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Provenance Lab @provenancelab.bsky.social · 19/06/2026

Impressions from an excellent conference at the Royal Museum of Fine Arts last week.

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Michela Vignoli @rockettara.bsky.social · 23/04/2026

Today #DArtHist #Austria is celebrating 10 years! 🥳 Talk by Prof. Dr. Lynn Rother #arthistory #ai #dh #dighum

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Provenance Lab @provenancelab.bsky.social · 15/04/2026

Provenance Lab field trip to the great exhibition „Grund und Boden“ at K21 in Düsseldorf. Foto by curator Kolja Reichert, who very kindly gave us a tour! 🙏🏼

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Provenance Lab @provenancelab.bsky.social · 24/03/2026

⚠️ New Publication ⚠️ Our chapter "Provenance as accountability: Transparent and verifiable cataloguing for the digital age" is here! This chapter proposes a strategic shift in provenance practice, moving from traditional pedigree models toward a digital framework of institutional accountability.

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Provenance Lab @provenancelab.bsky.social · 20/03/2026

📅 NEW DEADLINE: April 19, 2026 🔗 Survey: lnkd.in/dsiPBenV Available in English, French, German, Portuguese, and Spanish.

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Provenance Lab @provenancelab.bsky.social · 02/03/2026

We're updating the PAESE provenance research database of objects from colonial contexts in Lower Saxony, Germany. We are looking for perspectives from people connected to the communities these objects come from. Survey: forms.office.com/e/MqrJE5ybZA Deadline: March 17!

agustina.andreoletti As part of the PAESE 3.0 project, we're updating the PAESE provenance research database of objects from colonial contexts in Lower Saxony, Germany. We are looking for perspectives from people connected to the communities these * objects * come from (indigenous and non-indigenous community members, digital specialists, colonial and global historians, researchers, activists, museum professionals).
If any of these describe you or someone in your network, we'd love for you to take the survey and help shape this important work.

Survey: https://forms.office.com/e/MqrJE5ybZA
Deadline: March 17, 2026
Please share widely. The more perspectives, the more meaningful it becomes.
The contributions will be published in a Working Paper and will inform and guide how we move forward.

PAESE 3.0 is part of the "Digital Provenance and Collection Research" Science Space (Wissenschaftsraum-Initiative), funded by the Land Niedersachsen and the VolkswagenStiftung, as a joint effort between Leuphana University of Lüneburg, Carl von Ossietzky University of Oldenburg, Leibniz Universität Hannover, Jade Hochschule, Landesmuseum für Kunst und Kulturgeschichte Oldenburg -, the Deutsches Schifffahrtsmuseum, and the Netzwerk Provenienzforschung in Niedersachsen.

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Stefan Koldehoff @skoldehoff.bsky.social · 30/01/2026

AfD will Provenienzforschung abschaffen. Meine Einordnung im #Deutschlandfunk. www.deutschlandfunk.de/rolle-der-pr...

deutschlandfunk.de

Rolle der Provenienzforschung im AfD-Papier in Sachsen-Anhalt

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Provenance Lab @provenancelab.bsky.social · 18/02/2026

Here's a little write-up of our very successful Coding Provenance Workshop from our university's press office. Such good times were had! Look out for news about the second iteration of the workshop at the Getty in LA later this year.

leuphana.de

Coding Provenance Workshop: AI in Provenance Research

Tracing the journeys of artworks from their creation to the present remains a pressing, but also a complex, issue. The activities of dealers, collectors, and institutions offer a window into the often...

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Provenance Lab @provenancelab.bsky.social · 15/01/2026

One week left to apply for this position with the Provenance Lab!

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Provenance Lab @provenancelab.bsky.social · 10/01/2026

⚠️ Job Alert ⚠️ We are looking for a Post-Doc in Provenance Studies (till Dec 31, 2027, FT, TV-L 13). German language fluency essential. Deadline: January 22, 2026. More info at the link. Thank you for sharing and spreading the word. 🙏🏼 #jobalert #provenancestudies #leuphana

leuphana.de

Wissenschaftliche*r Mitarbeiter*in Provenienzforschung

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max koss 🦩 @maxkoss.com · 20/11/2025

CFP: "We invite proposals for a forthcoming edited volume that critically examines the infrastructures of art markets in Central and Eastern Europe during and after the socialist era." Deadline: November 30.

kemki.hu

Call for Papers | | KEMKI

Infrastructures of Selling Modern and Contemporary Art in Socialism and Postsocialism

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Provenance Lab @provenancelab.bsky.social · 14/11/2025

Lab team member Coco Amy Rufer presenting her research on price arguments in restitution cases at the 3rd Fachforum Kunsthandel der Moderne at Berlinische Galerie. 👏🏼

person standing at a lectern next to a screen with a slide.

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Provenance Lab @provenancelab.bsky.social · 16/07/2025

Are you a provenance researcher with no coding experience but curious about computational techniques? In collaboration with the Getty Provenance Index, we’re launching Coding Provenance, a workshop series specially designed for provenance researchers. Dec 18-21 in Lüneburg Germany.

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max koss 🦩 @maxkoss.com · 19/06/2025

Job! The @provenancelab.bsky.social is seeking research associates with computational experience and/or experience working with collections from colonial contexts (3 years, full-time.) If you know anyone who might be interested, please share. And distribute wherever you deem appropriate. Thx!

leuphana.de

Research Associate (m/f/d) PAESE 3.0

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Nancy Um @nancyum.bsky.social · 02/05/2025

Art historians, digital humanists, data scientists - explore the new Getty Provenance Index! A vast trove of high quality data about relationships between artists, dealers, collectors, and institutions. The new resources provide many opportunities for research and teaching with more to come.

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Provenance Lab @provenancelab.bsky.social · 04/04/2025

In "Taking Care of History: Toward a Politics of Provenance Linked Open Data in Museums" (2022), we have laid out a detailed vision for how museums should begin addressing the transformation of their provenance records into PLOD - Provenance Linked Open Data. #DigitalProvenance #PLOD

artic.edu

Taking Care of History: Toward a Politics of Provenance Linked Open Data in Museums | The Art Institute of Chicago

An account of the limitations of museums’ current approaches to presenting provenance data digitally that advocates for adopting a linked open data (LOD) approach.

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max koss 🦩 @maxkoss.com · 13/11/2024

Check it out! Our latest text from the Provenance Lab is out! #digitalprovenance #cataloguing #reparation

The Next Horizon of Museum Practice:
Voluntary Repatriation, Restitution, and Reparations
The Future of Provenance: Digital Cataloguing as Reparative Practice

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