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roopa vasudevan

@rouxpz.bsky.social
168 followers 109 following 1.6K posts

new media artist and researcher based between NYC and western massachusetts. faculty @ UMass Amherst art department. views my own. ✨ roopavasudevan.com

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roopa vasudevan @rouxpz.bsky.social · 10/03/2025
Additionally featuring the Reclaim Project (led by @taramcpherson.bsky.social), The Intersectional Tech Lab, The Data Fluencies Theatre Project, The Night School for Data Fluencies, DATA/FFECT, and many more. Huge thank you to all the artists, researchers, and galleries collaborating with me!
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roopa vasudevan @rouxpz.bsky.social · 10/03/2025
Taking place in Boston (opens April 18 at Boston Cyberarts); Vancouver (opens May 29 at Or Gallery); and Lexington (opens June 6 at the Living Arts & Science Center). Featuring Lai Yi Ohlsen, Lani Asunción, @jazsalyn.bsky.social, @oerum.org, @carolinesinders.bsky.social, and @rouxpz.bsky.social.
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roopa vasudevan @rouxpz.bsky.social · 10/03/2025
Together, these artists and researchers offer us ways to (re)consider our relationships with the data that surrounds and drives our everyday lives—and perhaps find new routes to agency once we are able to do so.
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roopa vasudevan @rouxpz.bsky.social · 10/03/2025
Each exhibition features work by six contemporary artists alongside experimental outputs from the broader Data Fluencies Project, an international research initiative based out of the Digital Democracies Institute (headed by @whkchun.bsky.social) at @simonfraseru.bsky.social.
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roopa vasudevan @rouxpz.bsky.social · 10/03/2025
Encompassing three thematically connected shows on view across North America in mid-2025, the Data Fluencies exhibition series investigates art's potential for reimagining our often-narrow understandings of data and machine learning.
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roopa vasudevan @rouxpz.bsky.social · 10/03/2025
So proud to finally announce a project I have been organizing for the past 3 years. An enormous and endless thank you to the artists, galleries, and researchers who have collaborated with me on this ambitious effort. Save the date(s), and see you in Boston, Vancouver, and Lexington this spring. ✨
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roopa vasudevan @rouxpz.bsky.social · 13/02/2025
This project comes to mind: alt-text-as-poetry.net
alt-text-as-poetry.net
Alt Text as Poetry
Alt text is an essential part of web accessibility. It is often disregarded altogether or understood through the lens of compliance, as an unwelcome burden to be met with minimum effort. How can we in...
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LoVid @lovidlovid.bsky.social · 07/02/2025
I had to save this for
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Timnit Gebru @timnitgebru.blacksky.app · 29/01/2025
Friends, for something to be open source, we need to see 1. The data it was trained & evaluated on 2. The code 3. Model architecture 4. Model weights. DeepSeek only gives 3, 4. And I'll see the day that anyone gives us #1 without being forced to do so, because all of them are stealing data.
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jonathan w. y. gray @jwyg.bsky.social · 26/01/2025
the wonderful critical coding cookbook is now available as an #openaccess pdf ✨🫧💜 criticalcode.recipes featuring recipes from @xinemata.bsky.social @ann9na.bsky.social @joanachicau.bsky.social @renick.bsky.social @rouxpz.bsky.social @autolumi.bsky.social @anu1905.bsky.social @drs.bsky.social & more
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roopa vasudevan @rouxpz.bsky.social · 02/01/2025
🔀 Passion for data, the Internet, and infrastructures a plus! 💌 Reach out to rvasudevan AT umass DOT edu with a portfolio/expression of interest (no DMs please!). 🗣️ Feel free to circulate widely among your networks, and reach out with any questions!
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roopa vasudevan @rouxpz.bsky.social · 02/01/2025
Jumping right in here with a collab opportunity: 📣 Looking for a print and web designer to collaborate this spring on a catalog project for a series of three exhibitions I am organizing across the US and Canada. This may also extend to helping devise the graphic identity for these shows. (cont'd)
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roopa vasudevan @rouxpz.bsky.social · 09/12/2021
I have done a decent job of that so far, but the constant pressure to move in other, faster ways has become much more noticeable to me as a result.
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roopa vasudevan @rouxpz.bsky.social · 09/12/2021
A lasting consequence of the pandemic, for me, has been realizing that I want to build duration, discovery and reflection into my everyday life, not just when I have a moment to squeeze it in.
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roopa vasudevan @rouxpz.bsky.social · 09/12/2021
I find myself getting overwhelmed much more easily these days than pre-March 2020. Things move too quickly for me now (including, sometimes, my own head).
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roopa vasudevan @rouxpz.bsky.social · 10/09/2021
passed my proposal defense this morning - I'm officially ABD now. endlessly grateful to my committee: @johnljacksonjr, @bzelizer, @whkchun, @cshirky and jessa lingel (not on twitter). so excited about moving forward on this project!
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roopa vasudevan @rouxpz.bsky.social · 18/08/2021
Thank you to everyone who has read drafts, offered feedback, and pushed me to make this piece stronger over the last year! I am super excited that this work is now out in the world.
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roopa vasudevan @rouxpz.bsky.social · 18/08/2021
This article examines notions of reciprocity inherent in open source collaborative practices, and makes the case that corporations take advantage of trust and goodwill in these communities for their own financial gain.
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roopa vasudevan @rouxpz.bsky.social · 18/08/2021
After years of hearing anecdotal and isolated incidents where big companies co-opt open source technologies or renege on collaborations only to release the product on their own, I analyzed this practice as indicative of a larger corporate strategy.
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roopa vasudevan @rouxpz.bsky.social · 18/08/2021
Excited to announce a new article in New Media & Society, "Share and share unlike: reciprocity, corporate power and the open source ethos"! journals.sagepub.com/doi/10.1177/14…
journals.sagepub.com
Share and share unlike: Reciprocity, corporate power, and the open source ethos - Roopa Vasudevan, 2023
The “open source” model initially emerged as a way for programmers to collaborate on efforts to build and share code, but has since evolved to embody an ethos o...
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roopa vasudevan @rouxpz.bsky.social · 22/01/2021
The special issue of Media-N contains some really interesting pieces about new media and remix, and I'm excited to dive in further! @NMCcomm iopn.library.illinois.edu/journals/media…
iopn.library.illinois.edu
Vol. 17 No. 1 (2021): Forking Paths in New Media Art Practices: Investigating Remix | Media-N
This special issue of Media-N on contemporary approaches to remix was inspired by Jorge Luis Borges’s short story, “The Garden of Forking Paths,” a recurring point of reference in the development of media culture. Prior to terms such as new media, digital art, media art, and remix, Borges’s narrative exploration of bifurcation as a means of reflecting on the possibility of multiple simultaneous realities with no clear beginning or end has offered a literary and philosophical model for creative uses of emerging technology throughout the twentieth century. The essays included in this special issue provide a glimpse into the relation of Borgesian multiplicity and remix as an interdisciplinary methodology.
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roopa vasudevan @rouxpz.bsky.social · 22/01/2021
Excited to share a timely article in the latest issue of Media-N:I discuss two of my political (and Trump-related!) art projects, and explore how the use of remix leads to a destabilizing of narratives surrounding political and cultural norms. iopn.library.illinois.edu/journals/media…
iopn.library.illinois.edu
View of Proclamations and Paraphernalia: #Bellwether, Editor’s Notes, and the Art of Remixing the Political Document
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roopa vasudevan @rouxpz.bsky.social · 01/12/2020
Does anyone ever get to the point where they submit work NOT thinking it's complete trash? If so when does that happen? Asking for a friend #AcademicChatter #phdlife #phdstudent
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roopa vasudevan @rouxpz.bsky.social · 06/11/2020
Been keeping quiet on social media throughout this whole ordeal, but on a personal level I am feeling like the choice to move to Philly 2+ years ago was fated somehow.
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roopa vasudevan @rouxpz.bsky.social · 11/10/2020
both, simultaneously, all the time. t.co/4VgJJZB9Mh
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roopa vasudevan @rouxpz.bsky.social · 04/10/2020
In the midst of all of the chaos in the world, I will be presenting my work during the @eyebeamnyc Rapid Response fellowship on Tuesday afternoon, as part of a week-long program on the amazing #EyebeamRR cohort. RSVP here: rapidresponse.eyebeam.org
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roopa vasudevan @rouxpz.bsky.social · 24/09/2020
Valuable research plans come from being out in the world, not only reading what others have done. Yes studying is important, but having life experience outside of school can really make grad school so much richer and more generative.
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roopa vasudevan @rouxpz.bsky.social · 24/09/2020
What I didn’t realize was that all of my life experience would prove to be incredibly valuable as I got further into the program. It has led me to know what I want to research and to be able to make a solid plan to do it well ahead of schedule.
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roopa vasudevan @rouxpz.bsky.social · 24/09/2020
I was 34 when I started my PhD program and harbored a crippling insecurity for most of the first semester for being “behind”.
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roopa vasudevan @rouxpz.bsky.social · 06/08/2019
taking a social media break while I finish up some projects this month. I’m reachable on email, by text/phone, and messenger (not FB itself tho). see you on the other side ✌🏽
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roopa vasudevan @rouxpz.bsky.social · 19/07/2019
have been sitting on the tarmac at charlotte airport on this @AmericanAir flight for over TWO HOURS, ama
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roopa vasudevan @rouxpz.bsky.social · 16/07/2019
yet another example of how the priorities of people who build the tech are revealed through what is updated and what is not.
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roopa vasudevan @rouxpz.bsky.social · 16/07/2019
.@gmail can update my ads from a single email I send but can't be bothered to change a contact's preferred name in the autofill settings, even though I've been emailing this person with the correct one for literal YEARS.
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roopa vasudevan @rouxpz.bsky.social · 01/07/2019
to everyone going through a similar situation: i see you and i feel you. it might get less painful over time, but it doesn't ever really go away. all we can really do is find it in ourselves to keep trying. (11/)
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roopa vasudevan @rouxpz.bsky.social · 01/07/2019
this is all just to say that getting told no over and over again sucks, and we don't give each other enough credit for enduring it. this was an attempt to be honest about my experience in the hope that it might resonate with someone else. (10/)
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roopa vasudevan @rouxpz.bsky.social · 01/07/2019
the common response to this is "don't take it so personally" but how can you not, when you are expected to put so much of yourself into your work? how can you just compartmentalize that away, with no problem? (9/)
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roopa vasudevan @rouxpz.bsky.social · 01/07/2019
taking time to think or ruminate or just recover doesn't count anymore. creative production is valued for speed and volume in the same way as other forms of "productivity", and there's no room to stop, take a break, and just take stock of where you are. (8/)
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roopa vasudevan @rouxpz.bsky.social · 01/07/2019
and that same emphasis on success is what makes so-called "gaps" on a CV stand out in a bad way, or what highlights the difference between 3 and 10 exhibitions in a single year. (7/)
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roopa vasudevan @rouxpz.bsky.social · 01/07/2019
jumping back into a field after losing momentum is HARD. switching gears in your practice -- discovering that your work is pivoting in a direction you didn't anticipate and weren't prepared for -- is HARD. (6/)
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roopa vasudevan @rouxpz.bsky.social · 01/07/2019
in my case, it's really highlighting the fact that i have essentially been removed from many conversations i should have been a part of, because i lived abroad and prioritized teaching and academic service over my personal practice on many occasions. (5/)
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roopa vasudevan @rouxpz.bsky.social · 01/07/2019
this makes rejection, when it inevitably happens, feel *personal*. it feels like a value judgment on your ability, even though it might have happened for reasons that have nothing to do with you at all. (4/)
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roopa vasudevan @rouxpz.bsky.social · 01/07/2019
this is particularly egregious on social media, for reasons we have all heard before: the tendency to emphasize the good and erase the bad, to perform how great we're doing in front of everyone else. (3/)
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roopa vasudevan @rouxpz.bsky.social · 01/07/2019
as practitioners/researchers/producers, we don't talk about rejection enough. the overwhelming emphasis on success, publicity and accomplishment precludes it. (2/)
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roopa vasudevan @rouxpz.bsky.social · 01/07/2019
rejection season is always difficult for artists, but i have been having a particularly rough one this year, to the point where i have flirted on occasion with the idea of giving up my art career. (1/)
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roopa vasudevan @rouxpz.bsky.social · 28/06/2019
.@AnnenbergPenn love at the northernmost point in denmark: where the baltic and atlantic collide. #ASCsummerculture @ASCmediarisk @ZaneGTCooper @jeanna_sybert @ILangrock
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roopa vasudevan @rouxpz.bsky.social · 03/06/2019
new low: anxiety dreams about checking twitter after your talk
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roopa vasudevan @rouxpz.bsky.social · 03/06/2019
in minneapolis for @eyeofestival and doing some last-minute prep for my ignite talk tomorrow night! i'll be discussing dataDouble, identity, visibility and protest. can't wait for this!
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roopa vasudevan @rouxpz.bsky.social · 28/05/2019
and it's still going! find the livestream here: ustream.tv/channel/nyu-br…
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roopa vasudevan @rouxpz.bsky.social · 28/05/2019
really thankful for the decision made to livestream the #CriticalRaceDigitalStudies conference. i couldn't make it down to DC today but i'm so glad to still get to hear this conversation.
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roopa vasudevan @rouxpz.bsky.social · 27/05/2019
super excited to be speaking about new media art at @ICAPhiladelphia in july as part of their “extra credit” summer series. if you are in philly then, please come! would love to see you! icaphila.org/events/extra-c…
icaphila.org
Extra Credit: New Media and Technology in Contemporary Art - ICA Philadelphia
This session is devoted to exploring digital technology’s influence in contemporary art. We will examine works by artists considered to be groundbreaking in their use of new media, giving special attention to methodologies such as code-based design, physical computing, and Big Data. Our session will shift from interpreting the work to discussing its impact on…
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