Senses of Cinema @sensesofcinema.bsky.social · 06/10/2026🚨 Independent film criticism needs your support. For over two decades, Senses of Cinema has been a dedicated space for long-form, open-access film writing, festival coverage, and scholarly critique. 188
Reposted by Senses of CinemaMelbourne Cinematheque @melbcinematheque.bsky.social · 06/10/2026Austin Lancaster’s annotation on Ikarie XB-1 (1963) in @sensesofcinema.bsky.socialsensesofcinema.comTrouble in Paradise: Ikarie XB 1’s Music and Sound – Senses of Cinema 032
Reposted by Senses of CinemaMelbourne Cinematheque @melbcinematheque.bsky.social · 06/10/2026Cerise Howard’s annotation on The Fabulous Baron Munchausen (1962) in @sensesofcinema.bsky.socialsensesofcinema.comFly Me to the Moon: Love and Lunacy in The Outrageous Baron Munchausen – Senses of Cinema 121
Reposted by Senses of CinemaMelbourne Cinematheque @melbcinematheque.bsky.social · 06/10/2026Join us this Wednesday 7 October for the conclusion of our season focused on composer Zdeněk Liška. 7:00pm - The Fabulous Baron Munchausen (1962) 8:40pm - Ikarie XB-1 (1963) preceded by The Snowman (1966) 10.25pm - Music by Zdeněk Liška (2017) 121
Senses of Cinema @sensesofcinema.bsky.social · 29/09/2026"I’ve been drawn to a certain kind of political and essay filmmaking, but also have this real core in feminist video and performance art." In Issue 118, Arindam Sen interviews artist and filmmaker Lee Anne Schmitt following her latest film, Evidence (2025). buff.ly/1bzPlF4 020
Senses of Cinema @sensesofcinema.bsky.social · 25/09/2026In Issue 118, Đăng Tùng Bạch speaks with Director Vee Shi, and Cinematographer-Producer Nicholson Ren, about their debut feature, Time and Tide (2026). buff.ly/cLnQgNj 011
Reposted by Senses of CinemaMelbourne Cinematheque @melbcinematheque.bsky.social · 22/09/2026Brian Hoyle’s annotation on The Cremator (1968) in @sensesofcinema.bsky.socialsensesofcinema.comThe Cremator – Senses of Cinema 002
Reposted by Senses of CinemaMelbourne Cinematheque @melbcinematheque.bsky.social · 22/09/2026Join us this Wednesday 23 September for the opening night of our new season presented in partnership with the Czech and Slovak Film Festival of Australia 7:00pm - The Cremator (1968) preceded by The Flat (1968) 9:15pm - The Valley of the Bees (1968) 111
Senses of Cinema @sensesofcinema.bsky.social · 18/09/2026"The most-reproduced sentence in Khavn’s cinema is a negation. Hundreds of his films open with the credit this is not a film by Khavn..." Now in Issue 118, Patrick F. Campos examines the work of Filipino filmmaker, writer, composer, and pianist, Khavn, for our Great Directors series. buff.ly/Axv3p5B 000
Reposted by Senses of CinemaMidCenturyCinema @midcenturycinema.bsky.social · 18/09/2026BOTD Edgar G. Ulmer!! Co-D People on Sunday (1930) but remembered esp. as Poverty Row maestro - incl Detour More: @noahisenberg.bsky.social book: artsfuse.org/99959/fuse-b... Gary Morris/ BLFG: brightlightsfilm.com/three-films-... @sensesofcinema.bsky.social: www.sensesofcinema.com/2003/great-d... 1275
Senses of Cinema @sensesofcinema.bsky.social · 17/09/2026In Issue 118, Leonard Schwartz reflects on the relationship between artist Susan Bee's painting, Pickpocket” (2013), Robert Bresson’s film by that same name, and the connections this suggests between the painted image and the cinematic image. buff.ly/EQrHZzY 020
Reposted by Senses of CinemaMelbourne Cinematheque @melbcinematheque.bsky.social · 15/09/2026Join us this Wednesday 16 September for the final night of our season Haunted Worlds: Mario Bava, the Diabolical Magician of Cinecittà. 7:00pm - The Girl Who Knew Too Much (1963) 8:40pm - Lisa and the Devil (1973) 101
Senses of Cinema @sensesofcinema.bsky.social · 14/09/2026"Cinema for me is like making poetry of people in progress..." In Issue 118, Daniel Theophanous interviews Christian Petzold following his latest film, Miroirs No.3. buff.ly/5cJWir4 081
Senses of Cinema @sensesofcinema.bsky.social · 11/09/2026"Humberto Solás’ Lucía offers a novel understanding of the relationship between revolution and romance that addresses romanticization without resorting to the spectacle..." In Issue 118, Pritish Das reflects on the enduring relevance of Humberto Solás’ Lucía. buff.ly/DCAD763 000
Senses of Cinema @sensesofcinema.bsky.social · 07/09/2026"Since I began making art, I’ve found myself repeatedly drawn to societies in transition – places dreaming of becoming something else..." In Issue 118, Hamed Sarrafi & Ehsan Zivaralam interview Egyptian artist Wael Shawky: www.sensesofcinema.com/2026/intervi...sensesofcinema.comReimagining History from Within: An Interview with Wael Shawky – Senses of Cinema 000
Senses of Cinema @sensesofcinema.bsky.social · 04/09/2026"The work of the New Red Order hinges on speculative images..." In Issue 118, Max Bowens & Candice Strongwater consider "speculation’s aesthetic values and their complex interface with capitalism", focusing on the work of 'public secret society' New Red Order. buff.ly/OPEjfW4 000
Reposted by Senses of CinemaMidCenturyCinema @midcenturycinema.bsky.social · 03/09/20269/3/93: Kieslowski's astonishing Blue, w/Juliette Binoche 🙏 Our feature on Blue, 3 Colors, & Mr. K via Cineaste: midcenturycinema.org/wp-content/u... More: @brightwalldarkroom.com: www.brightwalldarkroom.com/2016/04/18/s... @sensesofcinema.bsky.social: www.sensesofcinema.com/2007/cteq/th... 1197
Reposted by Senses of CinemaMelbourne Cinematheque @melbcinematheque.bsky.social · 01/09/2026Ian Olney’s annotation on Kill, Baby… Kill! in @sensesofcinema.bsky.socialsensesofcinema.comKill, Baby… Kill! – Senses of Cinema 002
Reposted by Senses of CinemaMelbourne Cinematheque @melbcinematheque.bsky.social · 01/09/2026Kristian Ramsden’s annotation on Black Sabbath in @sensesofcinema.bsky.socialsensesofcinema.comThe Faces of Mario Bava’s Black Sabbath – Senses of Cinema 111
Reposted by Senses of CinemaMelbourne Cinematheque @melbcinematheque.bsky.social · 31/08/2026Cinémathèque returns this Wednesday 2 September for the opening night of our new season, presented in partnership with the Italian Institute of Culture, Melbourne. 7:00pm - Black Sabbath (1963) 8:50pm - Kill, Baby... Kill! (1966) 142
Senses of Cinema @sensesofcinema.bsky.social · 01/09/2026In Issue 118, Maja Korbecka reports on the 28th Shanghai International Film Festival, reflecting on the "paradox of change and continuity" that characterises the festival experience. www.sensesofcinema.com/2026/festiva...sensesofcinema.comShanghai IFF 2026: Things that Change, Things that Don’t – Senses of Cinema 000
Senses of Cinema @sensesofcinema.bsky.social · 26/08/2026Stefan Solomon reports on the 40th Il Cinema Ritrovato in Issue 118: buff.ly/5l7T1gh 050
Senses of Cinema @sensesofcinema.bsky.social · 24/08/2026"In a way, working with archives is about building relationships with them..." In Issue 118, Botagoz Koilybayeva speaks with Iranian filmmaker Sanaz Sohrabi about the last instalment of her trilogy of essay films, An Incomplete Calendar (2026). buff.ly/rOioPLS 011
Senses of Cinema @sensesofcinema.bsky.social · 19/08/2026"The careful consideration, exposure and eventual resolution of these consent puzzles is part of what makes these films so moving..." In Issue 118, Colette de Castro reflects on the ways Dag Johan Haugerud’s Oslo Trilogy work through questions of care, intimacy, and consent. buff.ly/hTBPedK 030
Senses of Cinema @sensesofcinema.bsky.social · 14/08/2026"His films ... have never quite settled into the taxonomies by which film histories tend to organise careers in retrospect." In Issue 118, Florian Zappe profiles Abel Ferrara for our Great Directors series. buff.ly/XBhCxeJsensesofcinema.comFerrara, Abel – Senses of Cinema“I do think that filmmaking is sacred.“ 021
Senses of Cinema @sensesofcinema.bsky.social · 13/08/2026In Issue 118, Susana Bessa reflects and reports on the 23rd edition of IndieLisboa. Lead Image | Segundo Amor (According to Love, dir. Rodrigo Braz Teixeira, 2026) buff.ly/kwdlAQ4 040
Senses of Cinema @sensesofcinema.bsky.social · 10/08/2026In Issue 118, Amanda Barbour speaks with Iranian animator and filmmaker Mahboobeh Kalaee, covering the relationship between reality and fiction in her films, the use of space in animation, and the ways that artistic creation can act as a kind of resistance. buff.ly/6q6uirfsensesofcinema.comMahboobeh Kalaee: Creation as Antidote to Destruction during American and Israeli airstrikes – Senses of CinemaOn what should have been an inconspicuous and inconsequential morning in Tehran, Mahboobeh Kalaee boarded a flight bound for Vienna on February 28, 2026. She was headed to the 25th edition of the… 012
Senses of Cinema @sensesofcinema.bsky.social · 07/08/2026"The problem is not that cinema is connected to the market. The problem is whether, within that connection, cinema can still confront the violence and contradictions of the world." Daichi Ogi reports on the 79th Cannes Film Festival: buff.ly/99srKr4sensesofcinema.comWhat is the honour of cinema? – The 79th Cannes Film Festival – Senses of Cinema“even scratched to death a simple rectangle of thirty-five millimeters saves the honor of all of the real. “ 150
Senses of Cinema @sensesofcinema.bsky.social · 05/08/2026"A mixture of veteran indie auteurs and newer voices, this edition radiated a certain optimism for the future." Now in Issue 118, Marc Raymond reports on the 27th Jeonju International Film Festival. buff.ly/xYPyYHE 010
Senses of Cinema @sensesofcinema.bsky.social · 03/08/2026"As soon as it talks to us, The Battle of Algiers forces us to reassess our preconceptions of civilisation, morality, and freedom..." Now in Issue 118, read Salvador Carrasco on Gillo Pontecorvo's The Battle of Algiers at 60. buff.ly/pVDRX27 020
Senses of Cinema @sensesofcinema.bsky.social · 31/07/2026📣 Issue 118 is here! Included in the latest issue of the serious and eclectic discussion of cinema are our usual array of feature articles, book reviews, and three new additions to our long-running Great Directors series. www.sensesofcinema.com/issues/issue...sensesofcinema.comIssue 118 – Senses of Cinema 065
Senses of Cinema @sensesofcinema.bsky.social · 30/07/2026📣 There's still time to get tickets to our Issue 118 launch special screening of the 4K restoration of Abel Ferrara's THE ADDICTION (1995) 010
Reposted by Senses of CinemaSenses of Cinema @sensesofcinema.bsky.social · 09/07/2026📣 If you're in Melbourne on Friday July 31, join us for the launch of Issue 118 at ACMI with a special screening of Abel Ferrara’s arthouse horror, THE ADDICTION (1995). buff.ly/Vx59Qcx 012
Senses of Cinema @sensesofcinema.bsky.social · 28/07/2026We're delighted that our Issue 118 launch screening of Abel Ferrara's THE ADDICTION will feature a special virtual introduction by Florian Zappe. We launch this Friday 31st of the July at ACMI in Melbourne! www.acmi.net.au/whats-on/sen... 021
Senses of Cinema @sensesofcinema.bsky.social · 24/07/2026🎟 Our Issue 118 launch is one week away! Make sure to secure your tickets to this special screening of the 4K restoration of Abel Ferrara's THE ADDICTION (1995) at ACMI. 🗓️ Friday 31st July 🕖 7.00pm 143
Senses of Cinema @sensesofcinema.bsky.social · 17/07/2026"...the traditional fate of the key Gothic figure – the outsider – is reimagined through a feminist lens, thus calling for a significant reassessment of the genre..." Tom Boniface-Webb examines how The Royal Hotel (dir. Kitty Green, 2023) revises the “colonial gothic” genre: buff.ly/qkCo4Ew 000
Reposted by Senses of CinemaMelbourne Cinematheque @melbcinematheque.bsky.social · 14/07/2026Sandra E. Lim’s annotation on Malcolm X (1992) in @sensesofcinema.bsky.socialsensesofcinema.comA Pedagogy of Resistance: From Double Consciousness to the Unified Self in Spike Lee’s Malcolm X – Senses of Cinema 021
Reposted by Senses of CinemaMelbourne Cinematheque @melbcinematheque.bsky.social · 13/07/2026Join us this Wednesday 15 July for the second night in our season of films directed by one of the United States’ most prolific and provocative auteurs, Spike Lee. 7:00pm - Malcolm X (1992) 141
Senses of Cinema @sensesofcinema.bsky.social · 14/07/2026📣 Join us as we launch the newest issue of the serious and eclectic discussion of cinema alongside a special screening of the new 4K restoration of Abel Ferrara's mid-nineties vampire film, The Addiction. 📍ACMI 🗓️ Friday 31st July 🕖 7.00pm www.acmi.net.au/whats-on/sen...acmi.net.auSenses of Cinema: The Addiction (1995)See "The Addiction," Abel Ferrara's eerie 1995 vampire film starring Lili Taylor, in a new 4K restoration. A haunting allegory for disease and desire. 011
Senses of Cinema @sensesofcinema.bsky.social · 09/07/2026📣 If you're in Melbourne on Friday July 31, join us for the launch of Issue 118 at ACMI with a special screening of Abel Ferrara’s arthouse horror, THE ADDICTION (1995). buff.ly/Vx59Qcx 012
Reposted by Senses of CinemaMelbourne Cinematheque @melbcinematheque.bsky.social · 30/06/2026Martyn Bamber’s annotation on About Endlessness in @sensesofcinema.bsky.socialsensesofcinema.comAbout Endlessness – Senses of Cinema 011
Reposted by Senses of CinemaMelbourne Cinematheque @melbcinematheque.bsky.social · 30/06/2026Adrian Danks’ annotation on A Pigeon Sat on a Branch Reflecting on Existence in @sensesofcinema.bsky.socialsensesofcinema.comIn the Afterglow: Roy Andersson’s A Pigeon Sat on a Branch Reflecting on Existence – Senses of Cinema 121
Senses of Cinema @sensesofcinema.bsky.social · 01/07/2026"Films have the power to create or convey memory in ways that facts or data do not..." In Issue 117, Silvia Spitta and Gerd Gemünden speak in-depth with Chilean director Juan Pablo Sallato about his feature debut Hangar rojo (The Red Hangar).buff.ly‘Esa inmensa cantidad de grises:’ An Interview with Juan Pablo Sallato – Senses of CinemaBetween doing the right thing and the wrong thing there is “an immensity of grey tones” – this is how Chilean director Juan Pablo Sallato describes the moral dilemma faced by the protagonist of his… 030
Senses of Cinema @sensesofcinema.bsky.social · 29/06/2026There's still time to support us with a donation before June 30. Any donation over two dollars is tax deductible for Australian residents, and helps us continue to offer uncompromising and independent film criticism for our readers. buff.ly/AvkTEhe 033
Senses of Cinema @sensesofcinema.bsky.social · 26/06/2026New to our Great Directors series in Issue 117, Sherry Johnson examines the legacy of Sergio Corbucci, who "left a legacy of over 60 films which run the gamut of comedy, peplum, western and drama..." buff.ly/iZo832J 010
Senses of Cinema @sensesofcinema.bsky.social · 22/06/2026"Only when we see humanity from a birds’-eye view does the concept of the “ordinary” become relevant..." In Issue 117, Iris Chen reviews Sun Hong’s vertical documentary film, Yānhuǒ Rénjiān (This Is Life, 2020).buff.lyDocumentaries Go Vertical: This is Life, a Social-Media Portrait of China – Senses of CinemaIn China, over half of all internet-users watch vertical dramas: that is an audience of over 576 million people. Sun Hong’s Yānhuǒ Rénjiān (This Is Life, 2020) is the first and, to my knowledge, only… 000
Senses of Cinema @sensesofcinema.bsky.social · 19/06/2026In Issue 117, Sean Zou explores the cinema of Krzysztof Kieślowski’s Przypadek (Blind Chance, 1981) and Bez końca (No End, 1985) through Gilles Deleuze’s concept of the time-image. buff.ly/u5HTTTV 031
Senses of Cinema @sensesofcinema.bsky.social · 10/06/2026"Yuki Aditya and the Dream of Collective Cinema (1980-2026)" In Issue 117, Mike Hoolboom presents a tribute to Yuki Aditya Husandy, in an interview that follows a collection of voices reflecting on and paying tribute to Yuki’s unique contribution to Indonesian film culture.buff.lyYuki Aditya and the Dream of Collective Cinema (1980-2026) – Senses of CinemaYuki Aditya Husandy is dead. From 2013-2023, he was the director of ARKIPEL International Documentary and Experimental Film Festival in Indonesia. He was also a keynote member of Forum Lenteng, a… 011
Senses of Cinema @sensesofcinema.bsky.social · 08/06/2026New in Issue 117, Grace Brooks interrogates crises in Australian sound cinema post-1930 before the arrival of the 'Australian New Wave'.buff.lyThe Talkies Cure: A New Theory of Australian Silent Cinema – Senses of CinemaIn Melbourne 1906, a practically new type of film premiered to Australian audiences: The Story of the Kelly Gang (Charles Tait, 1906). Directed by the Victorian entertainment entrepreneur Charles… 040
Senses of Cinema @sensesofcinema.bsky.social · 05/06/2026In Issue 117, Greg Dolgopolov explores the ways Lorcan Finnegan’s The Surfer (2024) "interrogates the intersection of toxic masculinity, virulent surf localism, and settler-colonial entitlement." buff.ly/waEAO7o 010