iiinova — where your digital self keeps evolving

targz @targz.fr · 22/08/2026

People often ask how I create my piece.. this is it, i create a tool from scratch to control the generative algorithm, 100 of parameters, thousand of tweaks, and at the end a piece is born

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targz @targz.fr · 21/08/2026

I'm having a lot of fun with my ribbon generators

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targz @targz.fr · 17/08/2026

Spent my day working on this joystick to control for my pen plotter, best vacation activity ever.

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targz @targz.fr · 16/07/2026

Don't you feel alone even you're not home alone ?

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targz @targz.fr · 13/07/2026

Hello 🤚🏼 anybody home ?

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targz @targz.fr · 09/07/2026

hidden in plain sight

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targz @targz.fr · 07/07/2026

It's a long process... that may fail after hours of plotting

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targz @targz.fr · 05/07/2026

The great ink in the line

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targz @targz.fr · 04/07/2026

The great pigment in the stroke

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targz @targz.fr · 02/07/2026

Art made to not last

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targz @targz.fr · 01/07/2026

Work in progress, 12 hours total plotting time

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targz @targz.fr · 29/06/2026

Take off everything but your inner child

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targz @targz.fr · 28/06/2026

I'm ready to pam pam pam pam pa

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targz @targz.fr · 21/06/2026

Thank you @bantamtools.bsky.social and Ô Marches du Palais for having made my dream possible

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targz @targz.fr · 20/06/2026

POV you're behind the lines

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targz @targz.fr · 19/06/2026

Have you ever seen the back of a paper being drawn?

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targz @targz.fr · 18/06/2026

One year ago, I had the chance to display my vertical pen plotter at omarchesdupalaisgallerie

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targz @targz.fr · 16/06/2026

This is something that always strikes me. You work on an exhibition, you're immersed in it, focus on the piece and the deadline, the opening, all the energy around it... then a few days later it feels unreal that you actually have a piece exhibited. Hard to explain but it's a really nice feeling.

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targz @targz.fr · 14/06/2026

First test of the new Y pattern

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targz @targz.fr · 14/06/2026

That sound makes me feel good, but some are triggered by it

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targz @targz.fr · 12/06/2026

From the pen plotter to the gallery

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targz @targz.fr · 11/06/2026

I placed cards under the paper to mess with how the ink behaves.

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targz @targz.fr · 10/06/2026

Suggest a sound better than this

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targz @targz.fr · 09/06/2026

I can't stop watching the piece unfold

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targz @targz.fr · 08/06/2026

My stress is at its peak at that exact moment

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targz @targz.fr · 07/06/2026

What makes him so happy?

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targz @targz.fr · 04/04/2026

Don't forget to opt out of GitHub training Copilot with your repo

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targz @targz.fr · 24/01/2025

Synapses taught me so much about experimenting with new materials and techniques. It’s been one of the most rewarding projects yet!

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targz @targz.fr · 24/01/2025

4️⃣ Plotting order: The Truchet tiling design generated lines algorithmically, but overlapping dried lines caused unwanted dark areas. I spent hours reorganizing the order to fix this.

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targz @targz.fr · 24/01/2025

3️⃣ Ink levels: Too little ink made pale lines; too much created messy overlaps. Finding the perfect balance was key to achieving the desired look. 🎯

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targz @targz.fr · 24/01/2025

2️⃣ Inks: I started with Dr. Ph. Martin’s Tech Drawing inks (UV resistant) but wasn’t happy with the blending. I switched to Ecoline watercolors, which gave vibrant, smooth results. A varnish added UV and water protection. 🌟

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targz @targz.fr · 24/01/2025

Switching to canvas for the first time came with challenges: 1️⃣ Finding the right canvas: I tested many but landed on a primed cotton canvas from Phoenix (P6031) for its smooth texture.

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targz @targz.fr · 24/01/2025

I’m excited to share Synapses, which will be part of Comparaison 2025 at the Grand Palais in Paris (Feb 19–22, 2025). It’s my first time working with canvas and watercolors—a challenging but rewarding process. 🧵 Here’s the journey:

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targz @targz.fr · 22/01/2025

An amazing opportunity for me

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targz @targz.fr · 14/01/2025

this video is most underrated video from 2024

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targz @targz.fr · 12/01/2025

Tied in a loop, endless yet grounded. ‘Figure Eight Knot’ reminds me of the beauty in connection and strength in simplicity.

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targz @targz.fr · 12/01/2025

Katsuhiro Yamaguchi’s work featuring video behind corrugated glass was mesmerizing. It created a pixel-like effect that forced my brain to imagine the original footage.

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targz @targz.fr · 12/01/2025

This 1967 pen plot by Charles Csuri blew me away. A portrait created with a NASA computer, punched cards, and a plotter. Emotional for me, as I started my pen plotter journey with portraits too.

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targz @targz.fr · 12/01/2025

Nake’s Matrizmultiplikation Serie 29 (1967) is a pen plotter artwork. The vibrant color mixes are so inspiring—they resonate with me because working with bold palettes is something I’m really into.

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targz @targz.fr · 12/01/2025

Edward Zajec’s RAM 2 V.3 (1969) is a pen plotter artwork. I love the 3D effect created by the dark parts—it feels architectural and abstract at the same time.

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targz @targz.fr · 12/01/2025

Katsuhiro Yamaguchi’s Fujitsubo (Barnacle), 1966/2017, feels like a 3D light drawing that blurs the line between sculpture and illumination. I love how it plays with both form and light.

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targz @targz.fr · 12/01/2025

Mary Martin’s Permutation of Six (1966) was created without a computer but used a Truchet tiling algorithm—a technique close to my heart because I’ve been exploring it for years and might keep going for many more.

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targz @targz.fr · 12/01/2025

Just visited the Electric Dreams exhibition at Tate Modern, showcasing the intersection of art and technology. A truly inspiring journey! Here are some of the incredible pieces that caught my eye 🧵⬇️

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