Reposted by Spirit Fontc @3boxesofsighs.bsky.social · 24/10/2025make love like you have no secrets like you’ve never been left never been hurt like the world don’t owe you a single wretched thing. - warsan shire 06712
Spirit Font @spiritfont.bsky.social · 23/10/2025777 & 666 are light & dark forces of god’s love, known as truth. They will remain paired together for the eschatology until all of the fallacious lies afoot die out. We will then arrive at 0 which marks the permanent end of false images, & the birth of our eternal life with God. 030
Spirit Font @spiritfont.bsky.social · 20/06/2024. “To lose and survive the loss, a new position must be claimed on the side of mourning, tolerating the death that sustains and frames with the veil of fantasy the vivacity of objects, allowing us to enjoy the play of the unconscious,” —Jamieson Webster & Patricia Gherovici . Ph. Florence Henri 0416
Spirit Font @spiritfont.bsky.social · 22/03/2024📷 Bertha E. Jaques, Blossom of the Chandelier Plant, 1910, Cyanotype photogram 0418
Spirit Font @spiritfont.bsky.social · 03/03/2024Abanindranath Tagore Untitled (Siva-Simantini) circa 1920s 0162
Spirit Font @spiritfont.bsky.social · 24/02/2024. “the emphatic truth of gesture in the important moments of life” —Baudelaire . Chu Teh-Chun, A Gesture of Light 0294
Spirit Font @spiritfont.bsky.social · 23/02/2024. “Think about others in such a way that it is no longer you who comes back from this thought and that it is not in a thought that you dispose yourself towards them.” —Blanchot (tr. Lycette Nelson), The Step Not Beyond . Vivian Springford 091
Spirit Font @spiritfont.bsky.social · 22/02/2024Totoya Hokkei (1780-1850) Tiger looking at the moon 0131
Spirit Font @spiritfont.bsky.social · 21/02/2024. “An image is the making-one, the making-itself-one of something. This ‘one’ is not unity as opposed to multiplicity: it is the possibility that anything at all, including something multiple or fluid, may come to presence;” —Jean-Luc Nancy, The Ground of the Image . Kazuyuki Futagawa 070
Spirit Font @spiritfont.bsky.social · 07/02/2024Kawanabe Kyosai 河鍋暁斎 Hell Courtesan 地獄太夫図 1871-89 0186
Spirit Font @spiritfont.bsky.social · 05/02/2024. “The room was dark, not that it was obscure: the light was almost too visible, it did not illuminate.” —Maurice Blanchot 061
Reposted by Spirit FontMCapitu(Maria Capitolina S) @mcapitu2.bsky.social · 30/01/2024Charles Ginner (1878-1952) The Greenhouse 0186
Spirit Font @spiritfont.bsky.social · 28/01/2024. “I believe that that extraordinary commandment, according to which, in a land of masters, we observe one day out of seven without work . . . that suspension, that emptiness, clearly introduces into human life the sign of a gap, a beyond relative to every law of utility.” —Lacan . Ernst Leijden 060
Spirit Font @spiritfont.bsky.social · 28/01/2024* WINTER SONG As beautiful as fire Pulsing in the still sunset, Ardent, golden. As beautiful as sleep Breathing inside a chest, Alone, hidden. As beautiful as silence Vibrating in kisses, Winged, sacred. — Luis Cernuda 0112
Spirit Font @spiritfont.bsky.social · 27/01/2024. Affection! thy intention stabs the centre / Thou dost make possible things not so held, / Communicat’st with dreams;—how can this be?— / With what’s unreal thou coactive art, / And fellow’st nothing. —Shakespeare, The Winter’s Tale . Ph. Minor White, Ritual Branch 0183
Reposted by Spirit FontCristinaBellino @cristinabellino.bsky.social · 25/01/2024Salvador Dalí’s set design for the dream sequence in Spellbound (Hitchcock, 1945) 0277
Spirit Font @spiritfont.bsky.social · 27/01/2024Vasily Vasilievich Rozhdestvensky, Winter Landscape, 1920 0163
Spirit Font @spiritfont.bsky.social · 27/01/2024. “Even those who live most alone are moved by a response from a fellow being, and throw themselves into their work with increased enthusiasm, increased exclusiveness, as if to create a multiple solitude of souls.” Cesare Pavese . Edvard Munch 0337
Spirit Font @spiritfont.bsky.social · 25/01/2024. "The individual ought to occupy the midpoint between the taking on of form and the annihilation of form" — Catherine Malabou . Linn Meyers 0325
