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Peter Bradshaw

@peterbradshaw1.bsky.social
3.6K followers 6 following 806 posts

Guardian film critic. My new Audible Original drama MERCY starring Joanna Scanlan is out now: www.audible.co.uk/pd/B0GGTQ9ZBY?sou…

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Peter Bradshaw @peterbradshaw1.bsky.social · 23h
My review of The Yellow Tie (dir. Serge Ioan Celebidachi) is up here: www.theguardian.com/film/2026/oc...
theguardian.com
The Yellow Tie review – John Malkovich gives major hauteur as legendary record-hating maestro
This biopic of Sergiu Celibidache, the renowned Romanian conductor who refused all recordings, is a sturdy labour of love directed by his son
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Peter Bradshaw @peterbradshaw1.bsky.social · 23h
My review of the re-release of The Craft (1996) (dir. Andrew Fleming) is up here: www.theguardian.com/film/2026/oc...
theguardian.com
The Craft review – cult high-school horror a reminder of the fearless 90s
The 30th-anniversary rerelease of this classic tackles the sensitivities of teenage anxiety with energy and confidence
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Peter Bradshaw @peterbradshaw1.bsky.social · 23h
My review of the re-release of 24 Hour Party People (2002) (dir. Michael Winterbottom) is up here: www.theguardian.com/film/2026/oc...
theguardian.com
24 Hour Party People review – daring metatextual paean to the Manchester music scene
Michael Winterbottom’s freewheeling 2002 film about Tony Wilson, champion of post-punk bands, couldn’t have starred anyone but Steve Coogan
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Peter Bradshaw @peterbradshaw1.bsky.social · 23h
My review of The Social Reckoning (dir. Aaron Sorkin) is up here: www.theguardian.com/film/2026/oc...
theguardian.com
The Social Reckoning review – Aaron Sorkin’s jittery sequel with all-new evil puppet Zuckerberg
Jeremy Strong’s slow-talking Facebook founder turns into a cameo, background to a thriller about a whistleblower that somehow never mentions Trump
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Peter Bradshaw @peterbradshaw1.bsky.social · 09/10/2026
My review of The Uprising (dir. Paul Greengrass) is up here: www.theguardian.com/film/2026/oc...
theguardian.com
The Uprising review – Paul Greengrass turns revolutionary rage into a Robin Hood origin myth
Andrew Garfield’s fictional ploughman joins the historical heroes of the 1381 Peasants’ Revolt in a dirt-caked, docudrama-style film with disconcertingly silly moments
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Peter Bradshaw @peterbradshaw1.bsky.social · 06/10/2026
Some thoughts on the late Eva Marie Saint: www.theguardian.com/film/2026/oc...
theguardian.com
Eva Marie Saint: the Hitchcock Blonde who outgrew the persona
Her glacial poise in North By Northwest made her a cinematic icon, but films including On the Waterfront and Loving revealed great subtlety alongside the glamour
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Peter Bradshaw @peterbradshaw1.bsky.social · 02/10/2026
My review of Digger (dir. Alejandro González Iñárritu) is up here; www.theguardian.com/film/2026/se...
theguardian.com
Digger review – Tom Cruise’s loudmouth oil tycoon goes hard in Alejandro G Iñárritu’s eco-satire
One man’s irresponsible drilling causes a global crisis in Iñárritu’s exasperatingly laborious, self-congratulatory film
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Peter Bradshaw @peterbradshaw1.bsky.social · 02/10/2026
My review of the re-release of Rapture (1979) (dir. Iván Zulueta) is up here: www.theguardian.com/film/2026/se...
theguardian.com
Rapture review – cult Spanish horror is a deeply strange cheese dream of cinemania
Pedro Almodóvar provides a vocal cameo and his style can be traced back to this influential film
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Peter Bradshaw @peterbradshaw1.bsky.social · 02/10/2026
My review of Verity (dir. Michael Showalter) is up here: www.theguardian.com/film/2026/se...
theguardian.com
Verity review – Dakota Johnson leaves teethmarks as she goes back to Fifty Shades erotic thriller territory
Anne Hathaway and Josh Hartnett co-star in this unconvincing mystery about a struggling writer who is asked to ghostwrite for a bestselling author
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Peter Bradshaw @peterbradshaw1.bsky.social · 02/10/2026
My review of Knife: The Attempted Murder Of Salman Rushdie (dir. Alex Gibney) is up here: www.theguardian.com/film/2026/oc...
theguardian.com
Knife: The Attempted Murder of Salman Rushdie review – terrifying and inspiring story of survival
Alex Gibney’s documentary follows the celebrated author’s life up to and after the attack, but what shines through is Rushdie’s remarkable courage
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Peter Bradshaw @peterbradshaw1.bsky.social · 02/10/2026
My review of Extra Geography (dir. Molly Manners) is up here: www.theguardian.com/film/2026/oc...
theguardian.com
Extra Geography review – a wickedly funny lesson in sex, class and female friendship
A boarding-school escapade becomes a wonderfully acted coming-of-age comedy, as two best friends find their world threatened by desire and adulthood
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Peter Bradshaw @peterbradshaw1.bsky.social · 02/10/2026
My review of the re-release of Take It Or Leave It (1981) (dir. Dave Robinson) is up here: www.theguardian.com/film/2026/oc...
theguardian.com
Take It or Leave It review – vividly atmospheric formative adventures of future pop princes Madness
Docufictional 1981 comedy captures the working-class ska-pop pranksters in their hungry years with an almost Loachian authenticity
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Peter Bradshaw @peterbradshaw1.bsky.social · 25/09/2026
My review of Hope (dir. Na Hong-jin) is up here: www.theguardian.com/film/2026/ma... (it premiered in Cannes earlier this year and gets its UK release today)
theguardian.com
Hope review – non-stop gonzo alien battling is top-quality entertainment
Na Hong-jin’s melee of running, chasing and shouting at the angry invaders is uproarious fun, mixing digital work with old-school spectacle
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Peter Bradshaw @peterbradshaw1.bsky.social · 25/09/2026
My review of Her Private Hell (dir. Nicolas Winding Refn) is up here: www.theguardian.com/film/2026/ma... (it premiered at Cannes earlier this year and gets its UK release today)
theguardian.com
Her Private Hell review – Nicolas Winding Refn’s shapeshifting fantasia is a dreamy swirl of strangeness
Refn’s film eludes definition as it moves through time and space, from doomy reality to strange dream worlds populated by quasi-Lynchian characters
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Peter Bradshaw @peterbradshaw1.bsky.social · 25/09/2026
My review of Sense And Sensibility (dir. Georgia Oakley) is up here: www.theguardian.com/film/2026/se...
theguardian.com
Sense and Sensibility review – Daisy Edgar-Jones leads sober-minded next-gen do-over of Austen romcom
With Edgar-Jones and Esmé Creed-Miles as the Dashwood sisters, this fresh take on a beloved classic is not to be confused with Ang Lee’s
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Peter Bradshaw @peterbradshaw1.bsky.social · 25/09/2026
My review of Heart Of The Beast (dir. David Ayer) is up here: www.theguardian.com/film/2026/se...
theguardian.com
Heart of the Beast review – Brad Pitt survivalist dogmance serves up wilderness with side of cheese
Pitt and loyal hound Odin get stuck in remote Alaska in this serviceable adventure with hints of Jack London and Marley & Me
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Peter Bradshaw @peterbradshaw1.bsky.social · 25/09/2026
My review of Boorman And The Devil (dir. David Kittredge) is up here: www.theguardian.com/film/2026/se...
theguardian.com
Boorman and the Devil review – enjoyable re-evaluation of the disaster that was Exorcist II: The Heretic
John Boorman generously details the mortifying experience of making a sequel to 1973 hit horror The Exorcist, which was widely and unfairly panned
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Peter Bradshaw @peterbradshaw1.bsky.social · 25/09/2026
My review of the re-release of Manhunter (1986) (dir. Michael Mann) is up here: www.theguardian.com/film/2026/se...
theguardian.com
Manhunter review – Michael Mann serves up a bold and queasy starter to the serial killer spectacle
Before Anthony Hopkins’ Dr Lecter in The Silence of the Lambs, Brian Cox played a cannibalistic killer in Mann’s pioneering Red Dragon adaptation
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Peter Bradshaw @peterbradshaw1.bsky.social · 25/09/2026
My review of Forgotten island (dirs. Joel Crawford, Januel P. Mercado) is up here: www.theguardian.com/film/2026/se...
theguardian.com
Forgotten Island review – best friends forever trapped in frantic DreamWorks animation
This over-controlled adventure never takes a breath or a moment to let its characters come to life
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Peter Bradshaw @peterbradshaw1.bsky.social · 28/08/2026
My review of De Gaulle: Résistance (dir. Antonin Baudry) is up here: www.theguardian.com/film/2026/au...
theguardian.com
De Gaulle: Résistance review – a galloping bromance for Churchill and France’s wartime hero
This biopic of the great Gallic general – which culminates at Bir Hakeim, in advance of a second film – is a fine, quietly amusing romp with a touch of classic 60s war films
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Peter Bradshaw @peterbradshaw1.bsky.social · 28/08/2026
My review of Spa Weekend (dirs. Jon Lucas, Scott Moore) is up here: www.theguardian.com/film/2026/au...
theguardian.com
Spa Weekend review – female answer to The Hangover spreads the slush with the massage oil
Despite stars Leslie Mann, Anna Faris and Isla Fisher and the writers behind The Hangover, this tale of friends at a luxury hotel is a dud
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Peter Bradshaw @peterbradshaw1.bsky.social · 26/08/2026
Some thoughts on the late Tim Curry: www.theguardian.com/film/filmblo...
theguardian.com
Farewell, Dr Frank-N-Furter: why Tim Curry’s Rocky Horror Show will go on
The versatile stage performer will always be remembered for his defining film role in The Rocky Horror Picture Show, which turned him into an icon of 70s underground cinema and proto-punk
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Peter Bradshaw @peterbradshaw1.bsky.social · 21/08/2026
My review of Teenage Sex And Death At Camp Miasma (dir. Jane Schoenbrun) is up here: www.theguardian.com/film/2026/ma... (it premiered at Cannes in May and gets its UK release today)
theguardian.com
Teenage Sex and Death at Camp Miasma review – Gillian Anderson superb in queer slasher spectacular
Young indie film-maker Kris tracks down Anderson’s Final Girl for a remake of a beloved horror, to find fantasy and reality collapsed
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Peter Bradshaw @peterbradshaw1.bsky.social · 21/08/2026
My review of A. Rimbaud (dir. Patrick Wang) is up here: www.theguardian.com/film/2026/au...
theguardian.com
A Rimbaud review – legendary poet’s unlikely transformation into entrepreneur is as odd as ever
Australian actor Blake Draper delivers a committed one-man performance tracking the writer as he morphs from enfant terrible to merchant
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Peter Bradshaw @peterbradshaw1.bsky.social · 21/08/2026
My review of Coyote Vs Acme (dir. Dave Green) is up here: www.theguardian.com/film/2026/au...
theguardian.com
Coyote Vs Acme review – quirky comedy returns from the dead to flip Wile E Coyote’s slapstick-violent world
After being shelved as a tax-writeoff, this Looney Tunes reboot redraws the hapless hunter as the Erin Brockovich of the cartoon world
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Peter Bradshaw @peterbradshaw1.bsky.social · 14/08/2026
My review of Steal This Story, Please! (dirs. Carl Deal, Tia Lessin) is up here: www.theguardian.com/film/2026/au...
theguardian.com
Steal This Story, Please! review – Amy Goodman, stalwart of the American left, shows her teeth
This comprehensive documentary about the Democracy Now! radio show host and seasoned investigative reporter takes in a massacre in East Timor, the actions of oil giants and a flustered Bill Clinton as...
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Peter Bradshaw @peterbradshaw1.bsky.social · 14/08/2026
My review of Don’t Say Good Luck (dir. Julia Hart) is up here: www.theguardian.com/film/2026/au...
theguardian.com
Don’t Say Good Luck review – high-school musical weepie puts Sunny Sandler in the spotlight
A mother’s illness threatens to overshadow a stagestruck teen’s big break in a school production
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Peter Bradshaw @peterbradshaw1.bsky.social · 14/08/2026
My review of The End Of Tom Six (dir. Tom Six) is up here: www.theguardian.com/film/2026/au...
theguardian.com
The End of Tom Six review – Human Centipede director delivers one last freaky flick
Now living with multiple sclerosis, Six rants about the masturbation film distributors won’t touch and the money mystery behind his horror hit
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Peter Bradshaw @peterbradshaw1.bsky.social · 13/08/2026
My vlog on Frank Capra’s Meet John Doe (1941) is up here, please click, watch, share and subscribe: youtu.be/wlCwste5LWk?...
youtu.be
PETER BRADSHAW reviews Ben Lerner’s TRANSCRIPTION and Frank Capra’s MEET JOHN DOE
YouTube video by Peter Bradshaw
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Peter Bradshaw @peterbradshaw1.bsky.social · 07/08/2026
My review of The Summer Book (dir. Charlie McDowell) is up here: www.theguardian.com/film/2026/au...
theguardian.com
The Summer Book review – Glenn Close powers sweet-natured take on Tove Jansson’s grief classic
This sensitive adaptation of Jansson’s 1972 novel, set in the beatific Gulf of Finland, is a quiet treatise on life and death
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Peter Bradshaw @peterbradshaw1.bsky.social · 07/08/2026
My review of Love Me Tender (dir. Anna Cazenave Cambet) is up here: www.theguardian.com/film/2026/au...
theguardian.com
Love Me Tender review – Vicky Krieps custody-battle drama is intelligent, sensual and bitter slice of life
Anna Cazenave Cambet’s adaptation of Constance Debré’s novel is a superbly acted and affecting – if restrained – portrait of child access and interpersonal strife
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Peter Bradshaw @peterbradshaw1.bsky.social · 07/08/2026
My review of the re-release of Nadja (1994) (dir. Michael Almereyda) is up here: www.theguardian.com/film/2026/au...
theguardian.com
Nadja review – Dracula’s daughter is divine in dreamy lo-fi modern vampire tale of predatory sexuality
Michael Almereyda’s 1994 horror romance is an indie gem – with a cameo from executive producer David Lynch as a morgue attendant
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Peter Bradshaw @peterbradshaw1.bsky.social · 07/08/2026
My review of Hunt For The Wilderpeople (2016) (dir. Taika Waititi) is up here: www.theguardian.com/film/2026/au...
theguardian.com
Hunt for the Wilderpeople review – Sam Neill is warm and wise in Taika Waititi’s goofily tremendous film
Waititi’s eccentric drama sends the late actor into the New Zealand wilderness with his young charge, angry authorities in hot pursuit
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Peter Bradshaw @peterbradshaw1.bsky.social · 07/08/2026
My review of the re-release of Practical Magic (1998) (dir. Griffin Dunne) is up here: www.theguardian.com/film/2026/au...
theguardian.com
Practical Magic review – Nicole Kidman and Sandra Bullock’s 90s witchy fantasy still enchants
Preceding a long-awaited sequel, Griffin Dunne’s supernatural suburban romance gets a big-screen rerelease. With its romcom quirk, buttery cinematography and stabs of black comedy, it remains a zany g...
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Peter Bradshaw @peterbradshaw1.bsky.social · 03/08/2026
Amazing, unfiltered interview with Phil Collins from Decca Aitkemhead - Collins says that he is really into truecrime stuff about serial killers - but doesn’t discuss Patrick Bateman’s fan-worship www.thetimes.com/magazines/th...
thetimes.com
Phil Collins at 75: ‘My personal life? It’s a minefield’
Two years ago, he lay on his deathbed in a Swiss hospital. Now the mega-selling singer is open to the idea of a fourth wife. ‘I’d love to be in love again,’ he tells Decca Aitkenhead
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Peter Bradshaw @peterbradshaw1.bsky.social · 31/07/2026
My review of the re-release of Billy Liar (1963) (dir. John Schlesinger) is up here: www.theguardian.com/film/2026/ju...
theguardian.com
Billy Liar review – Tom Courtenay is superb in classic study of a young man and his quixotic dreams
Courtenay gives a beautiful performance as the undertaker’s clerk who nurses preposterous ambitions. But the film is too quick to surrender them
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Peter Bradshaw @peterbradshaw1.bsky.social · 31/07/2026
My review of Wham! 10 Days In China (dir. Mike Christie) is up here: www.theguardian.com/film/2026/ju...
theguardian.com
Wham! 10 Days in China review – pop meets politics in George and Andrew’s great leap east
The duo’s groundbreaking 1985 tour reveals a strange collision of pop stardom and communism, a re-edit of Lindsay Anderson’s efforts that got him fired
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Peter Bradshaw @peterbradshaw1.bsky.social · 31/07/2026
My review of Spider-Man: Brand New Day (dir. Destin Daniel Cretton) is up here: www.theguardian.com/film/2026/ju...
theguardian.com
Spider-Man: Brand New Day review – Zendaya saves Tom Holland’s semi-Cronenberg-style superhero
Now 30, Holland is back as the vexed webslinger in a sometimes shocking, occasionally sluggish new instalment opposite his Odyssey castmate
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Peter Bradshaw @peterbradshaw1.bsky.social · 31/07/2026
My review of the re-release of Solo Sunny (1980) (dir. Konrad Wolf) is up here: www.theguardian.com/film/2026/ju...
theguardian.com
Solo Sunny review – a rueful East German gem of ambition, loneliness and faded dreams
Konrad Wolf’s 1980 drama follows a singer trying to escape the drab compromises of GDR life, capturing the melancholy of thwarted ambition with warmth and wit
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Peter Bradshaw @peterbradshaw1.bsky.social · 31/07/2026
My review of the re-release of Personal Problems (1980) (dir. Bill Gunn) is up here: www.theguardian.com/film/2026/ju...
theguardian.com
Personal Problems review – an exhilarating lo-fi epic of Black working-class life in 80s New York
The director of Ganja & Hess, Bill Gunn, turns analogue video and improvisation into a work of startling intimacy, humour and emotional force
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Peter Bradshaw @peterbradshaw1.bsky.social · 31/07/2026
My review of Tony (dir. Matt Johnson) is up here: www.theguardian.com/film/2026/ju...
theguardian.com
Tony review – knives out in tasty reheat of Anthony Bourdain’s memoir
Dominic Sessa stars as a conceited yet vulnerable young chef alongside Antonio Banderas – but the feelgood factor is compromised by what we know of the author
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Peter Bradshaw @peterbradshaw1.bsky.social · 29/07/2026
My vlog on Samuel Abrahams’s Lady is up here, please click, watch, share and subscribe: youtu.be/a9zGxEnD05s?...
youtu.be
PETER BRADSHAW reviews LADY
YouTube video by Peter Bradshaw
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Peter Bradshaw @peterbradshaw1.bsky.social · 27/07/2026
My vlog on Ratchapoom Boonbunchachoke’s A Useful Ghost is up here, please click, watch, share and subscribe: youtu.be/QLjWQt72neA?...
youtu.be
PETER BRADSHAW reviews A USEFUL GHOST
YouTube video by Peter Bradshaw
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Peter Bradshaw @peterbradshaw1.bsky.social · 24/07/2026
My review of A Useful Ghost (dir. Ratchapoom Boonbunchachoke) is up here: www.theguardian.com/film/2026/ju...
theguardian.com
A Useful Ghost review – exhilarating black comedy summons ghosts of Thai past via a haunted hoover
Ratchapoom Boonbunchachoke’s stylish and unique movie features an unquiet spirit that inhabits a vacuum cleaner, before political interests intervene
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Peter Bradshaw @peterbradshaw1.bsky.social · 24/07/2026
My review of The Dink (dir. Josh Greenbaum) is up here: www.theguardian.com/film/2026/ju...
theguardian.com
The Dink review – Jake Johnson’s pickleball comedy serves up engagingly silly laughs
Johnson is delusional ex-tennis player The Hammer, who has to switch to the sport he loathes after injury
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Peter Bradshaw @peterbradshaw1.bsky.social · 24/07/2026
My review of On The Sea (dir. Helen Walsh) is up here: www.theguardian.com/film/2026/ju...
theguardian.com
On the Sea review – tender fishermen’s boat-based tale of forbidden love far from prying eyes
Away from the disapproval of their Welsh fishing community, two men embark on a passionate affair in Helen Walsh’s poignant drama
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Peter Bradshaw @peterbradshaw1.bsky.social · 24/07/2026
My review of Ask E. Jean (dir. Ivy Meeropol) is up here: www.theguardian.com/film/2026/ju...
theguardian.com
Ask E Jean review – Trump survivor turns out to be tougher than he thought as she fights on
Ivy Meeropol’s engrossing film follows as former star columnist E Jean Carroll, now in her 80s, battles through an unfinished series of legal disputes
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Peter Bradshaw @peterbradshaw1.bsky.social · 24/07/2026
My review of the re-release of Nostalgia (1983) (dir. Andrei Tarkovsky) is up here: www.theguardian.com/film/2026/ju...
theguardian.com
Nostalgia review – Tarkovsky’s yearning cine-poem is deeply mysterious and profound
In the Russian director’s Italy-set 1983 great, a scholar has an existential crisis while researching the life of a composer
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Peter Bradshaw @peterbradshaw1.bsky.social · 24/07/2026
My review of the re-release of Nostalgia (1983) (dir. Andrei Tarkovsky) is up here: www.theguardian.com/film/2026/ju...
theguardian.com
Nostalgia review – Tarkovsky’s yearning cine-poem is deeply mysterious and profound
In the Russian director’s Italy-set 1983 great, a scholar has an existential crisis while researching the life of a composer
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Peter Bradshaw @peterbradshaw1.bsky.social · 17/07/2026
My review of The Odyssey (dir. Christopher Nolan) is up here: www.theguardian.com/film/2026/ju...
theguardian.com
The Odyssey review – Nolan goes god-tier with breathtaking epic of men, monsters and moral metamorphosis
Doing full justice to the Homeric legend, Christopher Nolan amasses an epic cast to convey the true cost of war with film-making of thrilling ambition
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