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Sue Landers

@slanders.bsky.social
948 followers 564 following 219 posts

Poet, pedestrian. My book WHAT TO CARRY INTO THE FUTURE (Roof, 2025) emerged from riding every NYC subway end to end. A love letter to the city, it charts joy amidst catastrophe. suelanders.com (she/her)

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Sue Landers @slanders.bsky.social · 04/07/2026
I processed all my Franklin Court/1976 feelings in what became one of the poems in the book (excerpt shown here) with lines still crack me up, “IT WAS 1976 IN PHILADELPHIA AND WE WERE ALL BENJAMIN FRANKLIN”
Excerpt from a poem with the text: Let's call this my earliest memory.
The experience was a museum under a ghost house, a skeleton, where Franklin's house
had stood before it was razed.
The ghost house, the skeleton in the shape of a house for which few records remained, intended to remind visitors
of the limits of historical knowledge.
They said it was no use
trying to reproduce Franklin's house.
The records were too few, they were outnumbered by memories.
So let's create a museum instead, underground and accessible via a ramp, a red ramp to invoke a colonial road, which would allow visitors to descend into the foundation of what had been Franklin's house. And a hall of mirrors.
Mirrors adorned with neon lights spelling out
Franklin's various selves. Mirrors and their neon lights designed to inspire visitors to reflect on our own various selves.
IT WAS 1976 IN PHT ADELPHIA AND WE WERE ALL BENJAMIN FRANKLIN
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Sue Landers @slanders.bsky.social · 04/07/2026
Around 2013, while writing my Philly-inspired book Franklinstein, they renovated the old museum. An archivist there was kind enough to show me remains of the original exhibits. The phones had been thrown out (sob!), but the mechanical figures survived in a storage closet alongside…police riot gear.
Figurines of revolutionary war era characters in cardboard boxes with riot gear shields in the background.
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Sue Landers @slanders.bsky.social · 04/07/2026
The phones were the shit. You'd have to dial the full number—including area and country codes then wait out the corresponding rotary clicks (higher numbers take longer than lower ones), wait for them to pick up—to hear a recorded message from a famous person saying something about Franklin.
Closeup on a bank of princess phones in little podiums on a red carpet.
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Sue Landers @slanders.bsky.social · 04/07/2026
The museum was as much a celebration of 70s tech as it was of Franklin: There was a hall of mirrors, animatronic dioramas of the Constitutional Convention, and a room full of Princess phones.
A mirrored room with neon lights spelling out words associated with Ben Franklin: citizen, inventor, diplomat, scientist, etc. The words are slightly out of focus because they blinked in and off to display others. The mirrors were supposed to help you see yourself as/in Franklin. Animatronic figures on a parquet floor that is a rendering of the Constitutional Convention. Recessed into the floor you would have to peek over a ledge to see/hear them move and speak to show different scenes from the event. A glorious bank of princess phones facing a board listing numbers to call to hear quotations about Franklin
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Sue Landers @slanders.bsky.social · 04/07/2026
My dad took me to the brand-new “Benjamin Franklin Underground Experience,” an underground museum at Franklin Court, beneath the "Ghost House"—a skeletal frame marking the footprint of Franklin's demolished home.
A white frame of a house representing the shape/location of Ben Franklin’s house in Philadelphia. Called the “ghost house” by its architect that simultaneously renders what is both there and not.
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Sue Landers @slanders.bsky.social · 01/05/2026
Happy May Day! h/t @pisor.bsky.social
Screenshot from Deep Space Nine episode in which the staff at Quark’s decide to form a union.
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Sue Landers @slanders.bsky.social · 16/04/2026
Consider What to Carry Into the Future—esp good if you’re into poetics of place, hybrid forms, ecopoetics, and/or mass transit/city nerd stuff.
A book of poems with a subway station on cover sits on a parquet floor.
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Sue Landers @slanders.bsky.social · 07/04/2026
@ldlewiswrites.blacksky.app laying out why we will all love her new novel, Year of the Mer—incl. mermaid factions, monstrous leaders, hyper-competency, a prologue that is meant to be read, chicks with problems, and def not romantasy.
Screenshot of LD Lewis in conversation with Mia Tsai at Charis Books.
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Sue Landers @slanders.bsky.social · 06/02/2026
Jumpsuit, baby.
Two people sit in chairs holding books with a wall of books behind them
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Sue Landers @slanders.bsky.social · 06/02/2026
New Yorkers always make it work.
A bicycle stands locked to a pole on top of a large snow pile.
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Sue Landers @slanders.bsky.social · 02/01/2026
This skeet reminds me of one of my fave Poetry in Motion poems on the train.
Major Jackson’s poem that reads: Leave It All Up to Me

All we want is to succumb to a single kiss
that will contain us like a marathon
with no finish line, and if so, that we land
like newspapers before sunrise, halcyon
mornings like blue martinis. I am learning
the steps to a foreign song: her mind
was torpedo, and her body was storm,
a kind of Wow. All we want is a metropolis
of Sundays, an empire of hand-holding
and park benches. She says, “Leave it all up to me.”
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Sue Landers @slanders.bsky.social · 31/12/2025
Shout out to the librarians who bought What to Carry Into the Future for their collections this year. 😘 But, hey, who do I know at BPL, NYPL, and QPL who will stock it in 2026? It *is* a love letter to NYC, after all, and even contains the lines “chaos might mean / without a library.”
Screenshot of the book What to Carry Into the Future’s Worldcat entryList of libraries with What to Carry Into the Future on their shelves: Brooklyn College, NYU, Free Library of Phil’s, Haverford College, U Mass, Shenandoah U, U Denver, U Arizona, SFPL, and a library in Zurich!
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Sue Landers @slanders.bsky.social · 18/10/2025
Spotted in Times Square today. Solidarifrog.
Protest sign that says “today we are all the Portland frog”
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Sue Landers @slanders.bsky.social · 01/09/2025
Happy Labor Day.
Cover of the book “a different trek: radical geographies of Deep space Nine”. With an illustration of characters talking and the text “the boss needs you, you don’t need them”
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Sue Landers @slanders.bsky.social · 25/06/2025
Wowwwweeee….This Zohran win feels so good!!! How it also feels:
Screenshot of Buffy, final episode of season 3, when after an epic battle with the mayor, and asked how she feels, says, “Fire bad.  Tree pretty.”
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Sue Landers @slanders.bsky.social · 14/06/2025
My slate and my why: 1. Mamdani—the complete progressive package 2. Lander—uses data for good 3. A. Adams—because she turned on E. Adams 4. Myrie—seems like a good egg. 5. Stringer—might pull votes from Cuomo. PS: DON’T RANK CUOMO
Photo with handwritten ranked slate of candidates for NYC mayor
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Sue Landers @slanders.bsky.social · 10/06/2025
As Diane DiPrima reminds us: “NO ONE WAY WORKS, it will take all of us shoving at the thing from all sides to bring it down.”
Text of Diana DiPrima’s poem: REVOLUTIONARY LETTER #8

Everytime you pick the spot for a be-in
a demonstration, a march, a rally, you are choosing the ground
for a potential battle.
You are still calling these shots.
Pick your terrain with this in mind.
Remember the old gang rules:
stick to your neighborhood, don’t let them lure you
to Central Park everytime. I would hate
to stumble bloody out of that park to find help:
Central Park West, or Fifth Avenue, which would you
choose?
//
Go to love-ins
with incense, flowers, food and a plastic bag
with a damp cloth in it for tear gas, wear no jewelry
wear clothes you can move in easily, wear no glasses
contact lenses
earrings for pierced ears are especially hazardous
//
try to be clear
in front, what you will do if it comes
to trouble
if you’re going to try to split stay out of the center
don’t stampede or panic others
don’t waver between active and passive resistance
know your limitations, bear contempt
neither for yourself, nor any of your brothers
//
NO ONE WAY WORKS, it will take all of us
shoving at the thing from all sides
to bring it down
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Sue Landers @slanders.bsky.social · 08/05/2025
Do it! But, also, you just gave me an idea coz…
Person with cat eye glasses holds up the book What to Carry into the Future—poems that emerged from riding every subway line end to end, and featuring Astor Place on its cover and an author photo on the back.
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Sue Landers @slanders.bsky.social · 05/05/2025
Very excited to be reading at @ourweather.bsky.social Meet Me There series with @raquefella.bsky.social this Thursday. Virtual. May 8 at 7:30 pm ET. Register here: www.crowdcast.io/c/meet-me-th...
Image of Samual Ace, Raquel Gutierrez, and Sue Landers advertising a virtual reading at Charis Books on May 8 at 7:30 ET.
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Sue Landers @slanders.bsky.social · 18/04/2025
Save the date. Next Friday, I’m reading waterway sonnets at this Melville-inspired series at the seaport with these lovelies @mcnallyjackson.bsky.social
An event poster advertises a poetry reading featuring Alex Cuff, Allyson Paty, Rosamond S. King, Sue Landers, and Terrance Arjoon at Mc Nally Jackson Seaport in 4/25 at  6:30.
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Sue Landers @slanders.bsky.social · 23/03/2025
Obsessed with vengeance, Ahab drove them all out to sea.
A disembodied hand holds up the Playbill for Moby Dick over the side of the balcony at the Met Opera house.
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Sue Landers @slanders.bsky.social · 22/03/2025
Thank you @rykaaoki.bsky.social for blurbing my baby! 😘
"In WHAT TO CARRY INTO THE FUTURE, Sue Landers charts a course through New York City's rails and rivers that sings with transcendence and reclamation. Simultaneously universal and so very personal, these radiant poems reveal that in all we have done, in all that we are-we can still discover and we can still believe.”
-RYKA AOKI
Author of LIGHT FROM UNCOMMON STARS
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Sue Landers @slanders.bsky.social · 12/03/2025
🎉🥳Happy pub day to me! 🎉🥳 WHAT TO CARRY INTO THE FUTURE emerged from my quest to ride every NYC subway from end to end. It’s an unconditional love letter to a city whose conditions are not the easiest to love. Come for the mass transit and stick around for treescapes and river sonnets.
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Sue Landers @slanders.bsky.social · 02/03/2025
This spring I'll be sharing my labor of love, WHAT TO CARRY INTO THE FUTURE, in a series of readings across the spring. The book sprang from a quest to ride every NYC subway line end to end. Pre-order now >>> bookshop.org/a/110446/979...
Image shows a list of upcoming events in April - June featuring Sue Landers reading from her new book WHAT TO CARRY INTO THE FUTURE. The list of events are available at suelanders.com/events
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Sue Landers @slanders.bsky.social · 15/02/2025
Now available for pre-order—my new book of poems, WHAT TO CARRY INTO A FUTURE. bookshop.org/a/110446/979...
Our dog with soulful hound dog eyes looks mildly unimpressed as she is photographed beside my recently unboxed new books of poems, WHAT TO CARRY INTO THE FUTURE.
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Sue Landers @slanders.bsky.social · 31/01/2025
An elderly basset hound Shar Pei looks soulfully into the camera.
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Sue Landers @slanders.bsky.social · 29/01/2025
Feeling very validated by this notecard in today’s mail. Text by Elizabeth Willis, with illustration by Nancy Bower, published by Litmus Press.
A postcard shows stars on a blue sky. Accompanying text reads “A witch will gaze wistfully at the filter of a clear night.”
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Sue Landers @slanders.bsky.social · 19/01/2025
from Danez Smith, a prayer/intention to implement: “let us not be idle or stunned by fear/not be so comfortable that we ignore/another's grieving instead/of ending what forces her grief. //let us not be scared of the work/ because it's hard/ let us move the mountain/because the mountain must move.”
Excerpt of “principles” by Danez Smith that reads:

gods within & ungodded tomorrows, work together to build us into tools to build a world we are grateful for not grateful in spite of.

let us not be idle or stunned by fear not be so comfortable that we ignore another's grieving instead of ending what forces her grief.

let us not be scared of the work because it's hard
let us move the mountain because the mountain must move.

let us, lords above us & within be useful to our neighbors & tender their wounds be more bandage than blade unless the blade is needed.

let us be a plague against what does not bring us closer to home

be deadly to whatever fails us

& to whom.
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Sue Landers @slanders.bsky.social · 15/01/2025
Screen grab from DS9 of Dax saying, “Hard to pass up a good quest.”
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Sue Landers @slanders.bsky.social · 12/01/2025
A few years ago, I was looking for a way to feel ok in a world that is not ok, and I sought sanctuary on the NYC subway, using the trains as my writing studio. I rode (wrote) every subway line from end-to-end, and these are the lines that emerged. Coming in March 2025 from Roof Books.
A 6 train pulls into a station with a curved platform on a book cover. The book is titled What To Carry Into the Future by Susan Landers.
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Sue Landers @slanders.bsky.social · 08/01/2025
One of the many delights of Stacey D’Erasmo’s THE LONG RUN is Samuel Delaney describing his teaching ethos: “You need to teach people that they’re important enough to say what they have to say.” Repeating for whoever needs to hear this today: you’re important enough to say what you have to say!
Cover of Stacey D’Erasmo’s book The Long Run: A creative Inquiry features an incomplete painting called Altar in a Baroque Church
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Sue Landers @slanders.bsky.social · 26/11/2024
I could screenshot page after page of @alexispauline ‘s SURVIVAL IS A PROMISE as I read it slowly, each day, over the breakfast table. But this little paragraph about the real costs of running a vital small press took my breath away 🧵.
Paragraph from Alexis Pauline Gumbs’ SURVIVAL IS A PROMISE that reads: “In retrospect, [Barbara] Smith calls the experience of keeping Kitchen Table Press alive through repeated heroic efforts “traumatic.” The fact that the press continued to publish, reprint, and distribute meaningful works of literature for more than eleven years is a miracle in the sense that it was an impossible thing that happened. But it did not happen by magic; it happened at a great cost. It taught those involved, especially Smith, something about pressure and the tension between collective vision and individual accountability. Groups of people continually rallied to support KTP, but Barbara knew that if she stopped devoting full-time unpaid labor to the work, the press would close that same year.
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Sue Landers @slanders.bsky.social · 19/11/2024
“the pen like a ventilator for a dozen patients” One of my favorites from Mosab Abu Toha’s Forest of Noise, his devastating collection about life in Gaza.
A poem entitled My Library that reads:

My books remain on the shelves as I left them last year, / but all the words have died. / I search for my favorite book, / Out of Place. / I find it lying lonely in a drawer, / next to the photo album and my old Nokia phone. // The pen inside the book is still intact. / but some ink drops have leaked. / Some words beneath its ink, / the pen like a ventilator / for a dozen patients: //  Home, Jerusalem, the sea, Haifa, / the rock, the oranges, the sand, / the pigeon, Cairo, my mother, / Beirut, books, the rock, the sea, the sea.
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Sue Landers @slanders.bsky.social · 13/11/2024
No reason—just thinking about how in Station 11, making and sharing art, in community, gave life meaning in the post-apocalypse.
The character of Jeevan in Station 11, looking wistful while sporting a tiara that says “Yay” at a birthday party, while the TLC song “Creep” plays.
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Sue Landers @slanders.bsky.social · 12/11/2024
Alexis Pauline Gumbs: “In Lorde’s case, her role as a daughter of Oya means that she embodied the whirlwind, prioritized intergenerational relationships and ancestral connection, and embraced the destruction of anything that needed to be changed in order to return the elements to balance and flow.”
A hard cover copy of Alexis Pauline Gumbs’ biography of Audre Lord on a desk—“Survival is a Promise: The Eternal Life of Audre Lorde.” Its cover features Gumbs’ favorite picture of Lorde, one of her looking directly into the camera, centered, with a slight, knowing smile/resolve on her face.Paragraph in book reading: “Every hurricane is layered. Held together by pressure and heat. The vapor uprising organizes itself into bands of rain and wind that hold each other so close that the thick air lifts up solid dreams like houses and trees, hurls them into each other, drops them where she may.”Paragraph of a book that reads: “In the structure of a hurricane, the eyeball is the tightest ring of wind and rain closest to the center of the storm. These are the most forceful gusts of wind, capable of the most destruction. But the compression in the eyeball also creates a space of stillness and sometimes even sunlight right at the eye of the storm. The eyeball protects the storm’s integrity. It is the storm’s coherence. Without it, the storm would scatter and destroy itself.”
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Sue Landers @slanders.bsky.social · 22/08/2023
“The phragmites in bloom susurrate.” Snippet from my new sonnet in progress, inspired by the salt marshes of Brooklyn.
Phragmites, also known as the common reed, shown blown by wind in the foreground. Behind them, a thin slice of blue water (Gerritsen Inlet in Marine Bay, Brooklyn), with clouds up above.
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Sue Landers @slanders.bsky.social · 14/07/2023
Toshi Reagon’s Parable of the Sower opera, now showing at Lincoln Center, is a masterpiece for many reasons, including the lyric, “drowning people sometimes fight their rescuers.”
In the foreground, a white hand holds a postcard for Toshi Reagon’s opera, Parable of the Sower, showing a stylized image of a young black girl. The postcard is being held by someone in the upper balcony of a theatre at Lincoln Center so the seats and stage fill the background.
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Sue Landers @slanders.bsky.social · 11/07/2023
2 years sober today! Here’s a poem about what that feels like.
Screenshot from poets.org showing a poem by Susan Landers that reads: 

Holly Says Sobriety Is Paying Attention 

Orange tabby in the foxglove. 
Four beets in a bag. 
The poppy’s blocky skeleton. 
A net full of mulberries, 
            sweetest 
                        at the point 
                        they let go.
Untie 
the soft knots 
of the crochet. 
Begin again. 
Look, 
there’s a lily. 
Look, 
there’s another one.
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