technical range. www.thepunch.studio/foundry/blaze-type
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Punch @thepunch.studio · 10/02/2026
Bureau Brut. Toulouse foundry building type that refuses to behave. Brutalist faces like Boogy Brut and Ostia Antica for designers tired of safe choices. French industrial grit since 2015. www.thepunch.studio/foundry/bureau-brut
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Punch @thepunch.studio · 10/02/2026
DSType. Dino dos Santos building typefaces from Porto since 1994. Custom work for The New York Times, Le Figaro, Electronic Arts. Portuguese precision that crosses every border. www.thepunch.studio/foundry/dstype
DSType foundry screenshot from The Punch
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Punch @thepunch.studio · 09/02/2026
205TF. Five French designers treating type history as raw material, not reverence. Antique Legacy, Acier BAT—experimental faces for museums and cultural institutions. The collaborative model produces work solo designers rarely attempt. www.thepunch.studio/foundry/205tf
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Punch @thepunch.studio · 09/02/2026
Omnibus-Type. Argentine foundry doing open source since 2008. Archivo, Chivo, Asap—Latin American type that ships. Google Fonts owes them more credit than it gives. www.thepunch.studio/foundry/omnibus-type
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Punch @thepunch.studio · 09/02/2026
Fatype. TypeMedia graduates building type in Berlin since 2012. Balenciaga and Google on the client list. Trickster, Beausite, U8—experimental faces with commercial polish. The pedigree shows. www.thepunch.studio/foundry/fatype
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Punch @thepunch.studio · 08/02/2026
Extraset. Four Swiss graphic designers selling type from their own site, no platform cut. BW Gradual, BW Nista, Monotalic—professional faces built by designers who actually use them daily. www.thepunch.studio/foundry/extraset
Extraset foundry screenshot from The Punch
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Punch @thepunch.studio · 08/02/2026
Occupant Fonts. Cyrus Highsmith built his reputation at Font Bureau, then stepped out on his own. Prensa, Antenna, Zócalo—editorial faces that read. Gerrit Noordzij Prize winner. Providence's quiet powerhouse. www.thepunch.studio/foundry/occupant-fonts
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Punch @thepunch.studio · 08/02/2026
Emigre. 1984, same year as the Macintosh. VanderLans and Licko built digital type before the industry knew what that meant. Mrs Eaves, Filosofia, Matrix—postmodernism's typographic canon. The magazine ended. The foundry endures. www.thepunch.studio/foundry/emigre
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Punch @thepunch.studio · 07/02/2026
Rosetta Type. Czech foundry solving the hard problems—38 scripts, 593 languages. While most chase Latin trends, Rosetta builds type that works from Devanagari to Tamil to Arabic. www.thepunch.studio/foundry/rosetta-type
rosetta foundry screenshot from The Punch
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Punch @thepunch.studio · 07/02/2026
Vocal Type Co. Tré Seals doesn't just design letterforms—he documents movements. Martin from the Memphis strike. Bayard from the March on Washington. Type as historical record, not decoration. www.thepunch.studio/foundry/vocal-type
Vocal Type Co foundry screenshot from The Punch
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Punch @thepunch.studio · 07/02/2026
Etcetera Type Company. Tyler Finck open-sourced his way to 860 million views on Epilogue alone. Pre-installed in Figma, on Google Fonts, built for everyone. NYT, WSJ clients. Philosophy: give it away if you can survive. www.thepunch.studio/foundry/etcetera-type-company-etc
Etcetera Type Company screenshot from The Punch
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Punch @thepunch.studio · 07/02/2026
Azuliq. Cologne foundry donating 10% of profits to literacy programs—750 million people can't read, and type matters more when you're learning. Direct sales only, no middlemen. Attendorn, Before Paris, Copanero. www.thepunch.studio/foundry/azuliq
Azuliq foundry screenshot from The Punch
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Punch @thepunch.studio · 07/02/2026
Positype. Neil Summerour built a foundry on craft—lettering, calligraphy, actual drawing. Six TDC awards, clients from the NFL to Victoria's Secret. Won Morisawa's People's Choice for a Japanese typeface. Range like that is rare. www.thepunch.studio/foundry/positype
Positype foundry screenshot from The Punch
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Punch @thepunch.studio · 07/02/2026
Lineto. Switzerland's first digital type foundry, 1993. Akkurat and Circular power Spotify and Airbnb. Windlin and Müller started what others are still catching up to. www.thepunch.studio/foundry/lineto
Lineto foundry screenshot from The Punch
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Punch @thepunch.studio · 06/02/2026
XYZ Type. Brooklyn foundry building fonts that earn their place. Ben Kiel and Jesse Ragan's work balances technical precision with actual character. Custom type for the Times, retail faces that stand out. www.thepunch.studio/foundry/xyz-type
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Punch @thepunch.studio · 06/02/2026
Typemates. German precision meets personality. Cera Pro, Noway, Graviola—fonts that do the work without disappearing. Three designers scattered across four cities, building type that actually functions. www.thepunch.studio/foundry/typemates
Typemates foundry screenshot from The Punch
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Punch @thepunch.studio · 06/02/2026
Pangram Pangram. Free fonts that don't look free. Neue Montreal, Editorial New, Right Grotesk—studio-quality type at no cost. They've quietly become the default for anyone tired of choosing between budget and taste. www.thepunch.studio/foundry/pangram-pangram
Pangram Pangram foundry screenshot from The Punch
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Punch @thepunch.studio · 05/02/2026
DJR. David Jonathan Ross runs a one-man foundry that outpaces teams of ten. Input, Fit, Roslindale—technically bulletproof and distinct. Font of the Month Club proves sustainable indie type is possible. www.thepunch.studio/foundry/djr
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Punch @thepunch.studio · 05/02/2026
Radim Pesko. The art world's go-to foundry for type that thinks. Fugue, Lyno, Union—conceptually distinctive faces for Stedelijk, MoMA, Documenta. When museums need typography, they come here. www.thepunch.studio/foundry/radim-pesko
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Punch @thepunch.studio · 05/02/2026
A2-Type. The foundry behind Britain's transport typography. Margaret Calvert collaborations, New Rail Alphabet, wayfinding systems for Network Rail and Moscow Metro. Design that moves millions. www.thepunch.studio/foundry/a2-type
a2type foundry screenshot from The Punch
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Punch @thepunch.studio · 04/02/2026
Arrow Type. Stephen Nixon's one-man operation building some of the most technically ambitious fonts in the game. Recursive is a variable masterpiece—five axes, mono to sans in one file. www.thepunch.studio/foundry/arrow-type
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Punch @thepunch.studio · 04/02/2026
Atipo Foundry. Spanish duo building type from a designer's perspective since 2009. Pay-what-you-want pricing because gatekeeping is boring. Basier, Silka, Geomanist—clean geometric faces with actual personality. www.thepunch.studio/foundry/atipo-foundry
Atipo Foundry screenshot from The Punch
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Punch @thepunch.studio · 04/02/2026
Displaay. Berlin foundry building the typefaces that define contemporary design. ABC Diatype, ABC Favorit—system fonts with actual soul. Variable font pioneers who never lost the plot. www.thepunch.studio/foundry/displaay
displaay foundry screenshot from The Punch
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Punch @thepunch.studio · 03/02/2026
Swiss Typefaces. The name says it. Clean modernist type from the country that made it a philosophy. Suisse, Euclid, SangBleu—precision without sterility. www.thepunch.studio/foundry/swiss-typefaces
swisstypefaces foundry screenshot from The Punch
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Punch @thepunch.studio · 03/02/2026
Fontwerk. Berlin-based boutique leading the variable font charge. Kunda, Mak, Blanco—precise German engineering for screens that actually adapt. www.thepunch.studio/foundry/fontwerk
fontwerk foundry screenshot from The Punch
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Punch @thepunch.studio · 02/02/2026
Letters From Sweden. Scandinavian restraint that serves the text instead of announcing itself. No trend-chasing. Just considered, functional type. www.thepunch.studio/foundry/letters-from-sweden
lettersfromsweden foundry screenshot from The Punch
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Punch @thepunch.studio · 02/02/2026
Bold Monday. Dutch type for people who actually read the kerning tables. The kind of foundry where 'good enough' gets you fired. www.thepunch.studio/foundry/bold-monday
boldmonday foundry screenshot from The Punch
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Punch @thepunch.studio · 02/02/2026
Production Type. Paris-based, responsible for some of the most influential releases of the last decade. Spectral, Minotaur, Copernicus. If you've used Google Fonts, you've probably used their work. www.thepunch.studio/foundry/production-type
production foundry screenshot from The Punch
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Punch @thepunch.studio · 02/02/2026
Sharp Type. Brooklyn studio making fonts with backbone. Their work shows up everywhere because it actually works. www.thepunch.studio/foundry/sharp-type
sharp foundry screenshot from The Punch
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Punch @thepunch.studio · 01/02/2026
Tobias Frere-Jones built half the typefaces you see every day. Then started over. That kind of craft doesn't come from corporations. www.thepunch.studio/foundry/frere-jones-type
frerejones foundry screenshot from The Punch
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Punch @thepunch.studio · 01/02/2026
Typotheque out of The Hague might know more about multilingual type than anyone on Earth. If your project needs Arabic, Hebrew, Cyrillic, Devanagari—this is where you go. www.thepunch.studio/foundry/typotheque
typotheque foundry screenshot from The Punch
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Punch @thepunch.studio · 01/02/2026
Dinamo made Monument Extended before everyone and their marketing agency discovered it. Still pushing variable fonts harder than anyone. www.thepunch.studio/foundry/dinamo
dinamo foundry screenshot from The Punch
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Punch @thepunch.studio · 01/02/2026
Commercial Type. The foundry behind the Guardian, Vanity Fair, and half the editorial work you admire. Graphik and Druk are everywhere for a reason. www.thepunch.studio/foundry/commercial-type
commercial foundry screenshot from The Punch
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Punch @thepunch.studio · 01/02/2026
Optimo. The kind of Swiss foundry that makes you wonder why anyone bothers with Helvetica anymore. Founders Grotesk alone justifies their existence. www.thepunch.studio/foundry/optimo
optimo foundry screenshot from The Punch
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Punch @thepunch.studio · 01/02/2026
Grilli Type. Swiss precision, global ambition. GT America alone justifies the hype. www.thepunch.studio/foundry/grilli-type
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