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James Louis Smith

@scrivenersmith.hcommons.social.ap.brid.gy
33 followers 19 following 38 posts

Research Project Coordinator for the @kbnationalebibliotheek in #DenHaag. #Humanities researcher background and occasional #TTRPG writer. He/Him. 🌉 bridged from ⁂ hcommons.social/@scrivenersmith, follow @ap.brid.gy to interact

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Reposted by James Louis Smith
Tim Sherratt @wragge.hcommons.social.ap.brid.gy · 28/09/2026
It works!! This site - wragge.github.io - created by this template - github.com/wragge/z-profile - pulling data from this @Zotero collection - www.zotero.org/wragge/collections/M… Yay!! Now to do more testing & write lots of documentation.
wragge.github.io
wragge.github.io
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James Louis Smith @scrivenersmith.hcommons.social.ap.brid.gy · 21/08/2026
You can read (in Dutch) an article I wrote for the IP trade journal for Information Professionals about work I've been doing with Tapestries: informatieprofessional.maglr.com/kb… #GLAM #Exhibitions #DigitalHumanities #WebArchives
informatieprofessional.maglr.com
KB Onderzoekskroniek over Tapestries - IP2026-05
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Reposted by James Louis Smith
Brennan Kenneth Brown 👻 BOO! @brennan.social.lol.ap.brid.gy · 19/08/2026
A Guide to Becoming a Rogue Scholar brennan.day/a-guide-to-becoming-a-r… #digital humanities #IndieWeb #openaccess #academia #eleventy #metadata #citation #tutorial
brennan.day
A Guide to Becoming a Rogue Scholar
It's been around a year and a half since I graduated university with my bachelor of arts, majoring in English Honours. One of the only reasons you'd do an Honours program is if you want a better chance of getting into a master's program afterwards, in addition to the faculty connections you build. And that was my original plan—I was going to return to my hometown of Winnipeg and get my MA in English, most likely at the University of Manitoba, doing a thesis-based route and publishing whatever I completed. Obviously, none of this ended up happening. During my undergrad, I became enthralled by the idea of being a scholar and an academic. I was lucky enough to have the opportunity to get a peer-reviewed paper published, a critical analysis of an Indigenous graphic novel. Although there are publications like the Journal of Undergraduate Research, it is rather rare. While I was initially going to do my honours thesis on poetry through an Indigenous lens, I instead decided to do a metadisciplinary analysis of the pedagogy of the English degree. A large portion of this work was examining digital humanities, and how students are _actually_ interfacing with literature and texts today. > The very concept of “text” has exploded into a thousand strange forms: fifteen-second video essays cutting deeper for students than any academic paper, sprawling collaborative fanfictions where readers and writers blur together in real-time, memetic satires of corporate mascots, roleplay forums where teenagers craft elaborate mythologies through nothing but status updates. Dozens of literary forms being born and dying every day. The boundaries between creator and consumer, between high art and shitpost, between canon and transformation, all seem to be dissolving in real-time, surely. Salt in hot water. ## ...What _is_ Digital Humanities? "Digital humanities" is a term academia has spent two decades arguing over. Kathleen Fitzpatrick has described the field as a wide-ranging grouping of scholars who either 1) use computing tools to investigate old humanities questions, or 2) ask humanities-style questions about computing itself. "Big tent" was the theme of the field's largest annual conference back in 2011, and the philosophy has never left. Digital humanities is an expanded field that holds digital archives, text mining, 3D modeling of historical objects, born-digital dissertations, #hashtag activism, alternate reality games, and whatever gets invented next year. Centres like UCL's stretch the tent even further, treating DH less as a subject with fixed borders, and more as a _way_ of working that any humanities question can be run through. Taken as a subject, this site has no business calling itself a unified body of scholarship. I write about the science of ball lightning in one post, Eleventy build errors the next, a personal lyric essay on clown burnout after that, and then security research into a malware fork. But all of my posts are statically built, syndicated with microformats, mirrored to the Wayback Machine, addressed by a stable URL, and, as of this essay, are using citation metadata. The practice stays constant, and so the topic can drift. Marshall McLuhan's line about the medium being the message wasn't arguing that content doesn't matter. He was arguing that a medium reshapes, that the form of transmission works on a reader and a culture, separate from the message. The medium holds the corpus together. Scholars have already been treating personal academic blogs as scholarly output for years, now. Michael Ullyot, writing from the University of Calgary, argued that in digital humanities, blog posts function as the field's communication channel, often the only venue through which new questions and methods reach anyone before a journal picks them up. Librarian Barbara Fister describes serial blogging as mirroring the academic habit of publishing issue after issue. And Alexis Lothian and Amanda Phillips's #transformDH work argued that digital humanities produced outside institutional walls, such as in fan communities and other spaces with no formal tie to a university, are as serious and legitimate as anything produced within one. ## The State of Academia If you're a reader of my site, it should be unsurprising that the area of focus for my honours thesis was to examine how we can create a liberated future where academia is not ivory tower elitism and gatekeeping. Much easier said than done—I know. I'm sure I also don't need to tell you the dire straits academia is in. This is happening in the United States, Canada, the United Kingdom, all around the world. There is a collapse of trust in higher education. The culture of academia isn't faring any better. Peter Fleming's book _Dark Academia: How Universities Die_ examines how "commercialisation, mental illness and self-harm, the rise of managerialism, students as consumers and evaluators, and the competitive individualism casts a dark sheen of alienation over departments." And this isn't even mentioning the newfound crisis of how generative AI has upended the traditional pedagogy of education in general, with schools returning to pen and paper and oral exams as band-aid solutions. Seeing all of this might make you think I'm a cynic and abolitionist, but that isn't the case at all. Despite everything, I still see an irreplaceable value in academia, and I believe radical reform can steer the massive ship of institutions back towards their original ideals. Registration for 2027 master's programs opens in only a couple of weeks, now. And I find myself weighing the decision between returning to scholarship or maintaining my independent, open-access publication here. ## Having it Both Ways But then I had the epiphany that it doesn't have to be either/or—and that I have an excellent way to demonstrate how to lower the gates of the ivory tower myself. There are a number of open, free academic platforms anybody can join. You can register for an ORCID, get an account on Research Gate and Google Scholar. But that's just the tip of the iceberg. One project idea I had but never executed was starting a peer-reviewed, academic journal myself. There's web software called Open Journal Systems that thousands of universities and institutions use around the world. The problem is that hosting solutions have starting costs of $500 per year. But the thing is, this is software you can install and host on your own server. Most academics don't have the necessary technical skills to do this, but they _do_ have grants and budgets, which is why hosting platforms are able to sell their services for predatory prices like this. My original plan was to found a journal with support from my honours advisor and the executive team at Write Club, since I could host OJS myself: > The Anaglyph envisions a literary landscape that is inclusive, accessible, and amplifies marginalized voices. We aim to democratize and decolonize Canadian literature by providing a platform for underrepresented writers and challenging traditional gatekeeping structures within the publishing industry. The name "Anaglyph" is inspired by the technique of overlaying two images in different colours to create a three-dimensional effect when viewed through a lens; our mission to bring together diverse perspectives to form a richer, more multidimensional literary experience for all. The Dean, subsequently, denied us funding for this initiative: > The Arts Endeavour Committee has reviewed your application. I regret that on this occasion the committee felt other applications should take preference, and no funding could be allocated in support of your project _The Anaglyph: Democratizing and Decolonizing Literary Studies Through Student-Led Digital Publishing_. We received applications that totalled more than twice the amount we had to allocate. I no longer have academic support, funding, or my colleagues and peers from Write Club, but I am far more technically adept than I was when I originally applied for funding. Without the team needed for an academic journal, I have a different plan now. (Although if enough people write to me asking me to boot up an OJS and try this again, I certainly wouldn't be opposed.) I've decided to become a rogue scholar. ## What a Rogue Scholar Actually Does If I'm going to argue that independent publishing can stand in for institutional scholarship, then I want my site to behave as a scholarly record, instead of just a blog that happens to be well-organized. This means offering the same functionality journals have: citability, discoverability, authorship, and permanence. Over the past few days I went and built this for myself, and I greatly encourage you to add the same to your own site. ### Applying to Rogue Scholar The first step is applying to Rogue Scholar, an open-access archive that creates DOIs for science and scholarly blog posts, and mirrors them into the Internet Archive. It's run by Front Matter, and it's free, unlike Crossref membership, which costs $200 USD a year. I've applied, and I'm currently looking for an institutional sponsor (such as Coalition Publica) to cover a Crossref membership down the line. ### Registering an ORCID I've also registered an ORCID, which can be understood as a universal author ID for academia. Researchers use it to disambiguate themselves from others who share their name, and it's a persistent identifier across institutions, journals, and platforms. Mine is 0009-0004-9951-3451, and I've wired it into my site: `rel="me"` on my accounts page, the h-card on every post byline, and a handful of citation and structured data fields I'll get into below. ## Adding Journal-like Functionality The above matters so long as my site has the technical front-matter, scripting, and elements that make it citable. Here are a few things I've done: ### An Issue Numbering System Journals have issues. Every article belongs to one, with a number, so citations can say "Vol. 4, No. 12" in addition to the URL. I don't publish in discrete issues due to my publishing frequency, so I made every single post its own issue. Post #1 is issue #1, post #212 is issue #212, and so on. I created an Eleventy filter for this. `collections.posts` sorts by newest-first by default, so the oldest post (at the end of the array) is issue #1: // config/filters.js eleventyConfig.addFilter("getIssueNumber", (collection, page) => { if (!collection || !page || !page.url) return ""; const index = collection.findIndex(item => item.url === page.url); if (index === -1) return ""; // collection is sorted newest-first, so the oldest item is issue #1 return collection.length - index; }); Then in `src/_includes/layouts/post.njk`, the issue number is displayed under the featured image caption, in small caps, above the title: <p class="publication-issue"><span class="sc">issue #{{ collections.posts | getIssueNumber(page) }} of {{ site.title }}</span></p> <h1 class="p-name" data-pagefind-meta="title">{{ title }}</h1> `.sc` is a one-line utility class I already had (`font-variant: small-caps;`), so no new CSS needed. It's a small thing, but it's the difference between a post feeling like an entry in an ongoing publication versus a mere blog post. ### ISSN Metadata An ISSN (International Standard Serial Number) is a unique 8-digit code used to identify continuing publications like magazines, journals, newspapers, and websites. It helps libraries, stores, and databases quickly find and sort specific serial titles without mixing them up. In Canada, you can apply for an ISSN free of charge. I just applied, so I don't have an assigned ISSN yet. The ISSN eligibility rules may mean that my publication is ineligible, but as I wrote earlier, I do think there's sufficient merit. Anyways, the field for an ISSN is set up, with the value saved in `src/_data/site.json`. {% if site.issn %}<meta name="citation_issn" content="{{ site.issn }}">{% endif %} It'll propagate to the citation meta tags, the JSON-LD, the RSS feed's `<category domain="ISSN">`, and both the about page and colophon, without touching a single template again. ### Publication Information Dropdown Below the fold of every post, there's now a `<details>` element with what you'd find on a journal's article page: title, author with ORCID link, issue number, ISSN (once assigned), published and modified dates, canonical URL, place of publication, and contact: <details class="cite-article h-cite"> <summary>Publication Information</summary> <p><strong>Title:</strong> <span class="p-name">{{ title }}</span></p> <p><strong>Author:</strong> <span class="p-author p-name">{{ site.author.name }}</span> {% if site.author.orcid %} <a class="u-url" href="{{ site.author.orcid }}" rel="me">ORCID</a>{% endif %}</p> <p><strong>Issue:</strong> #{{ collections.posts | getIssueNumber(page) }} of {{ site.title }}</p> {% if site.issn %}<p><strong>ISSN:</strong> <span class="p-issn">{{ site.issn }}</span></p>{% endif %} <p><strong>Date Published:</strong> <time class="dt-published" datetime="{{ date | isoDate }}">{{ date | readableDate }}</time></p> ... </details> It's marked up with `h-cite` microformats so, in theory, other IndieWeb tools parsing my posts can pull structured citation data out of it the same way they'd parse an `h-entry`. ### A "Cite This Issue" Button Right below that, I added a second `<details>` block that provides one-click citation exports. Click it open and you get MLA 9, APA 7, Chicago notes-bibliography, and BibTeX, all pre-filled with the post's frontmatter: <details class="cite-export"> <summary>Cite this issue</summary> <ul class="citation-formats"> <li> <strong>MLA 9</strong> <pre>{{ site.author.name }}. "{{ title }}." {{ site.title }}, {{ date | readableDate }}, {{ site.url }}{{ page.url }}.</pre> </li> <li> <strong>BibTeX</strong> <pre>@online{brennan{{ year }}{{ page.url | slugify }}, author = {{ '{' }}{{ '{' }}{{ site.author.name }}{{ '}' }}{{ '}' }}, title = {{ '{' }}{{ title }}{{ '}' }}, year = {{ '{' }}{{ year }}{{ '}' }}, url = {{ '{' }}{{ site.url }}{{ page.url }}{{ '}' }}, urldate = {{ '{' }}{{ buildTime | htmlDateString }}{{ '}' }} }</pre> </li> <!-- APA, Chicago follow the same pattern --> </ul> </details> Writing out the literal curly brace brackets for the BibTeX is a little clumsy, as you can see, because Nunjucks and BibTeX both use them. It's not pretty, but it works. ### Citation Meta Tags and Dublin Core Google Scholar, Zotero, and most citation managers look for a specific, decades-old convention called Highwire Press tags, prefixed `citation_*`. I added a full set to every post's `<head>` in `src/_includes/partials/meta.njk`: <meta name="citation_title" content="{{ title }}"> <meta name="citation_author" content="{{ site.author.name }}"> <meta name="citation_publication_date" content="{{ date | isoDate | split('T') | first | replace('-', '/') }}"> <meta name="citation_journal_title" content="{{ site.title }}"> {% if site.issn %}<meta name="citation_issn" content="{{ site.issn }}">{% endif %} <meta name="citation_issue" content="{{ collections.posts | getIssueNumber(page) }}"> {% if site.author.orcid %}<meta name="citation_author_orcid" content="{{ site.author.orcid }}">{% endif %} Right below that, I added the Dublin Core set, which is the older, broader library-science metadata standard that many archives and repositories still use: `DC.Title`, `DC.Creator`, `DC.Publisher`, `DC.Date`, `DC.Identifier`, `DC.Rights`, and so on. The `Article` block in my JSON-LD (`src/_includes/partials/structured-data.njk`) has the same info, an `issueNumber` field, and a conditional `identifier` object with `propertyID: "ISSN"`: { "@type": "Article", "issueNumber": "{{ collections.posts | getIssueNumber(page) }}", "identifier": { "@type": "PropertyValue", "propertyID": "ISSN", "value": "{{ site.issn }}" } } ### The RSS Feed Rogue Scholar (and basically every serious feed reader) parses your RSS feed, not your HTML, so the feed needed the same metadata as the posts themselves. `src/feed.njk` got a `dc` namespace and a `content` namespace added to the root `<rss>` element, then per-item tags for creator, date, language, identifier, source, and rights: <item> <guid isPermaLink="true">{{ absolutePostUrl }}</guid> <dc:creator>{{ site.author.name }}</dc:creator> <dc:date>{{ post.data.date | isoDate }}</dc:date> <dc:rights>https://creativecommons.org/licenses/by-sa/4.0/</dc:rights> {% if site.issn %}<category domain="ISSN">{{ site.issn }}</category>{% endif %} ... </item> At the channel level, I added an `<atom:author>` block pointing at my ORCID as the author URI, a `<copyright>` line, and a channel `<image>`. Small stuff, but it's the difference between a feed that just lists titles and links versus one that actually declares who's responsible for the content and under what terms you're allowed to reuse it. ### CSS Print Styles: Making a Post Feel Like a Publication on Paper The last piece isn't about metadata at all. If you use the shortcut `Ctrl/Cmd` + `P` and try to print one of my posts, you'll now see a nicely styled output, something I attempted to make feel closer to what a printed version of Brennan.day would actually look like, given the limitations of using only CSS. One of the tricks is `page-break-before` and `flex-direction: column` with the `order` property, so I can rearrange the DOM for print without needing to modify the markup itself: @media print { .h-entry { display: flex; flex-direction: column; } /* Title / cover page */ .post-single .post-header { order: 1; text-align: center; padding-top: 15vh; } /* Featured image, still on the cover page */ .featured-image { order: 2; page-break-inside: avoid; } /* A dedicated masthead page, after the cover */ .print-masthead { display: block; order: 3; page-break-before: always; page-break-after: always; } /* The actual essay */ .e-content { order: 4; } } That `.print-masthead` div is invisible on screen (`display: none` outside of `@media print`) and only appears when you print, as its own page, listing the issue number, publisher, place of publication, and contact: <div class="print-masthead"> <p class="sc">{{ site.title }} — issue #{{ collections.posts | getIssueNumber(page) }}</p> <p>Publisher: {{ site.author.name }}</p> <p>Place of publication: {{ site.author.location.city }}, {{ site.author.location.region }}, {{ site.author.location.country }}</p> <p>Available at: {{ site.url }}</p> <p>Contact: {{ site.author.email }}</p> </div> I also added the featured image's caption date and URL onto the page as a `::after` pseudo-element (`content: attr(data-date) "\A" attr(data-url);`), added drop-cap-style paragraph indentation for body text after the first one, and widow and orphan control (`widows: 2; orphans: 2;`). There are many other elements on my site that don't make sense to print, so those aren't displayed: .site-header, .sidebar, .site-footer, nav, .breadcrumbs, .post-meta, .post-tags, .post-footer, .post-nav, .like-form, .newsletter-signup, .comments-section, .webmentions, .related-posts-list, .toc, .reply-context, .external-link-notice, .cite-article, noscript, script, iframe { display: none !important; } On screen, paragraphs are separated by margin, but in print I wanted no gap between paragraphs, and the second paragraph onward gets a first-line indent instead: .e-content p { margin: 0; } .e-content p + p { text-indent: 1.5em; } And since a browser's print renderer doesn't know or care about clean page breaks, I explicitly declare which elements are allowed to split across pages and which aren't: pre, blockquote, img, figure, table { page-break-inside: avoid; } h1, h2, h3 { page-break-after: avoid; } It's a personal pet peeve of mine to have a heading stranded at the bottom of a page with its own content pushed onto the next one, and certainly nobody wants a figure split in half. These are small details, but I wanted to ensure I created something you'd want to staple together and put in a binder. ### Archiving to the Wayback Machine Permanence isn't just about metadata sitting in the head of a page. It doesn't matter how many `citation_*` tags or DOIs a post has if the page itself disappears. Rogue Scholar solves this for the posts it ingests, since it holds its own Archive-It subscription that backs up everything it archives. But I wanted the same insurance for my _entire_ site, so I wrote `scripts/archive-to-wayback.js`. The script reads every URL out of my live `sitemap.xml` and submits each one to the Internet Archive's Save Page Now API, which snapshots the page into the Wayback Machine: async function fetchSitemapUrls(sitemapUrl) { const res = await fetchWithTimeout(sitemapUrl, {}, 30_000); const xml = await res.text(); const urls = [...xml.matchAll(/<loc>\s*([^<\s]+)\s*<\/loc>/g)].map((m) => m[1]); return [...new Set(urls)]; } With 400+ pages on the site now, it needs to survive being interrupted, and it needs to not get rate-limited off the API. So it's resumable by default. Every result gets written to `.cache/wayback-archive/progress.json` immediately after each URL, keyed by the URL itself. Re-running it skips whatever's already marked `saved`: const pending = urls.filter((url) => !progress.results[url] || progress.results[url].status === 'failed'); Archive.org's anonymous Save Page Now limit is roughly three requests a minute, so my script waits 20 seconds between each one to stay under that. You can get a free S3-style key pair from archive.org, and that enables the script to send authenticated requests instead, which are more reliable: if (AUTHENTICATED) { headers.Authorization = `LOW ${ACCESS_KEY}:${SECRET_KEY}`; } A single failed request retries with backoff up to three times. But if five requests in a row fail, then that's probably archive.org having an outage, which sadly happens: if (consecutiveFailures >= OUTAGE_STREAK_THRESHOLD) { saveProgress(progress); await sleep(OUTAGE_BACKOFF_MS); consecutiveFailures = 0; continue; // retry the same URL, don't advance i or record a failure } The script also stops after three hours, rather than running indefinitely in the background to prevent _too_ much leeching on Archive.org's servers, since it can always be started up again. ## The Point of All This My goal here is to help lower the barriers for people who want to participate in academia and scholarship but can't engage in a formal institution for whatever reason—lack of funding, lack of sufficient grades, lack of time. There are plenty of things stopping people from entering and finishing post-secondary. I hope the ideas I've laid out here help give inspiration and validity to those who feel less legitimate because they aren't enrolled in a university or college—I promise you are, too. I've taken the parts of academic publishing that actually matter: permanence, citability, clear authorship, a stable identifier for both the publication and the person, and built it all into a static site anyone could clone and use themselves. The merit of scholarship was never on loan from a department. It's built into the infrastructure now. DOIs, metadata, long-term archiving, doing on my own server what would cost funding and years of institutional support within a university's walls. If you're sitting on your own personal site wondering whether any of this is worth doing without an institution behind you: it is. An ISSN application costs nothing to attempt. An ORCID takes five minutes. Rogue Scholar is free. Citation meta tags are copy-paste. I've come to realize that one of the only things that actually stands between a "blog" and a "publication" is functionality. As always, the source for everything above is on GitLab if you want to steal it for your own rogue scholarship.
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Reposted by James Louis Smith
Tim Sherratt @wragge.hcommons.social.ap.brid.gy · 05/08/2026
Oh nice! Omeka-S now has a web archive plugin for adding/replaying web archives. omeka.org/s/docs/user-manual/module…
omeka.org
Web Archive - Omeka S User Manual
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James Louis Smith @scrivenersmith.hcommons.social.ap.brid.gy · 19/07/2026
RE: hcommons.social/@scrivenersmith/116… Last day of voting!
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Reposted by James Louis Smith
James Louis Smith @scrivenersmith.hcommons.social.ap.brid.gy · 13/07/2026
You can enjoy the latest issue of Sprigs & Kindling here: sprigsandkindling.com. Twice nominated for the Enemies! #TTRPG #CarvedfromBrindlewood #Zines #Ennies2026
sprigsandkindling.com
Sprigs and Kindling
An ongoing digital zine of community collected creative works for Carved from Brindlewood TTRPG games
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Medieval Illumination @medieval-illuminations.mastodon.social.ap.brid.gy · 16/07/2026
#Devil carrying his soul basket. Holkham Bible, England ca. 1320-1330. BL, Add. 47682, fol. 11v. #medieval #MedievalArt
#Devil carrying his soul basket. Holkham Bible, England ca. 1320-1330. BL, Add. 47682, fol. 11v.
#medieval #MedievalArt
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Tim Sherratt @wragge.hcommons.social.ap.brid.gy · 15/07/2026
A brief report on the 'Hacking the archive' workshop I gave recently at the University of Edinburgh with slides and resources: updates.timsherratt.org/2026/07/15/… #glam #digitalHumanities
updates.timsherratt.org
On 24 June I gave a ‘Hacking the archive’ workshop at the Edinburgh Futures Institute, University of Edinburgh. The workshop was organised by the EFI, the National Library of Scotland, and the IIPC. It preceded the GLAM Labs Futures conference, also held at the EFI. The workshop was an expanded version of the ‘hacking the library’ session I ran for the State Library of Victoria’s Code Club in September last year. The aim of the workshop was first to give participants the confidence to poke around in websites – to play with urls, look under the hood to see how web pages are put together in the browser, and think about how they might be different. We then explored how you can change the way web pages look and work using bookmarklets and userscripts. The slides are fairly detailed, and you can probably try a number of the activities yourself if you’re interested. The bookmarklets and userscripts we experimented with all change aspects of the NLS website – such as inserting links or images. They’re all available in this GitHub repository and could be modified to work with other sites. The warm weather and jet lag meant I needed to be revived at various points by ice blocks (thanks Olga!), but it was a fun session, and by the end it was great to see people planning and building their own website hacks!
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James Louis Smith @scrivenersmith.hcommons.social.ap.brid.gy · 13/07/2026
You can enjoy the latest issue of Sprigs & Kindling here: sprigsandkindling.com. Twice nominated for the Enemies! #TTRPG #CarvedfromBrindlewood #Zines #Ennies2026
sprigsandkindling.com
Sprigs and Kindling
An ongoing digital zine of community collected creative works for Carved from Brindlewood TTRPG games
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James Louis Smith @scrivenersmith.hcommons.social.ap.brid.gy · 29/06/2026
Hello #DH #GLAM people. My colleague and I are investigating a simple static content discoverability layer akin to github.com/DARIAH-ERIC/dariah-campus. We want something simple that can list resources and outputs, be added to and is easy to search. Any ideas for useful tech?
github.com
GitHub - DARIAH-ERIC/dariah-campus: Discovery layer and hosting platform for DARIAH learning resources.
Discovery layer and hosting platform for DARIAH learning resources. - DARIAH-ERIC/dariah-campus
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Tim Sherratt @wragge.hcommons.social.ap.brid.gy · 26/06/2026
I gave a keynote at the #GLAMLabs conference in Edinburgh today. I'll post the fulltext on my blog in a few days, but here's the slides: slides.com/wragge/glam-labs-2026 #GLAM #digitalhumanities
slides.com
The Future of the past
A presentation created with Slides.
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Robert Heinze @rheinze.hcommons.social.ap.brid.gy · 17/06/2026
RE: hcommons.social/@rheinze/1167644653… Ich habe viel vom Besuch dieser Veranstaltung gelernt. Ginzburg Originalität und Offenheit, seine sorgfältige Methode und seine Sensibilität für das Kleine werden fehlen
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Christof S. 🇪🇺 @christof.fedihum.org.ap.brid.gy · 16/06/2026
Humanities Data Science and Methodology (HDSM) and DisLab at TU Darmstadt invite Master’s, advanced Bachelor’s students and early-career researchers to a one-day workshop on practising Open Research in History, Cultural Heritage, and the Humanities. 📎 𝗗𝗮𝘁𝗲 / 𝗳𝗼𝗿𝗺𝗮𝘁: in person at the TU […]
fedihum.org
Original post on fedihum.org
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Tim Sherratt @wragge.hcommons.social.ap.brid.gy · 12/06/2026
In 2009 I wrote a report for the NAA on emerging technologies for access to archives. It's been sitting in scribd since then, but that's fully enshittified, so I uploaded it to Knowledge Commons. doi.org/10.17613/ndffh-f5w61
works.hcommons.org
Emerging Technologies for the Provision of Access to Archives: Issues, Challenges and Ideas
This is a draft report created for the National Archives of Australia in 2009.
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James Louis Smith @scrivenersmith.hcommons.social.ap.brid.gy · 06/06/2026
The Static Site Export plugin for @Omeka Classic is great! I managed to make a little Hugo static site of my old Lough Derg Omeka project in like 30 mins. james-l-smith.github.io/digital-der…
james-l-smith.github.io
Digital Derg: A Deep Map
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James Louis Smith @scrivenersmith.hcommons.social.ap.brid.gy · 06/06/2026
The Static Site Export plugin for @Omeka Classic is great! I managed to make a little Hugo static site of my old Lough Derg Omeka project in like 30 mins. james-l-smith.github.io/digital-der…
james-l-smith.github.io
Digital Derg: A Deep Map
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Tim Sherratt @wragge.hcommons.social.ap.brid.gy · 04/06/2026
"Rather than allowing slop to collapse the phase space of our imagination into a fascist aesthetic of sameness, we must build worlds that leave space for empty coordinates, directions to aim for that resist the behaviour of the dominant stories." […]
hcommons.social
Original post on hcommons.social
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Tim Sherratt @wragge.hcommons.social.ap.brid.gy · 04/06/2026
Interesting interview with @sharonmleon about @digitalscholar (the org behing Zotero & Omeka): investinopen.org/blog/digital-schol…
investinopen.org
Building Open Infrastructure That Lasts: A Spotlight on Digital Scholar
A case study with Sharon Leon, Co-CEO of the Corporation for Digital Scholarship (Digital Scholar)
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Martin Paul Eve @mpe.hcommons.social.ap.brid.gy · 29/05/2026
PLOS releases big new report. But the main news as far as I'm concerned. PLOS moving to the Janeway platform that I founded, with Andy Byers, for submissions and contributing work upstream to the main project! explore.plos.org/the-open-science-e…
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James Louis Smith @scrivenersmith.hcommons.social.ap.brid.gy · 08/05/2026
You can read a two-part discussion of peer review surrounding the creation of Deep Maps: Blue Humanities here: Peer Review Under Review: copim.pub/peer-review-under-review Peer Review as Party: It’s Done in the Doing: copim.pub/peer-review-as-party-its-… […]
hcommons.social
Original post on hcommons.social
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Reposted by James Louis Smith
James Louis Smith @scrivenersmith.hcommons.social.ap.brid.gy · 23/05/2026
I was playing around with Tapestries for a workshop I'll be running with @kbnationalebibliotheek colleagues, and decided to try and visualise all of the heterogeneous outputs of the @PortsPastPres project. This is what I came up with: tapestries.media/u/minor.mundus/Por…
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James Louis Smith @scrivenersmith.hcommons.social.ap.brid.gy · 23/05/2026
I was playing around with Tapestries for a workshop I'll be running with @kbnationalebibliotheek colleagues, and decided to try and visualise all of the heterogeneous outputs of the @PortsPastPres project. This is what I came up with: tapestries.media/u/minor.mundus/Por…
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James Louis Smith @scrivenersmith.hcommons.social.ap.brid.gy · 18/05/2026
Framing the Internet: A conversation with James Louis Smith (aka me) copim.pub/framing-the-internet-a-co… #ExperimentalPublishing #COPIM #OpenBookFutures #IIIF #IFrames
copim.pub
Framing the Internet : A conversation with James Louis Smith - Copim
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jonny (nonvenomous) @jonny.neuromatch.social.ap.brid.gy · 20/05/2026
as Dr. Bender says upthread, the Rethinking Search paper just says this explicitly, also AMP, etc. I only mildly edited their figure here The shift to "search journeys" is just another way of referring to "whole life immersive surveillance" where the […] [Original post on neuromatch.social]
The most obvious power grab from pushing KG-LLMs in place of search is illustrated neatly by a handful of Google researchers in a figure from their “Rethinking Search” paper [184]

[Recreation of Figure 1 from [184] with additional annotation (colored boxes, labels, and question marks). The left (a) “Retrieve-then-rank” model is the traditional search engine paradigm: A query causes a retrieval service to access pages within a reverse index, rank them, and serve them as results. The proposed (b) “Unified retrieve-and-rank” model on the right directly returns results generated by a model. Notably missing in (b) is the existence of the rest of the internet.]

That gigantic sucking sound is KG-LLM powered search enclosing the act of accessing information entirely within the search platform. It gives echoes of AMP, Apple News, and Facebook Instant Articles [212, 213], where platforms preferentially serve their own versions of pages (that also happen to contain their own telemetry embedded) combined with the strategy of moving ever more web content into the search results page through eg. factboxes and answer boxes91.
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James Louis Smith @scrivenersmith.hcommons.social.ap.brid.gy · 18/05/2026
Framing the Internet: A conversation with James Louis Smith (aka me) copim.pub/framing-the-internet-a-co… #ExperimentalPublishing #COPIM #OpenBookFutures #IIIF #IFrames
copim.pub
Framing the Internet : A conversation with James Louis Smith - Copim
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James Louis Smith @scrivenersmith.hcommons.social.ap.brid.gy · 08/05/2026
You can read a two-part discussion of peer review surrounding the creation of Deep Maps: Blue Humanities here: Peer Review Under Review: copim.pub/peer-review-under-review Peer Review as Party: It’s Done in the Doing: copim.pub/peer-review-as-party-its-… […]
hcommons.social
Original post on hcommons.social
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James Louis Smith @scrivenersmith.hcommons.social.ap.brid.gy · 29/04/2026
A great summary of what we talked about in our recent @copim experimental publishing retreat by @kjsanders: copim.pub/what-experimental-books-m… #ExperimentalPublishing #COPIM #OpenBookFutures
copim.pub
What Experimental Books Make Possible: Reflections from the Experimental Publishing Group 2026 Retreat - Copim
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James Louis Smith @scrivenersmith.hcommons.social.ap.brid.gy · 24/04/2026
Introducing Deep Maps: Blue Humanities. Coming soon from University of Westminster Press archive.org/details/deep-maps-trail… #ExperimentalPublishing #DeepMaps #Monograph #COPIM #OpenBookFutures
archive.org
Deep Maps Trailer : Copim Community : Free Download, Borrow, and Streaming : Internet Archive
Walkthrough video of the # Deep Maps Blue Humanities experimental book. Intro:Deep MapsBlue HumanitiesBy James Louis SmithA deep mapping bathymetric descent...
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Martin Paul Eve @mpe.hcommons.social.ap.brid.gy · 01/04/2026
I can scarcely believe it's over 10 years since I was sitting at a café in the Netherlands with Johan discussing this. Then we did it. And all hell broke loose. www.openlibhums.org/news/930
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James Louis Smith @scrivenersmith.hcommons.social.ap.brid.gy · 09/03/2026
I just noticed that my former colleagues at the Centre for Advanced Welsh and Celtic Studies (CAWCS) have managed to host a new instance of the Omeka instance I made for the @PortsPastPres project! We lost it after I left my role due to hosting changes, but it's back! […]
hcommons.social
Original post on hcommons.social
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Reposted by James Louis Smith
Ross Mounce @rmounce.mastodon.social.ap.brid.gy · 22/01/2026
Given all the news about ICE in the past few weeks, can I kindly remind you all that RELX (owners of Elsevier & LexisNexis) is "mission-critical" to ICE. ICE pays RELX Group and Thomson Reuters millions of dollars for the personal data it needs to fuel its big data policing program […]
mastodon.social
Original post on mastodon.social
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Reposted by James Louis Smith
Fredrik Graver @fgraver.hcommons.social.ap.brid.gy · 05/02/2026
A modest proposal for the use of AI crookedtimber.org/2026/02/04/a-mode…
crookedtimber.org
A modest proposal for the use of AI
Which jobs will be replaced by AI? Here is a modest proposal.* Replace higher management by AI. Not “management” in the sense of the teamleader who works alongside their colleagues with a bit more responsibility to make decisions and mediate conflicts, maybe not even the HR person who does performance evaluations, but the C […]
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Reposted by James Louis Smith
Martin Paul Eve @mpe.hcommons.social.ap.brid.gy · 03/02/2026
We are in the final technical stages of launching our institutional repository, KC Works. The idea is to provide a community-governed, academic-owned repository system with decent, open values. Here's some more info about it! […]
hcommons.social
Original post on hcommons.social
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James Louis Smith @scrivenersmith.hcommons.social.ap.brid.gy · 29/01/2026
Had a great time this afternoon with @copim colleagues doing a collaborative peer review of my Deep Maps: Blue Humanities book. Tapestry proves to be a fantastic way of facilitating feedback. #DeepMaps #BlueHumanities #ExperimentalPublishing #Tapestries
A portrait mode monitor showing the vertical strip of the Tapestry essay draft.
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Martin Paul Eve @mpe.hcommons.social.ap.brid.gy · 25/01/2026
If you want a hard copy of Critical Infrastructure Studies and Digital Humanities, I am selling one of my copies at probably the cheapest price you will ever get: www.ebay.co.uk/itm/306730312547
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James Louis Smith @scrivenersmith.hcommons.social.ap.brid.gy · 14/01/2026
Join me and find cool colleagues on the 29th for a #PeerReview party of my draft experimental book! copim.pub/deep-maps-blue-humanities… #DeepMapping #BlueHumanities
copim.pub
Deep Maps: Blue Humanities — Online Peer Review Party - Copim
Join the Experimental Publishing Group for an online peer review party for Deep Maps: Blue Humanities, an experimental publishing project by James Smith, deve…
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James Louis Smith @scrivenersmith.hcommons.social.ap.brid.gy · 14/01/2026
Join me and find cool colleagues on the 29th for a #PeerReview party of my draft experimental book! copim.pub/deep-maps-blue-humanities… #DeepMapping #BlueHumanities
copim.pub
Deep Maps: Blue Humanities — Online Peer Review Party - Copim
Join the Experimental Publishing Group for an online peer review party for Deep Maps: Blue Humanities, an experimental publishing project by James Smith, deve…
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James Louis Smith @scrivenersmith.hcommons.social.ap.brid.gy · 16/12/2025
I have this really big collection of weird obscure ambient music about the deep ocean (ocean grunge, electronica etc) from my #DeepMap #BlueHumanities book. I think I'm going to have to write an article about it once I've finished drafting.
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Reposted by James Louis Smith
Tim Sherratt @wragge.hcommons.social.ap.brid.gy · 03/12/2025
Overnight we hit 800 georeferenced maps from the State Library of Victoria! wragge.github.io/slv-allmaps/dashbo… There's also a couple of new interfaces you can use to explore them. Just click on a map to find nearby georeferenced maps: slv.wraggelabs.com/geomaps Or […]
hcommons.social
Original post on hcommons.social
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James Louis Smith @scrivenersmith.hcommons.social.ap.brid.gy · 14/03/2025
A new blog post about the forthcoming experimental #GitHub peer review project for my #ExperimentalPublishing #BlueHumanities book: doi.org/10.21428/785a6451.46761718 @copim @kbnationalebibliotheek #Writing #Review #Design
A GitHub screenshot depicting a range of open issues on the Deep Maps Blue Humanities monograph project.
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James Louis Smith @scrivenersmith.hcommons.social.ap.brid.gy · 03/03/2025
Interested in #DeepMaps and #Markdown? Join us on 23 May 2025, 15:00-16:30 CET: copim.pubpub.org/pub/mukedux8/relea… #ExperimentalPublishing #Writing #Design @kbnationalebibliotheek @copim
A modified screenshot of the GitHub repository for Deep Maps: Blue Humanities, featuring dark waves.
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Reposted by James Louis Smith
Fredrik Graver @fgraver.hcommons.social.ap.brid.gy · 20/01/2025
Knowing less about AI makes people more open to having it in their lives – new research theconversation.com/knowing-less-ab…
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James Louis Smith @scrivenersmith.hcommons.social.ap.brid.gy · 09/11/2024
I'm looking forward to a new role in the new year! I'll be starting in January as Research Project Coordinator in the research team of the KB (Koninklijke Bibliotheek), the National Library of the Netherlands. A new type of research support in a new setting.
The KB building in Den Haag, Netherlands, with logo visible on the side.
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