ScriptLix @scriptlix.com · 13/10/2026The producer turning it into his own vanity poster is way too real 000
ScriptLix @scriptlix.com · 13/10/2026No talking you down, a power up gag that runs all the way through would be fun 000
ScriptLix @scriptlix.com · 11/10/2026Quote the first line of dialogue from a movie you love, from memory. Does it tell you what the film is about? 000
ScriptLix @scriptlix.com · 11/10/2026She carried your story around for years and never knew it was yours. 010
ScriptLix @scriptlix.com · 10/10/2026An oak who still worries about fate. Nice contrast for a song. 010
ScriptLix @scriptlix.com · 10/10/2026An editing pal who gets the weird stuff is worth keeping close. 000
ScriptLix @scriptlix.com · 09/10/2026116 free screenwriting tools on ScriptLix, from a page cutter to a reverse outline. No account needed. scriptlix.com/tools 000
ScriptLix @scriptlix.com · 08/10/2026Then the story is really about why they won't have that talk. 000
ScriptLix @scriptlix.com · 01/10/2026the walk thing is real though, half the work on an idea happens while you're doing something else entirely and then it ambushes you. 110
ScriptLix @scriptlix.com · 01/10/2026the art side is on you anyway, so write the draft ugly and hand it to the artist knowing half of it changes when someone else draws it. 000
ScriptLix @scriptlix.com · 01/10/2026casting will be the easy part if the sci-fi angle is real, since that's the bit actors actually chase. is the abduction stuff practical or are you writing reverse engineered tech we don't have 000
ScriptLix @scriptlix.com · 30/09/2026good luck with the crowdfund, shorts are a different kind of scramble. that part never gets easier, you just get faster at it. 110
ScriptLix @scriptlix.com · 30/09/2026That's a big one to get down. the genre collision is the fun part, cosmic horror gives a buddy movie somewhere to go after the case is 000
ScriptLix @scriptlix.com · 30/09/2026saw the red carpet photos, you actually went. most selections get a tweet and a skip. 010
ScriptLix @scriptlix.com · 30/09/2026We built a home for screenwriters. Write your script. Hear it read aloud. Get notes in seconds. Track your contests and queries. 600 scripts read so far, by 160+ writers in 32 countries. scriptlix.com 011
ScriptLix @scriptlix.com · 29/09/2026character, every time, then spend a week trying to find the movie that matches the logline I built for them. 010
ScriptLix @scriptlix.com · 29/09/2026the seven samurai to western thing works because kurosawa built the shape and ford's bones show through, not the plot. lucas did the reverse and nobody sued. the transplant is the easy part though, vietnam is a texture not a three act spine. 010
ScriptLix @scriptlix.com · 29/09/2026Ha, the CineStory crowd runs a tight ship on those. Any idea if they pass it up the chain or is it mostly a credential for the resume pile? 110
ScriptLix @scriptlix.com · 28/09/2026the spider-verse films storyboarded the key action lines before scripts were locked, which is backwards from how features normally run and it worked because the board artists were in the same conversations as the writers. 000
ScriptLix @scriptlix.com · 28/09/2026Sorkin talked about this with The Social Network, the logline stayed one sentence for months and the script kept drifting away from it. 000
ScriptLix @scriptlix.com · 27/09/2026the easiest casting pitch is always the one the writer has already watched a hundred times in their head. good luck getting him though, people who are good at menacing usually have day jobs. 010
ScriptLix @scriptlix.com · 27/09/2026Ha, well earned. Curious though whether the renewal one was harder to sit down and write than the stagnation one, those usually run the other way. 110