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Özden Turhan

@ozdenvirginia.bsky.social
4 followers 2 following 191 posts

reader, researcher and sometimes writer @ becomingvirginiawoolf.wordpress.com reviewer invited @ ijlls.org "Le bonheur est radical" H. Arendt

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Özden Turhan @ozdenvirginia.bsky.social · 1h
We come into the world We grow Dreaming of so many things to fulfil Though some remain unfulfilled… Then we say farewell to the world Life’s trajectory is that simple? I’m hearing Chopin’s nocturnes... 📷Upside Down, 2023. becomingvirginiawoolf.wordpress.com/2026/10/05/u...
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Upside Down
Özden Turhan, Upside Down, 2023. We come into the world We grow Dreaming of so many things to fulfil Though some remain unfulfilled… Then we say farewell to the world Life’s trajectory is that simp…
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Özden Turhan @ozdenvirginia.bsky.social · 01/10/2026
Struggles, humiliations, and hardships Are the enjeux of life. These are the moments that remind you of Who you are? What are you living for? What is the crucial point in your life? 📷Corinne Mercadier, Solo Series, Demain, 2011-2015. becomingvirginiawoolf.wordpress.com/2026/10/01/l...
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Life Again
Corinne Mercadier, Solo Series, Demain, 2011-2015. Struggles, humiliations, and hardships Are the enjeux of life. These are the moments that remind you of Who you are? What are you living for? What…
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Özden Turhan @ozdenvirginia.bsky.social · 28/09/2026
In an age marked by increasingly local and xenophobic tendencies, choosing the right patron therefore becomes, as Woolf puts it, one of the "tests and trials of authorship"... 📷Duane Michals, Not Becoming Then, 1978. becomingvirginiawoolf.wordpress.com/2026/09/28/r...
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Reflections on Virginia Woolf’s “The Patron and The Crocus”
Duane Michals, Not Becoming Then, 1978. It was during my PhD years that I came to understand the significance a “patron” may assume in one’s writing career. The choice of a guide is hardly without …
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Özden Turhan @ozdenvirginia.bsky.social · 24/09/2026
Standing at the threshold of the Gate, the Gate to Wonderland. Who may enter through this Gate? Identity, or civilisation? Bureaucracy, or merchants? 📷Francesca Woodman, Untitled (Self-portrait from the door series), Providence, 1976 becomingvirginiawoolf.wordpress.com/2026/09/24/t...
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The Keeper of the Gate
Francesca Woodman, Untitled (Self-portrait from the door series), Providence, 1976. Standing at the threshold of the Gate, the Gate to Wonderland. Who may enter through this Gate? Identity, or civi…
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Özden Turhan @ozdenvirginia.bsky.social · 21/09/2026
An inquiry into how ‘power’ can exert such an enormous force that even a ‘good man’ may stray from his fundamental principle of self-renunciation? 📷René Burri, Leonforte, Sicily, Italy, 1956. becomingvirginiawoolf.wordpress.com/2026/09/21/w...
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When Institutional Power Insinuates Itself into Religion: Can a Good Man Remain Good?
René Burri, Leonforte, Sicily, Italy, 1956. I read Woolf’s essay on Archbishop Thomson many times, trying to figure out her main claim. At first, I was confused about Woolf’s central concern: was i…
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Özden Turhan @ozdenvirginia.bsky.social · 17/09/2026
Whether yesterday’s grief repeats itself continually with the same melody, whether political objects create another loss ahead, this is the melody of modernity: the impossibility of arrival… 📷Eugène Atget, Coin de la rue Valette et Panthéon, 1925. becomingvirginiawoolf.wordpress.com/2026/09/17/i...
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Impossibility of Wholeness
Eugène Atget, Coin de la rue Valette et Panthéon, 1925. Once I was whole until I stumbled upon political objects. I didn’t realize that I was whole. When my wholeness broke apart, loss remained wit…
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Özden Turhan @ozdenvirginia.bsky.social · 14/09/2026
Reading the essay brought me back to the same question once again: when we introduce someone, what should we choose to emphasise? 📷Sally Mann, Untitled (Deep South #41), 1998. Thinking Aloud on Biography with Virginia Woolf’s "Lady Dorothy Nevill" becomingvirginiawoolf.wordpress.com/2026/09/14/t...
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Thinking Aloud on Biography with Virginia Woolf’s “Lady Dorothy Nevill”
Sally Mann, Untitled (Deep South #41), 1998. In Turkey, ever since my childhood, whenever someone has been asked to provide “a short biography,” the answer almost invariably begins with the person’…
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Özden Turhan @ozdenvirginia.bsky.social · 10/09/2026
Yet, there is always someone Who is never wet Ambiguity of lives occurs As a miracle or as surrealism? Reminiscent of Pessoa, in whose universe "We all have two lives: the true one and the false one" 📷Saul Leiter, Snow, 1970 becomingvirginiawoolf.wordpress.com/2026/09/10/a...
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Ambiguity of Lives
Saul Leiter, Snow, 1970. It is raining cats and dogs. Yet, there is always someone Who is never wet. Ambiguity of lives occurs As a miracle or as surrealism? Reminiscent of Pessoa, in whose univers…
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Özden Turhan @ozdenvirginia.bsky.social · 07/09/2026
When I was a child, I believed that being highly cultured meant being civilised—a faith echoed by Woolf, who saw art as a defence against barbarism. But do culture and civilisation truly go hand in hand? 📷August Sander, The Notary, Cologne, 1924 becomingvirginiawoolf.wordpress.com/2026/09/07/i...
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Is Being Highly Cultured Enough to Make You ‘Civilised’?
August Sander, The Notary, Cologne, 1924, MoMA. When I was a child, I believed that being highly cultured automatically meant being civilised. This conviction resonates with the faith that Virginia…
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Özden Turhan @ozdenvirginia.bsky.social · 03/09/2026
We—the innocence of the past—turned into ashes, While living. This is the new stereotype of genocide That political objects invent. 📷Sally Mann, Untitled from Deep South, 1998. Rising from the Ashes becomingvirginiawoolf.wordpress.com/2026/09/03/r...
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Rising from the Ashes
Sally Mann, Untitled from Deep South, 1998. Reminiscent of Giuseppe Tomasi di Lampedusa’s words: “Then all found peace in a heap of livid dust.” As if the past were ever-present… While witnessing h…
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Özden Turhan @ozdenvirginia.bsky.social · 31/08/2026
Reading "Miss Mitford", I found myself asking a question that remains strikingly relevant today: Can economic and social circumstances suppress—even stifle—human talent? 📷David Aimone, Edge of the Forest, 2023 becomingvirginiawoolf.wordpress.com/2026/08/31/c...
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Can Economic and Social Struggles Stifle Talent?
David Aimone, Edge of the Forest, 2023. Recently, particularly in Turkey, professions such as writing are often regarded as ‘leisure’ occupations rather than economically respectable careers. I sti…
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Özden Turhan @ozdenvirginia.bsky.social · 29/08/2026
With the #USOpen just one day away, it seems the perfect time to revisit my little ode to the most “cheerful” of Grand Slams — the power of mass culture!? 🎾 "There is nothing you can't do."😘 🎧Alicia Keys—New York music.apple.com/tr/song/empi... becomingvirginiawoolf.wordpress.com/2024/08/26/t...
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The Most “Cheerful” Tennis Tournament: US Open
“The only way of finding solution is to fight back, to move, to run, and to control that pressure” Rafael Nadal When talking about the tennis, it is usually evident that playing tennis under silent…
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Özden Turhan @ozdenvirginia.bsky.social · 27/08/2026
While humans chose the honest path but can’t get what they deserve, Animals take over everything, ignoring honesty…. 📷Fan Ho, Journey to Uncertainty, 1956. Human becomingvirginiawoolf.wordpress.com/2026/08/27/h...
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Human
Fan Ho, Journey to Uncertainty, Hong Kong, 1956. What distinguishes humans from animals? While chimpanzees share the same genes as humans Choosing kindness instead of surrendering to instinctive de…
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Özden Turhan @ozdenvirginia.bsky.social · 24/08/2026
Can Russian literature, which has long been embraced in Turkey and perhaps in many other Eastern societies, truly be understood through a Western perspective? 📷Alexey Titarenko, Woman on the Corner, 1995. becomingvirginiawoolf.wordpress.com/2026/08/24/t...
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The Role of Culture in Literature: “The Russian Point of View”
Alexey Titarenko, Woman on the Corner, 1995. Can Russian literature, which has long been embraced in Turkey and perhaps in many other Eastern societies, truly be understood through a Western perspe…
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Özden Turhan @ozdenvirginia.bsky.social · 20/08/2026
Antagonism anchored the world— I was interrupted by nature. It is not nature that reduces the world to a dichotomous perspective; rather, infinite colours gleam everywhere... Is this modernity’s way of governing? 📷Saul Leiter, Paris, 1959. becomingvirginiawoolf.wordpress.com/2026/08/20/b...
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Beam of Light…
Saul Leiter, Paris, 1959. A beam of light reflects through the half-open window. A beam of light shines on someone, while the rest remains in darkness. Antagonism anchored the world— I was interrup…
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Özden Turhan @ozdenvirginia.bsky.social · 17/08/2026
As Woolf reminds us through Pilkington, a woman writer is often judged by her personal life rather than her work. George Eliot, by contrast, built her reputation on her writing, intellect, sympathy, and profound understanding of human nature... becomingvirginiawoolf.wordpress.com/2026/08/17/t...
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The Power of Sympathy and Understanding in Virginia Woolf’s “George Eliot”
François d’Albert-Durade, George Eliot (Mary Anne Evans), 1849. To be judged is often to discover the value of understanding. Having experienced the limitations imposed by social prejudice, George …
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Özden Turhan @ozdenvirginia.bsky.social · 13/08/2026
Spontaneity reveals genuine harmony, whereas the centre creates a fictitious world— one that appears to embrace difference, yet, in reality, regulates difference through unity. 📷Saul Leiter, Walk with Soames, 1958. Structural Lack! becomingvirginiawoolf.wordpress.com/2026/08/13/s...
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Structural Lack!
Saul Leiter, Walk with Soames, 1958. Why is there a centre? Does a centre regulate order, or sustain polyphony? Does outstanding, harmonious coexistence depend upon the existence of a centre, or ra…
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Özden Turhan @ozdenvirginia.bsky.social · 10/08/2026
How can writers who grew up under almost identical conditions create such profoundly different literary worlds? 🎨Caspar David Friedrich, Chalk Cliffs on Rügen, 1818. The Immensity of Nature: “Jane Eyre and Wuthering Heights” becomingvirginiawoolf.wordpress.com/2026/08/10/t...
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The Immensity of Nature: “Jane Eyre and Wuthering Heights”
Caspar David Friedrich, Chalk Cliffs on Rügen, 1818. In contemporary society, similarity often appears to be more highly valued than personality. Families, educational systems, and social environme…
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Özden Turhan @ozdenvirginia.bsky.social · 06/08/2026
Interweaving voices, like railway lines. Can voices change as much as railway lines? Different directions As if life altered the lives of subjects, instead of their own. Or does the interweaving of voices signal liberation from destiny? 📷Stop, 2012 becomingvirginiawoolf.wordpress.com/2026/08/06/s...
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Stop
Özden Turhan, Stop, 2012. Interweaving voices, like railway lines. Can voices change as much as railway lines? Different directions… As if life altered the lives of subjects, instead of their own. …
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Özden Turhan @ozdenvirginia.bsky.social · 03/08/2026
Read together, Austen and Woolf invite a broader question: is ladyhood an inherited social identity, or is it a social status continually produced through marriage and the expectations attached to it? 📷Sarah Moon, Maria Grazia Pour Dior II, 2024. becomingvirginiawoolf.wordpress.com/2026/08/03/t...
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The Politics of Conformity in “Jane Austen”
Sarah Moon, Maria Grazia Pour Dior II, 2024. Although Jane Austen is widely regarded as one of the greatest novelists in English literature, I have never found myself attracted to her fiction. Even…
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Özden Turhan @ozdenvirginia.bsky.social · 30/07/2026
The peak of rhythm gives way to silence, As if silence were akin to the end of intensities. Reminding me of Pessoa’s lines: “In the end everyone received what was theirs; I was left only with weariness” 📷Intensities, 2005. becomingvirginiawoolf.wordpress.com/2026/07/30/i...
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Intensities
Özden Turhan, Intensities, 2005. Listening to the rhythm of life, There are many more intensities. The peak of rhythm gives way to silence, As if silence were akin to the end of intensities. Remind…
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Özden Turhan @ozdenvirginia.bsky.social · 27/07/2026
Can a woman preserve her wit, refinement, and dignity when everything else—wealth, reputation, and security—has been taken away? 🎨Richard Purcell, Laetitia Pilkington, 1760. A Great Lady amidst Debris: “Laetitia Pilkington” becomingvirginiawoolf.wordpress.com/2026/07/27/a...
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A Great Lady amidst Debris: “Laetitia Pilkington”
Richard Purcell, Laetitia Pilkington, 1760. “From St. James’s Street and its noble benefactors she migrated to Green Street to lodge with Lord Stair’s valet de chambre and his wife, who washed for …
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Özden Turhan @ozdenvirginia.bsky.social · 23/07/2026
Once the classical gives way to modernity, Who are the classics now? Traditionalists… whose lives remind me of Blanchot’s “La Communauté Inavouable”... 📷Top of the Mountain, 2005. becomingvirginiawoolf.wordpress.com/2026/07/23/t...
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Top of the Mountain!
Özden Turhan, Top of the Mountain, 2005. How I wish to anticipate the future, Or the future of everything. I am always in shock when I witness How they can plan their future, as well as The future …
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Özden Turhan @ozdenvirginia.bsky.social · 20/07/2026
“The obscure sleep on the walls slouching against each other as if they were too drowsy to stand upright. Their backs are flaking off; their titles often vanished. Why disturb their sleep?” Virginia Woolf 📷Eugène Atget, Cour de Rouen, 1898 becomingvirginiawoolf.wordpress.com/2026/07/20/l...
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Lights amidst Dust: “Taylors and Edgeworths”
Eugène Atget, Cour de Rouen, 1898. Reminiscent of Henri Lefebvre’s reflections on everyday life, Virginia Woolf’s The Lives of the Obscure demonstrates how apparently insignificant details can illu…
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Özden Turhan @ozdenvirginia.bsky.social · 16/07/2026
it is the sound of modernity. When difference culminate at the top of life, There is always non-political subject who falls... 📷Alexey Titarenko, City of Shadows Series, 1991-1994 Sound of Modernity becomingvirginiawoolf.wordpress.com/2026/07/16/s...
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Özden Turhan @ozdenvirginia.bsky.social · 13/07/2026
“Sophocles would take the old story of Electra, for instance, but would at once impose his stamp upon it. Of that, in spite of our weakness and distortion, what remains visible to us?” Virginia Woolf 📷Ara Güler, Aphrodisias, 1958. becomingvirginiawoolf.wordpress.com/2026/07/13/b...
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Broken Rhythms: “On Not Knowing Greek”
Ara Güler, Aphrodisias, 1958. For many years, I have been thinking about whether translation is based on the search for mutual meaning or for cultural rhythms. In On Not Knowing Greek, Woolf demons…
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Özden Turhan @ozdenvirginia.bsky.social · 09/07/2026
“Stop violence against women,” Proclaimed by authoritarians— Those who wear the costume of ‘feminist,’ Yet in reality ridicule women, saying, “just a woman,” Not by man, but by wo-man! 📷Barbara Kruger, Your Body is a Battleground, 1989 Propaganda becomingvirginiawoolf.wordpress.com/2026/07/09/p...
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Propaganda
Barbara Kruger, Your Body is a Battleground, 1989. Every corner I wander, I hear the same nonsensical propaganda— Like anthems, Loudly proclaimed and endlessly repeated, Of course, with hands raise…
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Özden Turhan @ozdenvirginia.bsky.social · 06/07/2026
Addison emerges as a figure of social temperance amid the divisions of eighteenth-century England. [...] Literature and sociology become inseparable in Addison’s prose... 🎨Michael Dahl, Joseph Addison, 1719 The Social Art of Prose in Joseph Addison becomingvirginiawoolf.wordpress.com/2026/07/06/t...
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The Social Art of Prose in Joseph Addison
Michael Dahl, Joseph Addison, 1719, National Portrait Gallery, London. For years, I have been drawn to a form of literature grounded not in psychological excavation but in conversation, sociability…
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Özden Turhan @ozdenvirginia.bsky.social · 02/07/2026
Living as if everyone were innocent, Living as if the elders around you stood To protect you — or to reflect their notorious labels? I had a wonderful childhood… Until elders surrounded my world 📷Sally Mann, Eyeless in Col Alto, 1993. Childhood becomingvirginiawoolf.wordpress.com/2026/07/02/c...
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Childhood
Sally Mann, Eyeless in Col Alto, 1993. Living as if everyone were innocent, Living as if the elders around you stood To protect you — or to reflect their notorious labels? I had a wonderful childho…
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Özden Turhan @ozdenvirginia.bsky.social · 29/06/2026
For years, I've wondered why readers are so drawn to Dostoyevsky, Hugo, and Defoe's criminal protagonists. Sociologically, these novels may mirror society—but do they also romanticize criminality? A Strange Simplicity in Virginia Woolf’s “Defoe” becomingvirginiawoolf.wordpress.com/2026/06/29/a...
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A Strange Simplicity in Virginia Woolf’s “Defoe”
Sir Godfrey Kneller, Daniel Defoe, 17th – 18th century, National Maritime Museum. For a long time, I kept murmuring to myself, “What on earth do people find so compelling in Fyodor Dostoyevsky, Vic…
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Özden Turhan @ozdenvirginia.bsky.social · 25/06/2026
Remorse rules decisions With a strange satisfaction— Oh! Satisfaction! That is the keystone of rotten spirit If it is born of envy A rotten spirit then engulfs you... 📷Trent Parke, The Camera is God, 2013. Rotten Spirit becomingvirginiawoolf.wordpress.com/2026/06/25/r...
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Rotten Spirit
Trent Parke, The Camera is God, 2013. Remorse rules decisions With a strange satisfaction— Oh! Satisfaction! That is the keystone of rotten spirit If it is born of envy A rotten spirit then engulfs…
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Özden Turhan @ozdenvirginia.bsky.social · 22/06/2026
Woolf’s fascination with John Evelyn’s diary suggests that the diary is a coded form of consciousness. Why, then, might the diary be understood as a code? 🎨Robert Walker, John Evelyn. Diaries as a Code of Consciousness: “Rambling Round Evelyn” becomingvirginiawoolf.wordpress.com/2026/06/22/d...
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Diaries as a Code of Consciousness: “Rambling Round Evelyn”
Robert Walker, John Evelyn, 1648-1656. What I venerate in Virginia Woolf is her capacity to perceive what remains obscure beneath the surface of history. It is as though she illuminates the past in…
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Özden Turhan @ozdenvirginia.bsky.social · 18/06/2026
Thinking without hindrance, Speaking without calculating words, Manipulating them according to desire, Only to fall into a trap— Like a chess game... 📷Duane Michals, Death Comes to the Old Lady, 1969. Stereotype becomingvirginiawoolf.wordpress.com/2026/06/18/s...
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Stereotype
Duane Michals, Death Comes to the Old Lady, 1969. Thinking without hindrance, Speaking without calculating words, Manipulating them according to desire, Only to fall into a trap— Like a chess game,…
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Özden Turhan @ozdenvirginia.bsky.social · 15/06/2026
"Her simplicity is so open;her intelligence so active; her sympathy with fairies and animals so true and tender." Virginia Woolf 🎨Sir Godfrey Kneller, Lady Margaret Cavendish, 1683 A Rising Feminine Voice: “The Duchess of Newcastle” becomingvirginiawoolf.wordpress.com/2026/06/15/a...
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A Rising Feminine Voice: “The Duchess of Newcastle”
Sir Godfrey Kneller, Lady Margaret Cavendish, Duchess of Newcastle, 1683. It was in 1988 that I began elementary public school, where students had already been categorised according to their birthp…
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Özden Turhan @ozdenvirginia.bsky.social · 11/06/2026
What matters is to feel Without feelings, A mechanical mind engulfs you 📷Saul Leiter, Street Scene, 1959. Feelings becomingvirginiawoolf.wordpress.com/2026/06/11/f...
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Feelings
Saul Leiter, Street Scene, 1959. What matters is to feel Without feelings, A mechanical mind engulfs you Feelings help you endure Feelings foresee danger Feelings show the way While you keep losing…
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Özden Turhan @ozdenvirginia.bsky.social · 08/06/2026
"For beyond the difficulty of communicating oneself, there is the supreme difficulty of being oneself." Virginia Woolf 📷Bill Brandt, Cuckmere River, Sussex, 1963. The Keeper of the Keys of Solitude: Montaigne becomingvirginiawoolf.wordpress.com/2026/06/08/t...
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The Keeper of the Keys of Solitude: Montaigne
Bill Brandt, Cuckmere River, Sussex, 1963. In the summer of 1996, it was a dark and crowded night. As usual, our house was full of guests. I was searching for a place to conceal myself amid the cro…
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Özden Turhan @ozdenvirginia.bsky.social · 04/06/2026
Enough to understand each different voice Enough to look at every possible angle Enough not to judge Enough to see what cannot be seen with naked eye Now it’s time to stop. 📷Fan Ho, Approaching Shadow, 1954. Enough becomingvirginiawoolf.wordpress.com/2026/06/04/e...
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Enough
Fan Ho, Approaching Shadow, 1954. Enough to speak with multitude Enough to understand each different voice Enough to look at every possible angle Enough not to judge Enough to see what cannot be se…
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Özden Turhan @ozdenvirginia.bsky.social · 01/06/2026
Why Woolf engages in such a profound dialogue with the Elizabethans? 📷Sally Mann, Deep South, Untitled, 1998. The Echoes of Historical Consciousness in Literature: “Notes on an Elizabethan Play” becomingvirginiawoolf.wordpress.com/2026/06/01/t...
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The Echoes of Historical Consciousness in Literature: “Notes on an Elizabethan Play”
Sally Mann, Deep South, Untitled, 1998. The exquisite and sublime syntax of Elizabethan literature stems from Renaissance thought in Great Britain, where nautical explorations, voyages into unknown…
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Özden Turhan @ozdenvirginia.bsky.social · 28/05/2026
That was the story of how envy engulfed gratitude… 📷Wolfgang Tillmans, Ostgut Freischwimmer, Left, 2004. How becomingvirginiawoolf.wordpress.com/2026/05/28/h...
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How
Wolfgang Tillmans, Ostgut Freischwimmer, Left, 2004. I worked hard, yet I failed I worked smart, yet I failed How could it happen? Life is opposite of mathematics She cheated, yet she succeeded She…
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Özden Turhan @ozdenvirginia.bsky.social · 25/05/2026
“What if the known world was only the prelude to some more splendid panorama?” Virginia Woolf 📷Bill Brandt, Coal-Searcher Going Home to Jarrow, 1970s. The Jumble of Literary Hub in Woolf’s “The Elizabethan Lumber Room” becomingvirginiawoolf.wordpress.com/2026/05/25/t...
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The Jumble of Literary Hub in Woolf’s “The Elizabethan Lumber Room”
Bill Brandt, Coal-Searcher Going Home to Jarrow, 1970s. In glancing at Virginia Woolf’s essay, the first question that came to my mind was how one might understand the relationship between nautical…
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Özden Turhan @ozdenvirginia.bsky.social · 23/05/2026
While counting down to #RolandGarros, I keep thinking about performance, rhythm, and the strange pressure to appear "real." Here's what I wrote about it previously—awkward,excessive, but perhaps still honest. Good luck to everyone! “Keep it Real!” becomingvirginiawoolf.wordpress.com/2025/06/09/k...
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“Keep it Real!”
The vestige of Roland Garros 2025 is a heartbroken story…. The tournament began and ended with idyllic ceremonies organized by the tournament directors who let to remind us of the crucial role of t…
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Özden Turhan @ozdenvirginia.bsky.social · 21/05/2026
What was it to be remembered? What was it to be called? What was it to be missed? 📷Sally Mann, The Turn, 2005. Forgotten becomingvirginiawoolf.wordpress.com/2026/05/21/f...
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Forgotten
Sally Mann, The Turn, 2005. What was it to be remembered? What was it to be called? What was it to be missed? Forgotten What was it to live? The vestige of life is imposed loneliness Forgotten Like…
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Özden Turhan @ozdenvirginia.bsky.social · 18/05/2026
Why does Woolf turn back to the manuscripts and fragmented traces of the Elizabethan age? 📷Francesca Woodman, Self-portrait at Thirteen, Colorado, 1972. Pre-individual Fluidity in Virginia Woolf’s “The Strange Elizabethans” becomingvirginiawoolf.wordpress.com/2026/05/18/p...
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Pre-individual Fluidity in Virginia Woolf’s “The Strange Elizabethans”
Francesca Woodman, Self-portrait at Thirteen, Colorado, 1972. While reading Woolf’s essay The Strange Elizabethans, one question repeatedly returned to my mind: why does Woolf turn back to the manu…
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Özden Turhan @ozdenvirginia.bsky.social · 14/05/2026
Ce que la psychiatrie fait à l’intelligence humaine : La rend-elle artificielle ? Le cerveau humain pourraient-il être contrôlé ? 📷Joan Fontcuberta & Pilar Rosado, série Frenografías, 2021. L’humain Artificiel becomingvirginiawoolf.wordpress.com/2026/05/14/l...
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L’humain Artificiel
Joan Fontcuberta & Pilar Rosado, série Frenografías, 2021. Ce que la psychiatrie fait à l’intelligence humaine : La rend-elle artificielle ? Le cerveau humain pourraient-il être contr…
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Özden Turhan @ozdenvirginia.bsky.social · 11/05/2026
Why are we writing? "[…] containing essays written between 1870 and 1920, certain principles appear to control the chaos..."Virginia Woolf 📷Bill Brandt, Bombed Regency Staircase, 1942. Thinking aloud on Writing an Essay: “The Modern Essay” becomingvirginiawoolf.wordpress.com/2026/05/11/t...
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Thinking aloud on Writing an Essay: “The Modern Essay”
Bill Brandt, Bombed Regency Staircase, Upper Brook Street, Mayfair, 1942. I have long been writing blog articles—a kind of modern essay—trying to remain elusive in relation to classical essay forms…
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Özden Turhan @ozdenvirginia.bsky.social · 07/05/2026
Reducing Three Guineas merely to an anti-war or feminist essay would be insufficient, since its aesthetic structure reveals something far more complex... 📷Bill Brandt, After the Celebration, 1934 At the Threshold of Totalitarianism: “Three Guineas” becomingvirginiawoolf.wordpress.com/2026/05/07/a...
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At the Threshold of Totalitarianism: “Three Guineas”
Bill Brandt, After the Celebration, 1934. Virginia Woolf’s epistolary Three Guineas unveils a central tension within the socio-political structure of the 1930s, one that may be interpreted as a con…
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Özden Turhan @ozdenvirginia.bsky.social · 04/05/2026
I don’t feel anything anymore Joy has abandoned me Hopeless moments lie ahead Resisting against the waves of metamorphosis... 📷Sarah Moon, Pauline, n.d. Metamorphosis Metamorphosis becomingvirginiawoolf.wordpress.com/2026/05/04/m...
becomingvirginiawoolf.wordpress.com
Metamorphosis
Sarah Moon, Pauline, n.d. I don’t feel anything anymore Joy has abandoned me Hopeless moments lie ahead Resisting against the waves of metamorphosis Once Dorian threatened: “I will reduce you to or…
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Özden Turhan @ozdenvirginia.bsky.social · 30/04/2026
Imposing their local culture Where the settlement occurred Those who seek tragedy and rebirth. What would happen, If autochthons and migrants collide? 📷Ansel Adams, Kings River Canyon, Middle Fork,1935. Migrants becomingvirginiawoolf.wordpress.com/2026/04/30/m...
becomingvirginiawoolf.wordpress.com
Migrants
Ansel Adams, Kings River Canyon, Middle Fork,1935. Imposing their local culture Where the settlement occurred Those who seek tragedy and rebirth. What would happen, If autochthons and migrants coll…
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Özden Turhan @ozdenvirginia.bsky.social · 27/04/2026
Woolf foregrounds that truth and realism are not synonymous, revealing history as inherently ambiguousand mediated through language and consciousness. 📷Alfred Stieglitz, Spring Showers—The Street Cleaner,1900. Between the Acts: ‘I’ or ‘We’? becomingvirginiawoolf.wordpress.com/2026/04/27/b...
becomingvirginiawoolf.wordpress.com
Between the Acts: ‘I’ or ‘We’?
Alfred Stieglitz, Spring Showers – The Street Cleaner, 1900. Virginia Woolf’s novel Between the Acts is set on the eve of the Second World War, in June 1939. Woolf opts for narration through a trad…
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Özden Turhan @ozdenvirginia.bsky.social · 23/04/2026
There are doubtless those who always win Without working. There are doubtless those who always loose Even though they work. And the result? 📷Diane Arbus, Child with a toy hand grenade in Central Park, N.Y.C., 1962. Weariness of Looking becomingvirginiawoolf.wordpress.com/2026/04/23/w...
becomingvirginiawoolf.wordpress.com
Weariness of Looking
Diane Arbus, Child with a toy hand grenade in Central Park, N.Y.C., 1962. There are doubtless those who always win Without working. There are doubtless those who always loose Even though they work.…
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