Following an imminent UK run behind their new album, Somewhere Good

The latest Dopamine Chamber single comes with a John Angus Stewart visual

In which Pop sings about robots, blowjobs, shrewd producers, and how it’s “great to be a nepo kid”

His first proper new LP since 2009 compiles improvisational sessions recorded between 2012 and 2025 into one 46-minute instrumental

Listen to “The Sound Of Failure [2 Demos],” part of the new version’s arsenal of demos, B-sides, and live albums—plus a “Bohemian Rhapsody” cover

Doug Bradley, who played Pinhead in Clive Barker’s cult horror series, narrates the track

Howl marks the singer-songwriter’s first release under Verve/Interscope

The composer and organist is headed to New York, Los Angeles, and San Francisco

Tinashe’s eighth album is her best and bravest yet: more ambitious, more focused, and effortlessly in touch with the zeitgeist. It’s the best pop album of the year.

After records steeped in grief and heartbreak, the singer’s latest album is framed as a laid-back ode to Los Angeles, but it can be tough to tease out the substance behind the sunny vibes.

On her International Anthem debut, the Los Angeles-based singer threads R&B, jazz, and downbeat electronic into lovestruck reveries that still feel true to life.

Lorely Rodriguez’s fifth album contends with the grief of losing her childhood home in a wildfire. These songs still center her virtuosic voice, but sometimes smother her eccentric perspective.

Built from fragmented, pitch-shifted gurgles, the elusive artist’s latest transmission has a disarming earnestness.

The collab appears on Angèle’s forthcoming third album, Instinct

It’s his first since 2022’s Hypochondriac

“Tina Tuesday Freestyle” appears to be the first taste of upcoming album Act III

“The X-panded Universe” accompanies the news of a West Coast tour—Josh Tillman’s first without a full band in over a decade

Watch a trailer for Live at the Barbican’s accompanying concert film

For 40 years, J Mascis has quietly led his incredibly loud band into the annals of indie rock. But during his annual vacation in Cape Cod, he opened up about almost everything: interpersonal dynamics, why he has been short with journalists, and the delicate balance needed to keep the band going for as long as possible.

“I was thinking of people in my hometown of Rockford, Illinois. Wearing SpongeBob pajama pants to a funeral-type heads.”

Four new songs appended to last year’s blockbuster album do little to reverse the downward trajectory of the songwriter’s recent work.

On her fourth album, the Australian singer-songwriter surrenders to the idea of change, filling her warm, reassuring songs with poignant imagery and a greater sense of perspective.

The prolific songwriter goes back to the garage, revisiting the primal sound of his early work with the tighter craftsmanship he’s developed over the past decade.

The guitarist refracts yearning harmonic exercises performed by New York’s JACK Quartet through a variety of lenses, pushing the microtonal language of their compositions in unexpected directions.

The title track of the artist’s first major label album in eight years is its lighters-up climax.

From Lido Pimienta’s looped vocals to the restrained intricacy of American Football

Our weekly playlist highlights songs that our writers, editors, and contributors are listening to on repeat

The 12 ambient-classical songs are out now

Cara Delevingne makes an appearance too

“We didn’t add these songs to the album, but they were part of what I was feeling and discovering as we made it,” says Wonder

Anthony Gonzalez returns to his roots on a largely instrumental new album, but these compositions lack the drama and dynamism of his best work.

Saying more with reverb and echo than with words, the London producer’s new album gives the impression of ECM jazz records collaged into effortless sophisti-pop ballads.

The South African-born country singer’s latest album is a hell-and-back tale of addiction and redemption. But where other artists might opt for austerity, Peck goes all in on his usual pomp.

Righteous sociopolitical furor sounds timeless and accessible on the sextet’s third album, which combines Irish trad with rock and punk to interrogate history, identity, and class struggle.

Madonna brought backup, Bruno Mars bored us all, and Adam Lambert came to the rescue

Musgraves has also been covering the late country icon's songs on tour

Sombr, Julia Garner, and a joint-smoking Seth Rogen showed up too

Find out who won Video of the Year, Artist of the Year, Best New Artist, and more

Madonna, LISA, Yung Lean, Raye, Shaboozey, Sombr, and more took over the stage this year

She’ll star opposite Tom Holland and Margaret Qualley in the still-untitled Paul King film

A melting dress, a field of pink flowers, and some Sour throwbacks came together at the Hartford, Connecticut show

Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we revisit the British DJs’ monumental 1996 mix, a virtuosic blend of after-hours grooves and floor-filling intensity that helped to canonize the elusive sound of progressive house.

A 16-disc box set captures 14 months of live sets from the post-punk titans’ prime. Despite their dour reputation, they prove consistently thrilling on stage, led by Ian Curtis’ whirlwind intensity.

“Mr. Carter never engaged in any inappropriate conduct toward me whatsoever,” she wrote in a declaration

The New York City events were scrapped due to severe weather conditions

A would-be sweet love song set in Travis Kelce’s home state is a nadir of the new The Life of a Showgirl: The Encore edition.

In a recent interview, the rock legend said Swift “doesn’t do anything particularly great except grow hair. She’s not a great singer. She’s not a great songwriter. She’s not a great dancer.”

Stream new releases from Tinashe, Gilla Band, Julia Jacklin, and M83

It’s his first new solo release since his 2022 album Hypochondriac

The Life of a Showgirl: The Encore is here