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Phillip Webster

@pdwebster.bsky.social
481 followers 403 following 18 posts

Director of Theatre at Thomas More University. Artistic Director of Southbank Shakespeare. PhD Student at the Institute of Historical Research, researching 19th c. forms of reenactment and reconstruction and Cincinnati's Pike's Opera House.

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Phillip Webster @pdwebster.bsky.social · 19/06/2026
If anyone's in the NKY/Cincy area this weekend, Southbank Shakespeare has three more FREE performances of Twelfth Night at the Thomas More University Observatory Lawn. Bring a chair or blanket and the show starts at 7pm.
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Phillip Webster @pdwebster.bsky.social · 03/06/2026
A clipping from The Buffalo Daily Republic Apr 19, 1859 talking about Pike's Opera House, demonstrating the 19th century's enduring love puns and wordplay! Honestly, this one's not bad :)
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Phillip Webster @pdwebster.bsky.social · 19/01/2025
I've never noticed any Pony Express adverts in the Cincy papers, so I was excited to find this today in the Daily Commercial, Apr 1, 1861. Although, it only existed for 1.5 yrs it survived in the collective imagination in dime novels and Wild West stories of all kinds in the 19th/20th centuries.
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Phillip Webster @pdwebster.bsky.social · 18/01/2025
Please enjoy John Leech's delightfully odd depiction of Faustulus discovering Romulus and Remus from Gilbert Abbott à Beckett's "The Comic History of Rome." Leech, also created the illustrations for "A Christmas Carol". Stumbled upon when looking through the Lincoln family's book collection.
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Phillip Webster @pdwebster.bsky.social · 10/01/2025
Looks like we might be snowed in again here. I know how I'm going to stay entertained...time to get crazy with some fireside games and giant puppets! #parlorgames #snowedin #winterwonderland
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Phillip Webster @pdwebster.bsky.social · 02/01/2025
Breaking out the toy theaters for New Years as is tradition.
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Phillip Webster @pdwebster.bsky.social · 21/12/2024
If anyone's looking for an 'artistic' hair cut in Cincinnati I've got a great recommendation for you. Daily Dramatic Review, Feb.4, 1861 #cincinnatihistory
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Phillip Webster @pdwebster.bsky.social · 17/12/2024
Just down the street at Wood's you could see the inimitable Maggie Mitchell in a new play entitled The Attorney and the Actress. Mitchell was a huge star for the latter half of the 19th c. and counted both J.W. Booth and Abraham Lincoln among her admirers. (2/2) #cincinnatihistory #theatrehistory
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Phillip Webster @pdwebster.bsky.social · 17/12/2024
OTD in 1859 renowned tragedian and master elocutionist James Murdoch was appearing at Pike's Opera House in The Stranger, in a company managed by Charles Barras who would go on to fame a few years later as the creator of The Black Crook on Broadway. (1/2)
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Phillip Webster @pdwebster.bsky.social · 05/12/2024
The Gale Sisters, who would all die tragically the following year in one of the most gruesome stage accidents in history, were performing a pas de deux. And in Pike’s exhibition hall Frederic Edwin Church’s iconic landscape "The Heart of the Andes" was on display as part of its national tour. (2/)
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Phillip Webster @pdwebster.bsky.social · 05/12/2024
OTD in 1860 was a great night to visit Pike’s with Emma Waller portraying Ophelia a few years before she’d portray the melancholy Dane herself and the future acclaimed tragedian and war hero William Sheridan as the Ghost. (1/2)
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Phillip Webster @pdwebster.bsky.social · 03/12/2024
OTD in 1861 you had two great choices for a night at the theatre in Cincinnati. You could see J.A.J. Neafie in “Metamora” or head over to Wood’s Theater to check out an up and comer with a very famous last name, John Wilkes Booth in “The Marble Heart.” #cincinnatihistory #theatrehistory
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Phillip Webster @pdwebster.bsky.social · 30/11/2024
If anyone needs me I'll be training with Capt Sherer this weekend. #skystorian #militaryhistory #cincinnatihistory (From the Cincinnati Daily Commercial c.1861)
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Phillip Webster @pdwebster.bsky.social · 29/11/2024
Hello BlueSky! Hoping to connect with #skystorians here. I’m writing a dissertation examining toy theaters, parlor theatricals and scrapbooks as forms of reconstruction and how they can be used to reanimate lost performance spaces like the mostly forgotten Pike’s Opera House in Cincinnati.
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