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Senses of Cinema

@sensesofcinema.bsky.social
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An online film journal devoted to the serious and eclectic discussion of cinema. 📢 Issue 118 Out Now www.sensesofcinema.com/issues/issue… Support Independent Film Criticism: linktr.ee/SensesofCinema

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Senses of Cinema @sensesofcinema.bsky.social · 06/10/2026
🚨 Independent film criticism needs your support. For over two decades, Senses of Cinema has been a dedicated space for long-form, open-access film writing, festival coverage, and scholarly critique.
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Melbourne Cinematheque @melbcinematheque.bsky.social · 06/10/2026
Austin Lancaster’s annotation on Ikarie XB-1 (1963) in @sensesofcinema.bsky.social
sensesofcinema.com
Trouble in Paradise: Ikarie XB 1’s Music and Sound – Senses of Cinema
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Melbourne Cinematheque @melbcinematheque.bsky.social · 06/10/2026
Cerise Howard’s annotation on The Fabulous Baron Munchausen (1962) in @sensesofcinema.bsky.social
sensesofcinema.com
Fly Me to the Moon: Love and Lunacy in The Outrageous Baron Munchausen – Senses of Cinema
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Melbourne Cinematheque @melbcinematheque.bsky.social · 06/10/2026
Join us this Wednesday 7 October for the conclusion of our season focused on composer Zdeněk Liška. 7:00pm - The Fabulous Baron Munchausen (1962) 8:40pm - Ikarie XB-1 (1963) preceded by The Snowman (1966) 10.25pm - Music by Zdeněk Liška (2017)
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Senses of Cinema @sensesofcinema.bsky.social · 29/09/2026
"I’ve been drawn to a certain kind of political and essay filmmaking, but also have this real core in feminist video and performance art." In Issue 118, Arindam Sen interviews artist and filmmaker Lee Anne Schmitt following her latest film, Evidence (2025). buff.ly/1bzPlF4
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Senses of Cinema @sensesofcinema.bsky.social · 25/09/2026
In Issue 118, Đăng Tùng Bạch speaks with Director Vee Shi, and Cinematographer-Producer Nicholson Ren, about their debut feature, Time and Tide (2026). buff.ly/cLnQgNj
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Melbourne Cinematheque @melbcinematheque.bsky.social · 22/09/2026
Brian Hoyle’s annotation on The Cremator (1968) in @sensesofcinema.bsky.social
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The Cremator – Senses of Cinema
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Melbourne Cinematheque @melbcinematheque.bsky.social · 22/09/2026
Join us this Wednesday 23 September for the opening night of our new season presented in partnership with the Czech and Slovak Film Festival of Australia 7:00pm - The Cremator (1968) preceded by The Flat (1968) 9:15pm - The Valley of the Bees (1968)
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Senses of Cinema @sensesofcinema.bsky.social · 18/09/2026
"The most-reproduced sentence in Khavn’s cinema is a negation. Hundreds of his films open with the credit this is not a film by Khavn..." Now in Issue 118, Patrick F. Campos examines the work of Filipino filmmaker, writer, composer, and pianist, Khavn, for our Great Directors series. buff.ly/Axv3p5B
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MidCenturyCinema @midcenturycinema.bsky.social · 18/09/2026
BOTD Edgar G. Ulmer!! Co-D People on Sunday (1930) but remembered esp. as Poverty Row maestro - incl Detour More: @noahisenberg.bsky.social book: artsfuse.org/99959/fuse-b... Gary Morris/ BLFG: brightlightsfilm.com/three-films-... @sensesofcinema.bsky.social: www.sensesofcinema.com/2003/great-d...
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Senses of Cinema @sensesofcinema.bsky.social · 17/09/2026
In Issue 118, Leonard Schwartz reflects on the relationship between artist Susan Bee's painting, Pickpocket” (2013), Robert Bresson’s film by that same name, and the connections this suggests between the painted image and the cinematic image. buff.ly/EQrHZzY
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Melbourne Cinematheque @melbcinematheque.bsky.social · 15/09/2026
Join us this Wednesday 16 September for the final night of our season Haunted Worlds: Mario Bava, the Diabolical Magician of Cinecittà. 7:00pm - The Girl Who Knew Too Much (1963) 8:40pm - Lisa and the Devil (1973)
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Senses of Cinema @sensesofcinema.bsky.social · 14/09/2026
"Cinema for me is like making poetry of people in progress..." In Issue 118, Daniel Theophanous interviews Christian Petzold following his latest film, Miroirs No.3. buff.ly/5cJWir4
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Senses of Cinema @sensesofcinema.bsky.social · 11/09/2026
"Humberto Solás’ Lucía offers a novel understanding of the relationship between revolution and romance that addresses romanticization without resorting to the spectacle..." In Issue 118, Pritish Das reflects on the enduring relevance of Humberto Solás’ Lucía. buff.ly/DCAD763
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Senses of Cinema @sensesofcinema.bsky.social · 07/09/2026
"Since I began making art, I’ve found myself repeatedly drawn to societies in transition – places dreaming of becoming something else..." In Issue 118, Hamed Sarrafi & Ehsan Zivaralam interview Egyptian artist Wael Shawky: www.sensesofcinema.com/2026/intervi...
sensesofcinema.com
Reimagining History from Within: An Interview with Wael Shawky – Senses of Cinema
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Senses of Cinema @sensesofcinema.bsky.social · 04/09/2026
"The work of the New Red Order hinges on speculative images..." In Issue 118, Max Bowens & Candice Strongwater consider "speculation’s aesthetic values and their complex interface with capitalism", focusing on the work of 'public secret society' New Red Order. buff.ly/OPEjfW4
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MidCenturyCinema @midcenturycinema.bsky.social · 03/09/2026
9/3/93: Kieslowski's astonishing Blue, w/Juliette Binoche 🙏 Our feature on Blue, 3 Colors, & Mr. K via Cineaste: midcenturycinema.org/wp-content/u... More: @brightwalldarkroom.com: www.brightwalldarkroom.com/2016/04/18/s... @sensesofcinema.bsky.social: www.sensesofcinema.com/2007/cteq/th...
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Melbourne Cinematheque @melbcinematheque.bsky.social · 01/09/2026
Ian Olney’s annotation on Kill, Baby… Kill! in @sensesofcinema.bsky.social
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Kill, Baby… Kill! – Senses of Cinema
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Melbourne Cinematheque @melbcinematheque.bsky.social · 01/09/2026
Kristian Ramsden’s annotation on Black Sabbath in @sensesofcinema.bsky.social
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The Faces of Mario Bava’s Black Sabbath – Senses of Cinema
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Melbourne Cinematheque @melbcinematheque.bsky.social · 31/08/2026
Cinémathèque returns this Wednesday 2 September for the opening night of our new season, presented in partnership with the Italian Institute of Culture, Melbourne. 7:00pm - Black Sabbath (1963) 8:50pm - Kill, Baby... Kill! (1966)
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Senses of Cinema @sensesofcinema.bsky.social · 01/09/2026
In Issue 118, Maja Korbecka reports on the 28th Shanghai International Film Festival, reflecting on the "paradox of change and continuity" that characterises the festival experience. www.sensesofcinema.com/2026/festiva...
sensesofcinema.com
Shanghai IFF 2026: Things that Change, Things that Don’t – Senses of Cinema
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Senses of Cinema @sensesofcinema.bsky.social · 26/08/2026
Stefan Solomon reports on the 40th Il Cinema Ritrovato in Issue 118: buff.ly/5l7T1gh
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Senses of Cinema @sensesofcinema.bsky.social · 24/08/2026
"In a way, working with archives is about building relationships with them..." In Issue 118, Botagoz Koilybayeva speaks with Iranian filmmaker Sanaz Sohrabi about the last instalment of her trilogy of essay films, An Incomplete Calendar (2026). buff.ly/rOioPLS
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Senses of Cinema @sensesofcinema.bsky.social · 19/08/2026
"The careful consideration, exposure and eventual resolution of these consent puzzles is part of what makes these films so moving..." In Issue 118, Colette de Castro reflects on the ways Dag Johan Haugerud’s Oslo Trilogy work through questions of care, intimacy, and consent. buff.ly/hTBPedK
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Senses of Cinema @sensesofcinema.bsky.social · 14/08/2026
"His films ... have never quite settled into the taxonomies by which film histories tend to organise careers in retrospect." In Issue 118, Florian Zappe profiles Abel Ferrara for our Great Directors series. buff.ly/XBhCxeJ
sensesofcinema.com
Ferrara, Abel – Senses of Cinema
“I do think that filmmaking is sacred.“
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Senses of Cinema @sensesofcinema.bsky.social · 13/08/2026
In Issue 118, Susana Bessa reflects and reports on the 23rd edition of IndieLisboa. Lead Image | Segundo Amor (According to Love, dir. Rodrigo Braz Teixeira, 2026) buff.ly/kwdlAQ4
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Senses of Cinema @sensesofcinema.bsky.social · 10/08/2026
In Issue 118, Amanda Barbour speaks with Iranian animator and filmmaker Mahboobeh Kalaee, covering the relationship between reality and fiction in her films, the use of space in animation, and the ways that artistic creation can act as a kind of resistance. buff.ly/6q6uirf
sensesofcinema.com
Mahboobeh Kalaee: Creation as Antidote to Destruction during American and Israeli airstrikes – Senses of Cinema
On what should have been an inconspicuous and inconsequential morning in Tehran, Mahboobeh Kalaee boarded a flight bound for Vienna on February 28, 2026. She was headed to the 25th edition of the…
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Senses of Cinema @sensesofcinema.bsky.social · 07/08/2026
"The problem is not that cinema is connected to the market. The problem is whether, within that connection, cinema can still confront the violence and contradictions of the world." Daichi Ogi reports on the 79th Cannes Film Festival: buff.ly/99srKr4
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What is the honour of cinema? – The 79th Cannes Film Festival – Senses of Cinema
“even scratched to death a simple rectangle of thirty-five millimeters saves the honor of all of the real. “
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Senses of Cinema @sensesofcinema.bsky.social · 05/08/2026
"A mixture of veteran indie auteurs and newer voices, this edition radiated a certain optimism for the future." Now in Issue 118, Marc Raymond reports on the 27th Jeonju International Film Festival. buff.ly/xYPyYHE
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Senses of Cinema @sensesofcinema.bsky.social · 03/08/2026
"As soon as it talks to us, The Battle of Algiers forces us to reassess our preconceptions of civilisation, morality, and freedom..." Now in Issue 118, read Salvador Carrasco on Gillo Pontecorvo's The Battle of Algiers at 60. buff.ly/pVDRX27
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Senses of Cinema @sensesofcinema.bsky.social · 31/07/2026
📣 Issue 118 is here! Included in the latest issue of the serious and eclectic discussion of cinema are our usual array of feature articles, book reviews, and three new additions to our long-running Great Directors series. www.sensesofcinema.com/issues/issue...
sensesofcinema.com
Issue 118 – Senses of Cinema
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Senses of Cinema @sensesofcinema.bsky.social · 30/07/2026
📣 There's still time to get tickets to our Issue 118 launch special screening of the 4K restoration of Abel Ferrara's THE ADDICTION (1995)
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Senses of Cinema @sensesofcinema.bsky.social · 09/07/2026
📣 If you're in Melbourne on Friday July 31, join us for the launch of Issue 118 at ACMI with a special screening of Abel Ferrara’s arthouse horror, THE ADDICTION (1995). buff.ly/Vx59Qcx
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Senses of Cinema @sensesofcinema.bsky.social · 28/07/2026
We're delighted that our Issue 118 launch screening of Abel Ferrara's THE ADDICTION will feature a special virtual introduction by Florian Zappe. We launch this Friday 31st of the July at ACMI in Melbourne! www.acmi.net.au/whats-on/sen...
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Senses of Cinema @sensesofcinema.bsky.social · 24/07/2026
🎟 Our Issue 118 launch is one week away! Make sure to secure your tickets to this special screening of the 4K restoration of Abel Ferrara's THE ADDICTION (1995) at ACMI. 🗓️ Friday 31st July 🕖 7.00pm
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Senses of Cinema @sensesofcinema.bsky.social · 17/07/2026
"...the traditional fate of the key Gothic figure – the outsider – is reimagined through a feminist lens, thus calling for a significant reassessment of the genre..." Tom Boniface-Webb examines how The Royal Hotel (dir. Kitty Green, 2023) revises the “colonial gothic” genre: buff.ly/qkCo4Ew
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Melbourne Cinematheque @melbcinematheque.bsky.social · 14/07/2026
Sandra E. Lim’s annotation on Malcolm X (1992) in @sensesofcinema.bsky.social
sensesofcinema.com
A Pedagogy of Resistance: From Double Consciousness to the Unified Self in Spike Lee’s Malcolm X – Senses of Cinema
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Melbourne Cinematheque @melbcinematheque.bsky.social · 13/07/2026
Join us this Wednesday 15 July for the second night in our season of films directed by one of the United States’ most prolific and provocative auteurs, Spike Lee. 7:00pm - Malcolm X (1992)
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Senses of Cinema @sensesofcinema.bsky.social · 14/07/2026
📣 Join us as we launch the newest issue of the serious and eclectic discussion of cinema alongside a special screening of the new 4K restoration of Abel Ferrara's mid-nineties vampire film, The Addiction. 📍ACMI 🗓️ Friday 31st July 🕖 7.00pm www.acmi.net.au/whats-on/sen...
acmi.net.au
Senses of Cinema: The Addiction (1995)
See "The Addiction," Abel Ferrara's eerie 1995 vampire film starring Lili Taylor, in a new 4K restoration. A haunting allegory for disease and desire.
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Senses of Cinema @sensesofcinema.bsky.social · 09/07/2026
📣 If you're in Melbourne on Friday July 31, join us for the launch of Issue 118 at ACMI with a special screening of Abel Ferrara’s arthouse horror, THE ADDICTION (1995). buff.ly/Vx59Qcx
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Melbourne Cinematheque @melbcinematheque.bsky.social · 30/06/2026
Martyn Bamber’s annotation on About Endlessness in @sensesofcinema.bsky.social
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About Endlessness – Senses of Cinema
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Melbourne Cinematheque @melbcinematheque.bsky.social · 30/06/2026
Adrian Danks’ annotation on A Pigeon Sat on a Branch Reflecting on Existence in @sensesofcinema.bsky.social
sensesofcinema.com
In the Afterglow: Roy Andersson’s A Pigeon Sat on a Branch Reflecting on Existence – Senses of Cinema
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Senses of Cinema @sensesofcinema.bsky.social · 01/07/2026
"Films have the power to create or convey memory in ways that facts or data do not..." In Issue 117, Silvia Spitta and Gerd Gemünden speak in-depth with Chilean director Juan Pablo Sallato about his feature debut Hangar rojo (The Red Hangar).
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‘Esa inmensa cantidad de grises:’ An Interview with Juan Pablo Sallato – Senses of Cinema
Between doing the right thing and the wrong thing there is “an immensity of grey tones” – this is how Chilean director Juan Pablo Sallato describes the moral dilemma faced by the protagonist of his…
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Senses of Cinema @sensesofcinema.bsky.social · 29/06/2026
There's still time to support us with a donation before June 30. Any donation over two dollars is tax deductible for Australian residents, and helps us continue to offer uncompromising and independent film criticism for our readers. buff.ly/AvkTEhe
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Senses of Cinema @sensesofcinema.bsky.social · 26/06/2026
New to our Great Directors series in Issue 117, Sherry Johnson examines the legacy of Sergio Corbucci, who "left a legacy of over 60 films which run the gamut of comedy, peplum, western and drama..." buff.ly/iZo832J
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Senses of Cinema @sensesofcinema.bsky.social · 22/06/2026
"Only when we see humanity from a birds’-eye view does the concept of the “ordinary” become relevant..." In Issue 117, Iris Chen reviews Sun Hong’s vertical documentary film, Yānhuǒ Rénjiān (This Is Life, 2020).
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Documentaries Go Vertical: This is Life, a Social-Media Portrait of China – Senses of Cinema
In China, over half of all internet-users watch vertical dramas: that is an audience of over 576 million people. Sun Hong’s Yānhuǒ Rénjiān (This Is Life, 2020) is the first and, to my knowledge, only…
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Senses of Cinema @sensesofcinema.bsky.social · 19/06/2026
In Issue 117, Sean Zou explores the cinema of Krzysztof Kieślowski’s Przypadek (Blind Chance, 1981) and Bez końca (No End, 1985) through Gilles Deleuze’s concept of the time-image. buff.ly/u5HTTTV
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Senses of Cinema @sensesofcinema.bsky.social · 10/06/2026
"Yuki Aditya and the Dream of Collective Cinema (1980-2026)" In Issue 117, Mike Hoolboom presents a tribute to Yuki Aditya Husandy, in an interview that follows a collection of voices reflecting on and paying tribute to Yuki’s unique contribution to Indonesian film culture.
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Yuki Aditya and the Dream of Collective Cinema (1980-2026) – Senses of Cinema
Yuki Aditya Husandy is dead. From 2013-2023, he was the director of ARKIPEL International Documentary and Experimental Film Festival in Indonesia. He was also a keynote member of Forum Lenteng, a…
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Senses of Cinema @sensesofcinema.bsky.social · 08/06/2026
New in Issue 117, Grace Brooks interrogates crises in Australian sound cinema post-1930 before the arrival of the 'Australian New Wave'.
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The Talkies Cure: A New Theory of Australian Silent Cinema – Senses of Cinema
In Melbourne 1906, a practically new type of film premiered to Australian audiences: The Story of the Kelly Gang (Charles Tait, 1906). Directed by the Victorian entertainment entrepreneur Charles…
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Senses of Cinema @sensesofcinema.bsky.social · 05/06/2026
In Issue 117, Greg Dolgopolov explores the ways Lorcan Finnegan’s The Surfer (2024) "interrogates the intersection of toxic masculinity, virulent surf localism, and settler-colonial entitlement." buff.ly/waEAO7o
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