As Carlos-Manuel Vesga explains, working on Vince Gilligan's Apple TV hit Pluribus is more than just a career milestone, it's a genuinely fulfilling role for a committed artist, landing him a first-time Emmy nomination for Supporting Actor in a Drama. Playing the hive-hating and brave Manousos Oviedo, Vesga's scenes are largely without scene partners, presenting unique and fun challenges for the actor as he built his character.

Apple TV's Palm Royale may have am embarrassment of riches among its cast, but its the comedy's impeccable craftmanship that provides a truly immersive viewing experience. Set in Palm Beach, Florida during the late-60s, production designer Jon Carlos and his fellow artisans were tasked with finding the balance between whimsy and historical realism, creating a memorable look for the show that added to an often times over-the-top comedic experience.

While Ted Lasso season four is still far from what it was at its best, it is still highly watchable, and maybe that is enough.

Bialy tells Screen Speck that a central part of Vince's philosophy is always casting the actor that is right for the part, and not the actor that is more well-established.

As composer Dave Porter notes, he's been working with Vince Gilligan for nearly two decades now, and their creative collaboration together is still teaching him new things.

From the first frames of the new opening titles, The Vampire Lestat announces itself as something tonally distinct from its predecessor.

Poignant, other times laugh-out-loud funny, The Baltimorons is a pleasant depiction of themes tricky to develop in comedy.

The Secret Agent creates an outstanding cinematic stance on bravery and justice that resonates far beyond its borders.

If Off Campus is any indication of what’s to come for Prime Video, audiences are in for a legendary summer. 

2026 seems to be the year for films reexamining how people are the most valuable source of support. With the likes of Project Hail Mary proving its thesis that problems are better resolved through collaborative effort. That can be either between nations or between galactic species and civilizations. Isolation may seem tempting when life deals you a bad hand. However, …

People We Meet on Vacation reminds its viewers that it’s not always about boisterous expressions of passion. Sometimes it’s falling for your best friend that makes you realize the fireworks are from the desire to be cared for, to be loved, to be known, and to be changed.

Pluribus is excellent in every respect, but the beautiful cinematography is particularly memorable, evoking a strange and lonely world in the familiar terrain of Albuquerque, New Mexico. Marshall Adams and Paul Donachie, directors of photography on Vince Gilligan's Apple TV sci-fi hit, bring a cinematic sensibility, anchoring the look of the show on Carol Sturka's (Rhea Seehorn) perspective.

*This essay contains spoilers for The Running Man. To what extent of pain can we turn into fast entertainment before any enjoyment collapses under the weight of agony? When I ask this, am I introducing the in-universe show, "The Running Man," where people fight for their lives to excite fans? Or am I interrogating the handling of oppression in…

Production designer Denise Pizzini certainly had her work cut out for her on Pluribus, taking on the tall task of building not just a cul-de-sac, but authentically portraying all the show's international locations. Pizzini, who also worked with Vince Gilligan on the final season of Better Call Saul, sat down with Screen Speck to discuss the show's look, working with the City of Albuquerque to create a custom home neighborhood, and the days it felt like she was actually working on the production design of a horror movie instead of an Apple TV sci-fi drama.

Jennifer L. Bryan has collaborated with Vince Gilligan and his merry band of recurring cast and crew for years now. According to her, she wouldn't have it any other way, missing the shorthand she has with them when she works on other projects between seasons. Apple TV just announced that Pluribus is their number one new show, and Screen Speck…

Tuner snaps along at a satisfying pace, both because of Greg O’Bryant’s editing and Will Bates’s score.

Screen Speck got the chance to talk with Zefyr Lisowski about her new book, Uncanny Valley Girls: Essays on Horror, Survival, and Love, and the complexities of the horror genre, love through communal watching, and radical acceptance.  

Tron: Ares, full of beautiful imagery and exciting sounds, doesn’t fully follow through on all of its interesting ideas.

For the Asian American International Film Festival, here are four feature directorial debuts that explore grief, trauma, and perseverance in a world that is ever-changing.

The Summer I Turned Pretty going viral is further proof that not only do people yearn for the weekly release schedule.

something is missing in Night Always Comes, some important reflection that could raise this story from just another Netflix drop into something more revealing about our current socioeconomic hellscape.

By phasing out actors based on their age, Hollywood is phasing out humanity in films.

By phasing out actors based on their age, Hollywood is phasing out humanity in films

Fantastic Four suffers from the opposite problem of its summer crosstown rival, James Gunn’s Superman.

Fantastic Four suffers from the opposite problem of its summer crosstown rival, James Gunn’s Superman.

The result leaves out lot of humanity, replacing it instead with aggressive sarcasm.

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Robinson’s I Know What You Did Last Summer joins the ranks of soulless remakes, reboots, and refried stories that seem inescapable these days.

I saw James Gunn's Superman twice in its first weekend. I saw it again the next weekend. It's frustrating and disingenuous; it feels clean, clear, and resonant. It suffocates beneath a stuffed script that never slows down: a near-trainwreck that also blurs its way into a joyride. It's disingenuous at times, not weighty enough to grapple with the immense agony of modern war.

The team here at Screen Speck took the challenging task of listing out some of our favorite romantic comedies.

The team here at Screen Speck took the challenging task of listing out some of our favorite romantic comedies.

Alt: milchick tells mark to enjoy his balloons

Seadown may look like the Geiko gecko as a human sociopath, but his evergreen fuckboism is what makes 'The Buccaneers' verge on a horror story.

Mike Flanagan sprinkles his stylistic flair into The Life of Chuck, a whimsical project that often looks down into the abyss.

The wait for Song’s sophomore film is over as it arrives like a prophet destined to save the romance genre.

Warner Bros. Discovery is to split into two, separating streaming and studios from its cable channels. The company has been burdened by debt and the decline of cable TV.

The men of The Buccaneers are girls—every last one of them.