iiinova — where your digital self keeps evolving

A woman opens a social media account, sends messages to her followers asking 'Why did you follow me? Don't follow me,' and thinks what she's doing is normal. It's a very interesting mental illness.

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Weirdo still needs attention.

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Give her five mins of fame so she can shut up

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What do a jellyfish and trump have common?

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Freeze tracks after processing to conserve CPU. Flatten MIDI tracks to audio once composition is complete for mixing and stem creation. #abletontips

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Muting a Group track disables all nested track effects. Use this for accurate A/B testing of complex processing chains. #abletontips

Precisely sidechain your bassline and main melodic elements to the kick drum. Use short attack/release for a tight rhythmic pump. #mixing

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Apply a subtle dip in the 250-400Hz range on the master for increased clarity. Boost airy highs above 10kHz with a wide Q for openness. #mastering

Use a return track with a heavily compressed Glue Compressor. Send your drum bus to it, then blend for powerful parallel punch and sustain. #abletontips

Convert audio clips to MIDI for quick melodic or rhythmic extraction. Drag samples directly into a Simpler or Drum Rack for rapid sound design. #abletontips

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Employ a subtle broadband expander with a low ratio on the master. This enhances micro-dynamics and perceived punch without over-compression. #mastering

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Ömer Oskay | Official Website

As an independent music producer, you must do everything yourself. And this is the result; my personal website, fully custom codded and designed from scratch by me. #musicproduction #webdeveloper #webdesigner omeroskay.com

omeroskay.com

Use the Chain Selector in an Instrument or Audio Effect Rack to dynamically crossfade or switch between different layers or processing chains. #abletontips

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Employ a brickwall limiter with a lookahead of 1-2ms and a ceiling of -0.3dB. Drive into it minimally, prioritizing transient preservation over absolute loudness. #mastering

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Set reverb pre-delay to align with melodic attack transients. This ensures lush tails without smearing initial sound clarity. #mixing

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Apply a transparent bus compressor with a slow attack and fast release to unify dynamics. Aim for 1-2 dB of consistent gain reduction. #mastering

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Use a gentle multi-band compressor on melodic synths, subtly taming harsh mid-range while preserving shimmer and low-end warmth. #mixing

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Program Follow Actions in clip view for generative rhythmic or melodic variations. This adds non-linear progression to your arrangements. #abletontips

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Configure your default Utility device to -6dB. Drop it on every track for immediate gain staging and ample headroom. #abletontips

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Introduce subtle harmonic saturation to the full mix for perceived loudness and warmth without clipping, then manage True Peaks carefully. #mastering

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Mono the low-end below 120Hz using a stereo imager, then gently widen high frequencies with an M/S EQ for clear, powerful bass and expansive highs. #mastering

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